Guía De Actividades 2015
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La Poesía Tanguera De Eladia Blázquez: De La Melancolía Tradicional a La Vanguardia Renovadora
Georgia State University ScholarWorks @ Georgia State University World Languages and Cultures Theses Department of World Languages and Cultures 11-28-2007 La Poesía Tanguera de Eladia Blázquez: De la Melancolía Tradicional a la Vanguardia Renovadora María Marta López Follow this and additional works at: https://scholarworks.gsu.edu/mcl_theses Recommended Citation López, María Marta, "La Poesía Tanguera de Eladia Blázquez: De la Melancolía Tradicional a la Vanguardia Renovadora." Thesis, Georgia State University, 2007. https://scholarworks.gsu.edu/mcl_theses/2 This Thesis is brought to you for free and open access by the Department of World Languages and Cultures at ScholarWorks @ Georgia State University. It has been accepted for inclusion in World Languages and Cultures Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. LA POESÍA TANGUERA DE ELADIA BLÁZQUEZ: DE LA MELANCOLÍA TRADICIONAL A LA VANGUARDIA RENOVADORA by MARÍA MARTA LÓPEZ Under the Direction of Elena del Río Parra ABSTRACT The purpose of this study is to explore and analyze the ars poetica in the work of Eladia Blázquez (1936-2005), and to appreciate to what extent it converges or separates detaches itself from the traditional tango lyrics. Due to her numerous pieces, she is the first and only woman to write both music and lyrics consistently, while proposing a different viewpoint in tone and themes in order to update them to current times. Among them, the major are Buenos Aires, life and identity. The researcher proposes that Blázquez nourished herself on the classics, recreating them while offering new expressive possibilities, shifting at times from their melancholic tone and the moaning sound of the bandoneón, tango’s soul-haunting instrument, to a more hopeful one. -
Holland America's Shore Excursion Brochure
Continental Capers Travel and Cruises ms Westerdam November 27, 2020 shore excursions Page 1 of 51 Welcome to Explorations Central™ Why book your shore excursions with Holland America Line? Experts in Each Destination n Working with local tour operators, we have carefully curated a collection of enriching adventures. These offer in-depth travel for first- Which Shore Excursions Are Right for You? timers and immersive experiences for seasoned Choose the tours that interest you by using the icons as a general guide to the level of activity alumni. involved, and select the tours best suited to your physical capabilities. These icons will help you to interpret this brochure. Seamless Travel Easy Activity: Very light activity including short distances to walk; may include some steps. n Pre-cruise, on board the ship, and after your cruise, you are in the best of hands. With the assistance Moderate Activity: Requires intermittent effort throughout, including walking medium distances over uneven surfaces and/or steps. of our dedicated call center, the attention of our Strenuous Activity: Requires active participation, walking long distances over uneven and steep terrain or on on-board team, and trustworthy service at every steps. In certain instances, paddling or other non-walking activity is required and guests must be able to stage of your journey, you can truly travel without participate without discomfort or difficulty breathing. a care. Panoramic Tours: Specially designed for guests who enjoy a slower pace, these tourss offer sightseeing mainly from the transportation vehicle, with few or no stops, and no mandatory disembarkation from the vehicle Our Best Price Guarantee during the tour. -
The Dance Series from Ortofon Is Now Complete – MC Tango Joins MC Samba & MC Salsa for Almost Sixty Years, Ortofon Has
