Historiography of Mosque Architecture in Malaysia: Analysis of Texts by 5 Authors
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College of Architecture and Planning Annual Report Academic Year 2008 – 2009
COLLEGE OF ARCHITECTURE AND PLANNING ANNUAL REPORT ACADEMIC YEAR 2008 – 2009 The word is out…. It is a true pleasure to submit this annual report. We have many success stories to report, and we certainly had a lot of fun working on those, but we also had substantial challenges; we all did. In our February issue of e-cap we acknowledged that “every challenge is an opportunity” and that creative minds are particularly well equipped to take advantage of such opportunities. Today we want to celebrate the fact that in spite of financial uncertainty we have been able to continue to move forward in an aggressive quest to take our college to the next level. A fundamental move in that quest has been to build a “dream team” for the college’s departmental leadership. Last fall we welcomed Prof. Mahesh Senagala as our new Chair in the Department of Architecture, this summer we have been blessed with the arrival of Prof. Michael Burayidi as our new Chair in the Department of Urban Planning, and before it gets too cold in January we will be joined by Professor Jody Naderi as our new Chair in the Department of Landscape Architecture. I don’t know of any other college of architecture and planning in the nation with a stronger leadership team. We have adopted the structure of our University’s Strategic Plan and in such a way promote integration and synergy through all our units. We invite you to review this report and share in our excitement and enthusiasm. This is a great time to be at CAP. -
Shiva's Waterfront Temples
Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies. -
20190304 Khee-Poh-Lam-CV.Pdf
March 2019 School of Architecture College of Fine Arts Margaret Morrison Carnegie Hall 415 Pittsburgh, PA 15213-3890, USA (t) 412.268.8503 (f) 412.268.6129 (e) [email protected] (w) soa.cmu.edu/khee-poh-lam Professor Khee Poh LAM Ph.D. ,Architect (UK), FRIBA Academic and Professional Qualifications Ph.D. (Architecture) Carnegie Mellon University, USA. 1994 Bachelor of Architecture (Hons) University of Nottingham, UK 1982 Bachelor of Arts (Architecture & Environmental Design)(Hons), University of Nottingham, UK. 1979 Registered Architect, Architects Registration Board, UK. 1984 Chartered Member, Royal Institute of British Architects, UK. 1984 Fellow, Royal Institute of British Architects, UK, 2016 Appointments 08-2018 Professor Emeritus College of Fine Arts, Carnegie Mellon University 2003-2018 Professor (Tenured) School of Architecture, Carnegie Mellon University 1998-2003 Associate Professor (joint appointment in the Department of Architecture and Department of Building, NUS since 2000) 1984-1998 Lecturer/Senior Lecturer School of Architecture, NUS 1982-1984 Architect, Nottinghamshire County Council Architects Department, County Hall, West Bridgford, Nottingham, NG2 7QP, UK. ________ 2016-2022 Provost’s Chair Professor of Architecture and Building School of Design & Environment, National University of Singapore 2015 Visiting Professor School of Design & Environment, National University of Singapore 2009-2015 Adjunct Professor School of Architecture, Chinese University of Hong Kong 2011-2014 Visiting Professor, Tsinghua University, Beijing, -
The Design of Mosques As Community Development Centers from the Perspective of the Sunna and Wright’S Organic Architecture
THE DESIGN OF MOSQUES AS COMMUNITY DEVELOPMENT CENTERS FROM THE PERSPECTIVE OF THE SUNNA AND WRIGHT’S ORGANIC ARCHITECTURE Mohamad Tajuddin Mohamad Rasdi Department of Architecture, Faculty of Built Environment, Universiti Teknologi Malaysia, Johor Bahru, Malaysia e-mail: [email protected] Nangkula Utaberta Department of Architecture, Faculty of Engineering and Built Environment, Universiti Kebangsaan Malaysia, Kuala Lumpur, Malaysia e-mail:[email protected] Abstract The main purpose of this paper is to present an alternative approach to mosque design with particular reference to the context of Malaysia and the Malay World or the Nusantara. The paper contains four main parts. The first part examines the problem of mosque architectural interpretation from the perspective of Western architectural historiography. The main problems highlighted are those which pertain to the idea of ‘architecture’, ‘religious architecture’, relevance of the body of knowledge known as the ‘Hadith’ and lastly the specific