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548 Call-And-Response
Proceedings of the Society of Architectural Historians Australia and New Zealand Vol. 32 Edited by Paul Hogben and Judith O’Callaghan Published in Sydney, Australia, by SAHANZ, 2015 ISBN: 978 0 646 94298 8 The bibliographic citation for this paper is: Sawyer, Mark. “Call-and-Response: Group Formation and Agency enacted through an Architectural Magazine, its Letters and Editorials.” In Proceedings of the Society of Architectural Historians, Australia and New Zealand: 32, Architecture, Institutions and Change, edited by Paul Hogben and Judith O’Callaghan, 548-557. Sydney: SAHANZ, 2015. Mark Sawyer, University of Western Australia Call-and-Response: Group Formation and Agency enacted through an Architectural Magazine, its Letters and Editorials Current scholarship is increasingly focusing on the productive alliances and relationships arising between late twentieth-century architects and theorists. As independent architectural periodicals are mined one-by-one for their historical value and used to narrate the permutations of the still recent past, the ‘little magazine’ is being broadly characterised as a node around which avant-garde groups have consolidated their identities and agendas. What is missing from current scholarship is an adequate explanation of the type of agency exhibited by architectural groups and the role that architectural publishing plays in enacting this agency. This paper is an investigation into the mechanics of architectural group formation and agency considering some important mechanisms by which groups, alliances, and their publications have participated in the development of an architectural culture. This paper investigates the relationships that developed between a number of interrelated groups emerging out of Melbourne’s architectural milieu in the final decades of the twentieth century. -
College of Architecture and Planning Annual Report Academic Year 2008 – 2009
COLLEGE OF ARCHITECTURE AND PLANNING ANNUAL REPORT ACADEMIC YEAR 2008 – 2009 The word is out…. It is a true pleasure to submit this annual report. We have many success stories to report, and we certainly had a lot of fun working on those, but we also had substantial challenges; we all did. In our February issue of e-cap we acknowledged that “every challenge is an opportunity” and that creative minds are particularly well equipped to take advantage of such opportunities. Today we want to celebrate the fact that in spite of financial uncertainty we have been able to continue to move forward in an aggressive quest to take our college to the next level. A fundamental move in that quest has been to build a “dream team” for the college’s departmental leadership. Last fall we welcomed Prof. Mahesh Senagala as our new Chair in the Department of Architecture, this summer we have been blessed with the arrival of Prof. Michael Burayidi as our new Chair in the Department of Urban Planning, and before it gets too cold in January we will be joined by Professor Jody Naderi as our new Chair in the Department of Landscape Architecture. I don’t know of any other college of architecture and planning in the nation with a stronger leadership team. We have adopted the structure of our University’s Strategic Plan and in such a way promote integration and synergy through all our units. We invite you to review this report and share in our excitement and enthusiasm. This is a great time to be at CAP. -
20190304 Khee-Poh-Lam-CV.Pdf
March 2019 School of Architecture College of Fine Arts Margaret Morrison Carnegie Hall 415 Pittsburgh, PA 15213-3890, USA (t) 412.268.8503 (f) 412.268.6129 (e) [email protected] (w) soa.cmu.edu/khee-poh-lam Professor Khee Poh LAM Ph.D. ,Architect (UK), FRIBA Academic and Professional Qualifications Ph.D. (Architecture) Carnegie Mellon University, USA. 1994 Bachelor of Architecture (Hons) University of Nottingham, UK 1982 Bachelor of Arts (Architecture & Environmental Design)(Hons), University of Nottingham, UK. 1979 Registered Architect, Architects Registration Board, UK. 1984 Chartered Member, Royal Institute of British Architects, UK. 1984 Fellow, Royal Institute of British Architects, UK, 2016 Appointments 08-2018 Professor Emeritus College of Fine Arts, Carnegie Mellon University 2003-2018 Professor (Tenured) School of Architecture, Carnegie Mellon University 1998-2003 Associate Professor (joint appointment in the Department of Architecture and Department of Building, NUS since 2000) 1984-1998 Lecturer/Senior Lecturer School of Architecture, NUS 1982-1984 Architect, Nottinghamshire County Council Architects Department, County Hall, West Bridgford, Nottingham, NG2 7QP, UK. ________ 2016-2022 Provost’s Chair Professor of Architecture and Building School of Design & Environment, National University of Singapore 2015 Visiting Professor School of Design & Environment, National University of Singapore 2009-2015 Adjunct Professor School of Architecture, Chinese University of Hong Kong 2011-2014 Visiting Professor, Tsinghua University, Beijing, -
Jim Gianopulos Takes 20Th Century Fox Into the New Millennium