March, 2007 The dance series from Ortofon is now complete – MC Tango joins MC Samba & MC Salsa For almost sixty years, Ortofon has been at the forefront of music reproduction from analogue records. Throughout the years Ortofon have developed many new and creative designs for the enjoyment of music lovers and audio enthusiasts all over the world. WHY AN ORTOFON MOVING COIL CARTIDGE? Many have asked the question: Why is the sound of a moving coil cartridge so superior to that of a traditional magnetic: The answer in one word is linearity. The patented Ortofon low-impedance, low-output design is inherently linear over the entire audible range. This coupled with unequalled tracking ability and unique diamond profiles combines to deliver a sound previously deemed unattainable. The MC Tango, MC Samba and MC Salsa is a direct result of our endeavours. MC Tango has an elliptical diamond which is cut and polished to Ortofon’s standards, and the output is 0.5 mV. The MC Tango is our MC entry level cartridge with a very high cost/performance ratio. MC Samba and MC Salsa have a tiny, nude Elliptical or Fine Line diamond, mounted on a very light and rigid cantilever. This results in low equivalent stylus tip mass and cantilever compliance on 14 and 15 µm/mN, which means that MC Samba and MC Salsa will give excellent results with virtually any tone arm. The armature has been designed as a tiny lightweight cross, and the coils are mounted at exactly 90 degree to each other (just like the walls of the record groove), which is improving the channel separation. -
Marco's Cocktail Menu
Explore the adventurous side of Little Italy produced through perfecting the PROSECCO JULEP 69 right mix of flavours Prosecco, Cognac, Mint Leaves, Vanilla The Mint Julep is a quintessential GREENWICH VILLAGE American cocktail which originated in the southern United States during the A chilling selection of artistic 18th century. cocktails inspired by New York's bohemian heaven MARCO’S MULE 89 Absolut Elyx Vodka, Lime Juice, Homemade Ginger Syrup, Ginger Ale, Fernet Branca PARISI 69 The Moscow Mule began its life on the DANTE 59 Maker’s Mark Bourbon, Fernet Branca, Banana Tanqueray London Dry Gin, Campari, west coast of America during the 1940’s Liqueur, Lemon Juice, Homemade Bread Passion Fruit, Lime Juice, Orange Juice, and quickly became the most popular Syrup, Baking Spices Olives cocktail in America at the time. The Parisi Bakery has baked and delivered the Café Dante has been a beacon for the best quality Italian bread to New York City’s community of Greenwich Village since it leading restaurants and delicatessens for over a NYI SOUR 59 opened its doors in 1915. century. Jim Beam Bourbon, Lemon Juice, Sugar Syrup, Bitters, Italian Red Wine* 59 The oldest historical mention of the REGGIO CAFÉ ROMA 69 Chivas 12 Y/O Whisky, White & Dark classic Sour cocktail was in a Wisconsin, Homemade Grappamiel, Amaretto, Frangelico, Chocolate Liqueur, Cynar, Coffee Paint USA newspaper way back in 1870. Benedictine Liqueur, Italian Espresso At the heart of Café Reggio is their Café Roma is renowned for offering one of the magnificent espresso machine, the same best “old neighbourhood” experiences in Little ANTIQUATO 89 one that was installed in 1902. -
La Revitalización De Los Museos Históricos Nacionales De La Ciudad Vieja De Montevideo
La revitalización de los Museos Históricos Nacionales de la Ciudad Vieja de Montevideo. Proyecto Fin de Máster Julio, 2012 A UTOR : M A R C I A D E L P R E T A R O C OTELO D IRECTORA : D RA. C R I S T I N A G I M É N E Z N AVARRO ÍNDICE 1. Resumen 2 2. Introducción 3 3. Desarrollo analítico del proyecto 4 4. Conclusión 15 Anexo 18 5. Fuentes documentales y bibliografía 19 6. Cuestionario de actividad “Artigas y la Batalla de Las Piedras” 23 7. Presentación del cuadro “Artigas y la Batalla de Las Piedras” 25 8. La Ciudad Vieja de Montevideo. 29 Origen Evolución Inventario Patrimonial y grados de conservación Estado actual 9. Museos Históricos Nacionales Casa de Fructuoso Rivera 34 Casa de Juan Antonio Lavalleja 38 Casa de Antonio Montero (Museo Romántico) 41 Casa de Juan Francisco Giró 43 Casa de José Garibaldi 45 10. Objetivos 48 11. Circuito 51 12. Participación en el Día del Patrimonio y Museo en la Noche 53 13. Ubicación de servicios. 57 14. Cursos 58 15. Alquiler de espacios 61 16. Tienda de museo 62 17. Difusión 64 18. Presupuestos 71 19. Análisis DAFO 76 20. Apéndice gráfico 78 1 RESUMEN La Ciudad Vieja de Montevideo es el lugar de origen de la capital y ostenta gran parte del patrimonio cultural de nuestro país. La Ciudad Vieja es un lugar que combina tiempos históricos distintos, realidades sociales heterogéneas y proyectos de barrio. Este proyecto pretende dar a conocer parte de ese patrimonio que se encuentra en los Museos Históricos Nacionales. -
