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Azerbaijan on the International Arena
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y Azerbaijan on the international arena Azerbaijan - UN Azerbaijan – European Union Azerbaijan - Council of Europe Azerbaijan - OSCE Azerbaijan - UNESCO Azerbaijan – OIC Azerbaijan – Guam Azerbaijan - NATO 1 Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y Azerbaijan on the international arena Azerbaijan has been following an independent foreign policy since gaining independence in 1991. This policy aims at the strengthening and development of the state system and the protection of the national interests of Azerbaijan. Azerbaijan builds its foreign policy on the principle of respect to the international legal standards and norms, the state sovereignty and territorial integrity and the principles of nonintervention into the internal affairs. The foreign policy of Azerbaijan, adhering to these principles and speaking on behalf of the national interests targets such urgent issues as the risks and challenges to the national security and territorial integrity, sovereignty and independence of the republic and the prevention of the intervention of the Republic of Armenia. The major priorities of the foreign policy of Azerbaijan are the establishment of the regional peace and stability, the implementation of large transport and cooperation projects. The attraction of the foreign capital to the implementation of different projects on the development of the country's economics for more effective protection of the national interests plays a great role in the foreign policy of Azerbaijan in the present-day world. -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
THE CHARACTERISTICS of USING POSSIBILITIES of DIFFERENT KINDS of REITERATIONS, POETIC ADDRESS and POETIC INQUIRIES in NABATI CREATIVITY Khadija Iskenderli1
Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito Centro de Ciências Jurídicas - Universidade Federal da Paraíba V. 9 - Nº 02 - Ano 2020 ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index 573 THE CHARACTERISTICS OF USING POSSIBILITIES OF DIFFERENT KINDS OF REITERATIONS, POETIC ADDRESS AND POETIC INQUIRIES IN NABATI CREATIVITY Khadija Iskenderli1 Abstract: The characteristics of using couplets of phoneme even the whole possibilities of different kinds of poetics piece. Nonetheless Nabati is one reiterations, poetic address and poetic of the poets that used with great inquiries in his creativity were competence of expressive possibilities of investigated, the researches dedicated on literary addresses. The research showed Nabati poetry in the dissertation are that literary recital means are in the made out. This article describes that effect and mutual coherence on the basis tough we come across the concrete of complicated mechanism in the poems dissections in Nabati creativity, the of Nabati and creates the whole poetic poetics of the poet wasn.t investigated in system. There is a serious necessity to the completed form in terms of the main the comprehensive research of this parameters. Neverthelesss poetic system. accomplishing such an investigation world help to identify the parameters Introduction stipulated the distinctiveness of the In an exemplary piece of work poet’s literary heritage. The “Fuzuli creativity” monograph in the investigation showed that voice area of learning the poetics of the reiteration takes an important place in the classics of Azerbaijani literature the reiterations system of Nabati outstanding academic and author Mir diwan(selected poems of a poet) . -
A History of Ottoman Poetry
151 equal we must come down to modern times when the al- tered state of social matters renders it comparatively so much more easy for a Turkish woman to develop and express what intellectual gifts she may possess. The article on Fitnet Khanim in Fati'n Efendi's Tezkire is as usual of the slightest, and later writers such as Zihni Efendi the author of 'Famous Women', and Ahmed Mukh- tcir Efendi, who has compiled a little book entitled 'Our Poetesses,' have been able to add but little to his meagre details. This poetess, whose personal name was Zubeyde, belonged to a talented and distinguished family, her father, Mehemmed Es^ad Efendi, being Sheykh-ul-Islam under Mah- mud I, and her brother, Mehemmed Sherif Efendi, holding the same high office under '^Abd-ul-Hamid I. The father is said to have been skilled in music, an extraordinary accom- pHshmcnt in a member of the 'ulcma, while both he and his son were gifted, though in far less measure than his daughter, with poetic talent. Fitnet was unfortunate in her marriage, her husband, Dervish Efendi, who became a Qadi- ^Askcr of Rumelia under Seli'm III, being a man without ability and utterly unwortiiy of iiis brilliant wife. When it is added that I'itnct died in the year i 194 (1780), all that is known concerning her life-story has been told. 'I'lie unlucky union of the poetess with Dervish I'^feiuli lias formed a text for more than one subseijuent writer. 'I liiis '\v./.r\ Molla, who lloiiiisiud (liiiiiii; tlu' cailiri part of the niiu;t(:(:iith century, when upbraiding the 'Sphere' in hi'i Milinet-Kirslian for its ill-treat nicnl of poets as a race, marvels why this malicious powei should have niadi- 'an ass lil:i- i)(ivisli Fleiidi' the hiisbaml oj l-'itnet, aihhiij; how nilineet il \v,|-; thai she shnuld be the wile ol thai oldni.in. -