S o C V st ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ W ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ E 101 ΑΠΟ ΤΟ 1915 The National Herald anniversa ry N www.thenationalherald.com A weekly Greek-AmeriCAn PuBliCAtion 1915-2016 VOL. 19, ISSUE 970 May 14-20, 2016 c v $1.50 Cielo Gala Jim Gianopulos Takes Acclaims 20th Century Fox into Daskalakis’ The New Millennium Leadership By Vasilis Papoutsis the sinking of the Greek Navy cruiser Elli that was hit by an LOS ANGELES, CA – For the Italian submarine in August TNH Staff last 16 years Fox Filmed Enter - 1940 while anchored on the is - tainment Chairman Jim Gianop - land of Tinos. His survival was NEW YORK — Dr. Demetre ulos' innovative leadership has solely a matter of luck and tim - Daskalakis, Assistant Commis - been instrumental in producing ing, as he was on a higher part sioner of the Bureau of Oscar-winning movies such as of the vessel when the torpedo HIV/AIDS Prevention and Con - Avatar, Titanic, Sideways, and hit the Elli’s bottom. A few trol of the New York City De - The Martian. months later, Italy invaded partment of Health and Mental In 2000, he became co-Chair - Greece after Ioannis Metaxas re - Hygiene, was honored at the man of Fox Film (formerly 20th fused to surrender. Cielo Gala on May 6 at Cipriani Century Fox and 21st Century When Nikos Gianopulos ar - in New York. Fox) along with Tom Rothman, rived in the United States in The annual benefit gala for and he is now sole chair. 1951, he created the American the Latino Commission on AIDS With the distinction of hav - Ship Repair Co. -
Ecology Design
ECOLOGY and DESIGN Ecological Literacy in Architecture Education 2006 Report and Proposal The AIA Committee on the Environment Cover photos (clockwise) Cornell University's entry in the 2005 Solar Decathlon included an edible garden. This team earned second place overall in the competition. Photo by Stefano Paltera/Solar Decathlon Students collaborating in John Quale's ecoMOD course (University of Virginia), which received special recognition in this report (see page 61). Photo by ecoMOD Students in Jim Wasley's Green Design Studio and Professional Practice Seminar (University of Wisconsin-Milwaukee) prepare to present to their client; this course was one of the three Ecological Literacy in Architecture Education grant recipients (see page 50). Photo by Jim Wasley ECOLOGY and DESIGN Ecological by Kira Gould, Assoc. AIA Literacy in Lance Hosey, AIA, LEED AP Architecture with contributions by Kathleen Bakewell, LEED AP Education Kate Bojsza, Assoc. AIA 2006 Report Peter Hind , Assoc. AIA Greg Mella, AIA, LEED AP and Proposal Matthew Wolf for the Tides Foundation Kendeda Sustainability Fund The contents of this report represent the views and opinions of the authors and do not necessarily represent the opinions of the American Institute of Architects (AIA). The AIA supports the research efforts of the AIA’s Committee on the Environment (COTE) and understands that the contents of this report may reflect the views of the leadership of AIA COTE, but the views are not necessarily those of the staff and/or managers of the Institute. The AIA Committee -
Comparing Institutional Policy Frameworks for Equity and Diversity
Proceedings of the Society of Architectural Historians, Australia and New Zealand 30, Open Papers presented to the 30th Annual Conference of the Society of Architectural Historians, Australia and New Zealand held on the Gold Coast, Queensland, Australia, July 2-5, 2013. http://www.griffith.edu.au/conference/sahanz-2013/ Naomi Stead and Neph Wake, “Carrots and Sticks: Comparing Institutional Policy Frameworks for Equity and Diversity in the Architecture Profession” in Proceedings of the Society of Architectural Historians, Australia and New Zealand: 30, Open, edited by Alexandra Brown and Andrew Leach (Gold Coast, Qld: SAHANZ, 2013), vol. 2, p 935-948. ISBN-10: 0-9876055-0-X ISBN-13: 978-0-9876055-0-4 Carrots and Sticks Comparing Institutional Policy Frameworks for Equity and Diversity in the Architecture Profession Naomi Stead and Neph Wake University of Queensland This paper is concerned with the historic and current governance of the architectural profession in Australia via its institutional bodies. Specifically, the paper examines the way that equity and diversity policy and strategies, as overseen and enacted by Institutes of architecture, differ over time and across comparable national environments. This paper, which represents one part of a larger study, examines the policy environment in architecture Australia and the USA, while the larger project also includes the UK and New Zealand. The larger project also addresses other professions in Australia. In Australia, the profession’s peak membership body—the Australian Institute of Architects—presently has a firm position on the role of policy, but a curious and perhaps incomplete suite of existing public policy instruments. -
Linking Bioclimatic Theory and Environmental Performance in Its Climatic and Cultural Context – an Analysis Into the Tropical Highrises of Ken Yeang
