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• Forum 13 7.6.06 09.06.2006 10:47 Uhr Seite 1 • Forum 13_7.6.06 09.06.2006 10:47 Uhr Seite 1 13 2006 Die Orgelwerke The Organ Works · Les œuvres pour orgue • Forum 13_7.6.06 09.06.2006 10:47 Uhr Seite 2 INHALT · CONTENTS · SOMMAIRE EHRUNGEN 2006 3 ▼ HONOURS 2006 4 ▼ Impressum · Imprint · Impressum PRIX ET DISTINCTIONS 2006 4 Hindemith-Forum Mitteilungen der Hindemith-Stiftung/Bulletin of the Hindemith Foundation/Publication de DIE ORGELWERKE · THE ORGAN WORKS · la Fondation Hindemith Heft 13/Number 13/Cahier no 13 LES ŒUVRES POUR ORGUE © Hindemith-Institut, Frankfurt am Main 2006 Redaktion/Editor/Rédaction: Heinz-Jürgen Winkler TRUNKEN UND HEILIG-NÜCHTERN · Ein Beiträge/Contributors/Articles de: Bernhard Billeter (BB), Philosophische Gespräch mit dem Organisten Martin Lücker 7 ▼ Fakultät der Universität Zürich (PFUZ), Giselher Schubert (GS), Heinz-Jürgen DRUNKEN AND SAINTLY SOBER · A Conversa- Winkler (HJW) ▼ Redaktionsschluß/Copy deadline/ tion with the Organist Martin Lücker 9 Etat des informations: 15. Mai 2006 Hindemith-Institut NOYÉ, SAINT ET DÉPOUILLÉ · Un entretien avec Eschersheimer Landstr. 29-39 60322 Frankfurt am Main l’organiste Martin Lücker 11 Tel.: ++49-69-5 97 03 62 Fax: ++49-69-5 96 31 04 ▼ e-mail: [email protected] TRANSPARENZ UND MELANCHOLIE 13 internet: www.hindemith.org TRANSPARENCY AND MELANCHOLY 14 ▼ Gestaltung/Design/Graphisme: Stefan Weis, Mainz-Kastel TRANSPARENCE ET MÉLANCOLIE 16 Herstellung und Druck/Production and printing/Réalisation et impression: Schott Musik International, Mainz Forum 18 Übersetzung engl./English translation/ Traduction anglaise: David Babcock CD Neuerscheinungen 20 ▼ CD New Releases 20 Übersetzung frz./French translation/ Traduction française: Dominique de ▼ Nouveautés sur CD 20 Montaignac Bearbeitung/Adaptation: François Margot Bildnachweise/Picture credits/Illustrations: Susesch Bayat, Frank Brüderli, Ingo Bulla, Hindemith-Institut, Pertti Nisonen, Rieger- Orgelbau GmbH (Schwarzach), Uli Schlittgen Umschlag/Cover/Couverture: Prospekt der Rieger-Orgel (1990) in der Katharinenkirche zu Frankfurt am Main / View of the Rieger organ (1990) in the Katharinenkirche, Frankfurt am Main / Buffet de l’orgue Rieger (1990) de la Katharinen- kirche à Francfort-sur-le-Main Printed in Germany Hindemith-Forum 13/2006 • Forum 13_7.6.06 09.06.2006 10:47 Uhr Seite 3 EHRUNGEN 2006 · HONOURS 2006 · PRIX ET DISTINCTIONS 2006 Der Dekan der Philosophischen Fakultät der Universität Zürich, Professor Dr. Reinhard Fatke, überreicht Dr. Andres Briner die Ehrenpromotionsurkunde / The Dean of the Philosophical Faculty of the University of Zurich, Professor Dr. Reinhard Fatke, presents the Honorary Doctorate Certificate to Dr. Andres Briner / Le Professeur Dr. Reinhard Fatke, doyen de la Faculté de Philosophie de l’Université de Zürich, remet le diplôme de Docteur Honoris Causa au Dr. Andres Briner Andres Briner der Musik als Zeitkunst (Wien 1955) pro- haft illustriert: Kürze, Prägnanz und Klar- Die Philosophische Fakultät der Univer- moviert. 1955 wechselte Briner in die heit. Eine besondere Rolle spielte dabei sität Zürich verleiht die Würde eines Dok- USA, und zwar als Assistant Professor an für ihn stets jene Musik, die in den sich tors ehrenhalber an Herrn Dr. Andres Bri- das Department of Music an der Universi- zuspitzenden Paradigmen der Moderne ner in Anerkennung seiner großen Ver- ty of Pennsylvania, wo er in einer der re- keinen Platz mehr zu haben schien. Paul dienste um die Musikforschung und de- nommierten Musikfakultäten Amerikas Hindemith, vor allem dessen Spätwerk, ren Vermittlung in eine breite Öffentlich- arbeiten konnte. Im Jahr 1964 kehrte er nahm auch unter diesem Gesichtspunkt keit. Als Wissenschaftler und Journalist nach Europa zurück, um Feuilleton-Re- einen herausragenden Rang ein. Briner hat Andres Briner die Musik der zweiten daktor der Neuen Zürcher Zeitung zu publizierte 1971 eine Hindemith-Mono- Hälfte des 20. Jahrhunderts begleitet, ge- werden, und zwar als erster Musikkritiker graphie sowie 1988, gemeinsam mit Die- fördert sowie in kritischer Unabhängig- und Nachfolger von Willi Schuh. 1988 ist ter Rexroth und Giselher Schubert, einen keit nachhaltig geprägt und dabei stets Briner in den Ruhestand getreten. Briners Hindemith-Dokumentenband. Überdies deutlich gemacht, daß wissenschaftliche Interessen sind weitgefächert und umfas- ist Briner seit 1968 Mitglied der Hinde- Erkenntnis und deren journalistische Ver- sen die gesamte Musikgeschichte, doch mith-Stiftung, von 1986 bis 1998 war er mittlung eine ebenso produktive wie per- sein besonderes Hauptaugenmerk galt deren Präsident; damit ist er wesentlich spektivenreiche Verbindung eingehen stets der Musik des späten 19. und des verantwortlich für die Kritische Edition können. 