The Intimate Connection of Rural and Urban Music in Argentina at the Beginning of the Twentieth Century
Swarthmore College Works Spanish Faculty Works Spanish 2018 Another Look At The History Of Tango: The Intimate Connection Of Rural And Urban Music In Argentina At The Beginning Of The Twentieth Century Julia Chindemi Vila Swarthmore College, [email protected] P. Vila Follow this and additional works at: https://works.swarthmore.edu/fac-spanish Part of the Spanish and Portuguese Language and Literature Commons Recommended Citation Julia Chindemi Vila and P. Vila. (2018). "Another Look At The History Of Tango: The Intimate Connection Of Rural And Urban Music In Argentina At The Beginning Of The Twentieth Century". Sound, Image, And National Imaginary In The Construction Of Latin/o American Identities. 39-90. https://works.swarthmore.edu/fac-spanish/119 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Spanish Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Chapter 2 Another Look at the History of Tango The Intimate Connection of Rural ·and Urban Music in Argentina at the Beginning of the Twentieth Century Julia Chindemi and Pablo Vila Since the late nineteenth century, popular music has actively participated in the formation of different identities in Argentine society, becoming a very relevant discourse in the production, not only of significant subjectivities, but also of emotional and affective agencies. In the imaginary of the majority of Argentines, the tango is identified as "music of the city," fundame ntally linked to the city of Buenos Aires and its neighborhoods. In this imaginary, the music of the capital of the country is distinguished from the music of the provinces (including the province of Buenos Aires), which has been called campera, musica criolla, native, folk music, etc. -
El Tango Y La Cultura Popular En La Reciente Narrativa Argentina
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 El tango y la cultura popular en la reciente narrativa argentina Monica A. Agrest The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2680 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EL TANGO Y LA CULTURA POPULAR EN LA RECIENTE NARRATIVA ARGENTINA by Mónica Adriana Agrest A dissertation submitted to the Graduate Faculty in Latin American, Iberian and Latino Cultures in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 MÓNICA ADRIANA AGREST All Rights Reserved ii EL TANGO Y LA CULTURA POPULAR EN LA RECIENTE NARRATIVA ARGENTINA by Mónica Adriana Agrest This manuscript has been read and accepted for the Graduate Faculty in Latin American, Iberian and Latino Cultures in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ______________________________ ________________________________________ November 16th, 2017 Malva E. Filer Chair of Examining Committee ________________________________________ ________________________________________ November 16th, 2017 Fernando DeGiovanni Executive Officer Supervisory Committee: Silvia Dapía Nora Glickman Margaret E. Crahan THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EL TANGO Y LA CULTURA POPULAR EN LA RECIENTE NARRATIVA ARGENTINA by Mónica Adriana Agrest Advisor: Malva E. Filer The aim of this doctoral thesis is to show that Tango as scenario, background, atmosphere or lending its stanzas and language, helps determine the tone and even the sentiment of disappointment and nostalgia, which are in much of Argentine recent narrative. -
© 2019, CLAEC . Todos Os Direitos Reservados E Protegidos Pela Lei 5988 De 14/12/73
