THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN AND THE INTERESTS OF ORGANISTS
Sixty-fourth Year~ No. 7 - Whole No. 763 J UNE. 19i3 Subscriptions .$4.00 a year - 40 cents a copy
UNION SEMINARY SCHOOL OF METHODIST MUSICIANS SACRED MUSIC CONCLUDES TO MEET IN FLORIDA WITH MAY FESTIVAL SERVICE The biennial convention of the Fel· A festival service of thanksgi\,jng for Imvship of United Methodist Musicians the School of Sacred Music was held at will be held from Aug. 5 through Aug, Union Theological Seminary in New II at the Florida Southern College, York City on Sunday evening. May 6, Lakeland. Florida. The campus will pro· at 7:30 p.m. The school. which was \'ide a stimulating setting for thc con· founded in 1928 by Clarence Dickinson, l'emion. for it has become famous for concluded its distinguished forty-five its buildings designed by Frank Lloyd )'car history of training professional mu Wright. sicians for the church aher graduating Featured on this year's program will this year's class. be a con,"ocation 011 "Music and Archi· At the service, a choir of O\'er 250 tecture" under the dircction of architcct ,'Dices sang music by Parry, Brahms, Nils Schweizer, a studcnt of Frank Lloyd Haydn. Dickinson, Vaughan \\Tilliams, Wright. The com'ocation will divide in· Fc1ciano, Handel. and Bach. Since one to six groups following Mr, Schwe:zer's of the most important aspects of an ed talk. to tour six of the campus buildings. ucation at Union has been the respon· In cach building will be Ih'c music and sibility of each student to coordinate the interpreth'e slides. Included will be Ihc music program of a local congregation, ,'oice, by tape, of Frank Lloyd Wrigllt the singers for the senice were drawn himself. In some instances thc buildings from the \'arious field work choirs pres will bc lighted only by C'dudlelight ently under the direction of Union stu· which, according to a.Ir. Schweizer, will dents. help viewers to sec and experience [ ilt~ Participating choirs from New York space. were from the Brick Churdl, N.Y.C.; Alec Wyton, organist and master o f the Lutheran Church of the Messiah in the chOlisters at the Cathedral of ~{. Flushing; Redeemer Lutheran Church, John the Divine. New York City. "ill and Crawford Memorial MethodiSl play a recital. direct a hymn fcsth'al, CllUrch in the Bronx: Kings Highway and run workshops on orbr.1n music and Methodist Church in Brooklyn: Oak repertoire reading. Richard Avery anu wood Heights Community Church in Donald Marsh will run a workshop on Staten Island: Olivett Baptist Church wor$hip; AU !5lin Lovelace will run a in Valley Sncam; First Jln.'Sbyterian workshop on adult choirs; Mabel Bn\,· Church of East Williamsburg in Ridge· ter's workshop will deal with childrr: II's wood: Church o( the Resurrection in choirs: Jim Johnson will nm a work:ihop Kew Gardens; St. John's Episcopal on "soul music," ami Philip DieHcrich Church in Pleasantville: St. Luke's Lu will direct the music for a festival !'icr· theran Church in Glen Head. New Jer vice. Other workshops on a Mt"JTtrd sey was represcnted by choirs of the themes will be run by R ichard DeVin· Linden Presbytclian Church; First Con ney, Hoyt Hickman, Philip Baker, Ice gregational Church in Hackensack; the Roy Hearn, Grace Etchelo, Aaron Shaef· Non\'ood Presbyterian Churdl; Mem Brombaugh Builds for Toledo Church fer. Thom Jones, and Clara Walker. orial Wcst Prcsb)'terian Church; and Further inrormation and rcgistratinn House of Prayer Episcopal in Newark; materials may be obtained from Gleml St. Mathew's Episcopal Church in Para A ncw organ has been completed for GREAT Bourdon 16 It. S. Gothard. FUMM o££ice. P.O. Box mus; Trinity Episcopal Church in Cmf Ashland A,'enue Baptist Clturch, Tole 840. Nashville. Tenn. 37202. do, Ohio. by John Brombaugh &: Co., Ilrnl'lltant 8 ft . side Park; Transfiguration Episcopal Iiolpijp 8 ft. Church in Nonh Bergen; and the I'irst tracker organ builders of Middletown, Ohio. The instrument is located in a Qcta\"e "* It. Congregational Churdl in Westfield. Sllielflote "* ft. REGER FESTIV AL/N From Connecticut, choirs camc from gallery over the baptistry at the wOflihip Octave 2 ft. HAMBURG'S ST. JACOBI CHURCH The First Church of Christ Congrega· center of Ole large Akron plan church Mil!;ture III-X whidl was built in 1893. The specifi Trumpet S ft. tional in Redding; the Wilton Presby. Heinz Wunderlich will be featured terian Church; and the Fairfield Grace cation was worked out in consultation in it three·day festival honoring the Methodist Church. with Suc Craig. organist of the church. and David Boe, professor of organ at R OCK-POSITIVE 100th anniversary of the binh of Max Conducting Ole choir and brass ell· Reger at St. Jacobi Church, Hamburg. semble was Dr. Robert S. Baker. dean Oberlin Conservatory of MUsic. both Gcdackt 8 It. of whom played in a group of dedica· Prnestant ... ft. West Germany. June 24·26. The festival of the School of Sacred Music. Earl F. Rohrflote .. It. will include a service on June 24 in Berg. professor of choral studies. and tory programs in the spring of this year. The pipe shades in the natural Octave 2 ft. which the church's choir will sing works John Fletcher, the field work supervisor. Quinte I~ h . by Reger; two master classes by Mr. G. Dene Barnard served as organist. and oak case wcre executed by Henna" Scsquialter II Greunke, a partner in the organbuild Wunderlich on the interpretation of Je£fery Rowthorn. the Seminary dlap. "(wette 8 ft. the organ works of Reger; and three lain, as liturgist. ing firm, Excepting OIC Subbass. all metal pipes and reed resonators are of organ recitals by Mr. 'Vunderliclt. a hammered lead aUoy and were care· PEDAL Organ works 10 be played in the reo BOSTON A.G.O. SPONSORS fully made to the specifications of the Subbasl 16 fI, citals include the following: the Chorale NATIONWIDE ANTHEM CONTEST builder by Fa. Jacq. Stinkcns of Zeist. Octave 8 It. Fantasias on Ein teste burg. Wie scl,ii" Holland. The lremulant is in Schnitger Fagot 16 ft. leuclllt!t uns der Morgenstern, Wac/,el fonn to the whole instrument. Trumpet 8 ft. (Oreat) auf, and Halleluja, Gatt %u loben; the The Boston Chapter of the A.G.O. Organ SOrlalas I and II; Fantasia and is sponsoring it nationwide anthem con Fugue on BACH; Symphonic Fantasia test. All entries submitted must be suit· and Fugue; Introduction and Passacag. able for an amateur SATB dlOir, either lia in F minor; Introduction, PaJSacag' a capella or witb organ accompanimenL Choristers Guild Schedules Annual Summer Seminars lia and Fugue in E minor, opus 127: Judges will be drawn from Ole Boston Fantasia and Fugue in D minO'T, opus Chapter. The winning composition will Billings, Montana and Princcton, New choirs; John Kemp, repertoire; and V, U5b: Variations on an Original TI,eme receive a prize of $250 dollars and pub· Jersey will be the foeal points for di Earlc Copes, worship. in G·/lat minor; and the first perform lication by H. W. Gray Co. All entries rectors of children's and youth choin Special classes in the following in· ance of Franz Liszt's Der lIeilige Frarlt" must be received no later than Decem Olis summer when the Choristers Guild terest courses will be held at both meet· von Paula, au/ den Woge" schreitend ber 31, 1973. A complete set of the rules hold their annual Seminars. ings: handbeIJs, conducting, hymnology, arranged for organ by Max Reger gm'erning the contest is available by Rocky Mountain College in Billings auto· harp, and high school age vocal (1901) • Writing to: Joseph D)'er, 32 Chesley will be the site of the first Seminar to methods. At Billings the children's choir Further information may be obtained Road, Newton Center. Mass. 02159. be held [rom July 9 through 15. The school will be discussed, while at Prince· from: KirdlenbUro der Hauptkirche St. faculty will include: Beuy Ann Ram· lOn accompanying children's choirs is to Jacobi. Jakobikirchhof 22, 2 Hamburg BURTON DEERMAN's new work, "C" seth. children's choirs; Wayne: Rich· be included. Spccial e\'cnts as wcll as I, West Germany. (1972) for organ, two percwsionists. dancer. mond. high school choirs; Ronald A. discussion groups are being planned for Ih'e electronics. and visuals. was given its fint Nelson. repertoire; Al£red Haas, wor· both Seminars. perfonnance on Feb. 20 at the dedication re ship; and special sessions on the crea· The following persons connected with cital of the new Brombaugh organ at Ash tive worship experience prcsided over Choristers Guild headquarters will ap· CATHARINE CROZIER will be one of tile land Avc, Baptist Church, Toledo. Ohio. "C" by Marge Champion and Marilee pear at both gatherings: Cecil E. Lapo, judges in the organ competition and a recita list at the International Organ Festival in St. depicts the story of ti,e crucifixion and resur· Zdenek. I-Jelen and Andrew Flannagan. Donald rection of Christ as danced by a woman. :\Ibans, England, June 25-30. She will also Celeste Beerman was the dancer for the per· Nationally·known leaders, who will be Jensen and Fred Haley. pia}' recitals in Europe before recurning to give (onnance, and the instrumentalists were memo in charge of the sessions at Westminster Information concerning both Seminars classes with Harold Gleason at Northwestern ben of the New Mwic Ensemble of Bowling Choir College, JlrinclOn. from July 30 can be obtained by contacting the Chor· Uni\'enity [rom July 23-27. She will return Grecn State Univenity. Vernon Wolcott wu to August 5, are: Helen Kemp. chit· isters Guild. P.O. Box 38188, Dallas. to Europe in Selltember to be one o( rhe the orpnist. dreo's choirs; Richard Lapo. high IIchool Texas 75238. judges at the Chartres Olllan Competition. The Organ as Structure and Architecture THE DIAPASON EllablhlJed In 1909 Few things about 20Ih century organ building have CSClpc:d us 50 bOldly as a. concern :md ~nowlcdgc of tJlC orbran as it rcl:UC5 10 archht.'Clurc. Indeed. although (Trtulsmork ref/urered DC U. S. Polen' O/fico J the subject IS much talked about, little o( substance has been able to batter through ule (hid.ets proouccd by :I.n organ world that Sl'CS the instrument as an aU-purpose one. S. E. GRUENSTEIN. PublW.,r (1909-1957) • In our churches, the. organ has long bc..'Cn the all·purpose onc·man·band·orchestr.L. pillno-b:u:kground.music producer. In both our (hurdlcs. our scJlOob and our TUNE. 1973 IOIEIT SCHUNEMAN concert halls, the organ is an all· purpose realizer of the enlire oUtput of historical Eaitar literature that has ever been. wr!ltcn (or an illst.nllncn~ with keyboard and pipes. FEAT1IIlES The need to produce all tins literature. all tlus musIc 011 one insLrumcnt, and the notion thal the organ call indeed do all these things. has clouded the struc CoUeennl) .or Ilecordlaq the Of9CfD DOROTHY ROSER Works of Mendelasoha_ ausine.. Monager tural, architectural, and acoustical essencc o[ the instrumenL I say these things A Penoaal OdJ's"r here lIot to be nt.'gali\'e about il, hut ralher to propose that we think more about br Roger B. WUsoa 3. 15 the structure, tJle architecture, the placemellt within a structurc and within A Suney oj Orqaa LUerahll'e and WESLEY VOS acoustical properties than we arc doing at prcscnt. Editions: Franca. 15:n·.lOO. Perri I A•• is'an, Eai'or One o[ the primary detenuining faClors in an organ, and perhaps the most br Marilou lrab.eulala ...s !mportalll of t!lell1, is the nrchitcctur~, structure, and acouslical propcrties of tJlC mstrument. Wllh pcrhaps the exception o[ the ordlcstm. the organ is the only REVIEWS instrUlllcnt that taJ.:l'S up a large \'olume of space. It spn,'ads ilSCtr out acoustically into a larger arca uf sound producing sources than most instruments, Its cohesive TraTe" aDd T""allal Soma aac.nl A" Internationol De&OIed Harpsichord ReC'Ordiaqs Melli''''" '0 IIl'SS and its SUCCl'SS as an instrument thercfmc dcpends 011 its location, its struc bJ' Larrr Palmer ..7 ,,~ Organ and '0 Or,onl.s'3 and llll'e, and ilS architecture within a building. The structure and architecture o[ Cllllrcl, Music tJlC arg.m .ue in;du:r.:.bl)' inlerluch"tJ wiUI the structure and architecture: of thc Sebola Workahop ill He. YlMk bJ' Robert Scbu_man 10-11 buildiug in which it is plact.'tl, and its :lcollstical properties arc also intcrlockct1 with tbe acoustical propenil"s of the room itt which it is placct.l. Harald V~I la Taleda Tlte DI","I301I by Lora There .is lIot ~lIe good C?rgan. (b), good, I mcan. e~£iting al~d good.sounding) that Do,... 12 Editorial alld BUftliCh Ol/kG I can think of III thc entire hIStory o[ organ bUilding tllat IS not a masterptcce of B Mlaor Maq la Laocloa 434 Soulll "'aba.d, AtlCIIIIC. Cllicogo, balance bctWl'CI.' th.e ar£hilecture of ~he hu~lding alld .Ihe ardtitecture of the organ. br Larry !ealdali I. III. Goo05. Tc/cI./uJllc 3l2.lIA7.3H9 Sulncription prlcc. $4.00 a !}ear in ad A good organ IS \'Isually ami acoustically lit proportion and balance to the archi· He. Orqaa Muale tl.'cture of the room; it is not too largc, nor is it too small: it allows itsclf acoustk bJ' Weste!, Vos I. vallce. Single COlllC3 40 csnb. Back ?lIy to balance with u~e, acousti~ ~1 the room and to ,"speak" with the room; it number. rnore IIlml 'WO !Jcar~ old. 75 IS a stm£turc that participates Wllhlll a structurc; and It 15 placed where all these centr. Foreign ,ubacrilltiOn.s must bo EDITORIAL 2 things can work well. If the architectural, strll£tural, and acottstiQI properties o[ paid in United SlatcI lunth Or tlto the oq,ran arc dealt with honestly and well, it will be a good organ no maller LETJEIl TO THE EDITOA 2 equitlolclI' ,"ercol. what k;,ul or hOTIJ mmly stops arc in it. This £oUt be seen In \'arious organs of HARPSICHORD HEWS other centuries that arc £apable of playing only a small segment of an organ NEW APPOINTMENTS •7 I!tcr~ture, or which perl!aps ha\'c ItO pedal departmcnt at all, (sudl as early NUNC DIMImS 11 AdcOrlhing ratol on application. Enghsh organs) , but WIHCh sound good and are ex£ellent lIIuslcal instruments CALENDAR II because they han: be en thought out carefully as ar£hitcctur.ll,acoUitical instruments. Routine Itcln' lor publication mu.rl be I :1m of the opinion that all of the stops arc unimportant until tJle structuf31 ORGAN RECITAL PROGRAMS 17.21 received not later tllan tlls lOti, 0/ tile and architecturJI qualities o[ the organ in relation to the building :Ire dealt CLASSIFIED ADVEBnSEMElfTS 22·23 montll to auure Imerlion In tlls i,..,s with. This is not to 53)' that the stops are unimport:lIl1, that tJle "lOnal design" is lor the next montll. For recilol pro irrele\'ant, but it will be SUCCf."Ssful onl)' alter the archilectur:ll ami structuml gmrru and advcrtiring COIl!l. 'lie clOl problems arc determinl"tJ amI dealt wilh, This is apparent in hundreds of organs All subscribers are urged to KOO ing dais il 1118 5111. Materials for re whkh ha\'e goot! stuplists on I'ilpcr (and indel't1 contaiu all tJle pipes) , but changes of address promplly to the vfcw ./,ould reocl. ti,. ol/lco bTl tlu: whicll sound batl bccause lhe slructurnl antl arcllitl"1:lUrnl balances were knockctl oUice o[ The Diapason. Changes I". orr'center when the o'1,"3n was dt.'Signcd. The size of the room :md its acouslical mUst reach us before the )~Ih 01 the property delermint.'S the size and location of Ihe organ; the architecture and style month preceding the datto o( the o( Ihe room tlelcnllinc Ihc archile£Ulre aud ph}'Si£a1 structure o( the organ. fint u.sue to be m:aikd Co liN: nc=w Sccond 2 THE DIAPASON Anned with merely a tYPe\vriter, a letter came from Dr. Kohler "wishing paper, and a newly acquired love for all success" and included a list of the Felix Mendelssohn's organ music, ] heretofore unpublished organ auto wondered (in 1958) why this majestic, gra(lhs written b)' Mendelssohn. some sUblime. and emotIOnal music was not of which are in print. They are Collecting for Recording Fugue In D rninor (Autograph 2) available in toto on disc recordings. SOllnla II was it (irst introduction for Fuglle ill G ",i"or (Autograph 2) me to this master German composer Vm'traf{ssliick in D minor (Aut. 2) genius, and lalcr I was seriously en Prelude in D mirlOr (Aut. 2) grossed in learning Sonata I and Sonata Fllglle in D mirlor (Aut. 2) VI for my own skill training and en Prelude II)' J. S. Rach in E minor joyment. Little did I realize that a few the Organ Works of Mendelssohn (Aut. 2) years later (1961) Mendelssohn's An I'orlragsstiick in C minor (Aut. 2) dmlte witll Variations {along with I'ortragssti;ck in G major (Aut. 5) Allegro in n·/lat> would be found in I'nrlragsstlick in G major (Aut. 5) Geer's Organ Registration in Tlleory VortralJutlick in C major (Aut. 5) and Practice.1 Within it month the FanttUla ill G ",inor (Incomplete, - APersonal Odyssey Aut. 5) Atldante was ordered from the H. 'V. Gray Co. in New York. In the preface OMeata in A major for .3 l!C.ices arid to lhis music mention is made of it organ (Aut. IS) "parcel" of twch'c compositions Men K)lric Eleisorl in A minor (Aut. 2S, delssohn was to have written for Messrs. already in pTint) Coventry and Hollier. music publishers Fugue in C minor (Aut. 29. already in Soho. London. in May. 1844. (In a By Roger B. Wilson in print) letter dated April. 1971 from Novello Filgue in G major (Aut. 29. already &: Co. Ltd., nothing of the "parcel" in print) compositions is known. but the opinion Prelude jr, C minor (Aut. 29, already was expressed tJlat they might be found Editor's N otc: It ;s seldom tllal sllcll all rtIJllsllal StOT), comes an editor's way. in print) at The German State Library.) "'"erl it does, llie lem/Jtation 10 dismiss it as a curiosity is great. Sometimes Prelude in G major (Aut. 29, already Surely the impetus to collect and the /u~rs;stence triumfJIIS, IlOwroer, arlll tlu: story' is allowed to SIIrface in .spite of in print) desire to produce recordings of all the doubts. This particular story ;s excm/Jlary in tllat it was wrillen by a ,,"uical Preiurle in D milJ(1'r (Ant. 29 already known, unknown. and heretofore un· amateur. Mr. Wilson i! not a /Iro/esslOnal rnu.sician or musicologist. His "addic in print) published organ works of Felix Men tion" "a.s led him down flrl enlightcning road, mIen tlwllgIJ it is an unortllOdox Fuguc in E ",irlOr (Aut. 51, list doe5 delssohn was implanted. though noth orle. Orl tile road, lie ImC011ereti information that eluded ellcn tI,e I,est rtwsia /· not show it as in print. but may be ing was begun in earnest until the ogists. The story is therefore more than inlerestirlg. Readers n·110 1Il0ll 1c1 likc to Ihe same as what I already ha\'e) winter of 1970. corres/Klnd witll Mr. fJ'ibou may do so at the following adtlreu: 81 In !ir,,,, FU~ lIe in C majtf' (Aut. 51) Thoughts went tJuough my mind all PrmJitience, R.I. 02906. Fugue ;n F minor (Aut. 31, list docs at once, such as, who (in my opinion) not show it as in print, but may be had the proper empathy and attitude record was mailed 10 New York and the Editor" was sent to THE DIAPASON . the same as what I already hale) to interpret the organ works of Men was then sent to Massachusetts along Nm'., 1970. The letter was not published VortragssWck in F major ( I page, delssohn? A big name perfomler might with manufacturer's editions [or review. because it had a request for funds. Aut. ·12) be good for salcs, but might be: less Since such recordings are usually re However, I was not denied space for l'ortragsstilck irl F millor (Aut. 42) satisfactory at interpretation. Would a tained by the reviewer, my recording the project as "news" in the magazine. l'ortragsstrick in A flat major (Aut. lcsser known person be better - one (which cannot be replaced) found its Still, I had no complete information 42) who had "everything" except the name way to the Smith Colfege Library, there either. The performer was unknown. An order for microfilm copies of the and reputation to attract listeners? Lots to remain forever. I particularly liked the organ also, funds were not a\'ail. autographs was placcd with instnlctions of organists fit into this last category. the recording becaU!iC I felt the instru able, as well as the person to writc the not 10 duplicate those already on hand: Was a domestic instrument more fav ment showed itself to be quite adequate introductory rcmarks, etc. Most impor IJ lrule in E minor (ca. 1820), Fuglle orable. or did a European instrument re to perfonn the works of Mendelssohn. tant from a scholarly point of View, ;n E minor (13.7.1839), Fugue in F represent more fully what I wanted? Resonance, acoustics, and resources of what organist on this side of the Atlan minor (18.7.1839). Prelude in C minOT And what about the acoustics. reverber the cathedral and the organ seemed tic Ocean was adept enough to interpret ation time, and quality of sound in the (9.7.1841). Allegro ill B'llat (date better than a\'erage. particularly for 19th century German mgan perform· unknown), Arlda"te Wit/I Variations room? Should the organ be of medium Romantic music. ance practices? (23 .7.18<1-1) , Three Preludes and Fugues. sizc. or shoulu it be a large instrument? A telephone call to a concert manage· Onc qualified ohser\'er wrote, " ... I and Six Orgflrl Sorlatas. The microfilm There are many "lesser known" organ don't know who that player is. There builders who might have a superlative ment agency during the early fan of arrived in June of 1971 and an inter i~ \'irtllally no organist who has really national money order for DM 7.03 instrument for Mendelssohn's music. 19iO brought the response that the pedormer for the project should use ~tlldied that period. What we know as t$2.(0) was sent upon receipt. What about funding? I thought that 'Romantic' organ playing is largely a 1I10st any organ manufacturer ougllt to an instrument in the country of his residence. Professional resentment and 20th ccntul1' idea, and mostly myth in The next letter was sent to NO\'ello jump at the chance to cause tJu~se re &: Co. Ltd., London. A rcply indicated increased costs would be the result of regard to what was actually happening cordings to be made, if only for the a perfonner recording in another coun· then." that "me copies" of Mendelssohn's or- international prestige and publicity for 1.,r.l1l music a\'ailable tJlere included the their instruments. try. In the Urlil1crsal·Handlmcll der Mil Prelude irl C, Fugue from tile Magni. During this time of year contact was s;lIlileraWr aller r'iUker,:2 I was able 10 ficat, and FlIghelta i,l A, and all could Soon the thought came to me that loc.,tc "aU" the organ music evcr pub. made with two or three organ builders. be purchased for ~1. This was done. hclp and advice was needed as to pre lished by Mendelssohn. (I was still One company had ceased making [ur r\lthongh 110 date IS gi\'en. the three cisely how one should approach a proj searching ror the "parcel" of twelve ect of this sort. Detailed letters of my ther recordings on its instruments and Jlieccs were published by Novello-Ewer could not undennite the project, hut compositions mentioned in the prerace plans went to at least a half·dozen top or the NO\'ello edition; later I found (pedlaps in the carly 1840's). They name organist.musicians, but none of another company expressed great inter· are copies of the original and are pres est. Their New England representative Ollt they 110 IOllger cxist.) I did find the them responded Sil\'e Anton Heiller of following: cntly alit of copyright. It is interesting Vienna, who respectfully declined the was contacled and a luncheon meeting to note tha t the Fugue from tile JUagni project due to an ovem'orked schedule. was held at a local Holiday Inn. 