PLEA2006 - The 23rd Conference on Passive and Low Energy Architecture, Geneva, Switzerland, 6-8 September 2006 Linking bioclimatic theory and environmental performance in its climatic and cultural context – an analysis into the tropical highrises of Ken Yeang Puteri Shireen Jahnkassim1 and Kenneth Ip2 1 Department of Building Technology and Engineering, Kulliyyah of Architecture and Environmental Design, International Islamic University Malaysia. E-mail: [email protected] 2 School of the Environment, University of Brighton, United Kingdom. Email: [email protected] ABSTRACT: This paper presents the outcome of an environmental performance analysis and theoretical study into the bioclimatic highrises of Malaysian architect Ken Yeang – with a focus on the tropical climate. By focusing on case studies representing the three main phases of Yeang’s work, the impact of features such as core placement, sky courts, balconies, shading system and vegetation system are evaluated in terms of cooling and total energy use under the Malaysian climate. The climatic performances of the bioclimatic high-rise envelopes are then tested through comparisons with generic highrise forms. The study highlights the link between bioclimatic theories and climatic ‘performances’ and any conflicts between them. A paradox between theories based on critical regionalism and bioclimatic intentions are also described. Yeang’s designs are then evaluated in terms of overall forms rather than separate components. The study then focuses on the debate on critical regionalism and sustainable design, the balance of modernization and traditional values within the context of developing cities, and the significance of bioclimatic and critical regionalist theories in forming the basis of a sustainable architecture appropriate to its cultural and climatic context. -
L-G-0013408524-0037547042.Pdf
Guest-edited by YAEL REISNER ARCHITECTURAL DESIGN September/October 2019 Profile No 261 Beauty Matters 05/2019 Introduction About the Beauty in Guest-Editor Architecture Architecture and Beauty Not a Luxury – Yael Reisner Only a Necessity A Symbiotic Relationship Semir Zeki 05 Yael Reisner 14 06 Truth and Beauty The Return The Role of Aesthetics of Beauty in Mathematics and Physics Driving a Wedge Between Objects Robbert Dijkgraaf and Qualities 20 Graham Harman 26 Abstraction and Informality Generate a New Aesthetic Kazuyo Sejima & Associates, Nishnoyama House, Kyoto, Japan, An Interview with 2013 Kazuyo Sejima 30 Which Beauty Will Guide Us? Seeking a Refl ective, New Solids and Sustainable, Socially Massive Forms Engaged Visual Culture Izaskun Chinchilla Winka Dubbeldam and Emilio Luque 38 46 Beauty as Ecological Chromatic Intelligence Compositions Bio-digital Aesthetics as a Value Design Dissonance System of Post-Anthropocene and the Aesthetic Architecture of Fusion Archi-Tectonics, Claudia Pasquero and Marco Poletto Nannette Jackowski Inscape meditation space, and Ricardo de Ostos Chelsea, New York, 2016 58 52 ISSN 0003-8504 2 ISBN 978 1119 546245 Guest-edited by Yael Reisner The Geometry of Seduction The Primacy of Relationships and the Considerations of Beauty Reclamation of Beauty from Noun to Verb David A Garcia Jeanne Gang: Observed and Interviewed 74 Peter Cook Ambiguous, 66 Bipolar Beauty And Similarly Agile and A Specifi c Fragile Post-Digital Practices Theory of Models Marjan Colletti 90 The Posthuman Beauty of Weird Scales, -
DOCUMENT RESUME ED 115 646 SP 009 718 TITLE Multi-Ethnic
DOCUMENT RESUME ED 115 646 SP 009 718 TITLE Multi-Ethnic Contributions to American History.A Supplementary Booklet, Grades 4-12. INSTITUTION Caddo Parish School Board, Shreveport, La. NOTE' 57p.; For related document, see SP 009 719 EDRS PRICE MF-$0.76 HC-$3.32 Plus Postage DESCRIPTORS Achievement; *American History; *Cultural Background; Elementary Secondary Education; *Ethnic Groups; *Ethnic Origins; *Teaching Guides IDENTIFIERS *Multicultural Education ABSTRACT This booklet is designed as a teacher guide for supplementary use in the rsgulat social studies program. It lists names and contributions of Americans from all ethnic groups to the development of the United States. Seven units usable at three levels (upper elementary, junior high, and high school) have been developed, with the material arranged in outline form. These seven units are (1) Exploration and Colonization;(2) The Revolutionary Period and Its Aftermath;(3) Sectionalism, Civil War, and Reconstruction;(4) The United States Becomes a World Power; (5) World War I--World War II; (6) Challenges of a Transitional Era; and (7) America's Involvement in Cultural Affairs. Bibliographical references are included at the end of each unit, and other source materials are recommended. (Author/BD) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * via the ERIC Document-Reproduction Service (EDRS). EDRS is not * responsible for the qUa_lity of the original document. Reproductions * supplied-by EDRS are the best that can be made from the original. -
Scms 2017 Conference Program