historical-political agenda of some traditional mosques. The second part of the paper expounds briefly a reinterpretation of the hadith in arguing that the mosque approaches more as a community development complex than that as a mere house of rituals. The third part of the paper examines Wright’s Organic Architecture with specific reference to the design of the Unity Church and a few other buildings as containing some important lessons of mosque designs from the perspective of the Sunnah. The final part of the paper uses the principles discussed to criticize the Putra Mosque and the Masjid Negara. Keywords: Sunna, Organic Architecture, mosque design, Frank Lloyd Wright Abstrak Kajian ini berupaya untuk menghadirkan pendekatan alternatif terhadap perancangan masjid dengan referensi kontekstual dari Malaysia atau Nusantara. -
Ecology Design
ECOLOGY and DESIGN Ecological Literacy in Architecture Education 2006 Report and Proposal The AIA Committee on the Environment Cover photos (clockwise) Cornell University's entry in the 2005 Solar Decathlon included an edible garden. This team earned second place overall in the competition. Photo by Stefano Paltera/Solar Decathlon Students collaborating in John Quale's ecoMOD course (University of Virginia), which received special recognition in this report (see page 61). Photo by ecoMOD Students in Jim Wasley's Green Design Studio and Professional Practice Seminar (University of Wisconsin-Milwaukee) prepare to present to their client; this course was one of the three Ecological Literacy in Architecture Education grant recipients (see page 50). Photo by Jim Wasley ECOLOGY and DESIGN Ecological by Kira Gould, Assoc. AIA Literacy in Lance Hosey, AIA, LEED AP Architecture with contributions by Kathleen Bakewell, LEED AP Education Kate Bojsza, Assoc. AIA 2006 Report Peter Hind , Assoc. AIA Greg Mella, AIA, LEED AP and Proposal Matthew Wolf for the Tides Foundation Kendeda Sustainability Fund The contents of this report represent the views and opinions of the authors and do not necessarily represent the opinions of the American Institute of Architects (AIA). The AIA supports the research efforts of the AIA’s Committee on the Environment (COTE) and understands that the contents of this report may reflect the views of the leadership of AIA COTE, but the views are not necessarily those of the staff and/or managers of the Institute. The AIA Committee -
Linking Bioclimatic Theory and Environmental Performance in Its Climatic and Cultural Context – an Analysis Into the Tropical Highrises of Ken Yeang
PLEA2006 - The 23rd Conference on Passive and Low Energy Architecture, Geneva, Switzerland, 6-8 September 2006 Linking bioclimatic theory and environmental performance in its climatic and cultural context – an analysis into the tropical highrises of Ken Yeang Puteri Shireen Jahnkassim1 and Kenneth Ip2 1 Department of Building Technology and Engineering, Kulliyyah of Architecture and Environmental Design, International Islamic University Malaysia. E-mail: [email protected] 2 School of the Environment, University of Brighton, United Kingdom. Email: [email protected] ABSTRACT: This paper presents the outcome of an environmental performance analysis and theoretical study into the bioclimatic highrises of Malaysian architect Ken Yeang – with a focus on the tropical climate. By focusing on case studies representing the three main phases of Yeang’s work, the impact of features such as core placement, sky courts, balconies, shading system and vegetation system are evaluated in terms of cooling and total energy use under the Malaysian climate. The climatic performances of the bioclimatic high-rise envelopes are then tested through comparisons with generic highrise forms. The study highlights the link between bioclimatic theories and climatic ‘performances’ and any conflicts between them. A paradox between theories based on critical regionalism and bioclimatic intentions are also described. Yeang’s designs are then evaluated in terms of overall forms rather than separate components. The study then focuses on the debate on critical regionalism and sustainable design, the balance of modernization and traditional values within the context of developing cities, and the significance of bioclimatic and critical regionalist theories in forming the basis of a sustainable architecture appropriate to its cultural and climatic context. -
AA Tropical School, 71 Acehnese Sultanate, 130 Aga Khan Award