'Ve 20 Easy Voluntaries ficll t and the Fugllella ;n A are not I fclt hurt that only one person (a soon became good friend~ when we es· Andantc with VariatioflS nu!Utio!lcd among the autographs. foreigner at thall) responded to my in tablished an Jdentical alumni status Allegro in D·flat from the same boarding school in New Allegretto and Andaruc During April and May of 1971 I wrote quiries. especially those in this country. Hampshire. Theme a,d. Concerto 10 se\'eml publishers of classical re Worse still, I could find no real interest A irs for Orgall corded musIc in New York and was in the Romantics here in Pro\'idellce, In any e\'enl, I outlined the initial plans ami showed him my Novello mu Adagio non troJ}po able to at least arouse the curiosity of RJlOdc Island, the city where I live - sic, Andallte will. r'ariahons and Alle Six Organ Sonatas (Opus 65) The Muskal Heritage Society, which in a city steeped in Uach's music, which gro in n·flat. He said his company had Three Preludes and Fugues (Opus vited me to come "for an audition" Mcndelssohn brought to the world in the financial wherewithal to handle all 3i) during thc latter part of June. (In the the first place. details of the project - taping, editing. A letter from H. W. Gray Co. stated meantimc, I bought the Morancon reo r decidetl to strike out on my own and other technical fees, production, that "we can identify only one of the cOl"ding from Iramac of France and and let the cllips fall where they may. ad\'ertising and promotion. Naturally I Mendelssohn titles •.. Allegretto and scnt it to TilE DIAI'.\SON for review, So be it. At least my enthusiasm was was elated and immediately wrote a AruJante (from a Violin Concerto) and this published in the July, 1971 issue.) not going to be shatteretl by a few or letter to the home office expressing is now out of print. If the other five The \'isit with Thc Musical Heritage ganist-SCholars who really didn't seem great pleasure. My enthusiasm was titles were published by No\'ello, our Society was \'CIV exhilarating; in [act it to appreciate anything coming from the more than the manufacturer expected, current records show no sign of this wa.s most difficillt to control my enthu Romantic era, particularly the music and about six months later (April. bcing so." siasm. During the course of the presen· of Mendelssohn. 1971) a final letter came from the rep More query letters were mailed to the tation I assumed the Mendelssohn proj Query letters were mailed to about a resentath'e telling me to shelve the Intemational Felix Mendelssohn Societ)' ect had made: an impact and that at dozen domestic and foreign recording project with his company because it and The Prussian Statc Library in Map last this hurdle was cleared. Just as un companies asking whether or not Men was "more philanthropic than busi burg, Wcst Germany. Wilhin a few expectedly, when it was time to leave, delssohn's organ works were on their ness." \\'Ct."ks Uaron Hugo \'on Mendclssohn· I was gh'en gratis scvcral of their re lists. Three or four companies re Unexpectedly, in MUSic/AGO (Oct., Jlallholdy in Uasel wrote me to contact cordings as a gesture of good will. This sponded with advertising brochures, 19iO) there was mention of some unfa M. Guy Morancon in Il aris, who had cordial attitude was not continucd. how nothing more. miliar organ music by Mendelssohn, rccorded opus 65 and opus 37 the year c\'cr, for further communications with A "Letter to the Editor" was written etlited by Ludwig Altman: Prelude in berore. Dr. Rudolf Elvers of The Prus thc compan), remaincd unacknowledged. for Mustc/AGO, the monthly publica C minor, Prelude in D minor, and his sian State Library replicd b )' telling me Early in September 19i1 I was not tion of the American Guild of Organ edition of Allegro in n-flat. A letter to to write the German State Library. East )'ct convinced that the music depart ists, in which an outline of tlle project Mr. Altman brought a reply that he Berlin. ment of Brown University would turn was given. A response came back that had edited the Fugue in E minOf' and M. Morancon replied quite enthusi their attention from the work and re the idea was turned over to the edi Fugue in F minor (Hinrichsen). These astically to my letter and offered any search so far. I was able to locate an torial board for comment. r sent a letter were promptly ordered. help he could, suggesting his own reo instructor/ student who was doing thesis to the: chairman of tlle board, but Unexpectedly I found in my church's cordings as firsts.' material on Robert Schumann. After a again there was no response. 1 had library a copy of Eric \Verner's biog. While waiting [or a reply from Dr. chat with him he thought I should bop!!d that at least the project would raphy on Mendelssohn which I read write Illy findings for two OT three pro· l\.arl·Hcinz Kohler, Mwikabteilungsdi· fessional jouOlals. This should be done be discussed among the hierarchy of the O\'er and ovcr again. But alas, there rektor of The Gennan State Library, A.G.O., but there was no response. was little said about the organ music contact was made with thrce or four pri· since the r.roject appeared to be a defi· A ten·year membership with the save for opus 65 and opus 37. I noted nile contrlbution to the musical world. ute foundations especially noted for The instructoT/student said that "even A.G.O. finally ceased when r mailed a specifically that the photographs for the philanthropic usc: of funds to arts, mu personal recording [or review but did book came from the International Felix though thc project was a not true sic. and culture. AU of these responded scholarly analysis, tllcre is enough in not get it back. The record was of Mendelssohn Society. my next address in the negative, saying in essence, "We Franz Li.szt's OrgelwerJte (A.P.O.N. point for a letter of inquiry. formation that will greatly interest other wish you well, but tbis specifiC project musicians and scholars." Records) played by Sebastien P~csi at But before the: letter was sent to is not for us." St. Stephan'. Cathedral. Vienna. The Basel, Switzerland, another "Letter to During' the latter part of March, 1971. (Continued, page 15) JUNE 1973 3 The documented history of French A cnntw Iinnw was often present. kc)'bo:ud music begins in the 16th cen tury with the keyboard tablatures of (Example 2) the P.:lrisian music publisher. Pierre Although Tilelouze', works were Auaingnant. Se,'cral books of IIDoOy beautifully constructed, his style was mous keyboard compositions were pub already outdated when his publications lished by Attaingnant in or around Clme into print. Thus he left no fol ASurvey 1551. 'Vith a minor exception, these are lowers. established no school. In fact, the only 16th-century sources of key during the next four decades only 5Cant boud music in Francc. By the pubJish music has survived to suggest how the cr's indications, his book! :nc (or gen tr.msition may have been effected from eral L:c)'boanl uSC' - org:t.n, hupsi the sober, Hturgicd style of Titelouze to chord. and c1:lYithord. Four books ron the 5CCularly·inspired compositions of Of Organ Literature taln inmbuialions of French ch::msons. l.eb~glle and his contemporaries. One writlcn in organ tablature. One book Fnntn;s;e by Charles Racquet it. 1590- has d:mcc intabulations laken from the 1664) was preserved in Merscnne's repertory of instrumcmal ensemble mu Harm(mie universelle (1656/S7),~ but sic. Another contains molet in tabula [his work has nothing in common with tions :md 3. brief prelude, the latter free subsequent French composition. A And Editions: France,1531-1800 composed: 13 motet: mwicaux ~c "ng lengthy sectional work m imitative Prdude Ie tout reduicl en 10 tabulalun: counterpoint. the Fantaisie was dearly des orgue.f, • • • There are also two innuenced by the Netherlandish school. bookll of liturgical music: Magni/icat More indicative of 17th·century trends Jllr leJ "uiLs tonJ avec T~ Deum d d~ux in keyboard writing are two organ Part I PrtfudeJ, I~ lout mrs en 10. tabulature preludes by Etienne Richard (active des OrgueJ, Espinettes et Manicordions mid·17th century). The polyphonic .•• ; Tabulature pour I~ jeu d'Orgues, web has ~n loosened, and the har· EspineteJ, et ManICordionJ sur Ie plain monic structure is more prominent cllant de Cunctipotens d Kyrie Ions . •• than in thc works of Titelouzc. An The double repertory of the Renais· anonymous collection, preserved in sance keyboardist - sacred compositions Paris at the Bibliotheque Ste. Gen· by Marllou Kratzensteln for church. secular compositions for evie"e.' has registmtion indications COUft and civic functions - is ilIustr.Ued gi\len for the individual pieces. Some of by the Attaingnant collections, with the the combinations here employed are 5CCular repertory ~ing the more im· identical with ones which later became portant of the two. Since the French standard in the French Baroque school. Tro;J;eme Livre d'orgut! des huit fons patillon entitled Grands jeux or Dia musical Renaissance manirested itself Henri Dumont (l61()'1684) published tie I'EgliJe (1675). The organ mass, logue. primarily in the secular genres, French fOllr pieces bearing the inscription. presented in the second book, is based Another standard practice throughout keyboardists more consciously cultivated "Prelude en Incon d'Allemande d 2 on the Cunclipotens Genitor Deus mass, this period was the composition of secular music, to the neglect of sacred parties . . • servircnt aussi pour les but actually has fewer canlus firmw aitematim organ masKS. In no other music. While the words "Orgues, Espi. Dames ReligiellJes qUi touchent "Orgue pieces than free ones. Artistically, the country were organ masses as numerow netles. et Manicordions" appear in the en laron de Duo." These were ensem· music of Nh'ers isn't on the same level during the Baroque era as in France. titles of all the collections, the secular ble pieces, but at the composer's sug as much that would come later. How· The standard number of versets (called compositions would not have been gestion, could also be performed on the ever, as one of the pioneers responsi couplet in FrenCh) was as follow.: five played in church, but mther on small organ. ble for the crystallization of forms and tor the Kyri~, nine for the Gloria, two house org:l.ns or on stringed keyboard rcgistmtion which occurred during the or three for the SanC'lW and Benedictw. inslmments. Even Louis Couperin (c. 1626-166l). IC)()()'s and 'iO's, he is importanL two for the Agnw Dei. To these could The Tabulalure pour Ie jeu d'Orglles, Ihe oldest known member of the iIIus· From 1665 (the publication date of be added. optionally, a Deo Gratiu, an Espirleus et Manicm-dions sur Ie plain trious Couperin family, wrote very lil· Nil'ers' first book.) through the early OIlf!Tloire, Elevation, Communion, etc. chant .•• contains verselS for the Or· tie for organ. He was primarily a harp 18th century. ccrtam basic features char Only one Gregorian ma.ss was in use dinn!, of two masses, Cunctipotens sichordist, and nearly all of his key acterize e\'crylhing that was done in for French organ masses, the Cuneti· Genitor Deus and Kyrie !ems. These board compositions were dances for France in the field of organ composi. potens Genitor Dew (Mass IV). Melo· are among the earliest known exam pies the stringed keyboard instruments. For tion. Defore discussing specific traiU dies from this mass nonnally appeared organ he wrote a Fantaisie (which is (anywhere in Europe) of organ masses 35 cantw !irmi in the first venets of actually a two of individual composen, the general encompassing the complete Ordinary. As Bruse de trompette) , characteristics of the entire period will each part of the Ordinary. The second psalms. and three Carillons. HIS Cila ' wa3 customary throughout Europe, the be summarized. Among the first char Kyri~ was traditionally a fugue based organ versets were used in altema tion ccmne.t, frequently played on the organ. acteristics one notices is the dcdining on the opening notes of the chant. The with sung parts of the ma.ss. Free·voice are harpsichord pl~. They are not interest in polyphony and in Gregorian remaining pieces were grnaaUy &ee. oninato cilaconneJ, but rather Rondeau writing and typical keyboard figura tion melodies, accompanied by a more S«U They had thematically no connC'Ctlon are present in these worb. c1lRcnnncs, a form made popular by lar attitude toward organ conposition. with the chant, but remained in the Coupcrin's teacher, the famous harpsi· The concept of alternating fast and arne mode, (Example I) chordist. Chambonnieres. Consisting of slow movements, which was the basis Registration followed certain stereo· se\'eral couplets altematinft with a re From the remainder of the 16th cen· of the lute and clavecin suite~ became typed models. with little room for de· frain. this (onn was cultivated almost a ga\'erning principle in the arrange viation. Registmtion types were, more· tury, only one keyboard composition has exclush'ely by the French harpsichord. surviVed, a fragment of a Fanlaisie sw ists, and not by the organisu. ment of organ pieces into groups, or over. closely bound to compositional orgu~ ou esp'-nette l by Guil13.ume Coste· suites. Many organ pieces had a defi types, so that the registration combina A contemporary of Louis Couperin. nite dance-like character. although they tion often supplied the title for a com· ley (c. 1531 .16(6). Other fantalsics by Fran{ois Roberday (1624-t. 1680) , wrote Claude Ie leu,", (0. 15!(). 16(0) and were not given dance titles. Othen, rear. position. Brieny outlined, these were Eustache du c.unoy (1549·1009), pre· a book of Fugues d CIJPrices (lGGO) for ticularly those entitled Ridt, were c car· the most common compositional types: the orgolo, but they stand totally apart Iy fashioned after the melodic style of Plein jeu, or Prilucfe: a type more viously considered as organ music, are from prc\'ailing French currents. TOlal· actually instrumental ensemble pieces. the French opera. I..c~gue states in the sober than most. with block chords and Iy under It3.lian influence (Frescobaldi, preface to his book that the Ridt suspension dissonances. It sometime. Some of Du Caurroy's 4.part lanta;sies etc.) , these pieces are in a general key· were copied into a 17th·century key. should be played "in imitation of the had a cantus Jirmw played on the board style, with no utilization of spe· manner of singing." · The OllVuture Trompette 8' of the pedal. The regis· board manuscript' 3.nd for this reason cific organ colors. they were later thought to be organ style of Lully, with its double·dotted tmrion consisted of the ,frindpals and music. Other leading musicians played the rhythms and its division into 110w·fast mixtures of the Cran Orgue and from the beginning of the 17th cen· organ (La Barre. Monnard, Cham bon· slow sections, fonned the basis for PoJiti/, plus 16' and 8' Bourdons, The tury, a manuscript containing short, nieres, etc.) . but they either wrote noth· many organ Dialogues and O/lerloires. P/~in jeu chorus of the C. O. was called anonymous liturgical organ piec:es,3 &om ing (or organ. or their works were lost. Another consistent feature was the Grand plein jeu, that of the PoJiti! either France or Delgium, has been For the cltWecin (harpsichord) , they prevalence of ornaments, adopted hom P~tjt pfdn jeu. ' found. Noteworthy are the rcglstf:l.tion wrote Allemands, Couron", Snrabands, lute and clavec1n mwic. Still another indiCltions in this manuloipL The and other dancC5. Their c1avedn play. was the use of notes in/gab, a per· (Example 5) practice of specifying registration later ing was based on the lute style of DenIS formance convention which reqUired Fuglle! the French organ fugue was became a uniquely French feature, set· Gaultier (c. 1603·1672) , who had lengthening certain notes and shonen much less strict than the German futple ting French organ music apart from all brought lute playing to an extraordinary ing others, for a more graceful effect. of the same period. The fugue .ubJect others in the 17th century. le\'el o( refinement. Since the lute was A very limited use of the pedal was was not treated with consistency, and In the 1620's, two monumental col· the inslrument most favored by the lik.ewise characteristic. The pedal often the texture was more homophon· lections appeared - the Hymnes pour court. it is not surprising that It be Trompette was used for cantw I,rmw ic than contrapuntal. FuguCJ were not toucher sur l'Of'"gue (162S) and the came the model for harpsichord playing melodies, and the 8' flute provided the played on the Plein jeu, as one might Magnificat ou Cantique de la Yierge during this period. Stylized dance suites. bass line in certain trios, in Qua'ourJ, expect. The most common fugue regis pour toucher Jur rorgue (1626) of Jean rich ornamentation, and the Jty'~ bn'se and in compo!itions with an orna· trations were the Trompette of the Titdou.e (1503·1653). Both boola are ~came standard featurn of c~c1n mented melody in the tenor (R~cil en Grand Orgue, the Cromome of the for liturgical use. 'Vritlen when Tite· music in the 17th century. That the lute laifle). In addition, pedal stops were Positi!, or the Tier«. In this connec. Jouze was about 60 yean old, these style also influenced organ playing will sometimes used to double the lowest tion it is ne~ to note that nearly works are the expression of a Renais· soon become apparent. part played on the manuals. aU registration mdications refer to Ante mentality. Imitative counterpoint The first major contribution to The practice of grouping pieces ac· groups of stops, each group going un· occun in all of the pieces, and the motet French organ literature in the period cording to mode (called ton in French) der the name of its most prominent or .tyle of the great Renaiss:lnce choral after Titc10uze was the Livre d'orgu~ was consistently applied to most organ characteristic member. French Baroque masters was frequently employed. Com contenant cent pilces de tow les tans music. with the exception of organ organists rare1y used solo ltops alone. part'd with Sweelinck or with the Nea· de /'Eglise (1665) of the Parisian or· masses based on GrCJOnan chant. Often politan keyboardists of this period, Tile- ganist, Cuillaume-Gabriel Niven (16S2- these groups were limply entitled Pre· (Example 4) louz.e was very corucrvative. Chroma 1714). The 100 pie THE DIAPASON Trio: a "part compoSItion In which Only occasionally did French organists R~d': a melodic line in one voice ECHO the bass line is played on one manual ",'rite a trio ror two manuals and pedal. with a limple accompaniment in the ·Bourdon a fe. and the two upper voices on another. The 8' pedill Oute would then supply other parts. The 5010 might be above ·Flute" It. ·Qulnte 25i ft. A Cromorne combination was rrequent. the bass line, with solo combinations the accompaniment (en deuw) , or in ·Quarte , I. quinle 2 ft. used ror the upper voiCCJ. but other such as Cromortle and Comet, or Cor. the tenor (en tail/e). The most com· ·Tierce 1% h. combinations were also possible. "et and Tierce, tak.ing the two upper mon registrations ror the melody were Cymb.le 3 ranks (Example 6) parts. the Cromorne, the J'oi% 'Iumaine, the Cromome Cornel, or Tierce. The laner combina· I-Comet decomposf) tion coruisted or five independent flute ranks of the Positi/ (8', 4', 2 2/!', 2', P£DALE Ex. 1. Atuingnant, Magnificat du 8e ton, 3rd veneto m.1...f. Flute B ft. and 1%'). il5 opposed to the Cornd, which was a compound stop pJayable Trompene only in the upper register (from mid· Two lremul.n .... : Tremblant lort and trembbnt die "c" or from tenor "("). The Redl do .. en taille is a uniquely French phenome. non, apparently introduc.rd by Lebegue. Not aU church instruments w~re this The following example. taken from large. of course. Modcrat~·size instru· Cuilain's Suite du quotr;eme ton, shOWI m~nts would have rewer SlOpS in the the expressiveness of this type of com· Echo, or no £eliO division at all. The Ex. 2. Titelouze, Pange lingua, 1st verset, m.1·6. position. Montre 16' and the Double tierce 3\1s' of the Grand Orgue would be missing. (Example 7) Certain other Outes or the Grand Orglle Basse de trompette, or Basse eI des.sw and Positif might also be omiuftl. and de lrompeUe: a ricry 1010 line in baa. th~ number of f2nks in th~ Foumiture.s or as a dialogue between bass and 50' and Cymbale's might be reduc~d. prano, with the other voices as accom· In addition to Nivers. two other paniment. The standard registration re Parisian organists appear to have been quired the Trompelle 8' of the Grand panicularly active in standardizing or· Orgue, fortified by Bourdon 8'. Pre.slanl gan composition and registration in the Ex. !. Boyvin, Sepliesme ton, Plein jeu, m.1-4. 4', sometimes C{a;ron 4' and Grand 1660's and '70'5: Nicolas Antoine cornet 5 ranks. A smaller counterpart Leb~gue (1631·1678) and Nicolas Gi· to this compositional type was the R3ul. (1624125·1707). Leb~gue pub Basse de cromorne. The Voj" lJumaine lished three Livre d'orglle (16i6, l6i81 or the Tierce could also be used ror 79. lind 1685). Like Nh'CTS, he gave compositions with a bass melody. registration and other pcdormance in (Example 8) structions in th~ prc:rac~ to hi!! Fint book.. "My purpose in thb work," he Dialogue: a composition fcaturing at· stated, "is to give the public some ac tcrnation between contrasting keyboards. quaintance of the manner in which the Ex. 4. Clb-ambault, Fugue from the Suite du premier toni m.1 ·4. There were two typct of Dialogue.s: organ is played presently at Paris . . • dialogue between solo voices, and dia· They [these pieces1 contain practically logue between rull choruses. In the all the varieties that are practiced to- rirst category. the Cromorne of the day on the organ in the principal PosiJif orten replied 10 the Comet of churches of Paris ... I wish very much the Rttcit, or the Tierce to the Cornel. that all those who wiJI do me the In the second c:ucgory, the most fre honor of playing these pieces will quent combination was the Grand's jeux choose to play them according to my of the Grand Orgue p'ittcd against the intention, i.e., with the combination of Petit jeu of the PoJi"f. Thus. the bril· stops and with the tempo propc:r to Ex. 5. Fr. Couperin, Duo sur les Tierces from Messe pour les parowes, m.I·6. liant sound or lhe TrompeHe and Cla;r· each piece. • • ."8 on of the Orgue, reinrorced by Grand L~bque aligned himself strongly with principals, flutes and Grand cornel (but the secular idioms, much more than no mixtures). was answered by the dJd Niven or Gigault. In addition. Iv Cromorne combination in the Positi/. Lehque had a girt (or writing aarac· A Dialogue ,S ur le.s Grands jeux fre· tive melodies or song· like or dance·like quently ~gan and ended in Ihe Frenth character. His melodic gifl is particu ouva-lure $lyle. Some Dialogues were ~ O""~!!