AZERBAIJAN in the WORLD ADA Biweekly Newsletter Vol. 5, No. 23
AZERBAIJAN IN THE WORLD ADA Biweekly Newsletter Vol. 5, No. 23 December 1, 2012 [email protected] In this issue: -- Azerbaijani Culture In Diaspora: A Conversation with Jeffrey Werbock -- Vugar Seidov, “Scottish Independence and the Nagorno-Karabakh Separatism: Nothing in Common” -- Paul Goble, “Saving Lake Urmia: Challenges for Azerbaijan” -- A Chronology of Azerbaijan’s Foreign Policy -- Note to Readers ***** AZERBAIJANI CULTURE IN DIASPORA: A CONVERSATION WITH JEFFREY WERBOCK Below is an interview with Jeffrey Werbock, a distinguished performing artist based in the United States and Chairman of the Mugham Society of America (MSA), the sixth in the interviews Azerbaijan in the World has recently conducted with leading figures of Azerbaijani culture. The MSA’s web page is at http://www.mugham.net. Azerbaijan in the World: How did it happen that you began performing mugham? Was this a rational choice or rather something more contingent? Jeffrey Werbock: This question touches on why I play mugham. One can love a certain kind of music and just listen to it; one doesn’t have to learn to play it in order to enjoy it. But for me there was never any question, I had to apply myself to 1 learning to play mugham and I never asked myself why. From the first moment of hearing it played live, right in front of me; I was already thinking how to ask for lessons so I could learn to play it too. And at first I was only concerned about learning how to play mugham. However, thanks to the curiosity of a few friends, I had cause to play this music for others even though I was just beginning my studies. -
MEVLANA JALALUDDİN RUMİ and SUFISM
MEVLANA JALALUDDİN RUMİ and SUFISM (A Dervish’s Logbook) Mim Kemâl ÖKE 1 Dr. Mim Kemâl ÖKE Mim Kemal Öke was born in Istanbul in 1955 to a family with Central Asian Uygur heritage. Öke attended Şişli Terakki Lyceum for grade school and Robert College for high school. After graduating from Robert College in 1973, he went to England to complete his higher education in the fields of economics and history at Cambridge University. He also specialized in political science and international relations at Sussex, Cambridge, and Istanbul universities. In 1979 he went to work at the United Nation’s Palestine Office. He returned to Turkey in 1980 to focus on his academic career. He soon became an assistant professor at Boğaziçi University in 1984 and a professor in 1990. In 1983, TRT (Turkish Radio and Television Corporation) brought Öke on as a general consulting manager for various documentaries, including “Voyage from Cadiz to Samarkand in the Age of Tamerlane.” Up until 2006 he was involved in game shows, talk shows, news programs and discussion forums on TRT, as well as on privately owned channels. He also expressed his evaluations on foreign policy in a weekly syndicated column, “Mim Noktası” (Point of Mim). Though he manages to avoid administrative duties, he has participated in official meetings abroad on behalf of the Turkish Foreign Ministry. Throughout his academic career, Öke has always prioritized research. Of his more than twenty works published in Turkish, English, Urdu and Arabic, his writings on the issues of Palestine, Armenia, Mosul, and the Caliphate as they relate to the history of Ottoman and Turkish foreign policy are considered foundational resources. -
The Enlightenment Movement and Cultural Revival In
THE ENLIGHTENMENT MOVEMENT AND CULTURAL REVIVAL IN AZERBAIJAN IN THE LATE 19TH CENTURY By Turkay Gasimova Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Alfred J. Rieber Second Reader: Professor Karl Hall CEU eTD Collection Budapest, Hungary 2016 Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection i Abstract In this thesis I focus on the late 19th century Azerbaijani history from the perspective of intellectual history. I mainly talk about the Enlightenment Movement with an emphasize on the intellectual debates on Religion and Secularism. Intellectual influences of the newly emerged intelligentsia with a special focus on cultural and intellectual life in Baku is also one of the main focal points of the presented work. My main argument in the thesis is that, without cultural and intellectual revival of late 19th century, which became possible with Baku oil boom, establishing the first Democratic Republic in Muslim world in 1918 wouldn’t be possible. I start with Baku Oil Boom of 1870s and continue with the establishment of the first Azerbaijani newspaper, “Akinchi” and then after examining the main intellectual debates, I conclude the thesis with the two most influential Azerbaijani intellectuals of the late 19th century. -