SCMS 2017 CONFERENCE PROGRAM FAIRMONT CHICAGO MILLENNIUM PARK March 22–26, 2017 Letter from the President Dear Friends and Colleagues, On behalf of the Board of Directors, the Host and Program Committees, and the Home Office staff, let me welcome everyone to SCMS 2017 in Chicago! Because of its Midwestern location and huge hub airport, not to say its wealth of great restaurants, nightlife, museums, shopping, and architecture, Chicago is always an exciting setting for an SCMS conference. This year at the Fairmont Chicago hotel we are in the heart of the city, close to the Loop, the river, and the Magnificent Mile. You can see the nearby Millennium Park from our hotel and the Art Institute on Michigan Avenue is but a short walk away. Included with the inexpensive hotel rate, moreover, are several amenities that I hope you will enjoy. I know from previewing the program that, as always, it boasts an impressive display of the best, most stimulating work presently being done in our field, which is at once singular in its focus on visual and digital media and yet quite diverse in its scope, intellectual interests and goals, and methodologies. This year we introduced our new policy limiting members to a single role, and I am happy to say that we achieved our goal of having fewer panels overall with no apparent loss of quality in the program or member participation. With this conference we have made presentation abstracts available online on a voluntary basis, and I urge you to let them help you navigate your way through the program. -
Parlour: the First Five Years
143 ISSN: 1755-068 www.field-journal.org vol.7 (1) Parlour: The First Five Years Naomi Stead, Gill Matthewson, Justine Clark, and Karen Burns Parlour: women, equity, architecture is a group whose name derives from a rather subversive feminist take on the 'parlour' as the room in a house traditionally used for receiving and conversing with visitors. In its first five years, Parlour has grown from a scholarly research project into an activist group with an international reach, but a localised approach to working through issues of equity and diversity in architecture. This paper is a lightly edited version of a keynote 'lecture' given jointly by four of the key members of the Parlour collective. 144 www.field-journal.org vol.7 (1) Some readers may be familiar with the work of the activist group Parlour: 1 Please note that the order of women, equity, architecture.1 Some might even know the origins of our authors’ names are listed by the name: a rather subversive feminist take on the ‘parlour’ as the room in a order in which we spoke – as house traditionally used for receiving and conversing with visitors. The opposed to a hierarchical account of importance or contribution. name itself derives from the French parler – to speak – hence, a space to speak. But even if you knew these things, you might not realize that what has become an internationally recognized activist organization, working towards greater gender equity in the architecture profession, began its existence as a scholarly research project. This paper is a lightly edited version of a keynote ‘lecture’ given jointly by four of the key members of the Parlour collective. -
Roaring Into the Future: New York 1925-35 FINAL Installation Checklist
Roaring into the Future: New York 1925-35 FINAL Installation checklist Introduction During the 10 years that took America from effervescent heights to the invented new forms to suit a modern American lifestyle. Although depths of economic devastation, New York State transformed the nation. this period is often called Art Deco today, the term was not Roaring into the Future: New York 1925-35 is a pioneering exploration adopted until 1968.New York State’s artists, architects, and that celebrates the Empire State as the driving force behind the creation designers played a pivotal role in making the State the epicenter of 20th-century modernism. From Buffalo to Brooklyn, artists, designers, of modernism. Modernism, often called Modernistic, in New York and manufacturers generated avant-garde art, fashion, technology, was not one style but rather it was an expression of a vital decorative arts, and music that resulted in the century’s most important youthful spirit that embraced the new. Modernism appeared in artistic revolution. elegant Art Moderne designs based on classical historical precedents, faceted skyscrapers and objects influenced by When France invited the United States to send their new and original Cubism, brawny Machine Age wares using the vocabulary of designs to the Exposition Internationale des Arts Décortifs et Industriels machine parts, and sleek Streamlined products reflecting Modernes, the World’s Fair held in Paris in 1925, Secretary of Commerce aerodynamic principles of speed. Across the State, New Yorkers Herbert Hoover declined because he could not find any modern designed, manufactured, and distributed new, nationally American goods. However, the Fair proved to be a tremendous catalyst influential works, often made with innovative materials, that for modern design in the United States via those Americans who visited reflected the seismic post-World War I shifts in social customs, the Exposition or saw its highlights, mainly French, in an exhibition that women’s rights, race relations, and technological discoveries.