-==:: : larly appar~nt in his first Liure d'orgue. wrinen not only ror two divisions. but which contains eight groups, with six to ror three or rour. Short phrases would ten pi~ces per group. Ex. 6. G. Correne. T rio a dellx dqfUS rrom Aleue du 8e ton, m.l ·9. then be heard in rapid succession be· Lebegue's second organ book featur~s tw~en Grand Orguel Pos;tif, R~cit, and an organ mass (in th~ standard ronnat) , .L I rrrrJ) I '" I Echo. • ~ l J - plus n1ne groups or versets ror the (Example 9) Mngnificat. Book three has assorted p- I IT I I IWI -r [1 A rew additional types or composi • pieces - noels. Ollertoire.s . etc. Lebegue ~ • it. lion were employed by some composers, and Gigault were the first organists to t:: but the types listed are the standard write variation.!! on noels ;md thus ini. ones utilized by everyone. (iated a genre which was 10 bring rame ,. and success to many org:ml$(S ror more A rin~ example or the type of instru. than a ttntury. ment for which Fr~nch Baroque orpn Ex. 7. Guilain, Cromborne en Taille from Suite du '1utJtrie,ne ton, mA·g. music was composed is rurnished by (Example 10) \ I I J I I , 0"'1 the specification of the organ at Saint· ~ Louls-des Invalides.1 Commissioned by (To Be Co,U;nlled) -, Louis XIV for his famous chapel in -r I' I~ r r'" Paris, this instrument was built by AJexand~r Thierry in 1679. Capable or NOTES providing any registration desired by I Pra~rved 10 Paris. Bibliolhlque nationale, ::;r.-~ the FreDch school, lhis organ was ba. (':3.t: ~ ~-" IQIJr.9152. ~~ ... lically a 2·manua) instrument. Only two 2 ParlI, Bibliotheque Ste-GeneviM, IN. 29-486. , divisions were complete (Grand Orgue ) Pnserved in the British mweulD, mi. 2!H86. and Po.sitif). since th~ R~cil and Ecllo "The Hf"mo,.i~ .. ,.jD~'UU. also contairu 12 sounded in the treble rang~ only. and DlIlol of Racquet, but these aR ehoushe to be pecbguric:al namples rather than true orpn the P~dale had but two stops. composhlonJ . • Bibliotheque Ste-GeneYiew. IN. 2348. Ex. 8. Marthand. Baue de Trompette, m.5-7. GRAND ORGUE 6 Frum the preface to LeMSUt', Ljvr~ d'orrlll Montre 16 ft. of 1676 (Archivef de' Mm'rd d. I'Orrll•• IX). Bourdon 16 ft. 1 ArchivCl de I'Hotd des Inva1ides, Paris. Car. Montre 8 ft. Ion 54, piece no. 4. u quoted in Dufourcq. Bourdon 8 ft. DO~lIm."ts ;'..,/i" rtlatif' • 1'0rr"~ Ir.,.~.;' Prestant 4 h. n, pp. 2.50-253 (Paria. E. Dnn, 1934/'5). • Flule 4 h. rrramlaled (rom the prelate 10 J.ebque'. Double tiel'« , ~ it. Liflt6 tl'flrp•• J676 (ArcAil/" ." M.isr., J~ N ...... ~IL "Orp., IX). Ooublette 2 It. Flule 2 ft. MUSICAL SOURCES 'lien:e 1~ It. £Jc. 1. D,u Iirlru "'4r,lI. p.,.., d,.. Pi,r,. Flajollet I ft. A".i",,,,,,,, ,n 153J, ed. Robeth, p. 49. Ex. 9, De Grigny, Dialogue .sur les Grands Ieux from Veni Creator, m.I·5. Foumiture 5 ranU Ex. 2. TItelouze; Oe ..IIt" e4mpld., .rOrrll., Cymbale 4 ranb ed. Guilmant/Pirro p. 24. Grand Comet 5 ranb Ea. 3. Borvin: Pr.mi,r Li",. "·4r'.... vol. Trompette 8 It. 2. rd. Donfih. p. 84. Und by penniuioo of Voix humaine 8 ft. Calaxy Millie Corp., N.V., &Ole U.S.• ~nt. Clairon 4 fl. U . 4. CI'rambau1t: Pr,mur Lil1r. 4'orfU', ed. Dulourcq (LGHO)· ..•• p. 8. POsmF Ex. ~ . Fnnc:ois CcNperia: Pi.~" ".rp., ed. Bourdon 8 It. Brunold, p. 22. Montn: .. h. £:.:. 6: Fiv. Pr •• tIt &roqlll. Orr ... MIUI.,. Flute 4 ft. cd. Howell. p • .5.5 . Nasard 27S; It. Ex. 7. Guilain: Pi.,,, ,,'or,II'• • fl. GuDmant/ Ex. 10. Le~e, A Ia ven"" de Noll, m.I·3,23·25, 35·55. Doublette 2 ft. PifN, p. SS. Tierce 1% ft. Ex. 8. Marchand: Pi.,11 "·or,... (Th. W.II Larigot l!-i ft. T.mp.r.d Or,.n;'I), p .6. Foumilure 3 ranb Ex. 9. De Grip,: Pr.mi.r Liur. .ror,..•• Cymbale 2 ranb ed. Oulourcq (LCHO)····. p. 63. Cromome 8 ft. U. 10. Lebesue: Nods t!ltritl, pp. a, 9. Rl.crr ABBREVIAnONS Cornet dpan 5 nab •••• u, Cr."i" He.res tI, rOr,"~ teries. hr,: II;#;~ c:=t;;I wl ,Bun Trompeue Kpane rea'l eel., DyfoUl'l:q. Parill, ScIr.oI. CaalDnUD. JUNE 1973 s Jerry Dr:.inard played organ and h3rp the Houston H:r.rpsichord Fcsth'al each dolph mmbinro to play organ ami sichanl for his facult}' redial at Texas b"3\'e a lecture: Marilyn Olsen on Harp. harpsichord on a prOb'T311l for tlle f ree HARPSICHORD NEWS Tech. Lubhock, on March 15. Entitled sichord History; Victor WoUrum on port, JlI. Chapter of the AGO on March "Happy Bach" thc harpsichord oHcrings Baroque Registralion; alld Larry l'almcr 25 at Highland Community College. To, incJmlcd: Preludes arul FIIgIU!S Irolll lIu! on Contemporary Harpsichord Mruic. getber they playctl two Concerti by WTC, IInok II, C-sharp millOr, F minar, The Houston Harpsichord Sodely Solcr, and Mrs. Randolph played Le and G Major; SOrlata for J'ioli" aUfI dosed its seilson with two e\'ents: a Tambourin by Rilmcau and Little Pre· llar/Jsichonl irl G Major, S_ 1019; and "boil us" mee(ing at the home of Connic lude by Bach. Partita i" D Major, S. 828. Hill on April 18, where the following The Pbilidor Trio (Elizabeth Humes, Karl Wienand presented a faculty re· program was presented: SorlOla in F soprano; Edward Smith, harpsichordist; cital a( Adams State Collcge, Alamosa, Major, Locillct (David Tessmcr, fhne; and Shelley Cruskin, nutist 3nd recorder Colorndo, on March 16. Al thc harpsi ))a\'id White. oOOc; judy Lindcr, harpsi playcr) prcscnted a program on Feb. 28 chord he played: Sonata a"e in G far chord; Virgini:l Stein, 'cclld) : Sonata ;11 at Ripon College, Ripon, Wisconsin, On I'iola anti HnrpsicllOrd, BOlch; Le:.iouc E Major, Haydn aohn Sharpley, harp a harpsichord by Frank Hubbard, Mr. One i" G for Viola el'Amore and Harp sichord): and Sonata in C minor, Telc· Smith played Prellldes anti Fugues ifl siellCf'd, Altilio Ariosti; and Sonata Four malin (Megan Meiscnbach, flute: Bert F and B from WTC II, and Sonatas in D for Violin arid Harpsiclwrd, Meisenbach, \'Iolin; Hcrschcl Sands. K 380/ 381 by Scarlani. Arias and I-Iollldei. harpsichord): and for it! May meeting Cantata 209 by BOldt, 11 cantata by Scar ~ Cla\ is Imports and the University of on May 9 at Denham Hall. HOllston latti, the SOl/ala in B for Recorder ami St. Thomas, Houston, joined forces In Baptist College, this program: Soria/a Harpsichord by Barsanti, and arias by prescllt a harpsichord festi\'al in J(Jne~ Four in D Major fo r J' ;oUn and Harp Galuppi, Scarlatti and Jlergolesi filled l-1all, Uuin:rsity of St. Thomas, April sic/lOrd, Handel; Four Two·part In· out the progmm. :"'fi through 28. The programs, all pI3}'cd lIt!lIliorlS, Two Three·part Invenlioru, The Ripon College Collegium l\lwi· on two new French double h3rpsichords Hach; PGSlncagliti Irom Sllile 7, Handel cum under the dircttion of Donald Spio aftcr T3skin by Richard Kingslon of (Elcanor Roessler); ;lI1d Sonata ill B presented a program of medieval cburch Dallas, were pn.-scnted by Victor 'Vol[ minor for Flute nnd HarpJiehortl, music, llali3n, French and English kcy· r.un, Oklahoma Statc Unh'crsity: TllI"u Badt (Da\'id Colvig, [lute, Suzanne board music, lIalian madrigals, and I);ecr:s iu D, llagincour; Prel"de in D Burke, harpsichord). French and English ensemblc music at millar, U: Croc-cu·jambe, La CmlVales A ncw harpsichord maker, Bill Dowl. the college on April 1. Thc harpsichord ante, La PrUllomime, The Follies of ing, has written to us from Southport, music included CI,muoli "neue sam Ilic Frellrh or Tile Dominos, Francois North Carolinil. Hc communicates thal puire" by Crcquillon, C/umsoll "Plw Cuupcrin: Le Cou-eO'", Daquin: .. E,, hc builds (0 classical prototypes alld oullrr by Gomben, and a Duel for J{lis"" Suile ;', F, 'roccata in C minor, that his instrumcnts contain "Hub Twa J';rglfJals by Farnaby. The group j. 5. Badt. urry Palmer, Southern banI jacks and no plywood." Mr. includes singers and players or thc rol MClllodist Uni\'crsit)", Dallas: Cordlllo Dowling's olferings include an Italian lowing instnmlents: organ, harpsichord, n;ugJhm. john null; Suite in C Major, harpsichord, a doublc based on the knllllmhorn, kortholt, recorders, gambOl, Louis Coupt:rin; I)assncaglia in D millor, 1;69 Taskill, and a Viennese piano, lute and psaltery. Fischcr; Le Tombea" de Stravimky based on ule ) iiS Stein. Hcin% Arnold was harpsidlordist in a (1971), Rudy ShackeIrord; Lessons for The Harpsichord, volume VI, number pcrronnance of Heinrich Gruun's Har}l. l-lmilsic/wrti (1971), Daniel Pinkham; 2, I)(:asts a portrait of harpsichord mOiker sic/lOrd Corlrerlo ;11 F major on April Deux Im/lroml",1j (1959), Martinu; Scbasticn Erard 011 its cO\'cr. Inside, his 8 at Stephens College, Columbia, Mis SrHiatfi ill C Major, Hob. XVI:40, 0111)' sunhing imtrtllllent Ifrom the coJ· souri. Thc progr:lIl1 includcd also organ Haydn: 'rmubcau fail a Paris jur la lection of Ellglish buildcr Michael works, choral works, and a violin sonata mo,.1 ric Mr. DlmlCTocher, Froberger: De Thomas) is discusscd as the "Harpsi. by Handcl. la Marc's I'atmtlc, Sir Hug/l's Galfit'rtl chord of Note." A rather quaint pagc on pStrphen A. Rwnpr of Montreal, Que (/_rlmlJert's Clav;chortl) , Howells: Toc· Thc Ehlcr's I'leycl is offered by Ujarn bec, played the following program at n Ita in E lIIirlo r, S. 914 , Prd urle nlltl Dahl, and tllerc is a \'cT}' long interview the Church or lhe Sacred I-Iearl. Rob FIlf,f1f: ;" A minor. S, 894, J. S. nacho with Illusic cditors Willard P3hner and binsdalc. Minn., April 9 and St. Cloud HILDA JONAS HOLDS Marilyn Oben, Oral Robert.,; Univenity, Margcry HaUord of Houston. State College, Minn., April 4: My Lady 'Iulsa. Oklahoma: COFicerto iu G Major Last month's Diapason carried the an Carcy's Doml't!, ,\noIlYIUOII$; PsVtl lla HARPSICHORD FEST/VAL for -rlJllI KeylJOnrd Ins/rumenU, trans nounccmcnt that a harpsichord contest Dolorosa. GaJiarda Dolorasa, Philips; cribed for sulo harpsichord by M. Olsen, would he a fcaturc of the eighth Pass'c me:o IHltico alld MC1leg/llna A(ler returning from her third COIl Suler: ']'jcu/o, Carreira,' SOrlata in A. Festival [stini uc Paris this September. ClIgi;llrda from llltilbolatura Nova; (crt tour IU tllc west (0;151 :nttl trn\'clling m;,wr, Sdx:ls; 1.0 l1l1l1o dell' Itltoreia, It is hC3rtwarllling to notc that, for 'J'orealll SeUima, Rossi: 'roccala ;fJ C; to .... rallce, haly, and hr:It:I, internation Valente; SOllnta in E Majer, K. S80, (he fir!'t time in a major European UWV 9IG, H'ICh; 22l1d Oulre, Couperin; ally knowil harpsichordist Hilda JOIl:lS Scarlaui; Walkills Alc, 'rile Irisl' Ho· h3rpsidlord (on test, contemporary music and Cavalle amI Varintiorl by RameilU. will (lute more sponsor :1 Harpsichord hm",,!, A -ro)'t!, The In'sh Dump and is ahn a part of thc requirement: in Mr. Rumpf's instruments used for these }'csli":tJ at her studio in Cincinu:ni. jolmso,,'s Almon from Fitzwilliam "ir the $Ccond eliminating round fOllr com recitals werc his Hubbard·Sigmund Ohio on Scl,l. 1-3. This year's ft. .. ti'.. al girml /Jook; COllnmte, Chamhonnieres; positions from Bartok's Mihrokosrnas, double I:rcnch and a copy o( a Boni will featurc lIIore musk froUl nach's 11rallle ric llasque, Louis Couperin; \·OhllllC 5 a rc required, as well as thc Italian \'irginal of I6(H built by Wil U:el/ T em/atled ClflI1;er as a conlintl.t Gavotte anti Mintlct. D'Angleben: Les morc mila I Hull, Frcscobaldi. Louis liam Post Ross tuned in mean·tone lion (rom the reslh'al held in August Petits MoulirlS a I'ent, See"r Morl/que. and Francois Couperin, and Ramcau. tcmperamcnt. of 19;2. and it will .. Iso include a sur Fmncois Cuuperin; Tambourin, La Membcrs of thc jury arc Huguctte \'cy of Haydu S()Ual:IS. t\lI), harpsichord l'ouk, Rameau; Toccata in D AflJjor, Drcyfus (France), ZlIlana Ruzickova Features and news items ror these ist interested in participating in the (1..'3- CrHlcato ill C Major for Two Harpsi· (CzedlosIO\'akia) , Kenncth Gilbert colwnns arc always welcome.. Address th'a) shnuld wrUe: Hilda Jomls, !mi2 chords. J. S. Bach. Shc was assis(ed by (Canada) , Luciano Sgriui (5wiucr- them to Dr. !.arl'}' Palmcr, Division of Lt'tlgewood Drin.', Cincinnati, Ohio Larry I'ahncr in the Bach Concerto. 1.lIul). and Cc,1i1l Tillie}' (England). Music, Southern Methodist Univenity, -152'29. On April 28 the three participanlS in Velma Wachlin and Mrs. Robert Ran- Dalla!, TX 75275. course, probably closer to the sounds Buxtchudc would ha\'e expected. This i ~ another work which should bc re (p,ired listcning ror those people who Travels and Travails: Some Recent Harpsichord Recordings hke to prcach that U3roque music is uncmotional musicl It was intended to by Larry Palmer movc the hcarts of the listcners to pity and to tcars. This be3utiful music can ~till do so today. In this agc of the phonograph one hras!'i music, try the ra\'hhing Risonan:n Socict)' MHS 982). Commissioned by can be: an aural armchair u:l\'elle:r; for di £ClIO (sound of echo), an 8·voice the Swt.'tlish court musician Gusla( Couperin anyone? Lc:t's bc off to the harpsichordist it is dclightful to lIIallrigal wilh tonching solo cUects. The Duchell ( 162"-00), who had tra,·cllcd Vc rsaillcs on our sonic grand tOUf_ A imagine tra\'cls in timc as welt as in compositions hcre runge from t)'pically 10 Lllcheck to visit Ullxtchllde berore whule raft of recordings has appean:d distance. Some of Ihe recordings aWOlit· Renaissallce compositions such a!li an taking over h is rather's duties as court recently dedicatcd to the works of ing rc\'iew as the season draws 10 a affecting piecc for soprano and viols by cnntiuctor in Stockholm, apparently Fr:tllcois "Ie Grund," who incidentall)' close suggest somc special "rcturns to GimlallIU l'arabosco (Niuall Scoruolnta thesc works wc: rc composed in 1680 and, wrolc in the prcrace to Hook I of Jlis the past," and wc shall aueUlpt to deal - No.une lliscollSo)atc) to the early heing too intimatc and pietistic for I';iccs de Clallec;u, ". confcss in all with thcm in lhis column. naroquc splendor of Ciovanni Gabricli's Buxtchudc's own situation at the seriousness that I 100·c muc;h more that CaU :lJIIC lor DoulJle Choir of J'oices, Maricnkirche. were most likely nC\'cr which moves me thall that which sur· Vocal and Instrumental l\huic of Ales JJwn, I' jot.. , mill Organ. As a sound perforllled there, hut rather at the COlirt Ilrisc..'S me." sandro and Domenico Scarlatti (M usical picturc or thc Tidlcs of Vcnetian music, Chapel in Sweden. The sc\cn cantatas There is much (0 JUO\·C olle in three Ucritage Suciet)', MHS 1·1-13) is a charm the two·ft.'cOld SCI , conducted by Midlct al'C scoral (or fh·e soloists, fh'c-part IliHerent Collperin oHerincs. Picking ing ide3, an "c\"Cning at home with Ihe Curhoz with the Vt)Cal and Instrumental churtls, thrce·part string orchestra (2 and choosing among them is difficult, Sca rlaltis" as it wcre. The performers Ememhlc tlf L311sanne, is :1 finc sun'ey. dolins, \'iolone, cOlllinuu) except in rur all Ihrt.'C arli~lS play fine harpsi arc all or modest, housc-music·type ahil In the fcw e~antples with harpsichord, tJle sixth c.,nt.tla where, to intcnsify the chords in :111 clegant manner. Thc it)', but pleasant. Thc IIllisic is ht.ost in expressions dealing with the heart, five Christialle jaccotet plays idioln3tically choicas: Alan Curtis playing an original the Ullr.unitar vocal works, while in the 011 a good sounding instrumcnt. lr, how· part writing ror viols is used. The work ntanchet instrument in the imtrulllclHal. Alcssandro's Tuccata shows c,'cr, olle doesn't want the entire pano Eight Pre is intcnded a!i a unified cycle, the keys lutiel front L'Art toucller Ie Clavecin thal Domcnico's kcyboard style did not r:Il11:a of thc agc, thc splcndiforous Biggs progressing froll1 C minor to E-flat :lIId I thruugh fi, 8, and 12 (Vox spring from nowhere, while Domenico's On/res Negri rccordings for Columbia ill thc major, G minor, D minor, A minor, E 5<148, !S disa): Gwtav Leonhardt \"ocal music sounds thoroughly italian minor, and back to C minor. Each can svnx llIr1gnificcllt :ICOlIStics of San Marco are playing PnI/lIl1es 3 3nd 5 and Ordres Ii ate. nut 10 be cqualled. These gh'c a far tata has a souata for instrulllenUi, an and 7 011 his 1962 Martin Skowroncck The harpsidlord sonatas, pla)'('d b)' ChOTU!i (011 beller fccling (or tile pageantry pomp. opening a biblical tcxt) , II:lrp"ichOTd (8 /\51--, llannonia Mundi Uellgl Johllsson, arc pcrfunctorily played autl ('cl'cl11on)' of Venicc. arias or trius with ritornello, aud 3 re without much passion or drama, except KHB 20348): and Kenneth Gilbert play peat of thc opcning chorus. A rew re in the Prcmier Livre tic Clttvecin, com Ihal pl'O\'idcd by the addition of regis From Haly to northern Germany in pe;tts ha\'e been omittt.'ti in this re h plctc, 011 his 1968 Hllbbilrd harpsichonJ tcrs by pedals in the Sonala it! G millar. thc changing of a record! There Illay be wrding to make it £il UIC t\\'o sides or (Harmonia Mumli liM 4-351/2/3/4). I:or an JIltcresling sample or music from lIO sllT\'h ing portrait of nuxtehude (or a record, but cS5cntiaUy the complete onc of music's fcw successful fathcr and of his pn:dccessor 'runder, or successor work is presentcd. The Latin texts, 3t. Gilbert is indeed a Rcnaissance man. SOil duos, this disc is worth hearing. Christi'llI Schicffcrdeckcr either, for that tributed 10 St. nernard of Clairvaux, arc .Just ha"ing complctcd his edition of maller) , hut his music continues to sur addrcS5t.'(1 10 Christ's feet, His knees, the complcte harpSichord works of I dolci lruiui: l\Iwic in Venice Be face. Scnm calHatas, addressed to the hands, sidc, breast, hearl, and facc. Francois Coupcriu for LEo PUrITRE, he (ore Monte\'cnli (Musical Heritage So. parts of lhe Hody of Cluisl sufrering 011 The gcrmanicized Lalin of the is now engaged in recording all four ciet)'. MRS H"7/8). If you think. thal the Cross arc recorded in BuxtdlUdc: I'(orzhcim Motet Choir may sound \'olulIles. Number one, jusl released, is Andrea Gallric1i W35 only a composer of Membr.. )csu Nosui (Musical Heritage strange to Americ:r.n cars, bUl is, o( superbly done, and has the merit of 6 THE DIAPASON Harpsichord Recordings Gilhert's notes ilH!gale in the repeats The first se\'CIl motelS arc for \'oices (195)·52) in its finc rcrording with (Continued) are moving and cffecth'c, as is his usc of (solo, most likely) and continuo, of Christiane Jaccollet and the composer a Pdite llcpriJc. or short, quiet cnding which Couperiu himself said that he conducting Ihe Ch:lmhcr Orchestra or being absolutely complete (all repeats. for the Sarabande. Leonhardt wins "feet wan led a string imlrllUlent to douhle Lausanne (Candide CE 31(05). Com everything) • up" in the Ciguc. Here is a real sense of thc bass, and that tlle keyboard part posed for Isabelle Nef who first per Curtis's lISe of the original 18th the ehu1lien,e of the dance. Listen to could he playcd equally well by eithcr fonned it at the Vcnice Uiennale of century Blanchet instrumclll. 