The Phenomenon of Alishernavoi and Representatives of Jadid Literature
European Journal of Research www.journalofresearch.de ¹ 1/2019 [email protected] SOCIAL SCIENCE AND HUMANITIES Manuscript info: Received December 12, 2018., Accepted December 17, 2018., Published January 20, 2019. THE PHENOMENON OF ALISHERNAVOI AND REPRESENTATIVES OF JADID LITERATURE E. J. Nasrullaev senior Teacher at Jizzakh State Pedagogical Institute http://dx.doi.org/10.26739/2521-3253-2019-1-8 Abstract: This article describes the infinite love of jadids for the Navoi genius, who regarded the works of A. Navoi as an example for them. Key words: jadid, national awakening, chigataygurungi, afrosiyob brochure, literature rules, tuyuq, ramalbahri. Recommended citation: E. J. Nasrullaev. THE PHENOMENON OF ALISHERNAVOI AND REPRESENTATIVES OF JADID LITERATURE. 1 European Journal of Research P. 68-73 (2019). At the end of the 19th and early 20th centuries, the development of press and publishing work created new opportunities for Uzbek criticism and literature. In particular, the awakening of the literary criticism occured - the study of the literary process in action, the writer's creativity, and the spiritual and aesthetic requirements of the time, the spiritual needs of the public, the discovery of novels in the development of literature, showing shortcomings started. KhojiMuin, MirmukhsinShermukhamedov, Bekhbudiy, AbdulkhamidChulpan, AbduraufFitrat,AshuraliZakhiri, VadudMakhmud's articles focus on the important social tasks facing the art of speech, and attempted to link the literature development of nation with the issue of upbringing new people who fights for nation, Motherland, and independence. The idea called "Literature lives - nation lives" in the article of Chulpan's "What is literature?" (1914) guided the national revival. At the beginning of the 20th century, the jadid educators aimed gathering, storing, studying and publishing the rich literature and cultural heritage of the Uzbek people. -
Tasawuf Dalam Kesusaste An Indonesia Dan Azerbaijan: Soal-Soal Tipologi
Hubungan Habib Zarbaliyev doktor ilmu bahasa, profesor; Zaman Askerli doktor ilmu bahasa, profesor TASAWUF DALAM KESUSASTEAN INDONESIA DAN AZERBAIJAN: SOAL-SOAL TIPOLOGI asawuf yang tersebar di seluruh dunia Muslimin mandang Cinta sebagai dasar terciptanya seluruh alam sebagai ajaran sastra, filsafat, keagamaan-ideo- semesta hingga melahirkan syairnya yang berjudul Tlogis memiliki sifat-sifat khas yang disesuaikan “Khosrow dan Syirin”: dengan kondisi sosial-politik dan spiritual-keagamaan di setiap negeri dan setiap masyarakat Muslim, tetapi Eşqdir mehrabı uca göylərin, semua sifat sufisme ini terikat pada kesamaan tipologis Eşqsiz, ey dünya, nədir dəyərin?! tertentu. Sebagai contoh kekhususan dari kesamaan- Eşqin qulu ol ki, doğru yol budur, kesamaan tersebut adalah pertapaan, pandang bahwa Ariflər yanında, bil, eşq uludur. alam sebagai material yang fana, pembersihan jiwa, Bu dünya eşqdir, qalan fırıldaq, pembersihan dan penyempurnaan moral-rohani, ke- Eşqdən başqa şey – boş bir oyuncaq. mutlakan ditempuh demi mencapainya tingkat-tingkat Eşqsiz bu dünya soyuq məzardır, yang tertentu dalam mendekatkan diri kepada Allah. Ancaq eşq evində rahatlıq vardır. Tetapi konsepsi ajaran sufisme dan golongan-golongan Göylər yaransaydı eşqdən azad, kebathinan itu sendiri adalah pengenalan, kedekatan, Düşün, olardımı Yer üzü azad?! [Nizami 2004, 50] dan berujung pada tingkat kepasrahan diri kepada Allah. Beragam cara untuk mengenal dan mendekat Penyair Azerbaijan, Syah Ismail Khatai, memandang kepada Allah ini justru yang membedakan antara go- Cinta sebagai cara peninggian rohani. Dalam salah satu longan sufi yang satu dengan yang lain. Salah satu dari puisinya, Cinta digambarkan sebagai simbol langsung beragam cara tersebut – yang merupakan cara utama manifestasi kepada Allah. Protagonis liriknya mengang- – adalah cinta ketuhanan, cinta kepada Robb-Nya. Baik gap bahwa Cinta adalah sifat terbaik yang ada dalam dalam karya-karya Hamzah Fansuri maupun penyair- diri manusia. -
A History of Ottoman Poetry