© 2019, CLAEC . Todos os direitos reservados e protegidos pela Lei 5988 de 14/12/73. Nenhuma parte deste livro, sem autorização previa por escrito da editora, poderá ser reproduzida ou transmitida sejam quais forem os meios empregados: eletrônicos, mecânicos, fotográficos, gravação ou quaisquer outros. Editoração e diagramação: Rocheli Regina Predebon Silveira. Capa: Bruno César Alves Marcelino através do Canva. Imagem da Capa: Imagem de fundo disponibilizada pelo Canva | Identidade principal elaborada pelos autores. ISBN 978-85-93548-08-6 Dados Internacionais de Catalogação na Publicação (CIP) B8367 Anais do III Encontro Humanístico Multidisciplinar = Actas del III Encuentro Humanístico Multidisciplinar [livro eletrônico] / Agnaldo Mesquita de Lima Junior; Cintia Pacheco Terra Pereira; Juliana Porto Machado; Rocheli Regina Predebon Silveira (Organizadores). 1. ed.– Jaguarão: CLAEC, 2017. 1000p. PDF – EBOOK Inclui Bibliografia. ISBN: 978-85-93548-08-6 1. Ciências Humanas 2. Ciências Sociais CDU 303 CDD 300 Observação: Os textos contidos neste e-book são de responsabilidade exclusiva de seus respectivos autores, incluindo a adequação técnica e linguística. Página | 1 © 2019, CLAEC . Todos os direitos reservados e protegidos pela Lei 5988 de 14/12/73. Nenhuma parte deste livro, sem autorização previa por escrito da editora, poderá ser reproduzida ou transmitida sejam quais forem os meios empregados: eletrônicos, mecânicos, fotográficos, gravação ou quaisquer outros. Editoração e diagramação: Rocheli Regina Predebon Silveira. Capa: Bruno César Alves Marcelino através do Canva. Imagem da Capa: Imagem de fundo disponibilizada pelo Canva | Identidade principal elaborada pelos autores. ISBN 978-85-93548-20-8 Dados Internacionais de Catalogação na Publicação (CIP) B8367 Hecho en la Frontera: cuaderno intercultural para la sensibilización al estudio de la lengua española [livro eletrônico] / Luciana Contreira Domingo(Organizadora). -
Yo Soy El Tango
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Melanie Carolina Mertz Matrikelnummer: 9902134 Stkz: A 353 590 S YO SOY EL TANGO Descripción de la figura tanguera en su primera época (1900-1930) a través del yo-narrativo en las letras de tango Diplomarbeit zur Erlangung des Magistergrades der Philosophie aus der Studienrichtung LA Spanisch eingereicht an der Geistes- und Kulturwissenschaftlichen Fakultät der Universität Wien bei o. Univ.-Prof. Dr. Michael Metzeltin Wien, 2005 Índice Introducción .................................................................. 4 1. El tango...................................................................... 5 1.1. La historia del tango........................................................... 5 1.2. El lunfardo....................................................................... 18 1.3. Textos primarios y literatura secundaria .......................... 21 1.3.1. Corpus ...........................................................................21 1.3.2. Enfoque teórico .............................................................22 2. El yo-narrativo: narrador y personaje tanguero ......... 24 2.1. Introducción al yo en el tango........................................... 24 2.1.1. Tango y ritual ................................................................25 2.1.2. El gran tango universal ..................................................26 2.1.3. Ficcionalización en el tango...........................................28 2.2. Yo en las constelaciones -
Uruguay - Country Fact Sheet
URUGUAY - COUNTRY FACT SHEET GENERAL INFORMATION Climate & Weather Summers and Winters Time Zone UTC – 3 hrs. are mild. Summer is from December to March and the most pleasant time of the year. Language Spanish. Currency UYU – Uruguayan Peso. Religion Catholic. International +598 Dialing Code Population 3,442,547 as of 2016. Internet Domain .uy Political System Presidential representative Emergency 911 democratic republic. Numbers Electricity 220 volts, 50 cycles/sec. Capital City Montevideo. What documents Passport, work permit Please confirm Monthly directly into a bank required to open (can’t be done prior to how salaries are account. a local Bank arrival as expats usually paid? (eg monthly Account? aren’t granted their work directly into a Can this be done permits until 2-3 weeks Bank Account) prior to arrival? after they arrive to start their assignments. 1 GENERAL INFORMATION Culture/Business Culture Meetings are extremely formal, but don't usually start on time. However, be sure to arrive on time. Greetings are warm and accompanied by a firm handshake. Health care/medical There is a public healthcare system, with hospitals and clinics across treatment the country. There is also a private healthcare system. Education Public schools are not recommended in Uruguay and most assignees chose private schools, however there are limitations in the availability in the private schools. Utilities Electricity, Gas, Water, Internet, Phone, Cable. These are not included in monthly rent and paid separately by the tenant. Food & Drink Uruguayan cuisine has a lot of European influence, especially from Italy and Spain. Chivito is a traditional Uruguayan sandwich. -