35 well as this playing as a Jiving lesson in agogic harpsichord or orbr.ln, Molets 8 and 9 1952, this is Martin's (bom 1890) sec· his scnsith'c playing, makes the Vox set accenu and what expression at the ha\'e the addition of two obbligato in ond major composition employing harp an important document. Leonh.udt's harpsichord is all about. strumental parts. "iolins or flutes, sichord. The first was his popular gorgeous Skowroneck harpsichord scems Well. what docs all this pro\'e? Wc're The texl... all in L'ltin, are useful Petite Symf1i1Otlil! COncerlmJle for sUhed to everything he plays on it (:md glad that both Old and Ncw Testaments at ,'ar;01l5 times of the church year. harpSichord, harp, piano, ami two string that is a very greal deal indeed). We exist; in onr Couperin. it seems, we The compositions, no doubt composed orchestras, The composer knows well don't "now of any (iner harpsichord have an Apocrapha. as well. and thb is ror performance in the King's Chapel. the possibilities of the harpsichord. hav sound on records than this, and his all for the better. Curtis-'s is the big Vers.,iIles, after Couperiu's appointment ing played it frequently in chamber en· playing, it scarcely nceds 10 be said. is gest hargain (3 discs in a Vox Box) there as organist in 1693, arc: TmllulII sembles. ne\'cr less than that of a master. and the Blanchet is not to be missed; Ergo Sacrament"", (3 \'oices); Domine The Concerto is in two tQO\'ements, We (ound it instructive to compare Gilbert's is the mon complete - li Salvllm·Fac Regcm (2); Elevation - the first of which is dominatcd by an sever:l) pieces (rom the Filll' Or-dTe braries. in particular, will want tJli5 as Lauda Sion Salvalorem (2); RelJlice in undulating sequence of six 8th·notes, since this work is common to all three a companion to his excellent printed Me (solo); Salve RegirJa (solo); suggesting the steady rocking of wa\'es, discs. Cilbert and Leonhardt both play edition: Leonhardt's disc. the work of Ilegirw Codi Lactare (2); Ulquequo, It was written on the shore of the both repeats in the opening Allemande a masler who lIe\'er plays an unmusical DominI! (5010): SalvI'''' Me Fac DeliS i'\orth Sea. according to the composer. "La Logiviere;" Leonhardt's playing is notc or rest, anll whose harpsichord (solo ,'nice with Symphony); Ad Ie The second movement, somewhat un more improvisational lh:m Cilbert's. ravishcs the car like few musical in· Levavi {)clliol Meos (solo anti instru· usual in [onn. begins with :m ,Magic. Curtis (who, like Leonhardt prefaces struUlents in existence. ments) . prflcccds to a Baroque style cadenza of the Allemande with the appropriate Ilere is SOIlIC excellent music. rare relel1tk-ss fom'ard motion. and ends Wilh Pr~lude from L'Art loucher) docs not Whilst wallowing in Couperin, we and fine, And it is good for a harpsi .. short waltz-time section. The .scoring play either repeat, and uses no ;rJigaie should mention that Heugel has recently chordist to know more works in a dif, of the Concerto. restrained in its num· III the I6th·note pas.'iagcs. He also plays relcased anou.er important scol'e in the fercnt genre front a composer who is ber of instrumcnts, is most successful. less of the Ortlre (5 pieces) Ulan any LE I'IJI'Inf: SERIF.s: Francois Coup~rin: !;enerally most remembered [or his key and the performancc. which must cer o[ the olhers. Leonhardt indudes 7, and Neue Mote"', edited by Philippe Obow board works, tainly be judged authentic. is a 10"ing Gilbert the whole 1-1 pieces. sier (Lt' 15, HenGel et Cie.. Paris). one. One may sample Martin's style In the SaralJaruie "La Dangereluc" Here are 9 \'Deal compositions reprinted It would .seem that we have had :l further in the two othcr compositions to Leonhardt captures l~st Ihe darkness from part books found in the collection long trip in the Baroque. How ahout a he-found on this recording: the JJallacie and seriousness o[ the pieccs (marked of the Comic de Toulouse. no,,", in the Swiss Cinale in the mid 20th centuq'? lor Trombcfle arid Orchestra (1940). Grnvemeut) . He surprises with appoggi· lihrary of St. Michael's College. Ten· We recommend Fnmk AIOIrtin: Conccrto and the nnllade lor Piano aud Orcheltra aturolS bcfure the beat in measure 5. bury Wclls, Worcestershire, England. for Harpsichord and Small Orchdtr.:l (1939) . HARVEY GAUL COMPOSITION 16 BOY CHORISTERS CONTEST WINNERS ANNOUNCED VISIT EUROPE THIS SUMMER The Friends o( Harvey Gaul. Inc,. The American Boychoir Federation annoullled the winners of its 1973 Na· named 16 bo)' delegates to the interna tional f :omposition Conlest. The first tional music reSlh'als in Europe this p .. ize rOl' a SOt'Ig Cycle wilh harpsichord. summer. organ or piano Olccompaniment was WOIt Attending the International Bo)'choir by Dr. Jan Bach of DeKalb. Illinois. Fcsth'al in Strasbourg. France, and other and by Wesley ,\, Ward of Pillsbnrgh. fC'sth'ais in Genl1any and Belgium, will Penns}'h'ania. Each received the award be Ernest Breakfield. California Boys' of $400,00. First honorable mention was Choir. Los Angelcs, Calif.: Benny Lee also shared b)' two winners. The award Brigman. Holy Trinity Choir, 'Vest of $50,00 cadi was given to Josef Alex~ Chester, Pa.; Lawrence Tan. Lombardy ander of New York City, and to Heskel School Chorus, Wilmington, Dela.; Kurt Brisman of Teaneck, New Jersey. Second Zellcr, First Methodist Chapel Choir, honorable mention went 10 both Char· Portland. Ore,: Daniel Hay, Cincinnati, les I-Iaubiel of Los Angeles, California. AII·City Boy Choir. Cincinnati. Ohio; and to Conrad Susa of San Frnncisco. Frederick Taylor. The St. Nicolas Chor· California, Each receh'ed $25.00 awards. isletS, Belmont, Ontario. Canada: Peter There were 83 entries in the contest. Larson. Wilmington Bo)'s' Choir. Wil The decision of the judges was excep. mington, Dela.; and Robin Sidbury, tionally difficult this ycar due to the Jacksonville noychoir, Jacksonville, Fla. high calibrc of the majority of entries. This group will also make official which is reflected in the double awards \'isits to boychoirs in Norway, Denmark, Comp.titlon chairman Thoma. Murray (left) and regional chairman ladd Thoma. dlKuu of all three prizes, Switzerland, and Austria. They departed the dud.n' competition whith will b. held at Immanuel Pr ••byt.rlon Church, los Aftgele., from New York on May 17 and returned o. a .egnllkon' part of the Far Western R.gklnal Conv.ntlon of the AG.O.• Jun. 2.... 28. on May .!ll. Th. purpo•• of the con.... n.kln I. to .park MW' idea. in all mu.iclon •• to Mrn o. a work. MARTIN NEARY, OI'lJ;lnin ;100 nuller of Attending the Internation:ll Choral shop to .Umulate and encourage chun:h muNcion. and college inl'rucfon to preHnl music the music .:lit Wiftehester C;lthcdr.:al. England, Festh'al in The Haglle, Nethe .. J:lnds. of high caliber and wid ....ori.'1 to their relpediYe communities. Organ and choral pro will Ili\'e ;I concert ;It the Queen Eliz:ntlh JUlie 4·9, and other fcstivals in France grams, as w.1I as the comp.tUion, will pre.ent music In a divenity af styl.s and p.riod •. H.o.ll in London on June 18. Mr. Neary h:u and Germany will be Craig Duckley, been in\'ited by the Festival Ha.1I a.uthorities Swainsboro Elementary Chorus, Swains In a recent update of proGraM announc.menb, program chairman Ir.n. Rob.rtton hOI to lIi\'c a pro!Jr.:am of ,onatas by Bach and added the following to the list of convention perform.tli Enni. Fruhauf~ Da ... id lennox Hindcmith. and to direct the orchestra. in boro. Georgia; Stcphen Graham, Fayette Smith, Sandra Saderland, J. Thoma. Strout, organists; and Frederick Hammond, harpsichord. perrormances of Concertos by Handel and Singing Boys. Unionto\\'n, Pa.; Ron Lac· isl. All the perfarmers. many of whom have national reputations, or. members of chapt.rs lIaydn, .o.s well Il.I orchcstr.:al pieces by Tippett cabue, San Jose Bo)"s Chorus, San Jose, in the For Western Region. and Warlock. lie will return for another Calif.: Martin Wray, Northwest Boy American tour nat Octobc-r nnd November. choir, Seattle, W3sh.; Brian Darus, Sing. ing Bo)'s of Orlando, Orlando. Fla.; New Appointments Douglas Fissel. Claremont Boys Choir, JEAN LANGLAIS, in a recent leuer Co a Claremont, Calif.: Roger Durton, Mary, Carol Cwhing has been named diRD gell witt retire (rom Ihe position he has rnend in thi, cGUntry, reported that he had ville 80),choir, Mar),S\'ille. Wash.; and (or oC advertising and public relations held since 19-11. 1\ lI ~ ti\'e of Czcchoslo suUernl a I.eart attack three months AgO. The Stcphen Webb, Sierra no}'~' Choir. Car for Schulmerich Carillons. Inc.• Sellers. nl&.:i:l . Mr. raukert ga\'C his first Ameri· French composer and organist report! that he son City, Nevada. This group departed ville, Pennsylvania. Miss Cushlng's busi· can cOllccrts in 1965, follOWing a disting. is feding bc-tter now, but that he is not com from New York on May 30 and will re ness b:lckground has been in New York uished Europc:m cal'eer climaxcd b)' the tlletdy recovered. turn on June 21. City ;as ilrt department manaficr for Vick Prix d'Excellcnce hcstowcd on him in Chemical Company, art director for 1965 by Ihe Royal Conservatory of Cushing &: Nevell. and executive as Ghent. Belgium, In 1967 Jle became as· sist:lOt at Columbia Pictures Cassettes. sociate pmf(!f; sor of organ and church She rc JUNE 1973 7 HAUPTWERK New Delaware Organ Prestant 8 rt. 56 pipes to Galesville, Wis. Rohrflote 8 h. 56 pipes Octave'" ft. 56 pipes Gemshorn 2 ft. 56 pipes A new 2-manual and pedal Delaware Sesquiaiter II 88 pipes organ of 23 ranks is in the proceS5 of Mixture IV 224 p:pes completion for Zion Lutheran Church, DRUSTWERK Galesville, "Visco05in. The organ of 1I0lzgedackt 8 ft. 56 pipes contemporary design is to !Je free stand Spiugedackt 4 ft. 56 pipes ing in the rear gallery with the pedal Principal 2 h. 56 pipes Quint[liite 1 ~ ft. 56 pipes division cantilevered over the Great Zimbel II % ft. 112 pipes pipework. Both divisions are displ.ayed R~al 8 ft. 56 pipes in a functional manner. The vOlang Tremulant will be open toe with low wind pres PEDAL sures. The organ was designed by offi Subbass 16 h. 32 pipes cers of the Delaware firm in COD!ulta Spiuprt"ltant 8 ft. 32 pipes lion with Pastor M. C. Parkhurst and Naehlhorn ... h. + 2 ft. 64 pipes the music committee of the church. ~n~ture II 2 ft. 64 pipes Fagott 16 ft. 32 pipes GREAT Quintaton 16 it. 61 pipes Spiuprincipal 8 h. 61 pipes Cannarsa Completes Organ Rohrfloete 8 ft. 61 pipes Octave ... ft. 61 pipes for Roaring Spring, Pa. Quintaton ... ft. 24 pipes Flachnoete 2 ft. (jJ pipes Cannarsa Organs, Inc. of Hollidays. Prof. Roger de Magnee, director of the Mixture IV I YJ ft. 244 pipes burg and Duncansville. Pa., has com Poris Boys' Choir of Paris, France, will be SWELL Hendrickson Builds for p l ~ ted 3 new organ for St. Luke's Evan visiting clinician at the Crotin Choir School Gedeckl 8 ft. 61 pipes gelical Lutheran Church of Roaring Performing Arts Camp for Boys, Uniontown, Viob 8 ft. 61 pipes Minneapolis Church Spring, I'enna. Pipes (rom the old Estey Po., from July 1'5 to Aug. 2.4. He will porti Viola Celeste 8 ft. (Te) 49 pipes Spiufloete ... ft. 61 pipes or 1905 vintage were revoked to blend dpate as a panelist In a three-day workshop Nasat 2% ft. 61 pipes Charles Hendrickson. organbuilder of with new pipework. The organ dedica· on the boy's voice and its troining Aug. 1- Wcitprinupal 2 ft. 61 pipes St. Peter. Minnesota. has recently com tion recital was given on June 4 by the 3 and in a one-day workshop on the chang. Ten I¥.. ft. 61 pipes pleted the installation of a 2-manual two church organists, Mrs. James Hum· Ing voice on Aug. 4. He will teach music Quinlfloete 1YJ ft. 61 pipes mel and Mrs. Vincent Heaton. Hautbois 8 ft. 61 pipes tracker action organ in Mt. Cah'ary Lu theory in daily claues througrout each two. theran Church of Rich£ield, Minnesota, week camp period. He will also condud PEDAL GREAT SubOu't 16 ft. ' 2 pipes a suburb of Minneapolis. Dr. Paul Manl some of the selections performed by the of St. Paul. Minn. assisted in the design Principal 8 h . 61 pipes campen In a recilalo(oncert at the end of Quintaton 16 ft. (Great) 1I0MUoete 8 ft. 61 pipes Principal 8 h. 32 pipes and played double dedicatory recitals to Dulciana 8 ft. 61 pipes each twa-week period and will auist David Bourdon 8 ft. 32 pipes O\'erflow attendance. Th" organ con Craig, camp director, in choir rehearsals. Octave" ft. 61 pipes Quintaton 8 ft. (Great) lains 17 stops and 24 ranks of pipes. Mizture III 183 pipes Choral BaSI ... ft. 32 pipes Several additional ranks are prepared ~mmpet 8 ft. 61 pipes (Prepared) Flute ... ft. 12 pipes for. The key action is mechanical and Chimes Octave 2 h. 12 pipes SWELL M,\RVIN DAVID LEVY has been commis Fagot 16 ft. 32 pipes the stop action is electric. A free com· bination action of four pistons is pro Gedeckt 8 ft. 61 pipes sioned by the National Symphony Orchestra Fagot 8 ft. 12 pipes Salicional 8 ft. 61 pipes Hautbois'" ft. (Swell) \'ided with the sctter tabs located adja 10 write a large K:ale oratorio (or tenor so Prestant 4 (t. 61 pipes loist and on::hestra to be premiered by Richard cent to each dl1lwknob. The casework Floele lIannonic'" ft. 61 pipa Tucker with the symphony 1101 Kennedy Cen is oak with walnut used for the keydesk Blockfloete 2 ft. 61 pipes ter, Washington. D.C. under the haton d TWENTIETH CENTURY PIANO will be and slOpjambs. The drawknobs are of Langot 1YJ ft. 61 pipes Antal Dorati on Oct. 31 and Nov. I as a tile title of a 4-recital leries of piano recitals rosewood and the keys grenadilla. The Oboe 8 ft. 61 pipes salute 10 the 25th anniversary of hrael. The on Oct. 23, Nov. 20. jan. 15 and jan. 29 in manual compass is 56 notes. Robert Tremulant work. titled "Masada" will have a text adapt Alice Tully Hall, New York City during the Sperling did all the voicing, Barry Lund PEDAL ed by the composer (rom Isaac Lamdan'. poem coming lealon. The pianist will be Marie Bourdon 16 ft. 32 pipes of that name, thc Chronicles of josephus and Francoise Bucqucl of France, Ilnd the pro was the project foreman, and they were Gcdeckt 16 h. 12 pipes the hilile, and it emplOYI a narrator, clioms, grams will include 1010 piano repertoire from assisted by Da\'id Engen. Peter Monk Principal 8 ft. (Great) and elec tronic tape in addition to the tenor Berg, Schoenberg and Webem through Berio, konen. Kenneth Stromberg, John Ro· Flocte 8 ft. (Gnat) soloist and orchestra. ~ I!le and Stockhawen. mer, and Terry Bateman. Choral Bass ... ft. (Great) ~~~\\"llr,/,Jf,J'~~~~~ EVER SINCE ~~ ~'::;!~.~OKED ~~ ...... 11 ~ REISNER HAS BEEN MAKING PARTS FOR THEM! ..-;. .. '# ¢ • Reisner began making quality components in 1904, and it didn't take long •• • for their chest magnet to become known as one of the best made through- e S = re out the world. Since that time, Reisner has constantly expanded their • product line which now includes action magnets, custom-built consoles, - relays, remote combination actions, and other electrically-operated equip ment for the pipe organ. During these years of expansion, Reisner's design - engineering philosophy has remained unchanged-build quality products, no sacrifices in materials or workmanship, no built-in obsolescense. That's • why theae intemationally- Hagerstown , Maryland 8 THE DIAPASON VARIOUS COMPETITION the AGO regional com'ention to be held WINNERS ANNOUNCED in Dayton on Junc 10. Mr. Sadowski played works by Bach, Hindemith. and Franck, He was awarded a $50 prize ami Philip La Gala, a high school senior played a recital for the Chapler the rrom Clifton, NeW' Jersey, has been se same ,,·ening. lected to receive the 1973 "Young Or ganiu of the Year" award by Keyboard Arts, Inc. of Lawrence, Massachuseus. Donna Whited, junior organ major Mr. La Gala is a student or Wayne at the University of Kansas, has won Cohn at the American Academy of Mu thc Sigma Alpha lola regional playing sic, Tenafly, N ,]. In 1972 he was the competition in Kansas City. Mo., com winner of the Northern New Jersey peting against instrumentalists or all Chapter AGO competition, and he has fields rrom a wide area of the central already performed widely throughout midw<.'St. Miss Whited. a native or Tul the metropolitan New York and New sa, Okla" is a student of James Moescl'. Jersey areas, This award entitles Mr. La Gala to $200 towards his rutUTe edu cation, a plaque, and a recital at the Gwen Adams, junior organ major and Methuen Memorial Music Hall, Meth· student of James Moeser at the Univer uen. Mass. during the coming year. sity or Kansas, was the winner of the Lawrence·Baldwin Chapter AGO play ing compctition. She is a native of Osage Walden B. Cox. former dean of the South Jafte Graham, senior at the North City. Kansas, Carolina School of the Arts and a stu ern New Jersey Chapter A.G.O., and or· Junia Sells has retired as organist of the dent of John S. Mueller. won fir;t ganist of the Fint United Methodist Church Fint United Presbyterian Church, Coral John McCarthy, a master's degree of Millville, New Jersey since 1925, was Gobles, Florida, in April, thus completing place in the national organ competi tion sponsored by the MTNA at its na candidate in organ at the Uoh'ersity of honored by the Fint Methodist Church on a tenure of 21 yean at the church. The tional con\'ention in Philadelphia duro Kansas, won the Widlita Chapter AGO 'March 2S in celebration of his 48th anniver session of the church honored her by ap playing competition. Mr. McCarthy is sary as organist of the church. A formal painting her organist emeritus. Miss Sells' ing the first week of April. Her program included works by Bach. Muf£at. du a nath'e or Wichita, and studies with program with presentation of gifts to Mr. career began early in Stackpart, Ohio. Sub Mage, and Dupre. Last June Miss Gra James Moeser at the Unh'crsity or Kan Cox Included many church members, former sequently she studied with Francis Moore, ham placed third in the national final .. sas. pupils as well 01 prelent pupils and friends. Charles Gilbert SprG$S, Harold Bauer, Mar of the AGO competition in Dallas. She Mr. Cox served Christ Episcopal Church and cel Dupre, F_ Melius Christiansen, John Fin is a ronner student of Henry Bridges Sf. Paul', Lutheran Church in Millville, and ley Williamson, Daniel Pratheroe, and Clar James 1\Ioon, a junior at Cornell Col of Charlotle, N.C., and Clemens San Immaculate Conception Church in Bridgeton, ence Dickinson. She was accompanist and lege, Mt. Vernon. Iowa aod nath'c of drcsky. NJ. before becoming organist at the Fint coach for Reinald Werrenrath and pianist Silver Spring. Md., placed first in the United Methodist Church In Millville. He is a on tour for Hamer Rodeheaver. She was or· River Valley Chapter AGO competition graduate of the Combs Conservatory of Mu ganlst and director on the Columbia Radio Rick Morgan, a student of Carl Stap held April 28 in Cedar Rapids. Iowa. sic, Philadelphia, Po., and he continues to Network in Chicago and New York, and lin at Drake Unh'ersity, Des Moines, Mr. Moon is a student of Robert Trip play regularly at the church where he began she has served several large churches In the Iowa, won the organ playing competi lett at Cornell College. Second place was playing as a 20-year-old organist. Miami area. Speclal honors were awarded to tion sponsored by the First Presbyter won by Da\'id Tryggcstad of North 51. Miss Sells by Federated Clubs in California ian Church of Ottumwa, Iowa on April Paul, Minn., a first year graduate stu DOUGLAS BREITMAYER accompanied aad for her work in military camps, and also by 6. Mr. Morgan received a cash award dent of Delbert Disselhorst at the Uni conducted Mendelssohn's "Elijah" in the Sun Denison University, DePauw University, and of $.!IOO. Second prize of $150 was award versity or Iowa; and third place was day morning worship service on two Sundays conservatories In Los Angeles and Paris ed to Ralph Phillips, a student of Rob won by Richard Bjella of Cedar Rap during May at Orne. Methodist Church. St, through scholarships. She is a member of the ert Town at Wichita State Unh·erait),. ids, a senior at Cornell College and also Louis, Mo. On the preceding Sundays to the ones in which the oratorio Wllll lung, the Rev. A.G.O. and the S.A.I. music fraternity. She 18 undergraduate students rrom the a student or Robert Tripplett. Robert W. Gordon preached on Elijah. Solo will continue her private teaching in piano midwestern area participated in the all "ts for the performances were Eugene Soubby and voice and her work as a vocal coach. day e\'ent which was judged by Clyde MICHAEL WHITE'I new piec~. "The An· as Elijah, Barbara White as Th~ Widow, Alb Holloway. cient Vespers," received its world premiere Iyne Halane as The Youth, Joanne Cruik on April 27 at Chrid Church, Philadelphia. shank as The Angel, .nd Warren Keller as 'mE STATIONS OF TIm CROSS by Mar Pa. with the Philadelphia Musical Academy Obadiah and Ahab. ch Dupre were performed on April 11 .t Holy Kain Sadowski, an organ student of Women 's CllOir and Orchestra under the di· T,inity Lutheran Churd., Buffalo, New York Carl E. Stout and a frC!hman organ rna· rection of Lawrence Hoenig. Mr. White has ALEC WYTON Wllll the conductor for II by Alexander Boggs Ryan and "The Eclectk jor at Mercyhurst College, Erie, Pa., utilized medieval music re- . hap~d into a uni festival choral len1ce featuring the music of Duce Company" of the State Univenity Col won the Young3town Chapter AGO play lied form of th~ " twilight sen.ice" of the early Ralpb Vaughan Williams at Grace Episcopal lege at BuUalo with Linda Ellis, director. ing competition. He will compete in church. Church. Tucson. Arizona on April 1. JUNE 1973 9 Schola Workshop in New York ew - A Review One of the mnst stimulating work. their mllsic or a publishing firm's ad an shops that this writer has attended in \"ertising or some other Corm of print years took place at the Cathedral of St. media. This proved more worthwhile John the Dh'inc, New York City on than could be imagined aCorehand, par April 29. 30, and May 1. Entitled "Music ticularly in such a case as Ned Rorem's, in the Church ... A Long View," the whose honest but unorthodox and very workshop was sponsored by the newly pointed article in the Conn oC a "con c Conued Schola Musicne Liturgicne Cession" about church music appeared the American Cathedral Organists and in a recent issue of Ute A.G.O.'s maga New Volumes of PRELUDES FOR HYMNS IN WORSHIP SUPPLEMENT Choir Masters Association (who met zine, causing a minor Curor among seg edited by Paul Thomas concurrently with the workshop and lUents of the membership. Facing the 97-5035 Volume II - Lent and Easter (No. 725 - 744) 52.50 changed their name this }'ear to the person man to man conveys other feel Anglican Association of ~rusicians) • and ings than are conveyed in print, and 97-5036 Volume III - Trinity, Minor Festivals, Trinity Parish in New York. we are certain that participants at the Holy Communion (No. 745 - 766) Such a workshop had a purpo5C. and workshop found a great deal more hu· 97-5037 Volume IV - General and Varied Occasions it was well stated by the steering com· man concern, sincerity, and finally a (No. 767 -793) mittet (Larry King, James Litton, and bond of common struggle than would Alec '\')'too): "Since the death of Bach, be expected_ (This completes the series of organ preludes for Worship Supplement. the music created ror and perfonned in Monday evening was gi\'en O\'er to Volumes I-IV may be used independently of Worship Supplement) the services of ule Church has (cnded a showcase concert of the Cour com to stray further and further from the posers at the workshop - lain Ham· 97-5144 FANFARE FOR ORGAN- qualities of mainli tream mm ic. The pur· ilton. Ned Rorem, Charles 'Vnorinen Ronald Arnatt pose of this symposium is to e\'aluate and William Albright. Starting off with A short, spritely composition employing the trumpet stop. this trend and to face the problems and the "Cather" of modern American mu Good postlude or for festive services. challenges in rC\'c rsing it, shoultl. this sic, Charles Ives's Psalm 150 was sung seem to be a \'iable direction for by the combined choirs of the cathedral, 97-5145 SEVEN LARGOS- strengthening both ule musical integ Trinity Church of New York City, Trin rit)' and the highest purpose of the ity Church of Princeton, N.J. and some Antonio Vlvaldl/S. D. Wol" mission and worship of the church. To students [rom Union Theological Sem A "companion" collection to the Six Adagios (rom the Italian Baroque this end, delegates will be exposed to inary School of Sacred Music. Ned Ro (97-5006). Appropriate during Lent. e\-aluations of past and present musical rem's anthem "He Shall Rule from Sea efforts of the Church by leading music to Sea was sandwiched between lain 97-5146 CHORALE PRELUDE ON "HERZLIEBSTER JESU"- critics, and to discuss with them the Hamilton's large work Cor three choirs directions in which we should move to and three organists, Epitaph Jor This Gerhard Krapf maintain or regain our musical integ World and Time. All of the works re A meditative setting of the chorale "Ah, Holy Jesus." rity. Delegates will wrestle with the pos· ceh'ed spirited and finely done perform Ornamented melody-mildly contemporary- not difficult. sibilities of conflicting loyalties (the ances, and Ute vast spaces of the Cathe A choral setting by Gerhard Krapf is available, 98-2153. profeSSion of music \'ersus institutional dral provided the Hamilton work with demands) with prominent spokesmen in the kmd of acoustic that the work needs. the field of ethics. Delegates will be ex Following the intermission, the audi ~ posed to the latest works of major ence moved to the nave Cor a perform mainstream composers and enter into ance of On Alligators for flute, oboe, the dialogue with them in the hope clarinct, bassoon, 2 violins, viola and of discovering new directions for ser cello, conducled by the composer, Char vice repertoire and ways to enlist their les 'Vuorinen. The work is tightly knit, ~~a