20. Jahrhunderts, für die er sich in seiner der Werke Hindemiths. Andres Briner ist Dr. Andres Briner, geb. am 31. Mai 1923 publizistischen Tätigkeit mit allem Nach- Musikwissenschaftler und Musikkritiker, in Zürich, studierte von 1943 bis 1952 druck eingesetzt hat. Ein Spiegel dieses Andres Briner: Musikalische am Konservatorium in Zürich sowie Mu- vielfältigen Engagements ist der 1993 Koexistenz. Mainz: Schott, 1993 sikwissenschaft an der Universität Zürich, von Hermann Danuser und Giselher 294 S. - 1 Abb. (Frankfurter Studien. dort vor allem bei Paul Hindemith, dem Schubert herausgegebene Sammelband Veröffentlichungen des Paul-Hinde- ersten Zürcher Ordinarius für Musikwis- Musikalische Koexistenz, der Vorträge, mith-Institutes Frankfurt/Main, Band IV) senschaft, der sein wichtigster Lehrer und Essays und Kritiken in repräsentativer ISBN 3-7957-1868-6 Mentor geworden ist. 1953 wurde er in Auswahl vereint und die Haupteigen- Best.-Nr. ED 8073 Zürich mit einer Arbeit über den Wandel schaften von Briners Schreibart beispiel- Hindemith-Forum 13/2006 3 • Forum 13_7.6.06 09.06.2006 10:47 Uhr Seite 4 er ist Gelehrter und Publizist, er ist An- main characteristics of Briner’s writing gement de la musique comme art du walt der neuen Musik und zugleich style in exemplary fashion: brevity, temps (Wandel der Musik als Zeitkunst, bemüht, diese im Zusammenhang ihrer succinctness and clarity. Music which Vienne 1955). En 1955, Andres Briner fait Traditionen zu verstehen, seine Tätigkeit seemed no longer to have a place in the le voyage des États-Unis où il devient zielt auf Erkenntnis und Urteil gleicher- increasingly critical paradigms of mod- professeur assistant au Department of maßen. Sein jahrzehntelanges Wirken in ernism played a particularly important Music de l’University of Pennsylvania, Zürich, in der Neuen Zürcher Zeitung, ist role for him. Paul Hindemith, especially l’une des facultés de musique les plus re- ein wichtiges Kapitel in der Geschichte his late works, occupied top priority from nommées d’Amérique universitaire. Il re- der Musik, der Musikwissenschaft und this point of view as well. Briner pub- vient en Europe en 1964 pour devenir ré- der Musikkritik der zweiten Hälfte des 20. lished a Hindemith monograph in 1971 dacteur de la rubrique culturelle de la Jahrhunderts gleichermaßen. Die Stimme and in 1988, together with Dieter Rexroth Neue Zürcher Zeitung, plus précisément von Andres Briner hatte und hat stets Ge- and Giselher Schubert, a Hindemith docu- en tant que premier critique musical et wicht, gerade weil in ihr Erkenntnis, Urteil ment volume. Moreover, Briner has been successeur de Willi Schuh. Il prend sa re- und Mitteilung eine heute nur noch sel- a member of the Hindemith Foundation traite en 1988. Les centres d’intérêt de ten anzutreffende Symbiose eingehen. since 1968, and served as its President Andres Briner sont remarquablement va- from 1986 until 1998. As such, he is re- riés et touchent à toute l’histoire de la sponsible for the Critical Edition of the musique ; cependant, il porte une atten- Andres Briner Works of Hindemith. tion toute particulière à la musique de la The Philosophical Faculty of the Univer- Andres Briner is a musicologist and fin du XIXe siècle et du XXe siècle à laquel- sity of Zurich has awarded the dignity of music critic, a scholar and publicist; he is le il consacre, à plusieurs reprises, de Honorary Doctorate to Dr. Andres Briner an advocate of new music and at the nombreuses publications. Publié en in recognition of his great services to the same time takes pains to understand it in 1993 par Hermann Danuser et Giselher field of music research and its impart- the context of its traditions. His activity Schubert, le recueil Musikalische Koexi- ment to a wide public. Andres Briner ac- aims equally towards knowledge and stenz qui réunit un choix significatif de companied the music of the second half judgement. His decade-long activity in ses conférences, essais et critiques reflète of the twentieth century as scholar and Zurich in the Neue Zürcher Zeitung, is an la diversité de son engagement et illustre journalist, furthered it and also, in critical equally important chapter in the history de façon exemplaire les qualités d’écri- independence, had a long-term influence of music, musicology and music criticism vain de Andres Briner: concision, vigueur upon it. In so doing he has always made of the second half of the twentieth century. expressive et clarté. Cette musique qui it clear that scholarly knowledge and its The voice of Andres Briner has always semble, aujourd’hui plus qu’hier, ne plus journalistic impartment can be paired to- carried and still carries weight, precisely assumer le premier rôle dans les para- gether both productively and in a manner because understanding, judgement and digmes de la modernité tient toujours rich in perspectives.
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