Catálogo De Documentales Uruguayos
Por primera vez se realiza en Uruguay un encuentro For the first time in Uruguay we have an international internacional dedicado especialmente a la producción meeting dedicated specifically to documentaries. It brings documental, que reúne a televisoras y productores latino- together Latin American television representatives and americanos con la intención de construir redes de coopera- producers, and the aim is to construct networks for ción, intercambio y coproducción. Esa convocatoria motivó cooperation, sharing and co-production. This event a los organizadores de DocMontevideo a proponer una prompted the organizers of DocMontevideo to propose a recopilación de nuestra propia producción. En esa iniciati- compilation of our own documentaries, and this collection va está el origen del presente trabajo. is the fruit of that initiative. Como forma de explicitar el criterio que adoptamos a Our criteria for selecting material for this collection was la hora de seleccionar el material, vayan las siguientes to take documentaries made since 1985 that, in the aclaraciones: el catálogo reúne los documentales realiza- broadest sense, deal with Uruguayan subjects. We excluded dos desde 1985 a la fecha, que abordan, en sentido amplio, work from before that year, films of less than 25 minutes temas uruguayos. Excluimos las producciones anteriores a duration, documentary series and productions from schools esa fecha, las que tienen una duración inferior a 25', las of cinema or communications. Although we carried out series documentales y las realizaciones de escuelas de cine exhaustive research we may possibly have overlooked some y comunicación. Aunque la investigación fue exhaustiva, documentaries produced in the period, but we feel that the es posible que no hayamos alcanzado a relevar todas las 81 films in the collection provide an excellent sample of what obras producidas en el período. -
El Tango En La Medicina
UNIVERSIDAD DE LA REPÚBLICA Facultad de Medicina Departamento de Historia de la Medicina Con motivo de una nueva edición del Día del Patrimonio 2013 El tango en la Medicina Br. Mariángela Santurio Scocozza, Gr. 1 Docente Ayudante Depto. Historia de la Med 0 Algunas consideraciones previas: Agradezco la posibilidad de haber llevado a cabo esta actividad, es mi segunda participación en el recorrido, siendo la primera en la organización de la coordinación. A las autoridades de la Facultad, Secretaria Sra. Laura Mariño, al Dr. Gustavo Armand Ugónd, del Servicio de Anatomía, al personal de Biblioteca, en nombre de la Lic. Mercedes Surroca, y la invalorable colaboración de la Lic. Amparo de los Santos. Al personal de Historia de la Medicina, Prof. Em. Dr. Fernando Mañé Garzón, Prof. Aste. Dra. Sandra Burgues Roca, Adms. Marianela Ramírez y Romina Villoldo. Al personal de Vigilancia y Recursos Humanos. Al Sr. Moris “Pocho Zibil”, un estudioso del tema, estimado vecino y floridense de ley. Muy especialmente al Dr. Ricardo Pou Ferrari, Presidente de la Sociedad Uruguaya de Historia de la Medicina, por sus generosos aporte. A todos ellos, gracias por su colaboración… 1 Con motivo de haberse llevado a cabo una nueva edición del Día del Patrimonio (sábado 5 y domingo 6 de octubre), dedicado en esta ocasión a “El Tango ”, y en el marco de la denominación de Montevideo, como Capital Iberoamericana de la Cultura, la Facultad de Medicina de la Universidad de la República, atenta a la importancia de esta temática, ha decido ser partícipe de tal evento, para ello, se me ha propuesto coordinar las actividades del mismo.