interest and help in the Church's mu 12·tollc in style, and was interesting to :n.:II soutH ... ,nASON AVUIUf...... r UlUIl. MIIOlJIII en" sic." hear in the Cautedral's acoustics. We Since this writer had other committ have never heard this kind of pointa lIlents that required his missing the Iistic chamber music in such surround kC)'tlote address by the Rt. Rev. Alex ings, and the lingering of tones pro ander Sc1unemann, dean oC SI. Vla(Ji vided an acoustical countcrpoint that mir's Orthodox Seminary in Crestwood, we rather imagine was not expected or KY., as well as the critic's panel (with intended by the composer. In spite o( Byron Belt, Alan Rich and Denis Sle the blurring of such intimate detail, \"ells moderated by Larry King), and the work receh'ed a fine performance. the 10)'alties and cthics panel moderated Ned Rorem accompanied soprano Betti by Roger Shinn of Union Theological MacDonald in nine of his SorigS (1947- Scmina'1', we are unable to discuss those 55) on Poems oJ Paul Goodman. The here, although com'ersation among par lyrical qualitk-s of the secular poetry ticipants would indicate that they were were brought to life beautiCully by 1i\'C:ly and thought provoking eVellts. some lovely singing by Ms. MacDonald What was most significant at this in these secular songs. Secular songs in c\"ent was thc appearance and casual thc Cathedral? Well, yes - Cor iC poetry dialogue of four "mainstream" compos is Rorem's "god", and his music is ex· ers with a group of church musicians. pressil'e of poet'1', thell thcre is no rca· Such a wholesomc event seldom takcs son not to get to know what qualitics place. Indeed, Ole hostilities evinced by there are in his music that has pro thc church and its doings among serious duccd such lyrical and expressive set composers is the order oC the day, and, tings of "sacred" texts. These songs likewise, lhe hostility Cor new "contemp sparkled. William Albright played Cour tuary" music among church musicians piano works to close the program. They is also COl11l11on. At least past e\'ents were: P;mlOagogo (1965) by William Al (particularly in thc American Guild of bright, Oil Slt5a1ma (1970) by Loren Organists and among Utcir past func Rush. Animations (1969) by Eugene tions, both local, rl-g1onal and national) Kurtz, and Charleston Rag (1899) by have seemed to bear out such hostility. Eubie Blake. All oC the first three picces What was surprising at this workshop have roots in earlier lllusic (jau, classi was the absence of this hostility. Onc cal music of the past) which are readi Firat Congregational ChUrch. Lltchlleld. Connecticut - 2 manual, 21 ranks I\'ould assulllc that such composers would ly rct:ognizable. In some cases, the ori· ha\'e long abandoned a concern for the ginal music is co\'ered O\'cr by pastiche church, culting out their own area of and allral affects that blur it. Certainly work in a secular world. And onc would Albright has becn much influenced by also assume Crom past history that the the Piano Rag (one of America's few BLENDING the historic with the contemporary can be church musicians could care less about gcnuinely indigenous musical styles). successfUl as exemplified by the above early 19th it. It was dearly and surprisingly not There is no question about his ability so at thi, workshop. The most "secu as a perCormer. "'e ha\'e not heard such century case surrounding a new Reuter pipe organ. lar-minded" of the composers (Rorem good Piano Rag playing except from the and 'Vuorinen) displayed perhaps the masters (such as Eubie Blake) them Your inquiry is invited for both our current free bro most pointed and vocal concern for and selves. and Albright's technique and chure and consultation 85 may be desired at no obli insight into the church, even if it was grasp of ule music was Cormidable. The couched in skeptical and uncompromis audience responded by "conning" him gation to you or your church. ing terms. And tbe church musicians into playing another Rag. This was a prescnt seemed ready and willing. in showcase concert, and it was a well· deed eager, to dialogue with the music balanced exposition of the composer's and the thinking of these composers, various works, both for the church and critical though it might ha\'e been. for other purposes (we hesitate to use The workshop was well organized so the terms "sacred" and "secular," which that adequate time was given for the were dearly blurred here) • events at hand, and Curther opportunity Tuesday was given over to presenta Cor informal discllssion was made possi tions by cach composer. lain Hamilton ble. Thus, e\'eryone had opportuntty to talked of his compositions and his chat in a relaxed atmosphere - some thinking and intentions about them. Lawrence, Kanus 66044 thing that rarely happens at workshops. giving Ote audience an insight into his Better yet was the opportunity for par creations. Ned Rorem used his anicle ticipants to chat with composers whose reCerred to above as a starting point names are frequently known only from to reveal more of his Ceelings about the 10 THE DIAPASON church (among which was a concern accompaniment not written in tradition for money, ie. royalties and performance al hannony. NctJ Rorem's (In Cllrist rights as well as commissions from which Tllere Is No East or West) is written the composer should make his li\'ing - in his usual song·style, with simple. a subjcct that was unfortunately not traditional harmonic accompaniment. pursucd in relation to churchcs and William Albright constructed an almost their music, or in relation to the A.G.O.). English'style melody O\'er a slowly mov· William Albright ran an impromptu ing harmonic accompaniment for his HINRICHSEN EDITION workshop. prescnting An Easter Super. hymn, Father We Thank Thee. The ROlUui of 23 parts which he had wriuclI hymll , yery rcminiscent of the style o( SERIES OF BASIC ORGAN STUDIES the day previous in ordcr to get the Vaughan Williams. is blurred slightly participants per£onning, and to gh"c hy an ostinato using the mode of the MANUAL TECHNIQUE them an idea of how he goes about such hymn melody to be playcd by any num things. Spontaneity was the order of ber of optional instruments in any tem H BI3 I-lands on Separate Manuals ( Marshall ) ...... $1.50 this c\'cnt. Charles , Vuorinen ga\'e one po as accompaniment. Charles \Vuori H 1532 Lelt Hand Faci lity (Horrocks ) .. _ ...... 1.50 of the most articulate talks on church nen constructed a 12·tone hymn for music that this writer has heard in God 01 Grace arHl God 01 Glcry willi H BI6 Legato on ~Ianllals (Marshall) ...... •• ...... 1.50 recent days, cxpressing his concern for an organ accompaniment that is intend. I-I Bll Staccato on ~'[anuals (Marshall) ...... 2.00 the acsthetic dcath of the church and cd to be playcd at the pitches written its rites. As a composer of high ideals (ruling out other than unison or foun and moral integrity in his work, he dation stops in the organ) • We expected MANUALS AND PEDALS found it necessary to liken these ideals that the \\'uorincn hymn would be the to thc church's integrity and moral pos most tlirfictllt. Indecd, it turned out to I-I BIB 6 Adjectives (Gibbs) ...... 2.00 ture. In so doing, he displayed a far be the most interesting. and not ,'cry 350K Bach's Art of Part.Playing (Taylor) ...... 2.50 greater concern for integrity and morals difficult to sing. j\nd it contained no than is popular today. Indeed, here was compromises uf his usual style to "bring 7043 Dach's Trio Sonatas: The Slow ]v[o\,ements of an "avant-gardc" composer speaking as it down" to the le\'el of a congregation. Nos. 1, 3 and 'I ...... 1.50 a reactionary (in the best sense of that Thc service also contained pieces (rom H IOIIA Canonic St)'le (Routh) ...... 2.00 term). We hope that his remarks will Organ book I at \ ariolls stages o( llie get into print, for tlley need to bc liturgy, played by the composer. Wil H B28 Fugal Adventures (Cooke ) ...... • ...... 2.00 heard by every practicing church musi liam Albright, stunningly on the Cathe I-I 10/0 Trio Playing I (Taylor) ...... 2.50 cian (and by qUite a few o( thc church's dral organ. The congregation fonned fathers and clergy. also). the "choir," and the texts and st},lc of II 350F Trio Playing II (Groves) ...... 2.50 All four composers were commissioned the liturgy were all modem, done III ex· 300BC Trio Playing based on Reger's compositions in cellent taste. III, to write hymns for the closing sen'ice trio form (Phillips) ...... 2.50 (which also included two plcces by We look for further workshops spon Richard Felciano for congre!,f3tion and sored by the Schola. If this first one is any indication of what is to come, they PEDAL TECHNIQUE electronic tape). lain Hamilton's hymn. will be Ih-c1y, stimulating, and most Come, Tlloll Holy S/Jiril, Come!, dis· worthwhilc. H 470 Little School of Pedal Playing, based on Pcdal played a s.yncopated melody with a (ree - Robcrt Schuncman Studies by Merkel and Karg-E1ert (Phillips) 2.00 H BI5 Staccato on Pedals I (Marshall) ...... 1.50 I-I BI9 Staccato on Pedals II (Marshall) .....•...••.... 2.00 REGISTRATION NUNC I-I 1536 5 Short Pieces (Routh) ...... •• ...... 2.50 D1MITTIS I-I BI4 Stop Changes (Marshall) ...... 2.00 H. ALEXANDER MATTHEWS ISTVAN KERTESZ C. F. PETERS CORPORATION Dr. H. Alexander MattJlews, well Istvan Kertesz, musical director of the 373 Park Avenue South New York, New York 10016 known composer of church music, died Cologne Opera and Symphony Orches· April 12 in Connecticut. He was 94. tra, Cologne, West Gennany, died Aalril (212) 686-4147 Dr. Matthews was born March 26, 16 in a drowning accident in the Medi· 1879 in Cheltenham, England. He first terranean Sea, Hc was 4·1. Mr. Kertl'sz studied with his (ather who was a well was swimming 0(( Hcrzilya, north of TI!I known organist and choral conductor, Aviv, when he was swept out to sea hy and he continued his studies under a strong current. Policc said he was W. W. GHduist and George A. A. \ Vest dead when friends reached him. aher emigrating to the U.S. in 1900. He Mr. Kertesz began his brilliant (on· became an Amcrican citizen in 1923. ducting career with the Budapest Slate Dr. Matthews held the following posi· Opera in the city of his birth. FlcdllJ tions: conductor and one of the (oun to the \\'est following the abortive ders of the Choral Art Society. Philadel Hungarian uprising, he becamc music phia, Pa., 1922-34; tlirector of under· director at the Augsburg Slatc Opera, graduate music, Unh'ersity of Pennsyl and then chief conductor of the Cologne vania. 1922·31; organist and choirmaster. Opera and Symphony. He made hi<; Church o( St. Luke and the Epiphany, American debut with the Detroit Spn· Philadelphia, 1916·37; orgalllst and phou), in 1961, and had conducted 111000e choirmaster, St. Stephen'S Church, Phil· than 80 leading orchcstras. Mr. Kertesz adelphia, 1937-54; conductor. Philadcl was the (ather of two sons and a phia Music Club Chorus, 1929·54; con· dallghtel". ductor and foundcr, Unh'ersity Glee Club of Philadelphia. 1935·44; head o( the theory department. Eastern Baptist Theological Seminary until 1945; and head of the theory and organ depart ment. Clarke Conscn ~ MANUAL I Kney to Build for Gedcckt 8 h. Three Manuals Principal ... h. Mt. Pleasant, Michigan B1oddlOte 2 ft. Thirty-Two Ranks Mixture III 1 ft. Regale ft. Gabriel Kney &: Co., organ builders of MANUAL II London. Ontario. ha\'e recently been Rol.rflole 8 fl. awarded a contract to build a 2·manual Quintadena ... ft. Terz lYs ft. WICKS ORGAN COMPANY IHighland, Illinois 62249 and pedal organ (or St. John's Episcopal Principal 1 h. Church, Mt. Pleasant, Michigan. The Trcmulant Pipe Organ Craftsmen Since 1906 new organ will have mechanical key and PEDAL stop action. Subbaa 16 It. (e:xteaded to 8 fL) JUNE 1973 11 Harald Vogel in Toledo -A Review Harald Vogel, Brrmm, West Gennany to primarily toes with little crossing un· - recital at Ashland Aveo Baptilt Church, der or substitution. Toledo, Ohio May 9, 1973. Program: The condusion. then. is that unity Toccata in C, Sweelinck: 5 r'uses on of music and technique will yield prop· "Jf'orum betriibst du die", me;n Hen," er articulation, Careful attention to Scheidt; 4 Versts on Mng"i/icat on tilt! fingering makes articulation markings TRACKER ACTION Sixth Mode, Schcidcmann; Prehulc. unneces.~ar}' . Nor docs one first learn 61013 STOPS Fugue and Cllacorme ;n C, Gatt der teChnique and then add expression; Vater wolin IIns be;, Buxtehude: 11'" good technique results in expressive. glauben all' an einr:n Golt (donhlc spirited playing. Mr. Vogel noted that pedal) • Prelude and Fugue in C, BWV 16th century theoretical ideas such :IS 545, Bach; Improvisation. the fingerings of Santa Maria apply to North Gennan music as well. and only in the 17th century did strong national 'Vedncsday. May 9, marked a rare op styles emerge. portunity for students of the University The dilemna for organists, then. is of Toledo and the surrounding school!. whether it is possible to master the new· Harald Vogel. musicologist for Radio old fingerings which effectively set Bremen. and a doctoral slIIdent at the forth 16th and 17th century keyboard University of Hamburg, Wcst Gennany music. as well as 10 master the modem (where he assisted Prof. Gustav Fock in ideas of equality of fingers for much of the completion of his definitive book. the 19th and 20th century literature. or Arp Schnitger and H is School) . )In'' whether thorough mastery of one true. sented a master class and recital at the tically excludes mastery of the ot ler. Ashland Ave. Baptist Church. spol1~rcd The evening recital was received with by the Unh'ersity of Toledo music dc· intense enthusiasm. prolonged applause partment. The 19.stop Brombaugh 01'· and calls for encores. The brilliant gan (1972) is the reason that this imler. Sweelinck Toccata in C opened the pro city American Baptist Church in ToleJo gram followed by an imaginative ex has become a kind of mecca in the or· ploration of colors of the organ in sev· gan world. The organ. with its unequal eral of Scheidt's ,'erscs on Warum be· temperament after Werckmeish...... its tri;bst du dicll, me;n Her:.. Vogel's in· mechanical key and stop action with terpretation of the Scheidemann Magni· hanging or suspended action for hath ficat on tile 5;xtl, Mode displayed the manuals. short keys. and resilient willtl fl'ttdom which a mature, knowledgable system . results in a tnmical exp,.,n~ nce player can apply to a written score. The for players and listeners of unprccedcht· added ornaments and careful fingerings cd excitement. This is an organi~t's or· and phrasing. done with authority and gan. and Mr. Vogel is an organil'l'';; taste. brought the music to life. The highest order of craftsmanship in mechanical and electric action MARILYN MASON was the sotoitl with the DIANE DISH, orsanist of Coni Ridge Pro· Butler Univenity Orchestra under the direction byterian Church. Ft. Lauderdale, Fla., was a pipe organs. of Jackson Wiley and guest conductor E~ leatured performer at ahe National Federation Quder in a performance of Guilmant's "Syrn. of Mwic Clubs National Convention in Atlan phony (or Orsan and Orchestra" at Clowes tic City. N.J. in April. Other pedormen lor Memorial Hall. Indianapolis. Indiana on May the convention included Van Cliburn. Jerome 5. The concert was part of Butler Univenity'. Hines, Shirley Verrett, Laurence Foster, and 1530 Military Road Sixth Romantic Mwic Festival. othen. FREDERICK LIPINSKY. Westminster Choir Buffala, New Yark 14217 College senior, received a U.S. patent after PATRICK J. MOULTIS retired April 1. five yean of planning and legal work for a 1973 after 17 yean at director of mwic at conveyance on which to , tilll re and move metal the Cathedral or SL Paul the Apostle. Bir· brochure available member APOBA mutic .tands. Several yean of es:perience car mingham, Alabama, due to poor health. Mr. rying .lands lor a band produced the time- Moulin celebrated hit 30th year as a church saving idea which will be marketed under the musician on April I, and is now director registered tradename j'Stak-A-Rak." etneritw at the Cathedral. , 12 THE DIAPASON B Minor Mass in London London Bach Festival, Royal Festival It was evident from the opening Ky. Hall, London, England, April aD: "Mass rifJ that the e\'ening was to be a special in B minor," BWV 232 by J. S. Bach. one, for the blend of voices achieved by PcrConned by the l\(onteverdi Choir and this choir was astounding. Even more Camerata Academica o£ Hamburg, ltlr amazing was the fact that the balance gcn JUrgens, director; Ingeborg Reich. between orchenral accompaniment and elt, soprano; Ortrun Wenkel, contralto; choral sound was always perfect, no Dieter £lImbeck, tenor; Ruod Van Der maller how lOUd the orchestra was TRACKER ACTION A-leer, baritone; and Jakob StaempOi, playing (attributable, no doubt, to the 4 to 7 STOPS b.... kind of tone produced and not to the amount) • It is always with trepidation that I But it was in the touches Herr JUr attend a performance of the great B gens put to movements such as the minor Mass by Dach. In the fint place, Crucifixus, wherein the awful fact of it is the work many people consider to the crucifixion was the central thought. be his finest expression of faith in God and in the Sanctus, a glorious paean and in man as His creation. It is fiend taken at a sensible pace rather than the ishly difficult to sing. and most ordi usual ponderolls one. At this point one nary choral organizations are not equip realized that tIJis perfonnance had ped 10 sing it. But I always go, hoping transcended the technical difficulties for the "definitive" per£onnance. I must and made something very special out say that after hearing the perfonnance of the music. by tlle Monteverdi Choir of Hamburg The soloists were in fine form as well. under their inspirrd conductor JUrgen artrun 'Venkel, the contralto, was es JOrgens, I feel that my efforts have not pecially moving in the Laudamtts Te gone unrewarded. and the Agnlls Dei sections, and the To those familiar with tbe recordings tenor, Dieter Ellenbeck., sang the Bene· made by this group, the accolade will didus quietly and calmly. come as no surprise. Some of the finest Instrumental obligatos were particu performances on recorded disc are the larly beautiful and the ,,-arm string product of the collaboration of this tone of Thomall Brandis, the leader of choir with the Camerata Academica of tJlis orchestra, was emulated throughout Hamburg, its supporting instrumental the ensemble. The oboe d'amore and ensemble. Herr JOrgens seems to ha\'e flute solos of Manfred Zeh and Burg been the guiding force and impetus for hard Sch5ffer, respectively, went far to· both organizations, for, according to the ward contributing to the evening's suc- program note on this occasion, he or cess. ganized them himself. - Larry Jenkins QCasauan~ frem; New Organ Music ST. HYACINTHE. QUEBEC, CANADA Werner Jacob's Improvutdion sur E.B. cluded). Both are for organ, brass, and is published by Associated/Breitkopf choir and strive for obvious effects. The ($4.50). The pitches E·natural and n Overture quotes the Gregorian Te Deum flat, derived from Ernst Bloch to whom incipit. the piece is dedicated, are sustained al most indefinitely as a tonal matrix with Giselher Klebe, Mina ·Miserere Nobis' in which the improvisation takes shape. (Associated/Bote '" Bock. $10.25). Considerable ingenuity is evident in the lise of kaleidoscopic registration changes, Bernhard Krol, Antifona for English tone clusters, morse code, dynamic con hom and organ (Associated/Bote &: tfasts, and the like. A system of three Bock. $6.25) . staves contains both conventional and graphic notation. The lauer, howe\'er, is Herbert Collum, Orgeisuite 1962 (Asso· always specific in its intent. ciated/Bote &: Bock, $3.00) • This is not a great piece, but it is an interesting one and at the least will Alessandro Scarlatti, Toccata primi toui shake some dust loose from both the (Associated/Breitkopf, $8.00). An Aile· organ and the organist. A large instru· gro, Adagio, Fugue, Adagio and 19 var ment and two registration assistants are iations on the Folia, edited by Theodor necessary. Suggested performance time Klein. is between 5·10 minutes. Cesar Bresgen, Toccata Pasc/,alis (Asso· Preludes for tire Hymns in Worslli/} ciated/Doblinger, $5.00). Quotes first in Supplement, Vols. 2 (Lent· Easter) and fragments, and then complete, the Eas· 3 (Trinity-General) are now' available ter chorale "Erschienen ist der herrliche from Concordia ($2.50 each) • As in the T.g." previous installments of this series, both traditional and newly.composed seuings Ernst Pfiffner, Partita on 'Gatt se; gelo. are included, and length as well as tedt bel' (Associ.ted/Doblinger. $4.75). nical demands are generally modest. The settings of these fine hymn-tunes will be Kenneth Leighton, Improvisation In found useful for many service functions. Memoriam Maurice de Sausmarez (Bel Also new from Concordia (Kistner &: win· Mills/Novello, no price listed). Siegel, $1.90) is Robert M. Helm· schroU's Drei Stuch fur Orgel - in Simon Preston, Vox Dicentis (Belwin memoriam Igor Stravinslcy. The first Mills/Novello. 45p). INCORPO RATED movement is dirge-like, the second is a Hagerslown. Maryland 2"1740 Phone 301-733-9000 quiet trio, and the third is a light· S. Drummond Wolff (arT.), Seven Lar· hearted toccata. Technical demands are gas by r'ivaldi (Concordia, $2.(0). quite moderate throughout. Total per formance time i. given as 6'50". Ronald Arnatt, Fan/are for Organ (Con Oxford University Press has published cordia, $1.00). An imprOVisatory piece A. David Moore & Co. a facsimile edition of 'Villiam Boyce's of moderate length and technical de Ten r'olu7ltar;es for the Organ or Harp. mands. sic/,ord ca. 1785 ($5.!0). An editorial TRACKER ORGAN DESIGNERS & BUILDERS preface is provided by John Caldwell. Thomas Gieschen, Crown Him: A Char. North Pomfret Vermont 05053 Only a few of tbese \'oluntaries can be ale ConcerlatD (Concordia, $2.50) . Wal found in varioull modem anthologies. ter Gresens, Our Fatl.ers' God in Years All ten are substantial, well·made pieces. Long Gone: A Chorale Concertato They are perhaps a bit less refined than (Concordia, $1.75). "Diademata" and ORGAN SERVICE-J. E. Lee Jr. those of Maurice Greene, yet they do "0 grosser Gott" straight forwardly ar l Felix Schoenstein not fall into the clich~·ridden proce ranged for brass, organ, choir and con· dures of John Stanley. KNOXVILLE. TENNESSEE 37901 gregation. Box 2061 Pipe Organ Builders Although there is little virtue, per Ie, & Sons. in playing from 18th·century printed Gerhard Krapf, Chorale Prelude on Tuning - Maintenance - Rebuilding SAN FRANCISCO, CALIF. notation, the challenge is no greater Herzliebster jesu (Concordia, $1.