51 told against him, and still more the extreme penury in which the greater part of his life was passed. This compelled him to place his immediate wants before all else ; he could not afford to work for art's sake alone, and many of his verses were written either for money or in the hopes of gaining it. That under such conditions he should have attained the high position that he did proves him to have been possessed of more than ordinary ability, and the remark of the critics quoted by Latifi is well-founded that it must have been by sheer force of native talent that a man without education, who had never sat at the feet of muderris or professor, was able to produce works of imaginative art that filled the cultured with admiration and amazement. The biographer just mentioned waxes enthusiastic when discussing Zati's gifts; not only is he the most prolific of the lyrists, but had it not been for his deafness and his poverty it is certain that not one of all tliose who went before or followed after him could have approached him, for he would have been uiiif|uc in the cycle and pre-eminent on the earth; 'many an age must the circling heavens roll ere mother earth bring forth to the world fiom the womb of nature one of loft\' genius like to i)ini.' 'i'lic wrilci' adds thai tin- critics are agreed that he was a master in subtile fancies and imaginative language, and compared him to the IV-rsian pott She\kh Kem.il;' for which among the arts of |ioetr\- did lie not |)ractise, and to what virgin lanc\' did iiol his |)ieriiiu; wit attain:' L.ttih's, liow(;ver, is no .it imie Uhnd .k hnii ion ; he is .il>l<' ,((• to the weakness as well a. -
An Approach to Study of Tasavvuf in Albanian Literature: from Conception to the Tasavvuf Attendance
ISSN 2411-9598 (Print) European Journal of September-December 2015 ISSN 2411-4103 (Online) Language and Literature Studies Volume 1 Issue 3 An Approach to Study of Tasavvuf in Albanian Literature: From Conception to the Tasavvuf Attendance Dr. Adem Balaban Department of Turkish Language and Literature Faculty of Philology and Education email: [email protected] Dr. Bünyamin Çağlayan Department of Turkısh Language and Literature, Lecturer email:[email protected] Assoc. Prof. Dr. Rahım Ombashı Department of Communication Sciences, Lecturer email: rombashi@ beder.edu.al Hëna e Plotë - BEDER University, Tirana, Albanıa Abstract Hafiz Ali Korça had singled Islamic mysticism and its poetics, the tasavvuf, Oriental Sufi literature of Omar Khayyam. Nezim Berati, author of the Divan, the names mutesavvif. The form and manner of spiritual cleansing, uplifting, lighting internal and external, in order to obtain the agreement of God and eternal bliss, has singled out the Eqrem Çabej to Naim Frashëri poetic beginnings. Religious feelings helped him strengthen ethnic sense. The Divan, in complex form of oriental supplied popular culture, written text spoken text (sung text). Paid the debt that had to Albanian oral literary culture. The study will argue that the Albanian literature is added value. Our history of the spiritual culture of literary monuments go 4. The Divan first Albanian has pure literary discourse. It is a way of being self-sufficient. The truth of gazellas, his kasidas possible. Marked what could happen. The event provided the writers figured through the process of story, description or image. Real size of fables not lose, time and space are not fantasy. -
Karabakh Mugham School
Following tradition Mehriban ALIYEVA UNESCO Goodwill Ambassador, President, Heydar Aliyev Foundation Karabakh Mugham School AccORDING TO A UNESCO DECISION, THE MUGHAM OF AZERBAIJAN has BEEN PROCLAIMED A MastERPIECE OF THE ORAL AND INtaNGIBLE HERitaGE OF HUMANITY. IN AZERBAIJAN PROPER, WHERE THE MUGHAM IS PERCEIVED as AN INTEGRAL paRT OF A SYstEM OF FUNDAMENtaL CUL- TURAL VALUES OF THE AZERBAIJANI PEOPLE, THIS DECISION IS VIEWED BOTH as A RECOGNITION OF THE MERits BY OUtstaNDING REPRESENta- TIVES OF THE GENRE AND as A DESIRE TO attRact THE attENTION OF THE WORLD’S CULTURAL COMMUNITY TO THIS UNIQUE HERitaGE. ossessing a centuries-long quirements harmoniously blend this art’s living tissue. The Mugham history, the Mugham reached with the possibility of improvisa- performers, as people initiated into Pits heyday in a period de- tion and creative development of a mystery, can demonstrate this ev- scribed by specialists as Eastern Re- the theme. ergreen tree of living music and po- naissance, when, on a foundation The unique Mugham culture etry through every performance. As of Greek-Roman heritage, the Azer- evolved on a rich philosophical, mu- a synthetic art, Mugham is based on baijani culture created masterpieces sical and literary foundation. Those classical Azerbaijani poetry which is in different spheres ranging from performing the Mugham are often full of allegories and symbols. Ae- literature to architecture. The subse- perceived by listeners as carriers of sopian is combined with a mystical quent development of the Mugham an archaic magical code passed on sense. The context of every poetic did not alter its essence and impor- from one generation to another.