(0). Cansuhan.s than reading Johnson, Boswell, or Sheri A lovely, quiot setting above a ahort dan in an onginal edition. A few mo passacaglia theme. ments taken for villual orientation in the Boyce voluntaries will produce am· Arthur Wills, PreludfJ and Fugue (Ox pie reward and mwical Utillfaction. ford. 6Op). ANDOVER ORGAN COMPANY, INC. AND COMPANY 80.36 Brieoy NoCcd Antoine TIsn~, Luminescenct:S (Presser/ ORGAN BUILDERS G. BiII.udot. $!.70) . A large scale ...mi· Methuen, MauachuMIts 01844 Noel Goemanne, Ffmfare fm- Festivals, aleatoric piece available in recorded Solemn Overture (AgaplVHope Publilh· fonn on PhiliplI 6504 039 "L'Orgue du modern mechanical action ing Co.. $2.50. $2.00. Brass parts In- 20e si«Ie." - Wesley Vas JUNE 1973 13 Southern ~rethodist University campus, the church has played an import~l~t role in thc cultural as well as thc Sptrt· tual environment of thc community. Many chamber music programs arc rc::r ronned in the chapel and usually fill it to o\'cr capacity. Future plans include a series of con· ccrts inaugurating thc ncw organ which has 2-1 stops and 33 ranks of pipes. The ELECTRO·PNEUMATIC casework is of oak with an attached 10 RANKS kcydesk of rosewood. The stop action is electric with a solid slate capture com· bination action. Specifications or the organ wcrc draWl!- up ~Y Rol?,:u L Sipe in consultation wuh Pluhp E. Baker, director of music at thc church. GREAT Principal 8 £to Rolullote 8 ft. Octave of. ft. Silitzflote ... ft. IU QC kflBte 2 ft. SHqulaitera II Mixture IV-V T rot'u Pt te 8 ft. Trcmulll nt SWELL Grnuilorn 8 ft. Gemshorn Celeste 8 ft. Robert L. Sipe Finishes Gedeckt 8 fL Spilillate ... ft. Organ for Dallas Church l'rincipal 2 ft. Scharf{ III Cromorne 16 ft. The Highland Park United Methodist Ilautbw 8 ft. Church, Dallas. Texas, has installed a Trcmulant new mechanical action organ in its Cox Chapel. The contract was signed with PEDAL Principal 16 ft. the AeoUan·Skinner Organ Co. in June. Sublxw 16 ft. 19iO, for the instrument to be built Octave 8 ft. under the supcn'ision of Robert L. Sipe, Spillgedeclr.t 8 rt. tonal director of Aeolian·Skinner at the Cboralbass ... ft. (fasauanr frt~g~ timc. Mr. Sipe, sincc leaving Aeolian Mixture III Skinner and resuming his own businc~ Fagott 16 ft. ST. HYACINTHE, QUEBEC, CANADA in Dallas, has personally installed and Robnchalmei ... ft. voiced the instrument. Cox Chapel is a small but well.pro portioned gothic· inspired room built in TIlE SAINT MARY'S COLLEGE-NOTRE 1950 and seating 200 people. The dtapel DAME UNIVERSITY CONCERT CHOIR b was built wth organ chambers in the travelling in Belgium, West Germany, .A,IIS frollt of thc room, but last year the tria, and Italy during May and JUlie, gfW lnS church built a small gallery on the back concerts under the direction of James McCra!'. chairman of the Saillt l.fary's College muSIc wall for the purpose of housing the department. The group ineludes the Madrigal ncw organ and allowing it to speak more Chamber Singe" under the direction of Arthur effecti\'ely into thc room. Because of its Lawrence, assistant professor of mU lie at SI. strategic location on tllc edgc of the Mary's College. from Arts Image ... WORKSHOPS European Style University of Southern ORGAN PIPES RICHARD HESCHKE Mississippi SLIDER CHESTS Louisiana State University • Organ-Mildred Andrews, recilal and & KENNETH & ELLEN maslerelass, July 19-20 MECH. ACTION LANDIS Choral-Luigi Zaninel!i. July 18-20 Market Square Presbyterian Church, Piano-George Anson, July 16-18 COMPONENTS Harrisburg, Penna. • European-trained craftsmen highest quality materials For Information, write: JOHN ROSE firm quotations Cathedral of the Sacred Heart, Dr. David Foltz and Rutgers University, Newark Southern Station Box 81 PIPECRAFT 68 So. Boulevard Halliesburg ROBERT ROUBOS . West Springfield, MA 01089 Miss. 39401 T.1. (413) 734-3311 State University of New York, TRINITY COLLEGE Cortland, music dept. ohm. CHAPEL FRANK SPELLER Music from the Inaugural Recital University of Texas at Austin A New Recording G. F. ADAMS by Plus eight outstanding European artists CLARENCE WATIERS Organ Builders, Inc. $5 .. P,P. in U.s.A. and Possessions AUSTIN ORGANS, INC. 204 West Houston Street P. o. Box 365 @ HARTFORD, CONN. New York, New York 10014 06101 Telephone ORegon 5-6160 Arts Image SCHULMERICH® HELPS YOU FORM ENRICHING, Box 1041 INSPIRING HANDBELL CHOIRS Newark, N.J. 07101 Your p.rsona' wishes PELCA RECORDS Start hand bell choirs for youth ••• or any Phone (201) 484-6021 The finesl in European organ recording.. are in good hands oge group ••• with Schulmerich "Precision PHILLIP TRUCKENBROD Many Items in dock. Write for new cata Tuned" Handbells, the finest. Write to Director Fa. Jacq. StinkeRS ZEIST logue. S. H. Dembinsky, 1035 Iroquois O"on pip. malee" Holland Dr. S.E., Grand Rapids, MichIgan 049506. SCHULMERICH CARILLONS, INC. 9563 Carillon Hili • S.U.ravllle, Po. 1"60 14 THE DIAPASON (Continued from page !I) publish the volumes of mwlc which In no more than a few days "Letters Felix Mendelssohn left upon his death. to the Editor" or "Communications" The volumes will be published under columns were sent to THE MUSICAL tlle title of The Leiprig Edition 0/ the QUARTERLY, LElTERS AND MUSIC, and Works 0,/ Felix Mendelssohn·Bartholdy, THE WORLD OF MUSIC. John Evarts and they will be divided into eight from THE WORLD OF MUSIC replied soon series. This news produced the final saying that his magazine had no room ob:naclc to Novello publishing the here· for communications and su~ted I tofore unpublished works rrom tlle Ber. write a similar summary to the Secre lin Library, for the East Gennans would tary-General of the International Mu not allow the works on microfilm to be ELECrRO·PNEU MATIC sicological Society in Basel. This was used for another edition. Thus, we must l' RANKS done; no response. wait and sec if they will be published at One of the last letters 011 hand to a a ruture date in the Leipzig editions - Iccording company is one from the two more years, I've been told, Deutsdlc Grammaphon Gessellschaft in From a local contact ror funds. the Hamburg. Prof. Andreas Hoischneider federally runded National Endowment of that finn expressed great interest. ror the Arts (Washington. D,C.) was but his recording schedule would be contacted. A form reply was returned fillcd through 1973. He admitted that indicating that "few funds arc avail· he was not interested in recording up able for pilot projects such as yours" to forty Mendelssohn organ works and that I should not send more infor· (which might take up four or five mation or data "at this time." disks). but he was interested in record Two more private roundations were ing at least one disk of Mendelssohn's contacted, but both rejected the project music somctime in 1974. \\Tas I to wait since their runds were allocated else thrce more ycars? where. The thought then came to me: why Summarizing my errorts so far, I can kcep thc microfilm of the autographs suggest to readers tllat it has been a for mysclf; indeed why not put them to thrilling and exciting experience to usc? An affirmall\'e reply to Im'cstigatc start from nothing and be the "fint and evaluate for pubhshing came from callsc" of a project that has grown. 1 Novello &: Co. Ltd. (selected due to its ha"c learned about stereo 2. 4. 8 and historical significance with Mendels· 16 Irack reproduction; I have lettm sohn). Seventy MADISON AVENUE Cnn (201) 351·2000 BAPTIST CH RCH for further information New York, N.Y. regarding the (Speci/icalicn 330) Rodgers Organ HOLY ROSARY R. C. CHURCH Sta[en Island, N. Y. (Specification 100) CREATIVE ORGAN BUILDING FOR ARTISTIC MUSICAL RESULTS MYERSVILLE PRESBYTERIAN CHURCH Myersville, N.J. Greenwood Organ Company (Specification 110) CHARLOnE. NORTH CAROLINA 28205 THIRD PRESBYTERIAN ''THREE GENERATIONS OF ORGAN BUILDING" CHURCH Elizabeth, N.J. (Specification 110) "Qualify willa ST. PAUL THE APOSTLE AIKIN ASSOCIATES Economy" R. C. CHURCH fAItf1fJj Irvington, N.J. x A ALL ELECTRIC CHErn (Specifictdion 220) jt't; ELECTRO PNEUMATIC PEDAL CHESTS Autlori:red Rodl1er. Repr,unlative lor New Jertle'll and New York Cit'll lox 143 Broolclyn, Pa. 18113 717.2"-4132 JUNE 1973 Carlene Neihart, Cherol.:ee Christian 28 June Church, Shawnee MISIlon, KS Frederick 0 Grimes III. Trinity Church, CALENDAR Marilou kratzen,t.ln, St Clothikfe Church. New York City 12:45 pm Paris, France 10:30 am Robert Thompson. Hope College, HoUond, MI JU NE 18 Jun. Region 5 AGO Convention, Northern Vir 30 June Eileen Turnidge. Cathedral of S. Jot.n the 1 2 ginia Area (thru June 20) William Holler, First Congregational. C0- Evangeliu, Spokane. WA 3 4 5 6 7 8 9 lumbus, OH 3 pm R.glon 7 AGO Convention, EVanston, Il 1 July (thru June 20) • William B Cooper, Cultural Center, New 10 11 12 13 14 15 16 Regions 10 ond 11 AGO Convention, York City 3 pm Wichita, kS (thru June 20) Alec Wyton. Cathedral of St John the 17 18 19 20 21 22 23 Region I .. AGO Convention, Portland, OR Divine, New York City 3:30 pm (lhru June 20) Albert Edgcomb, St Thomas Church, New 24 25 26 27 28 29 30 Martin Neory, Queen Elizabeth Hall. lon York City 4 pm don, England Richard Forrest Woods, National Calhe dral, Washingtan, DC 5 pm I John Rose, Chautauqua Inilitullon, NY 19 June 3:15 pm Barbara J Wells, pianist. Trinity Church, JULY New York City 12:415 pm Alfonso Vega Nunez, Colorado State U, 3 July 1 2 3 4 5 6 7 Fort CaUlns. CO Diane Blsh. SI Paul's Church, Hano.... r. West Germany 8 pm 8 9 10 11 12 13 14 llonel R09g. Musk festival, Melrlng.n. 20 June Switzerland (thru July 5) 15 Richard Birney Smith, Mem Music Hall, Methuen, MA 8130 pm S July Rollin Smith, "The English Victorians:' Uoyd Halzgraf, Trinity Church. New York F,kl.: ColiediOfl. New York City 5 pm City 12:45 pm DEADLINE FOR THIS CALENDAR WAS MAY 10 Albe,t Russell. St John's Episcopal. Wash ington, DC 12:30 pm 6 July 5 June Hartt College of Musk, Hortford, CT (thru Kious and Marilau Krotzensteln, St Kon Dia"_ Addison. $OplanOJ Trinity Church, J"ne IS) 21 June rod's Church. Frelburg, West Germany 8 New York City 12:.5 pm Wlnnen of the Performance Competillonl Jesse £sc.hboch. St Thomas Church. New pm AI .." by Jeon Guilla" (premiere), walks of the New York City Chapter AGO, St York City 12:10 pm by Bach, Trinity Church, New York City 8 George's Church, New York City 8 pm Gerre Hancock, Trinity Church. New York 8 July pm Region 9 AGO Convention, Knoxville, TN City 12:"5 pm John lOJelh, Cultural Center, N.w York (thru June 141) Klaus Kratzensteln. Plaristenklrche, Vienna, City 3 pm , JUM David Craighead, WOfbhop for Alaska AustrIa Richard FOHest Woods, Cathedrol of SI Dltk Delong. Sf Joh,,'. Epbcopol, WD$h. feilival of Music, Anchorage, AK (thtu June John the Divine. New York City 3:30 pm Inglon. DC 12,20 pm 141 and June 18·21) Robert Baker. Covenant Presbyterian, Uni Bruce Stevens, Grundlvlgs Church. Copen Conference on Worship, Lutheran Churches 23 June Virgil Fox, Revelation lights, Wolf Trap versity, Al. also workshop for U of Alabama hagen, Denmark 8 pm of US & LSWMA, Minneapolis, MN Ithru (thru July 10) Kious Kratzenstein, Radio Stuttgart. Ger June IS) Farm, VIenna, VA David Oahl. Cathedral of St John the Diane 8lsh, Grote Kerk. Th. Hogue, Hol many Guy 8avet, warluhop, lewis & Ckuk Col lond lege, Portland, OR Ithru June 16) Evangelist. Spokane. WA Klaus and Marllou Kratzenstein, Cathe 7 June 9 July Reginald Lunt. Sf Thomas. New York City dral. Herford, West Germany 12 June Region 1 AGO Convenllon, Waterville, 12:10 pm American Church Music, Trinity Church ME (Ihru July II) David Mulberry, Trinity Church. New York Choir, larry King, dlrl Trinity Church, New June Workshop In the Improvisatory Arts, spon aty 12145 pm YCM'k City 12145 pm 2" Robert Delcamp. St Thomas Church. New sored by Schola CantDrum Ecumenlca. Cath Robert Thompson, Central lutheran, Min· York City 4 pm edral of St John the Divine. New York City 8 June neapolis. liN Gordon Zeller. St Patrick's Cathedral, (thru July 12) Chichester Psalm. by Bernstein, Hodl. by New Yo,k City 4:415 pm June Virgil Fax, Revelation lights, Temple U Vaughan Williams; Apollo Musical Club, 13 Robert Anderson, Trinity Methodist, New kay Granger, contralto, Albert Russell, Mus1c Festival, Ambler, PA Orchestra Hall, Chkogo. Il 8,15 pm part News, VA Uonel R09g. Ravenna festival, Ravenna, organ, SI John's Ep1scopol, Washington. DC Region 6 AGO Convention, Greenville 12:20 pm Italy 9 June Spartanburg. sc (thru June 27) Conference on Baroque Music. Aston Mag Philip Gehring, Central lutheran, Minnea Region 15 AGO Convention, los Angeles, no Center. Greot Barrington. MA (Ihru June polis, MN CA (thtu June 28) 10 July 30) Region 12 AGO Convention. Colorod'l James Horwath. ()Yt Lady of Bethlehem lloyd Halzgrof. Ri ... erside Church. New The Old Town Renaluance Consort, Church Springs. CO (thru June 15) Convent OIopel, la Gronge Pork, Il York City 7 pm of Our Saviour, Chicago, IL 7:30 pm Marilou Krot:r:enstein, St George's Church, Jean Claxton. United Church of Christ, Richard HeKhke. St Paul lutheran, New Eileen Coggin, Colh.dral of Sf John the Paris. France 12145 pm O'Fallon, Il 3 pm Orleans. lA 8 pm Evangelist, Spokane, WA David R Hunsberger, St louis Priory, St 1.4 June louis, MO 3 pm 11 July 10 June Robert Parkins. St Thomas Church, New Klaus and Marilou krat:r:erutein. Bad Albert Ruuell. St John's Episcopal. Wash· Yark City 12:10 pm Jean Jones, Cultural Cente'f New YOlk Oeyenhausen, Wesl Germany ington, DC 12,10 pm City 3 pm Judith Hancock, Trinity Church, New Yotk David Mulberry, Cathedral of St John City 12:45 pm the Divine, New York City 3:30 pm 2.5 June 12 July Robert MocDanald, Hammand Museum. Herman Berl1nskl, SI Tkamas Church, New 1'5 June Regian 3 AGO Convention, Syracuse. NY York City 41 pm Richard Birney Smith, Cathlldral of Christ (.hru June 27) Gloucester. MA 8:30 pm James Motder, Trinity Church, Toledo, the King, Hamlllon, Onlario 8115 pm R09lon 4 AGO Convention. Bethlehem, John Carlson, lrinily Church. New York OH PA (thru June 2n City 12:45 pm Region 8 AGO Convention, Dayton, OH 16 June (thru June 13) Diane Scanlan, Cathedral of St John the 15 July 26 June Evangelist, SpaScane, WA Eugene Hancock. Cultural Center, New The Old Town Renaissance Consort Donce Daniel Phillips. tenor: Trinity Church, New Sem York City 3 pm EMemble. McClure Chapel, McCormick York City 12:45 pm inary, Chlcogo, IL 4 pm June John Carlson. Cathedral of St John the 17 Charles Benbow, Emory U. Atlonta, GA Revelations by Robert W Jones, drama Divine, New York City 3:30 pm; fallowed Barbara Jones. Cultural Center, New York lionel Rogg, Santo Marla del Frorl. Ve with music; St Luke's Episcopal. EVanston, City 3 pm by Berenice lIpson-Gruzen. pianist 4:30 pm nice. Italy IL 4 pm Alec Wylan. Cathedral of St John the Richard l Johnson, SI Thomas Church, New Kious kratzenste;n, Cathedral, lInz, Au". Divine. New Yorl.: City 3:30 pm York City 4 pm 'rio G Cene Barnard, SI lhomOi. Church. New 27 June Virgil FOIlt. Revelation lights. Performing York City 4 pm Amanda Newhouse. soprano; Albert Ru". Arts Center, Saratoga Springs, NY 11 Jun. John Grady, St Patrick's Cathedral, New sell, organ; St John's Episcopal, Washington, Diane 8ish. Notre Dame Cathedral, Paris. Contemporary Organ Music Workshop, York City 4:45 pm DC 12:20 pm France 5:45 pm A.G.O. NORTH SHORE CHAPTER Berkshire Organ Co. is pleased to sponsor the first Welcome. North American Organbuilders Convention MIDWEST REGIONAL Washington, D.C. Sept. 2-S, 1973 June 18, 19,20,1973 - Evanston, III. Convention Planning Coordinator: John Kirkpatrick, plano neltal Mr. Arnold Scold, 3901 Military Rd. N.W., Wash. D.C. 20015 Joan Upplncott and Robert Anderton, Organi.t. Marga,.t Hllli., Choral .emlnar Samu.1 Adl., - Jewi.h Uturgy Dorothy LaM, Horp.kharel Kiln KenNng We., Vo. - Martha Hopkin, Chicago larly Mu.ic in.emble ...relre .. Inqulrle. to: GEORGE MARKEY tuNe.... Records Markey Enterprises 201-762-7674 3930 North PM Oro.,e ehle.." Inlnoh 60613 Recitals 42 Maplewood Avenue _ ..(drotloR 'M $25.00 Instruction Maplewood, N.J. 07040 16 THE DIAPASON TImothy Albrecht, Ob.rlln, OH - Hobart Schroeder, Pastorale In G, Mllhoud; Ben. & William Smith Colleges, Gen .... o. NY April dldus. Reger; Prelude em Rhosymedr., I: Prelude and Fugue In B minor BWV 544. Vaughan WIlliams, Choral In E, Jongen, Trio Sonata VI in G BWV 530, Boeh, Pneu God Qf the Expanding Unl .... rse. F.&dano. ma, MaUsma (Organbook I), Albright; Toc cata and fugue In 0 mlnor·Major, Reger. Organ Recitals Fred • 11""'.s, Muncie, IN - P5epho and fry Fun.rol Home. Muncl. April 81 Concer. Gordon AlkinlOn, Kitchener, Ont - Sf to II In A minor, Vivoldl·Boeh, Be Thou but ludwig Altmon, San FranciKo, CA - SI J Michael Bart, N.w York, NY - Colh.. Michael's Church, london, Onl Apr il 11 1 near, Jesu loy of man's desiring, 0 IOCred Clement's EplKopal, Berkel.y. CA March 251 dral of St John the Baptist, Paterson. NJ Allegro gialoso, Cook, Gavott" (Conc.rta in April It Prelude and fugue in E.flat BWV h.od, Boch, Bosso ., d.ssus de trompe"•• Rlcercare 6 3, Ricercare 6 IMuslcal Offer a G minor), Camldge; D.ssiens 'ternels, Mes 552, Bach, Parlita on Frau d ich .Mthr, Path C16rambault; Toccata In E minor, Pochelbel; Ing). Bach; Allegro & Scherzo (for Organ siaen: Trlportita in F, Genzmer; Harmonies elb.l, H.n:lich tut mich verlangen, Was Gott 3 settings 0 sacr.d head, Ratcliffe, Stout, Clock). Be.tho.... n; Pr.lude In C minor, An· du Solr, Karg·Elert, Plice h6roictue, Franclc. tut das 1st wohlgetan, Kellner. Bach; Allegro vivace. Finale (Symphony n, dal'l le with Variations In D, fugue I.. E VI.rn •. _ nor, M.ndelssohn: Prelude on Night has came, Pretude for a Pilgrimage festival, Richard M Babcock, Tucson, AZ - Grace William C Beck, los Ang.res, CA - St Donald Black - Central United Methodist, Mark's Episcopal, GI.ndale, CA April 11 AI. AltmanJ Organ Sonola frogment. Scho.n Episcopal, Tucson April IS. little Pr.lud. D.troit, MI April I. Fanfare, Cook, Pr.lude legro (Concerto 11 In Amino,), Vivaldl.Bach; berg, 6 PI.ces for Organ Clock. C P E and fugue In D minor, Come swe.t d.ath, and Fugue In E minor, Bruhns, Sonata III, Variations on My yaung IIf. hath an end. Bach. o sacred head, lIttl. Pr.lude and Fugue Hlnd.mllh: Pr.lude and Fugue in C BWV Swe.Unclc; Adagio, Flocco; Aria. Gigo. loell. in E minor, Bach, Morche Rellgleuse, Guil· 547. Bach, Oyigiyigi, Sowand., Caprice, let, Pr.lude and Fugu. In f minor, Trio manl: Suite of Poulan Hymn Settings, H.ld. Ratcliffe, Dlalogu. on the Mixtures (Suite Robert Andersan, Dotlas, TX - f int Pres. Sonata I In E·flat, Prelud. and Fugue In D, Bach. Breve), langiaisl W.re you ther., SowerbYI byterian, lake forest. Il April 151 Concerto Dleu parmi nous, Messla.n. del Sigr Blamr, Walther: La RomaResco, La Dexter Boiley, Chicago, Il - RlDS Aud. Ballo dell' Intorcia. Val.nt.; Trio in G BWV Independence, MO Moy 271 Chaconne in Gordon M ..t.nbaugh, EI Dorado, AR _ Barbara Iort, Modesto, CA - S. .... nth.. 10270. 0 Mansch boweln BWV 622, Prel· E minor, Buxfehude, Soul adOt n thyself with first United Methodist. EI Dorado April 181 Day Ad .... ntlst Church. SI Hel.no CA Morch ude and Fugue In G BWV 5.1, Boeh, fogueJ gloctnest, Fantasy and fugue In G minor, festal flourish, Jacob, Prelude on BrQth.r 101 Partlta on ~I gegrOsset, Bach, Prelude, I and 2 an BACH. Schumann, Adagio Boch, Naill e'ranger. d'Aquin; len::euse on James's Air, Wright: Pr.lude (Suite Med ... fugue and Variation. fronck, Jesus h nailed (Symphony III), V',.rne, Theme et Vorla Two Notes That Cyph.r, Bonoda 1ft Phry· vole), Chant d. Palx, Dialogue for .he Mix. on the cross, Jes", dl.s upon the crou nons (Hommoge 6 frescobalCfI), final (Sym gien Mod., Alalnl Prelude and Fugue in G tUln (Suit. 8r""'), LanglaisJ Th. C. I. dial (Stollons), Dup"; Nocturne at Sunset, Delo· phony I), Longlo l ~ minor, Dupre. Banquet, Messiaen, fairest lord Jesus, marter; Corlllon de Westminster, Vlerne. Vernon tie Tllr LAWRENCE George Wm. Volkel F.A.G.O., Mu,. Doc., S.M.D. Dwight Oarr SAC. MUS. DOC., F.A.O.O. Church of the Ascension Recitals fifth A.... nu. at T.nth Str.. t ROBINSON New York, N.Y. 10011 First Presbyterian Church Wells College The Juililard School VIRGINIA COMMONWEALTH UbllVERSITY POMPANO lEACH Recitals Aurora, New York 13026 RICHMOND, VIRGINiA Organ and Choral Workshops FLORIDA 1--.-1--U''''I-IIIIN--______.::I _=_===::::::::==::::::=_~ CHARLOTTE and WIUIAM First Presbyterian Church Oceanside, California I .JOHN HOLTZ - ~I Army and Navy Academy I I Faculty: HARn COLLEGE, University of Hartford ATKINSON Carlsbad, California ~ ~ Organist: CENTER CONGREGAlIONAl CHURCH, Hartford i~ofIIII l llIII l lIIIlllIIIIlMlll.II""11IIII1_"""'_ I __1_11*II _1_"_IIIII __'.___ ~,~ ______•• "u, •• ' ARTHUR C. BECKER, Mus D., A.A.G.O. DE PAUL UNIVERSITY ST. VINCENTS CHURCH, CHICAGO Edward D. Berryman, SMD Warren L "nyman, SMD MARl LYN MASON BERRYMAN CHAIRMAN, DEPARTMENT OF ORGAN OrganJ.t-Chof,mcuter H.ad, Organ-Church Mudc D.pt. UNIVERSITY OF MICHIGAN WESTMINSTER PRESBYTERIAN CHURCH BALDWIN.WAllACE COt.UGE ANN ARIOR Min".apolk Ie,ea, Ohio HAWss Mosott phrf." wlflt au ...rity OIId reHfV., d.m ....."""'" onw 1M, ..traorclinary 'acHiry •. •n Du Moinu Reglshr, October 5, 1964 Margaret Melvin LARRY PALMER DICKINSON Organ - Harpsichord University of Louhvlll. Louisvlll. Bach Saci.ty Soulhern Melhodlst University Calvary Epltcopal St. Frands-in-the-flelcb Episcopal Dallas, Texas 75275 Oswald G. WAYNE FISHER D. M. A. College.conservatary of Music R A G A T Z __10 Prof.ssar 01 Organ University of Cincinnati INOIANA UNIVERSITY Lectur., DAVID HEWLETT MARSHALL BUSH pocDl2O Beq sll2CieRS the Con •• rvatory of Music STATE COIl Fr,(, EAST STROUOSIURG. PENNSYLVANIA 11301 at Christ Church, Flkhbur.. Mall. 01420 K. IERNARD SCHADE, FOUNDER AND MUSICAL DIRECTOR Organ Builders and Inc. • Rebuilding * FR'ANK J. SAUTER SONS • Repairing Phones: 388·3355 * • Contractual Servicing 4232 West 121h Place PO 7-1203 Alsip, lllinais 60658 For Unexcelled Service JUNE 1973 17 JACK ABRAHAMSE robert anderson o.or•• St,•• t Unlt.d SMD FAGO ' ...rboro ugh, 0 ••• Canada Southern Methodkt Univenity Organ Recitals R.d•• ls (OrganlPl.".) Dalla., T• • al 75275 David Britton, Los Angele., CA - Firs' faisie in A, franck; Verset pour 10 'ele de Presbyterian, Garde n Grove, CA March 26, \a Dedicase, Messiaen. Sonata In Ihe First HEINZ ARNOLD John Barry Prelude In 0 minar, Pac.h~lbel, Rklt de rone, Liden: Andante K 616, Mozort; Air F.A.G.O. D.Mus. fierce en faille, Dialogue de flules pour with Variations, Sowerby. ST. LUKE'S CHURCH I'elevation, de Grigny; Allegro, Carvalhal STEPHENS COLLEGE lo Ramanesea, Valente, Partlta an Nun Steven L Egler. Ann Arbor, MI - Rose LONG BEACH, CALIFORNIA kamm der Heiden Helland, Distierl Prelude dale Gardens Presbyterian, Livonia. MI COLUMBIA, MO. and Fugue in A minor BWV 543, Bach; March 251 Suile du Premier Ton. CI'ram Three Antiphons, Dupre; Epitaphs for Edith bault; Duet for Organ, Wesley; Tactato, Sitwell, Williamson; Introduction and Passa Adagio and Fugue In C, Bach, Choral In caglia in E minor, Rhelnberge r. E, Francie; Ttois Mouvements. Deuxieme fan· taisie, litanies, Alain. Michael Burk. - AKenslon Lutheran, Sny. Peter J. Basch ROBERTA BITGOOD der, NY March 251 Pre lude and Fugue In Kathryn EskeV', Greenaboro, NC - MTNA Fir.' Congregational Church E minor BWV 533, Sonata In G minor BWV Notional Convention, Philodelphia, PA April Wildwood Road 1020, We all believe In one God, Boch, 3: Pa~acaglia and fugue In C minor BWV Preludes on O\Ir Falher, All men are mor 582, Wachet auf BWV 6.45, Boeh, Variations Califon, New Jersey 07B30 SAmE CREEK, MICHIGAN taL Sonata in F minor, Telemonn; 0 God an the Austrian Hymn, Paine. Thou holy God. Herzl kh lui mlch verlaRgen, o world I now must leave thee, Brahms; EOII Eyrich, Providence, RI - flr'lt Unlver Sonata in G minor, Vivaldi. Awsted by IO list Church. Providence March 111 Prelude Wm.G. BLANCHARD CHARLES BOEHM flutist Elko Ito. In 0 minor. Pochelbel, Toccata pet l'Eleva. ORGANIST lione, Canzon quortl lonl dopa II Post TRIHITY LUTHERAH CHURCH John Bune", CO Mmerce, TX - Tennison Camune (fiorl mvsicali), FreKobaldl; Can POMOHA COLLEGE HkbviUe, N.Y. Mem Methodist. Mt Pleasant, TX April 291 zone III, Caprkr::io cramanto, Morulal fan CLAREMOHT GRADUATE SCHOOL Pieces from Mau for Convenls. Couper!n, tasia In G, Boeh, Fantoille in A. franck, THE CLAREMOHT CHURCH NASSAU COMMUHITY COLLEGE Andante in f, Mozort, Toctata and Fugue Priers du Christ (l'Ascension), Messiaen, Claremont California Gorden City, N.Y. in 0 minor BWV 565 Bach. 3 Hymn Prel. Herzlich tut mich verlongen. a Welt Ich udes from opus 38, Bingham: Andante sos muss dich lassen. Brahm,; Melodlo. Tocco· tenuto (Gothic Symphony), Widor; Sonata to in 0 minor opus 59·5, Reger. I in f minor, Mende luohn. DAVID BOWMAN ETHEL SLEEPER BRETT Stephen farrow, Greenville, SC - West· D.M.A. Douglas L Butler, Portland, OR - St minster Presbyterian, Gree nville Match 181 Organist and Recitalist Paul's Cathedral, Pithburgh, PA April 81 Offertory sur les grand ieux, Couperln; Alabama State University Stations of the Crou, Dupr'. Multl.medla Trumpet Voluntary, Stanley; Toccata and program. Finl Method", Church, S:aer.uncnto, Cal. fugue in 0 minor BWV 565, Bach; La how a Montgomery, Alabama Rose, Stout; Pastorale and Aviary, Roberts; Charles Callahan, PhUcadelphia, PA - St Cod d the Expanding Universe. Feldano; Luke's United Church of Christ, North Wa les, Ar hyd y nos, Wood; Ca n mota moestoso PA March 281 Grand leu, du Mage; les tSonata II I), Mendelssohn; Song of Peoc:e. JOHN BULLoUGH fifres. Oandrieu; flute" C~romboull J Pre l. LongkJis, Carillon de Westminster, VWUfte. WlLFRm BRIGGS ude, Charpentier; Vi voce (Sonata III). Prel· A.I. M.5.M. ch.M. ude and fugue in A minor, Boch. fanta,la MartM. Folt., A...... IA - luther College. M.S., CH.M. Far ...h Dk kin,•• UnivanitV' in E·llot, Salnt.SoIns; Benl!ldldus, Inlrod"r:: Decorah. IA Mart"h 27: Arc for or9O" and St. John's in the Village T"neU:, New JerNV' tlon and Pouacoglla in D mi nor. Reger. lope. Bruynel; Antipodes (1 972). Gary Memorial M.. hocli.t Church While; Quodli bet Sf 42569, Bielowa; Slrul· New York 14, N.Y. White Pklh.. , Hew York Grady E Coyl. - student of Robe rt An ' ure per Giovanni opus 9 (1 963), Siegfried derson, graduate recilal, Soulhern Metho Na umann: Volumina, ligeli. dist U, Dallas, TX April 23. Capriccio ero matico del primo tono, Metula: Canzona Carl Gilmer - f iut Christian Church. ARTHUR CARKEEK EARL CHAMBERLAIN franze,a settima cromot ica, Trabac1; Pange Clifton forge, VA April 91 Offertolre sur les M.5.M. A.A.G.O. lingua, de Grigny; Pre lude and Fugue In grands ieux (Parish Mass), Couperln; Trois F.T.C.L DePauw University Organist E minor BWV 548, Bach; Parable for Organ, Danses, Ala in, Passacaglia and fugue In Persichettl; f ugue in Csharp mi nor, Han· e minor BWV 582, Bach; Drop Drop Slow Gobin Memorial Chureh ST. STEPHEN'S CHURCH egger; Phantasie Uber Ein feste Burg, Reger. Tears. Persicheltl; Prelude and f ugue In B, Dupre. Crecnoutlt, IndiilRa Massachusetts Cohasset David Craighead, Rachester, NY - Alaska Festival of Mu,ic:, Ft Richardson Post Chapel, Antone Godding. Oklahoma City, OK Alaska June 171 Concerto In A mi nor, VI· Oklahoma City U, April 201 Stations of the Grucnstcin A"lard Sponsor Robert Ciarlo valdl·Boch; FanlolY on Wie schan lauchtet, Crou, Du pre. Assisted by NorIan Wey. CHICAGO Buxtehude; Andante In f K 6 16, Mozart; reader. Prelude ond Fugue In D 532, Bach; CLUB OF School of Music ewv Postorale, Roger.Oucasse, Concerto III In James Good, lCKIbville, KY - First Bap WOMEN Univ.rsity of Michigan G, Solerl Three Etude,. Derneuieux. tist, Knox'IlIle. TN April 121 fanfate, Cook; ORGANISTS Now thank we a ll ovr God BWV 557. All Ellrn Lolbcrg, Prtsidmt Ann Arbor Ranakl DawlOn - f lu! Christian Church. glary loud a nd honor BWV 735. Pre lude Nevada, MO March 25. Grand ieu, d u and Fugue In B minor, Bach; Jesus Christ Mage; Benedld us, Re ger; Rejoice now Chris my sure defense. a sacred heod, A mighty tians, Before Thy th rone, TO(cala and f ugue fo rtress, Reger, Suite opus 5, Durufle. Harry E. Cooper in 0 minor, Boeh, Pilce h6rolque. Franr::k; WALLACE M. COURSEN, JR. Even Song, La Montolne; Scherzo, Cook; Carole Gunter - sludent of Charles F.A.G.D. Toccata (Symphony V), Widor. Brown. $enlor redtal, North Texas State U, Denton. TX April 13: Choral vat" ,ur Je Mus. D., F.A.G.O. CHRIST CHURCH Venl Crealor, Durufle, Prelude and Fugue Richard P DeLong, Mondield, OH - Fint BLOOMFIELD AHD GLEH RIDGE, NJ. i" A 536. Bach: Ye Men of Galilee, Congregational, Columbus, OH April 19: ewv RALEIGH, N. CAROLINA The Kimberly School, Montclair, N. J. James Ca$e; Dia logue for the Mixtures, Prelude and f ugue In E.llat 8WV 552, Langlais; Fantasy in A, Franck, Improvisa. Kyrie Galt Vater In Ewigleelt BWV 669, tion an the Te Deum, To urnemlre. Aulsted Kyrie Gatt heiliger Geb' 8WV 671. Jesus by Ric hard See. baritone. Christus unser He iland 8WV 688, 8ach; KATHRYN ESKEY Fantasia and Fugue on BACH. lisn. DELBERT DlSSELHoRST E Lyle Hogert, MinnltClpalis, MN - Cen· The University of tral Lutheran, Minneapolis March 251 Cho· DMA James E De" - St Matthew Lutheran, c':)nne. L Ccuperin; Ponge lingua. de Grig. University of Iowa North Carolina Hanover, PA April 8, Rlgaudon, Campro; ny; How brightly shines the morning star, Introdudion and Toccata in G, Walond; Air Buxtehude; Praise to the Lord, 80chJ Fan Iowa City Iowa at Greensboro (Suite In 01, Fantasia and Fugue In G losy In f minor K 608, Mozart, L. banquet minor. Bach; Choral In E, Francie; Trumpet celeste, Messiaen; Grande pillc. sympho Tune, Rohlig; Song of Peace, Langlalt, Tu nique, franek. es petro, Mulet. Jerald Hamilton. U,bana, IL - Valparaiso GEORGE ESTEVEZ EARL EYRICH Vernon de Tar, New York. NY - Bradley U. Valparaiso, IN April I: Prelude In E ch .... Hills Presbyterian, Bethesda. MD April 3, minor, Bruhns; 4 pieces from Premler livre First Unitarian Church fantasy In G awv 572, Prelude and fugue d·Orgue. Marchand, Passacaglia In C minor. Director Rhode Island College In C BWV 547, Boch; Variations on Do 8ach; Trio Sonata, ShackJoford; fontasle In CHICAGO CHAMBER CHOIR Providence JeslIl an dem Krevze stund, Scheidt, fan- F minor K 608, Mozart. ALEXANDER BOGGS Recitals and Master Clalses Organ Consultation GEORGE FAXON TRINITY CHURCH RYAN Cathedral Church of Christ the King CONCERT ARTIST Weltern Michigan Univenlty at Kalamazao BOSTON 18 THE DIAPASON Elisabeth Homp, Danville, IL - first Pres 241 Clacona In E mInor, Buxtehude; fan byterian, Danville April 15: Variations on tasia and fugue in G minor BWV 542, Sorrow sighing, lint; Prelude for Passover, Boeh; l'Ascension, Messloem Allegro (Sym THE DIAPASON A MUST FOR EVERY ORGANIST Berlinski; The King's Majesty, SowerbYI V~ phony VI). WidtH'. unlory in C, Purcell; Hail Thou man of sor Sand THE DIAPASON for year!s) to rows, Walcha; A Legend of the Christ Child, Gene Janssen, Albert Lea, MN - St TschalkowskYI The Royal Bonners Forward James Lutheran, Mason City, IA April 29. Go, Edmundson. Assisted by George Marlon Prelude, Fugue and Chaconne In C, Buxt. and John Sands, trumpeten, and Roy Baft. "ud", Komm Gatt SchOpfer, Pachelbel; 2 Nama Enclosed Is $ _ ___ IIer, barilone. Variations on Beautiful Savior, Drlschnerl Sonala II, Mendelssohn; Fantasia and Fugue ($4 per yur-clo not And cosh) Calvin Hampton, New Yorlc, NY - CaJ in G minor BWV 542, Bach; Four Pieces for Street vary Church, New York City March 4, 18 the Church, GehrlngJ Toccata on Praise to THE DIAPASON and 25; piano music transcribed for organ the Lord, Micheelsen. bV Colvin Hamplan: Prelude in Clharp City 434 South Wabash Ave. Glinor, Rachmaninoff; Scarf Dance, Chaml. Calherine Johnson - student of Arthur node; Solfigiello, C P E Bach; Mazurka In lawrence, graduate recital, U of Notre B-flat, Chopin; Poem, Fibic:h; May Night, Dome, IN April 151 Toccata and Fugue In State Zip Chicago, III. 6060S Palmgren; Rustles of Spring, Sinding; Pic f, Buxtehude; Passacaglia and Fugue In lures at an Exhibition. Iv\ouuorgsky. C minor 8YN 582, Bach, CanCl!!rta I In C. Soler; Fantasia K 608, Mazer1, Choral In William Don Hardin - sludent of Rkhard E. Franck, Wlr wollen aile fr8hlkh soln. Mit Enright, Northwestern U, at First Presbyter Freuden zort, Erschienen 1st der herrlich Robert Finster ian Church. Evanston, IL May 1; Introduc Tag, Pepping; Chorole I, Session,. HENRY FUSNER lion and Passacaglia, Reger; Canon In B, DMA S.M.D., A.A.G.O. Schumann; Prelude a nd Fugue in E mi nor Norman G Johnson - St Matthews United St. John's Cathedral first P,esbyterion Church ewv 54B, Boeh; Prelude and Fugue In G, Methodist, louisville. KY April II Suite du 8ruh ns, Suite opus 5, Ourufle. premier ton. CI6romboulh Prelude, fugue Denver Nashville, Tennessee 37220 a nd Va riation, Fronek, Prelude and Fugue Thomas Horman, Los Angeles, CA - St in O. Bach; Schonst.r Herr Jesu, Schroeder; Mark's Episcopol, Glendale. CA April 8: RequiKat in Pace. Sowerby; Carlllon de Trio Sonata II in C min or ewv 526. Chor. Westminster, Vje rne. LESTER GROOM ole Preludes for Passion, Easter and Pente Antone Godding cost from the Orgelblichleln ewv 618-631, Joyce Jones - Wayland Baptist College, Seattle Prelude a nd Fugue In C BWV 547, all by Plainview. TX March 191 fugue () 10 Glgue. School of Music Scuttle Pucific Church or the Bach. Jesu loy of man's desiring. Boeh, Echo, Bishop W. Angi_ Smith Chapel Scheidt; Oer Kaffeeklatsch, Haydn, The Hen, College Epiphany Paul Honold, Pilliburgh, PA - St Pout's Ra mea u; Fantasy and Fugue on Sleepen Olda"omo City Univerdty 98119 98122 Episcopal, Pillsburgh April 291 Prelude and Wake. Reger; Flleu~ (Suite BJetonne). Du Fugue in E·fl a t, These are the holy ten pre; Pageant, Sowerby. comma ndments. Bach; Sketch I, Schumann; Kim KOlling, Manlcata, MN - Groce DAVID S. HARRIS Concerto II. Pepping; Poem of Peace, lang E. LYLE HAGERT lois; les Bergers (La Nativ;t;e), Messiaen; lutheran, Albert leo, MN April 291 Toccata Church of Our Saviour Fugue in G minor, Oupr', XI, MuHot; Tierce en toille (Elevation), Couporin; Jesus Christus unser Heiland BWV Gcthscnt3ne Episcopal Church 665. 666, Toccata and Fugue In 0 minor Akron, Ohio Karl M Horsney - First Presbyterian, BWV 565, Bach; Kleine Parlita on freu l\[inneapolisJ Minnesota 55404 Youngstown, OH March 301 Joie et clarto dich sohr, Heiller; Prelude on Adeste Fldells, Organ des Corps Glorieux. fv\essiaen; Air with Ives; Entree. Communion, Sortie (Masse de Variol to ns (Sulle" Sowerby; fantasy and 10 Pentecote). Meuiaen. Fugue in G minor BWV 542, Bach; Varia· tians on America, Ives; In Paradisum, Don· Christopher King - Church of Our Re WILL O. HEADLEE lel·Lesur; Allegro (Symphony VI), Widor. deemer, Lexington, MA April 11 Trio Sonata Yuko Hayashi h, Strike 0 Bell, Bach; Comfort ye, Every SCHOOL OF MUSIC .Elaine Houge - student of Herbert L boston volley, He sholl feed His flock, Come unto SYRACUSE U~IVERSITY While Jr, Sherwood Musk School, Chicago, him IMeuioh), Handel; Introdudlon, Posso· IL MaV 2: Sonata II, Hindemlth; I cry to ccglla and Fugue, Wright; Abraham and new england conservatory SYRACUSE, NEW YORK 13210 Thee lord Jesus Christ. Walcho; Dorian Toc Isaac, Britten; Sonata on Psalm 94, Reubke. cata, Bach; Scherzo-Cats, Langlais; Choral Assisted by Christopher Gates, tenor and In A minor, Franck. James Soakvilne, tr.ble. SAMUEL HILL Margaret G Hayward, C_nlerport, NY - George E Klump, Dallas, TX - firlt St John's lutheran, Holbrook, NY April 151 WILBUR HELD United Methodist, Glendale, CA March 19: SM.D., f.A.G.O. St. Paul', Church Toccata in 0 minor, Christ loy In the bonds Variations on Warum betrllbst du dlch, ChicaguJ Illinois of death, I call to Thee. Allegro moderato Scheidt; Vom Himmel hoch, Wie KhlSn leuch Ohio State University (Concerto 11), Bach; 3 settings of Passion tet, Pachelbel; Toccata in F 8YN 540, Bach; Trinity Church Canl1.ge Collq;c Chorale, Reger, Brahms and langlois; 010· 5 Veneh on Veni Creator, de Grlgny; COLUMBUS, OHIO Kmosba, WisCOflJin Iogue for the Mixtures, Langlois; The Foun Elegie, Peeters; 3 settings Vom Himmel hoeh, tain, Delamar1er; Thou Ar1 the Rock, Mulet. Peppingl Toccata (Suite opus 5), Durufle. Harold He.remans, Brockton. MA - Uni William B Kuhlman, Decorah, fA - Mt Harry H. Huber versalist Unitarian Church, Brockton May 61 Hermon School. Mt Hermon, MA April 27, JOHN HUSTON Suite in A minor, TelemannJ Andante, Fan. Prelude and Fugue In D BWV 532, Wir M. Mus. FIRST PRESBYTERIAN CHURCH laine; Allegretto, Godard; En Bateau, De glouben all BWV 740, Boeh, Ascension Kansas Wesleyan University bussy; Petite Valse. Caplet; Concerto for Suile, Messiaen; Berceuse (Suite Bretonne), University Methodist Church TEMPLE EMANU.EL Trumpet and Orchestra, Haydn. Assisted by Duprlt; Psalm 94. Reubke. Karin Messina, flutist, and Peter Chapman, SALINA, KANSAS New York City trumpeter. Bernard Lagoce, Monlreal, Quebec - First Presbyterian, Winnipeg, Manitoba April Susan Hegberg - Jamestown College, 29: The Art of fugue (camplete, In original ELLEN KURTZ Jamestown, NO March 181 Passacaglia and version), Bach. d. deane Fugue in C minor BWV 582, Von Gatt will ich nicht lassen 8WV 658, Bach; Deuxiesme Arthur Lawrence, Noire Dome, IN - First JACOBSON United Methodist, South Send, IN March Messo, Raison; Sanolo on Psalm 94, Reubke. hutchison M.N.us. A.A.G.O. 21: 3 sellings Passion Chorale. Kuhneu, portland, o .... gon Brahms and langloiS; Prelude, Fugue and Concord. California Edith Ha, Baltimore, MD - Gettysburg Variation, Franckl Prelude and Fugue In Lutheran Seminary, Gettysburg, PA May 151 G minor, Dupre. Prelude and Fugue in C 8WV 547. Wenn wir in hachlten Noten soin BWV 641, Vor Steve" LOWIOn - dudent of Antone Gad KIM R. KASLING deinen Thron BWV 668a, Partita on Sal ding, Oklahoma City U, OK March 26: D.M.A. HOWARD KELSEY gegrOsset BWV 768. Bach; Magnificat on Toccata and Fugue in 0 opus 59-5 and 6, the Eighth Tone, Scheidt; Choral In A minor, Reger; Concerto I in G, Ernst-Boeh, Drop Organist and Chairman, Keyboard Div. Was/lington University Franck. drop sl ow tears, Penichetti; VarIation for Mankato Slot. Call_ge oboe and organ. Pinkham; Adagio, Toccata Monlcato, Minn. Saint Louis, Mo. 63105 Lorry W Hoey, Sayre, PA - Groce Epis [Symphony 5), Wldor. Assisted by Morlan R.titals - CIa"es - Consultations copal. Waverly. NY March 20; oll·Boeh : BU$well, oboist. Sinfonia (Cantata 29), Gatt der Herr ist Sonn und Schild (Cantala 79), Prelude and Jim Lewis, Hollywood. CA - St Paul's GEORGE E. KLUMP Fugue in 0, Toccata and Fugue In 0 minor, Cathedral, Los Angeles, CA April 131 Agln· Fugue In G (Gigue), PossocagHa and Fugue caurt Hymn, Ounstable; Wachet auf. Wer DIVISION OF THE ARTS in C minor, Come sweetelt death. nur den lieben Gatt, Bach; Nun blllen wlr. Arthur LaMirande Buxtehude; Variations on Allein Galt In DALLAS BAPTiST CoLLEGE Our Lady of Vilnius Church Fayelte M Jacobs - student of W David der H8h, GreiJler; At Dawning, Shay; Psalm Lynch, Meredith College, Raleigh, NC April 19, Marcello. DALLAS, TEXAS 75211 New York Cit,.- Charles H. ph. D., f.A.G.O. FINNEY Chairman, Division of Mu.ic & Art william whitehead Houghton College, Houghton, N.Y. 2344 center street, bethlehem, pennsylvania Houghton Wesl.yan Methodist Church JUNE 1973 ~ listed by dancers Sus.anne led1ler. Christo RICHARD W. UTTERST "Mita' ".Iram. for Incs.,.ion I. Stegemann and Tamara Taylor. ARTHUR P. LAWRENCE th... pog •• must reach THE DIAPASON Frank K Owen, Los Angelel, CA - St Doc. MUI. Arts, A.A.G.O., Ch.M. M. S. M: within thr•• week, of performance dat•• Paul'. Cathedral, La. Angeles April 20: Saint Mary's Call ... and SECOND CONGREGATIONAL CHURCH Recital. enlallnl mare than .hrH er.. Agnus Del BWV 656, Bach, Elegy, Darice; Th. University of N•• ,. Dam. ganl," will no' be Included. Th. pro· 3 settings Passion Chorale, Kellner, Lang Not ... Dam., Indiana 46556 ROCKFORD, IWNOIS sram mull .tate .h. date and place of lais and Reger. the performance a. well a. th. name Robert Parril, Chapel Hili, HC - Bethesda Frederick ef the perfermer. Presbyterian, Aberdeen, NC April 151 Toc , cata in C minor, Clacona in F minor, Poch· MARRIOTT ROSILAND MOHNSEN elbel; Dies sind die heWgen zenn Gebot, Weslmar College Dan S Loclr.lalr, GIllin Hlllad, NY - 51 Canonic Variations an Vom Himmel hoch, The Detroit Institute Paul's Chapel, Trinity Parish, New Yorlc City Bach, Three Fantasies, Kremer; 2 Chorale of Musical Art, Detroit. Calvary Melhodisl Church April 4: Prelude and Fugue In E-flat BWV Preludes, Brahms, Fanlasia and Fugue in D Organist, The Detroit Symphony 552, Erbarm dlch mein BWV 721, In dlr 1st minor opus 135b, Reger. LeMars, Iowa Freude BWV 615, Vater unser BWV 683, Wir glauben 011 BWV 6BO, 0 Haupt voll Donald Pearson, Duluth, MN - first Blut und Wunden 8WV 727, Jesu meln. Methodist, Duluth April 81 Partila on Wachet HAROLD MUELLER Freude BWV 610, all by Bach. auf, Distler; Shimah B'koli, Perslchettl; Joie WILUAM H. MURRAY et clarte des Corps Glorieux, Messiaen, Deu. F.A.O.O. Betty LolliUt Lllmby - First United Metho Esquisses opus 4" Dupre, Eere lignum cru· Trinity Episcopal Church My •• M F.A.O.O. dist, Jac.luon, TN April 101 10 pieces from ci_, Hellier; Fantasy for the Flutes, Sowerby; Masa. for Convlllnh, CallPerin, Toccota In F, When the morning sian sang togelher, Temple Sherith Israel Church of the MH'ator Bach, Pastorale, Roger-DucClSS8I Introdudion, Pinkham; Prelude and Dance Fugue, Lltaize. San Francisco Chicago, III. Passacoglia and fugue, Willan. Charley Ann Peele - student of W David David B McConkey - First Christlon Lynch, lunior recital, Meredith College, Ra· Church, Salina, KS April 22: Prelude, Fllgue leigh, NC April 291 4 pieces from Mass for and Chaconne, Buxtehude; 4 couplets from Convents, Couperin; Prelude and Fugue In CARLENE l\A.ass for Conven", Couperin; Wache. auf, D BWV 532, Bach; Les Anges, Jesus accepte NORLING Toccata and Fugue in D minor, Bach; Sulle 10 Souffrance, Messiaen; Choral in B minor. NEIHART for Muucol Clocks, Haydn; Prelude, Fuglla Franck_ Sf. AntIrew's EpliCOpol aurch 81. John's EpIscopal Church and Variation, Fronek; Mein Jew der dll Meyer and Womall mieh, Brahms, Pastorale, Titcomb. Prelude Dale P.ten, Denlon, TX - North Texas Kansa. City, Mi.sourl 64113 Jcncy City Heights New Joney on Toplady, Bingham, Tne Celestial Bon. Slate U, Denlon March 23; all·Regen Toccata qUet, Messiaen, To Olllum, Langlais. in E minor opus 63-9, Seelenbrautigam, 0 Lamm Gottes unschuldig, Lobe den Herren, JOHN KEN OGASAPIAN Thomal Mo"hew., Tulia, OK - St Luke's Fantasy on Wie schBn leuchtet, Trauerode Episcopal, Evanston, IL May 61 Fanfare, opus 145-1, Scherzo In D minor opus 65-10, frank a. novak Leighton; A FantalY, Drake; Caprice, Ral· Fantasy and Fugue In 0 minor opus 135b. HOLY TRINITY LUTHERAN Saint Anno', Church cliffe, Carol, Whitlock; Sea Prelude I. Mil· CHURCH ford; Toccata Gloscosa, Mathias. Dan Pruitt - Cathedral of St Philip, At· Mallachu..... S•• ,. Call... IonIa. GA April 291 Prelude and Fugue in 1080 MolD Jud.on Maynard, Lubbock, TX - Emman BuUalo, N. Y. H209 Lowen A minar, Bach; Suite far a M\lsical Ckx:k, uel Episcopal, San Angela, TX March 251 Handel; Suite for Organ, Creston; Benedic FinoJe (Symphony I), Viernel Fantasia K tu., Reger; Song of Peace, Langlais; Litanies, 608, Mozart; Introdudian and Passacaglia, Alain. FRANK K. OWEN Reger; Choral in A minar, Fronde; Serene Jack Ossewaarde Alleluias, Outburst of Jay, Messiaen; God Elaine Merri" Pudwell - St Paul's Cathe l THE DIAPASON S\lwon kay Rowland - graduate recital. 9. Volun,ary for Double Organ in D minor, Soulhern Baptlu TheologIcal SemInary. LouIs Suite 8 In F for harpslchOld, Ground In C ADOLPH STEUTERMAN ville. ICY March 271 Prelude and Fugue in minor. Purcell, Jesus Christus un50r Helland. Staplin E minor 8WV 548. Yon Gatt will Ich nlcht Wir wollen aile frahllch seln. Ersthlenen 1st Carl Mus. Doc., f.A.G.O. Ph.D., A.A.G.O. lassen 8WV 658. Bach; Fantasy on BACH. der herrllch Tog, Mit Freuden zart, Pepping; Southw.st.rn at M.mphi. Reger; Pageant. Sowerby; Serenity opus II. Prelude and Fugue in E-flat. Saint·Solns. Drake University Stout (assisted by cellist Francis Church); University Christian Church Colvary Episcopol Church Variations on a Noel. Dupre. Gr.gory Vancil - student of Walter A DES MOINES, IOWA M.mphis, r.nn ..... Eichinger. graduate recllal. U of Washing G.org. Scharl, los Ang.les, CA - Sf ton, Seattle April 10, Prelude and Fugue in Paul's Cathedral. lm Angeles April 27: E minor, Bruhn" 3 pieces from Oeuxk\me Five P"'alS from Stotlons of the Crou, Hom. livre, Marchand, Toccata In F BWV 540, JOHN M. THOMAS - AAGO Organist • Diredor er Simmons. Bach; Fonro~e and Fugue In D minor opus FREDERICK SWANN 135b, Reger; In Festa Corporis Christl, HeJJ. Frome Memorial Pr.sbyterian Church Michael Schn.lder, Cologne, West G.r ler; Dieu parmi nous. Messiaen. Stoff: Univeflify of WI.condn many - Harvard University. Cambridge. The Riverside Church $teyens Paint, Wi". 54481 MA April 27; Prelude and Fugult In G minor, Marianne Webb, Carbondale, Il - TrInity New York City FOUNDER - OIRECTOR Buxtehude: Sonata In D for oboe and organ. Lutheran. Springfield. It April 8, Concerto "CHURCH MUSIC INTERESts" AGENCY Clmal Fantasia K 594. Mozart; PI6ce V for on Es sungen drel Engel. Mlcheelsen, nerce obalt and argon, Franck; Choral and Fugue. en taille. du Mage; Prelude and Fugue In Honegger; Three Dialogues for oboe and C BWV 547. Bach; The Burning Bush, Ber. George Norman Tucker organ. Schroeder; Prelude and Fugue In G, linsld; Impromptu, Vlerne: Sonala I, Mefto W. WILLIAM WAGNER David, Piece for Oboe and Organ, Lang. M .... Boch. dels.sohn. kilL Assisted by oboist Chri"ian $Unelde,. ST. LUKE'S CHORISTERS MT. LEBANON METHODIST CHURCH Arno Scho.n.tedl, Herford, W.d 0..... Anita Eggert Werling, Macomb, Il - Kalamazoo many - First Presbyterlon. San Pedro. CA Presbyterian Church, Macomb April 151 March 251 Prelude and Fugue In E minor. Prelude and Fugue in F-sharp minor, Bux. BOY CHOIRS Bruhnsl Passacaglia In C minor, Bach, Son tehude; Prelude and Fugue In F minor. Du ata III, Stockmeler; Partlta on Wochet auf. pre; Variations on Mein lunges leben, Swe. Dlstl." Phantasy in Eln feste Burg. Reger. linck. Variations sur un NoHI angevln. U talze; Chromatic Siudy on BACH, Pillon; sally slade warner Rob.rt E Scoggin, Rochester, MN - Carle Grande PI6ce Symphonique, Fronek. WA-LI-RO a.a.g.o ch.m.. ton College, Northfield, MN April 291 Dio logue, Marchand; Adagio, Fiocco; Prelude Melvin West, College Place, WA - Colb· BOY CHOIR CHURCH OF and FlI9ue In D, Both; 3 settings Wochat dral of St John lhe Evangelist. Spohn., WARIIN C. MIWR - DIRECTOR ST. JOHN THE EVANGEUST WA April 15: Canzon duodedml tonI. G auf, Ahrens, Manz and P KHI Prelude. Duron HilI Doslon Fugue and Variation, Franck, DIalogue for Gobrieli (brass and Olgon); Pr.lud. and Chri.t Church, Shok.r Height. 22, Ohio Mixtures. Plolnte. langlois, Tactala ISym Fugue, Robert KIng (brass choir); Prelud. phony V}, Widor. and Fugue In B minor. Bach, P,lere, JonSen; Gloria for Brass and Orgon, PInkham, R~ C. GORDON Jane C Simplen - graduate recital. South. quiscat In Pace, Sowerby; Sonata Erolco, ern Baptist Theological Seminary, louisville, Jongen. AMisted by the Walla Wallo CaJ. CLARENCE WATTERS KY April 17, AII' Offertorlo. Pmtorale, ZlpolJ, lege Brass Choir. Concerto In G, Walther; To«oto. Adagio RECITALS WEDERTZ and Fugue In C BWV 56", Boeh, Vorsplel, Frank Wiley, Chapel HIli, HC - Wesley 51. John's Church 2554 Wes' H8th S' Nochsplel, Bruckner; VarlaUof'ls on America, Foundation. Chapel Hill April 8, Toccata I, W. Hartford, Connecllcul CHICAGO 60655 Ivltl: Prelude and Fltgult on a Theme of CantollO II, Toccata VII (Book 11) Fresco Vittorio. BrItten; Final (Symphony III), boldl; Solve Regina. Cornet; Prelude and Vlerne. Assisted by Dorman Huggins. trum Fugue In E minor, Bruhns; Choconne In E peter. minor, Buxtehude; Komm helliger Gelst BWV DAVID A. 651 and 652. Prelude and Fugue In A minor HARRY ARTHUR WELLS Richard Slater, Glendale, CA - Calvary BWV 543, Bach. Presbyterian. Riverside. CA Apdl 18, Sonata Washington Siale Unlv.,.ity per Organa, Pergolesl; Sonatina for Pedals Charles Wilson. Pontiac, MI - Flnt COfto WEHR Alone, Perslchettl; Sonala In C minor, Men gregatlonal. Ponllac Morch 181 Wachet auf, Easkm Kentucky Univenlty Pullman "16\. delssohn. Toc:cata. Adagio and Fugue In C. PadUa Richmond, Kentucky 111 (ClavierUbung) for horpskhord, Eleva Dmid t Smith, lyons, NY - Fint lutheran. zlone. Z;polh Caprke, Gullmant; La lardln Lyons April I, oll·Baeht Partilo on Sel ge su'f)endu, AlaIn; Concerto 111, Soler, VOlta· grUsset BWV 768. Trio Sonalo I In E·flat tlons de Concert, Bonnet. Assisted by David RUSSELL G. WICHMANN BWV 525, 3 settings Alleln Gatt In der Hah Wilson. harpsichordist. sel Ehr BWV 663, 662 and 664. Prelude BD.6 WJdH0'l Chatham College and Fugue Tn E mInor BWV 54B. Gordon Wilson, Columbus. OH - Colleg. 01 Wooster, Wooster, OH April 151 Dlologu. FOX CHAPEL EPISCOPAL CHURCH Shadyside Presbyterian Richard BIrney Smith, Dundas, On' - St sur les grands (eux, Marchand, Tlento de Pittsburgh, Po. 15232 Paul's Chapel. Trinity Parish. New York quarto 'ana, CorreaJ Andante K 616, Me Fox Chopel, Pithbursh, Pa, 15238 City MOV 2, Offerte du 5me Ton, RaIson, ZM; Nun komm der Heiden Helland, Bux· PcmacagUo and Fugue In C mInor, Boch; tehude. Prelude and Fugue In B minor, 80chJ PouocagHa (Sonata en sol). Oaveloy. Toccota In 0 minor opus 59-5. Rege" PreJ. ude opus 5. Durufllt, Fantasy for Flule Stops. JOHN E. WILLIAMS Rollin Smith, Brook'yn. NY - The Frick Sowerby, Epilogue an a theme of Fresa> HARRY WILKINSON St. Andr.ws 'r.sbyt.rN.n Colleg. CollectIon, New York City April 181 Tactata. boldl. langiaisl Passacaglia quem Toccata Ph.D., F.A.G.O. Tournemlre; Deux Danses 6 Agnl Yovlshta. on BACH, Sokola, Carlltan. Murrill. ST. MARTIN·IN·THE·FIELOS Laurinburg Pr.sbyterlon Church Aralnj Stele pour un Enfant D6funt, Carillon, Chestnut HIll, Philadelphia lied, Divertissement, Vlerne; Cortage et lI ~ V.rnon Wolcott, Bowling Gr.en, OH - Lautfnburg, North Carolina tanle. Dupr6. MTNA National Convention, Philadelphia, WEST CHESTER STATE COLLEGE. PA. PA April 31 Concerto in G, Ernst.Bach, Ada· JCI(queUne Southard. McCook, HE St gio and Allegro K 594, Mozart. Paul', United Church of Christ, ChIcago, Il April 291 Fugo en sol menor. OJclnogos; 8 H ROll Wood, Dallos, TX - Church of the DONALD WILLING Piece. for Musical Clock. Haydn, Concerto Transfiguration. Oollos April 9, Prelude and barclay wood In A minor, Vlvakil·lkKh, Prelude ond Fugue Fugue In G. Bruhnsl 0 Mensch beweln BWV faculty I" D. Bach, Choral In B minor, Fronek, Prel 622, Bach, Sonota 11. Hlndemlth, Drop drop FIRST BAPTIST CHURCH ude and Fugue on ALAIN, Durun6, Yorio slow tears, P.rslcheUI, Prelude et DOnN Nerth Texat Stat. Univer,lty lion. on a Noel. Dupr'; Toccata In B minor, Fugu6e, UtollO. Worcester Massachusetts Denton Gigout. Chari.. R Woodward, Wilmington, Ne - Kathl •• n Thomerson, Sf louis, MO - First St Stephen', Cathedral, Owensboro, kY United Methodist, lubbock. lX April 91 March 111 Grand Choeur Dialogue. Gigaut, JULIAN E. BULLEY Trumpet Voluntary, Stanley, Tactala quartl Pastorale and Aviary, Roberts; Herr Gott Gary Zwicky toni fantasia. Sweelinck; Prelude and Fugue nun sct.leuSl dem Himmel auf, PaU(Jcoglla New Organs - Rebuilding in C minor. Vaughan WllUams, By Ihe woten and Fugue In C minor, Boeh; PrehnJ. on DMA FAGO Service of Babylon BWV 653, Now thank We a U Come Ye Sinners. Meditation on Amazing Ealt.rn Illinois Unl"e"lty SINCE 1906 our God BWV 657, fantosJo and Fugue i" Groce, Tocca'a on How Firm a foundation. 1376 Harvard Blvd.-Dgyton, Ohio 45406 C minor BWV 537, Bach; Allegro moesloso Murphree, Impromptu, Ylerne, Variation. on Chorl.,ton 513·276·2"B1 (Symphony 111), Ylerne, Prelude and Fugue In the Austrian Hymn, Paine. F, Buxtehude; Elegy, Frledell (oasTsted by Patrice Blalack. violinist and Jill Justlal, Alec Wyton. N.w York, NY - Groce (pi.. horplst}J Paean on Divlnum Myste,lum, Cook. copol. Tuaon. AI March 301 Prelude and Fugue In 0 minor. Brahms; Scandinavian I THE TEMPLE Ellen TIsdale - student of John E Wil (Sonata 16), Rhelnbergerl P!llea hfralque, CI.v.land, Ohio 44106 MARTHA FOLTS liams, Sf Andrew'. Pr83byterion College, Franck, Kyrl., Chrlste. "yrle (Mew for Cafto laurinburg. NC March 161 Chomnne In G vents), Couptlrlnl Prelude and Fugue In A minor, l Coup.rln, Varlollon. on IMln minor 8WV 543, Bach, In Adam we have all Traditional Junges leben. Sweellnck; Arlo Pastorello, been one, Amazing graal, The Call. Wyton, DAVID Rathgeber, Prelude and Fugue In C, B6hm, I make my own lOul from all the .Iements Kyrie Golt Voter In Ewigkelt, Dies sind die of the earth, Slops. Felciono. Recitals: hellgen zehn Gebot, Christ unser He" zum GOODING Jordan kam (ClavlerObung III). Toccata In Timothy L Zimm.rman, Plainfl.ld, NJ - Avant.garde o minor BWV 538. Bach, Revelations, Pink St Paul's Cotredral, Buffalo. NY May .. , THE CLEVELAND ORCHESTRA ham. Scherzelto, Vlerne; Prelude and Fugue Noel Michaud qui cousoU ce grand bruit. in G minor, Dupre. Corre"e, p,.lude and Fugue In E minor MUSICAL HERITAGE SOCIETY Music D.pt., Iowa Sto'e University BWV 548, 8ach, La Verba (La Natlvlt6J, Am ••, Iowa 50010 John Upham. New York# NY - 51 Paul'. MessIaen, P,eNde and fugue on IACH, RECORDINGS Cho".l. Trinity Parish, New York Oty, May Usn. I, JUNE 1973 21 CLASSIFIED ADVERTISEMENTS POSITION WANTED POSITION AVAILABLE WANTED - MISCELLANEOUS PlANOS EXPERIENCED ORGANIST-CHOIRMAS EXPERIENCED ORGAN SERVICE MEN SMALL ELECTRONIC OR REED OR STEIN FORTEPJANO REPLICAS. CUS ter seeks 'ull·lime position in Roman or Episco and apprenticcs, Piano Technicians a nd mov gan. Prdcr 2·manllal and 32 AGO pedal. tom instruments alld kits. Philip Bclt, Fore pal church. Concerned wilb highest standards ers for Branches from Miami to Palm Beach. Limited funds (student). Send infonnation to piano Maker, Box 96, Battle Ground, Indiana of wonhip music. Chicago, midwest area. Afar. Victor Pianos and Organs, 300 N.W. 54 St., Dcnnis Skinner, 129 W. 147 Street, N .Y., N.Y. 47920. Tied, M.Mus., ~ccllcnt references. Available Miami, Florida 33127. (305) 751-7502. 10039, Apt. 18C. Sept. I. Address F-12, Till!. OIl.rAsoN. HARPSICHORDS WANTED - MISCELLfNEOUS VICTOR PIANOS &. ORGANS WILL BUY YOUNG MAN, 1.I.MU5. &: CERTIFIED fifty lUed organs monthly. Auorted Allen, music cd., cxp'd, cUrTcntly employed, recita. WANTED: ONE COPY OF FAMILIAR Conn, and Gnlbransen models. Hammond M3, HARPSICHORD FOR SALE BY MAKER. list, reb., desires full·dme Episcopal or R.C. Organ Classics IlIIbltshcd by DMI or Allpleton MlOO, LJOO, B3, A.lOO, C3 and Lcslies. Let Based on 1769 T~kin double. Upper I x 8', org-chm., preferably including day school te:lI~h. anll onc copy of Ditson Alllllm of Organ Solos. us know how many you ha\·e. Victor's, 300 Hal£; lower I :t 8', I :t -I', Buff. Range FF in!. Will consider part.time if opportunities Must he in tOil comlition. State Ilrice. Addrcss N.W. 54 St., Miami, Florida (305) 751-7502. g"'. 93" x 38" x II", weight 150 Ibs. Solid are rishl. Address F-II, TJllt DIAPASON. P.III, Tilt: DIM'ASON. w(K)(1 construction, including lid and bOllom. MISCELLANEOUS Hllhbanl jacks, cbony/i\'ol1' arcaded keyboard, EXPERIENCED 0 R G A N 1ST CIIOIR TWO·MANUAL ELECTRIC AC1'ION CON Ilark red IlOlished cnamel finish, gilt hands lraincr. .nd lIandbeli Choirmaster seeks full sole (prefcrably Reisncr) with at Icast 7 slops WOIU.DWIDE FELIX MENDELSSOHN and moldings. $4,000. nill Dowling. Gencral time position in church with creative spirit. per lUanual and 5 stOl)l nn pedal, full comple organ addicts needed to ;l£,S i$t (undin. inter Ddi"ery, Long Bcach Rural Branch, Southport, Excellent rderencCII; considerable educational ment of rouplcn. Must be in good cond:tion. lIalillnal \·1·1I1111"e. Rogcr Wilson, 81 In.·ing, NC 28-161. (919) 278·6551i. backlJf'OlInd. Write: John L. Schaefer, 2&10 Contact Mn. E. Walther, +151 Hill Ave., I'rt)\'idl'nce, R.1. 02906. A Old Fo!,!c Rd., Columbus, Ohio 43209. Bron:t, N.Y. 10166. (212 , 324'"'997. IIARPSICIIORDS AND CLAVICIIORDS KRUMMIIORNS, KELHORNS, PORTA· made by J. C. Ncupert and S. Sabathil &. GENTLEMAN, WIDE MUSICAL BACK. TIIREE· Mt\NU,\L HORSESHOE CON- tive Organs, Lutes, Viols, Psalteries, Recorden. Sons LTD. Finest quality, fully guaranteed. !round, vocal, choral, choirmaster-organist lole, second touch on two manuals and pedal. Nicholas Kelischek, Brasstown, NC 28902. Largest selection available from our show IUk! posiuon, Catholic/Protestant chun:h, ex: Send photo, buildcr' s name, . toplb; t. J . Mc rooms. Financing now a,·ailuble. Free catalog. allent rdu('nces, dc., a\'ailable now. J .V.L., Creary, 3-1 DO\\'$ett Avenue. lIonolulu, Ibw:aii T UNERS THROW AWAY MESSY COT· J. W. Allen, 500 GleD\\ay, Brid ol, Virginia 2 Connecticut Ave., Enfield, CT 06002. (2m) %817. ton! Mi:tture tunin! is easier and less frustrat· 24201. (703) 669·8396. 745-3064. ing with all felt K. D. Kaps. Starter set (tunes WANTEDl TWO THREE AND FOUR· up to .. ranks) $3.50, DellI:te set (5 ranks &. HARI'SICHORDS, CLAVICHORDS MO YOUNG MAN, BM AND MM SEEKS m ~ lIual .scd Austin consol.... I'lc~e contact more) $8.00. K. D. Kaps 24 Belden St., East mrt Pianos, by Neupert, new and lUcd late full·time position as orpnist-choir director. F.8, TIII~ DIAPASON . Hartford, Conn. 06108. m()(leI instruments, sale or rental. Financing Excellent references and experience. Capable available. Write or call Wally Pollee, 1955 conductor, teacher lind recitalist. Curn:ntly MORTON TIBIA. 3·MANUAL WURLITZ SERVICE MEN: DO YOU LACK SHOP West John Been Road, Stevenwille. Michigan involved in rueareh project. Available imme er console 2(0 style. Morch, 127 Bdmill Rd., space? We specialize in lealher work, recO\'er 491':! 7. diately. Address E.IO, TUB DlAPMlOH. Ucllmorc, N.Y. 11710. ing pneumatics, pouches, actions, engravin!, etc. Write R. M. Minium &. Son, Bo:t 293, St\BATIIIL HARPSICHORDS, PEDAL POSITION AVAILABLE ONE ROBERT MORTON MANUAL. SEC Lcwisburg, Pa. 17837. Harpsichords and Clavichords: most reliable ond tOllch desirable bllt not necessary. C. Sen and beautifully sounding, {rom $895. Brochure ORGAN SERVICE MEN: WE WILL RE 25;, Sterco LP $5 from Dept. D, 10M Homer, cenbaugh, 678 Chiumlus Dr., Palo Alto, Calif. covcr Casavant and Skinner pollchboards, pri REED VOICERS. M. P. MOLLER, INC. 94306. Vancou\'er, B.C., Canada. has immediate need for the aoove individuals. mary a nd offset actions. Write Bumcu Asso ciates, 1907 Susquehanna Rd., Abington, Pa. HARI'SICIIORDS BEAUTIFULLY MADE Only conscientious individuals willing 10 relo 8 FT. TIBlt\ PLF.NA ON 8" TO 10" cate ~ould apply. Pension program, insurance, 19001. and elaborately decorated in the Flemish and \, illl li. S' ;a te cllndition and rm . George Allen, French tradition •. Knight Vernon, Harpsichord vacations. Send resume or conlact directly. 11-15 Grt~clllnount, lIadllollfield, N.J. 08033. EXPERT RECOVERING OF Al\'Y MAKE Maker, 525 Wh:te Pigcon Street, Constantine, M. P. Moller, Inc., 403 North Pl'D!pect St., (fro) -I28·8}66. pneumatics, pouchhoards a.nd primaries with Michi!llan 4!JO-12. Ha!C'nlown, MD. 21740. (301) 733.9000. Polyurethane. J'lastic nuts wed on primary MUSIC ROLLS FOR AUSTIN, WELTE, vah'e wires. Melvin Robinson, II Pa.rk Ave., IIARI'SICIIORDS, SINGLE AND DOUBLE ORGAN MECHANIC ACQUAINTED WITH Skinner, Aeolian, Duo-Art and Estey pipe or MOllnt Vernon, N.Y. 10550. manllal in classic French style; aha small all makcs of pipe orpns, experienced in re gan playen. J. V. MaQrtney, 406 Ha"erford IlarpsicltOrd. from $845.00. John Brillht, 7H Ave., Narberth, Pa. 19072. buildinl. lervicing and tuning. Philadelphia PNEUMATICS AND POUCHBOt\RDS OF Algoma Ave., London, Ontario, Canada N5X- area. Address F-2, THB DlAI'M10H. any make reoo\'ered with Polyurethane J'Ia.stic. TIBIA 8', VIOI.D'ORCIIESTnA 8', OBOE 1W-I. Write for quotation. Chun:h Organ Co., 18 lIorn 8', 5" hI 10" W'II. Bo:t 1228, Fargo, N.D. NO ONE WORKS HARDER THAN WIlEN Walton St., Edison, N.J. 08817. II"ltl'SICIIORDS, CLAVICIIORDS BY 58102. (7D1) 237·0H7. they work for ,bemse"·es. I{ you have ability Neul,ert, world's fincst, oldest maker. Calalogs integrity, the risht altitude, are a h.rd work: QUALllY ALL ELECTRIC CHESTS 2Y, IL\NK MOLI.ER I'IPE ORGAN IN on requcsi. MagmunlUic, Sharon, Conn. 06069. er, if you can stand up under Victor'l "Lom made to ordcr, good dcli,·ery. Aikin Anodates, !ood conditinn or other small Ilipe organ. J . bardi" type Sales Training, Victor will put Bo:t 1-13, Brooklyn, PA 18813. Flr-;'E JIt\RPSICUORDS, CLAVICI-IORDS, Chl"l'lIonis, 3(06 Mintwood St., I'iuslmrgh, Pa. you in business with a Victor Fromchise from malic in dh'erse configurations and disposi 15201. (-112) 621·55()3. TilE NEW 7·OCTAVE PETERSON CHRO· ~iami to. Pa~:n Bea.clt. Victor ~upplies .the tions. Write, phone, visit shop. E. O. Witt, ro, matic TUller, model 300 is now a,~ l able from whole IhlDl,. locations, Franchues, sen.'1ce, Three: Rive n , Mich. -I!JO!J3. (616) 2+1-51:!8. TWO·MANUAL AND l'ImAL REED OR. stock. Continuously variable Vcrnier control truck!, financmg and the know how. Small gan in good condition or cnlllilacl, one or two investment required. Apply with resume to: allows )'OU to compensale {or temperature or HARPSICHORDS, P E D A L II A R PSI· malltlal sdf-colltaillcd unit IlilJC organ in any tunc ccleste ranks with case. For more details: chords, Cla,'ichords. ClUtom made. Jan II. 300 N.W. 54 St., Miami, Florida 33127. (305) condition. Thomas Sl'iggle, I I Woodland Place 751-7502. Petcrwn Electro·Musical Products, Dept. 31 , Albarda, 14 Ri\'erdale Dr., Thistletown (Rex Whitc l'lains, New York 10606. ' Worth, III. IDI82. dale), Onto Canada M9V-2TI. We are now QUALITY and COMPLETENESS Our new voicers supplying pipes, are Pitman chest, Your "one-stop" supplier for all Cornelius (Kees) electro pneumatic DeRooy unit chest and pipe organ supplies and components. and electric valve Charles R. Olesen chest in addition to our standard line of products. DURST ORGAN SUPPLY CO., INC. ~~INC. P. O. Box 1165 Erie, Pennsylvania MANUFACTURERS OF QUALITY ORGAN COMPONENTS 16512 Builders of Fine Tracker and Electro·Pneumatic Pipe Organs CHESTER A. RAYMOND, INC. Inquiries are Cordially Invited PIPE ORGAN BUILDERS W. ZiIllIller & Sons Rebuilding, Maintenance and Additions INCORPORATED P.O. Box 55 Princeton, N.J. 08540 "'ailing Addr... : P. O. Box 11024. Charlott., N. C. 20208 Phone: 609·924·0935 NATIONS FORD ROAD· CHARLOTTE, N. C. HIGH QUALITY LOUIS F. MOHR & COMPANY 0 Since 1906 CONSOLES ORGAN R E. H. HOLLOWAY G Any .tyl. - any ty". MAINTENANCE .p.clal keyboard. and coverings A CORPORA nON all solid .tate - 10 yr. warranty 2899 Valentine Ave. N computer grade componen.s New York 58, N.Y. 5~. S'lmt%/ Qua/ii, Bui/clers of Alir your oruan builder 10 wri'e '0 Telephone: SEdgwick 3-5628 Tracker and Eledro·pneumotic P BERKSHIRE Emergency Service Yearly ContractJ; I JEROME B. MEYER &SONS slicler chest organs. ORGAN COMPANY, INC. Harps - Chimes - Blowers 2339 50. AUSTIN ST. Espert Overhauling P 68 So. Boulevard INDIANAPOLIS, INDIANA Wes' Springfield. MA 01089 " An Orla .. Properl, Ala;nlain6d M,a,.., E MILWAUKEE, WIS. 53207 T.I. (413) 73403311 Dell.r MlUic" S Tel. 637-2029 P. O. Box 20254 22 THE DIAPASON CLASSIFIED ADVERTISEMENTS CIa.st'l_d ad".rt.. T .... ta •••: per word, $.20; minimum charge, $2.50: box number, addi.5Gnal $1.00. RepU .. fa Ita. numb..... hould b. "1M c/o The DJGpaton, 434 S. Wabash AYenue, Chicago, III. 6060$. H.fRPSICHORDS FOR SdU - PIPE ORG.fNS FOR S.fLE _ ELECTRONIC ORG.fNS FOR S.fU - MISC. HARPSICHORDS &. CLAVICHORDS CUS· CONCERT PIPE ORGAN. BUILT BV IN· ARTISAN CHURCH ORGAN, 2. MAN., SKINNER DULCIANA 16' 73 PIPES, AL- tom-built from kill; rTlUonablc prices. Thomas lerll31ion311 y known Europe:.n coml'3ny, 3 \\"3lnnl cOllwle, solid -stale, lal"Je sound system, 10 TrumlJC t 8' (il pipes. Make oller. Raymond E. MI:n:u, 215 H3rriiOR A"enuc, Christiana, )'COln old, 3 manU3l, 33 slOpll, in excellent con· 250 Oleillaton; Demo at hair priu, $7500. Arti· CnrTdl, 4685 Bubl Blvd., Uniontown, Obio fA 17509. dition. Fines t malerials 300 linish throughout. """ 2·man. orsOlll, solid.slale, in reliniahed +I€B5 or call an)'time (216) 896--1040. A\":lilable immedialely. For delaib and piclures O rgatmn tonsole; linc Iltllclice or dlurch or. HARPSICHORDS, CLAV1CnORDS: MAG write: F.9, Tnr. DI4r,\50H. gan $2500 wilb speakcn. Scver.al n::sidence .t 1966 CASAVANT 8' KNOPF REGAL, LOW nificent tone 3nd " onthome appearance al church pipe organs, from .. to 30 nnb; all pressure. Best orrcr over $300.00. Available .-e3snnablc cost. Af:luric':c de Angeli, Box 190. NEW PIPE ORGAN IN PERFECT CON· in good condition, YOII ins t... n and &:ave 50%: ... her jllne 1, 1973. Br.:Intley A. Dudd" tnc., R. D. # I , I'cnnsbll,.... Pa . 18073. dition, very beallt,ful one.manual 3nd pedal, wrilC (or lis t. I'ipc rank a tt;tchmenu lor your Slump Hall Road, Cedan, PA 1!H23. 6 romn. Slider chests ... nd unnieked pipcworlr.. electronic organ; tw o, Ihree or four IOInb, as· 5 I' ERR If A K E HARPSICHORDS AND Very reasonable priccd. Lee DOIhl , Ashby. semhled or in lI it (onu; only 7 Ie. hi, wilh or 8· DULCIANA HASKEL BASE. SINGLE Clavichords. E'lcellelll, depend3blc, beautiful. Minn, (218) 685 .... :00. w/u enclosures. " O rgan Build ing" book coven IIha:le 3 I1.P, Cenlury motor from Spencer. Robert S. Tal'Jor, 8710 Carfield St" Bethesda, Ilille and electronic proj ~ ts for homes Ilnd Murch, 127 BelmiIJ Rd., Bcllmore, N.Y. 11710, Maryland 20034. SEMI·I'ORTAnLE I'OSITIVE. STOI'PED churches, hy Rohert L. Ehy $3.40 postpaid. Flute 8', Cone Flute 4', Pnncipal 2' , Mis· Includes catalog uf organ Ilcccssoria (or every INVENTORY CLEARANCE SALE: LAIlGE IRth CENTURY FRENCII HARPSICHORD IlIre 3 r.anb. I'rice $5,000. M. A. Loris, Tr.:Ick· f)l,"1k e. NeWIK»rt Organs, M6 Production PI3ee, Sdeetion of quality organ parts " OlCJ:lCIfOn es. ill kit form. We oUcr an authenlic rcproduc Immediate delivery. Competitively priced. er Organs. RFD 2, B;trn:, Vennont 05(i.U. Ncwport Deilch, CA 92GOO. (71-l) 645-1530, lilill Ilr all anli~llIc French douillc III-'I.ollal harp- (802) 47G-G3-lO . Send your req. or send for complete list It • icllflrd wilh four ",sislen :md huH atop, FF. RODGERS COLUMBIAN 75, 2-MAN" prices. Box 1383, Eric. P... . 16512. g"'. Dr... win". instructioru, and aU ma terials lIISTORIC ORGl\N 1878, 5 STOrS, 58· AGO l)Cdalbo ... rd, f1r.:1ctke panel. tQ ruposcr, U NIT CHESTS, STRAIGHT CHESTS, 'rll m Fr.ank Hubbard . 185j Lt'mOl n Streel, nole lIe)'board, 17'n01e pcdalbo:lrd. Providcnet: 6 monllu old, E."eellent for church or "udio, rcsen 'oCn, lremulants, kcyboanb, miK. pal'll WOI II I.;\" •• M a.sa."1c1 uueIlJ 021S4. Orpn Inc., 730 Crevier Sinet, St. Hyacinthe. Mm·in!. $3j!XI or best oUer. Call (502) 7!)8. and pipd. An used, Clwles Hendrickson, Quebec. 3971 or (SI5) 983·3067 or wriCe J. C. Calla· lIARI';;ICIIORDS AND CLAVIC I-IORDS \\'a}', 1522 Walker C ircle, Mat}'llille, Tenn. 1-lO3 N . 5th SI., St. Peter, Minn. S603Z. (S07) 33R MURRAY HARRIS PII'E ORGAN ror home anelllbly. Uncomprnmising d ;ul WANT A PRACTICE ORGAN? ORGAN l.EATHERS Build your .wn - ... a PEMBROKE d.,.;,.y ...... , ORGAN KIT Full in"rvd;ons - R.asonably prj,." WHITE, SON COMPANY THE ORGAN LOFT 286 Summer Street Do.tbn, MaNDehu.elt. 02210 GOSSVILLE, NEW HAMPSHIRE 03239 " if "o ••n" hawe pip.s - it is not an organ PIANO TUNING ALTENBURG PIANO HOUSE DO IT YOURSElf PIPE ORGAN KITS ELIZABETH. N. Learn Piano tuning and repair wUh easy ij.~. ~rcw~' ~O. Custom speclllc.flons for ehureh or J. residence, complete or p.rts, full In· WORLD'S LARGESt SELECTION OF to follow home study coune. Wide open dnctlons hy est.blished orgen bullde,., RODGERS ORGANS field with good earning'_ Makes neel-- ORGANBUILDERS Clanlc A.G.O. OrQans deslqned to piNS. lent "extra" job. Write COLKIT MFG. CO. P.O. lOX 112 the most dlserlmTnoltlnCJ church or orlilutrl. American School of Piano Tuning Hiler Shltlon, luffalo, N.Y. 14m 1150 E. Jerser st.. Eliubeth, N, J . 17M' T,I'lr Dr. D.,,- 0 M.,.... Hili, CA IH37 IIOX 505, MIDDLE VILLAGE, N.Y. 11379 (20 ) 351·2000 JUNE 1973 23 •• I •• a n Murtagh oneert Manage ••• ent Box 272 Canaan, Connecticut 06018 203-824-7877 HUllt\tT Al'oIUEHSuN .•~ t)!" .-.' • l ! ·.: ~ ·, ' HUUI!:H'l' UAKI!:U WILMA JENSEN FHEUEHlCK SWANN NITA AKIN Available for Workshop. Fall 1973 . ~~~ , ':.. '~~.~-~..:.l. " ' .' . . -' V' _ _ • DAVIU CHAIGUI!:AD JUAN Lil'PINCO'IT European Artists Available 1973-74 MARIE-CLAIRE ALAIN Oet,·Nov, PETER HURFORD HAY FEItGUSUN DUNALU McUUNALD LAUU '1'HUJIolAS Oct. LIONEL ROGG Oct. 6·Nov, 3 MARTIN NEARY Oct. 14-Nov. 24 JElIALU HAMILTON JUH1'l WEA VEIt GILLIAN WEIR Nov. ~ , fj .• THE DURUFLES ,',",~, ~ Late April.May ,-..~~, :., ~~t\ 1' ~ If ~ , - .... ~ : I JAMES MOESER . I