Index A B AA tropical school, 71 Balai Besar, 212–214 Acehnese Sultanate, 130 Balai Lepau, 215 Aga Khan Award, 165 Balai Penghadapan, 212 Alhambra mosques in Granada, 46 Bank Bumiputra, 160, 161 Andalusian vocabulary of Islamic Bauhaus, 62, 67 Spain, 38 BEP Akitek, 183 Andaya, L. Y., 24, 139, 232 Bioclimatic approach to architectural Angkasapuri building, 70 regionalism, 6 Antonakakis, Susana, 14 Bioclimatic skyscrapers, 167 Arabic stylised buildings of Bodhi trees, 132 Putrajaya, 34 Bougas, W., 32, 52 Arabised forms, 57 Brahmana trees, 132 Arab-Islamic vocabulary, 40, 48, Brasília, 143–144 139, 147 British Colonial administration in Arab Persian elements, 210 Kuala Lumpur, 218 Architect Hijjas Kasturi Associates, British colony, 156 96 British field stations, 180 © The Author(s) 2018 257 S. Jahn Kassim et al. (eds.), Modernity, Nation and Urban-Architectural Form, https://doi.org/10.1007/978-3-319-66131-5 258 Index British imperial style, 36, 180, 218 Cinnamomum camphora, 128, 132 British landscape, 177 Classical canons, 4 British postwar New Town Classical elements, 15 Programme, 118 Classical framework, 139 British public buildings, 179 Classical languages, 238 British residents, 40, 129 Classical Malay, 250 British trading post in Penang, 8 Classical-romanticist architects, 80 Buddhist traditions, 220 Classical vernacular forms, 110 Bukit Cina, 127 Colonial legacy of green spaces, 129 Bukit Nanas, 122 Colquhoun, A., 4, 22, 152, 155, Bumbung Panjang, 214 168, 185, 244, 247 Bunga Emas, 213 Conflations of regionalism, 59–77 Bunnell, -
L-G-0013408524-0037547042.Pdf
Guest-edited by YAEL REISNER ARCHITECTURAL DESIGN September/October 2019 Profile No 261 Beauty Matters 05/2019 Introduction About the Beauty in Guest-Editor Architecture Architecture and Beauty Not a Luxury – Yael Reisner Only a Necessity A Symbiotic Relationship Semir Zeki 05 Yael Reisner 14 06 Truth and Beauty The Return The Role of Aesthetics of Beauty in Mathematics and Physics Driving a Wedge Between Objects Robbert Dijkgraaf and Qualities 20 Graham Harman 26 Abstraction and Informality Generate a New Aesthetic Kazuyo Sejima & Associates, Nishnoyama House, Kyoto, Japan, An Interview with 2013 Kazuyo Sejima 30 Which Beauty Will Guide Us? Seeking a Refl ective, New Solids and Sustainable, Socially Massive Forms Engaged Visual Culture Izaskun Chinchilla Winka Dubbeldam and Emilio Luque 38 46 Beauty as Ecological Chromatic Intelligence Compositions Bio-digital Aesthetics as a Value Design Dissonance System of Post-Anthropocene and the Aesthetic Architecture of Fusion Archi-Tectonics, Claudia Pasquero and Marco Poletto Nannette Jackowski Inscape meditation space, and Ricardo de Ostos Chelsea, New York, 2016 58 52 ISSN 0003-8504 2 ISBN 978 1119 546245 Guest-edited by Yael Reisner The Geometry of Seduction The Primacy of Relationships and the Considerations of Beauty Reclamation of Beauty from Noun to Verb David A Garcia Jeanne Gang: Observed and Interviewed 74 Peter Cook Ambiguous, 66 Bipolar Beauty And Similarly Agile and A Specifi c Fragile Post-Digital Practices Theory of Models Marjan Colletti 90 The Posthuman Beauty of Weird Scales, -
Lotus Bud Finial Asana Pose the Great Stupa at Sanchi Sakyamuni
Resources: https://www.britannica.com/techn ology/pagoda, http://www.vam.ac.uk/content/arti TITLE: Pagoda (replica) cles/i/iconography-of-the- ARTIST: Unknown buddha/, DATE: Unknown http://fsu.kanopystreaming.com/vi SIZE: Height: 3 ¾; Width: 2 ¼; Depth: 1 7/8 inches deo/great-stupa-sanchi, MEDIUM: Wood https://prezi.com/nzoahwiq3owv/t AQUISTION #: 88.1.7 odaiji-the-great-eastern-temple/, http://thekyotoproject.org/english/ ADDITIONAL WORKS BY THE ARTIST IN COLLECTION? pagodas/ YES _ NO_ UNKNOWN X Context In the third century BCE, Emperor Ashoka commissioned the first “Great Stupa” in Sanchi, India. A stupa is a large dome tomb that was created to house relics of the Buddha. The “Great Stupa” held the Buddha’s ashes and was constructed in three parts: a base, body, and decorative finial. The decorative finial is the crowning element located at the highest point of the stupa. Throughout many centuries the design of the stupa structure evolved from the rounded monument to the multi-storied structure now known as the pagoda. Constructed and adapted throughout East Asia, the common building materials consist of brick, wood, or stone. Pagodas also range in a variety of sizes. Some are towers with high reaching crowning pieces and others are short. Today any Pagoda is a pilgrimage site. The Great Stupa at Sanchi Sakyamuni Pagoda of Fogong Temple The wooden pagoda in Yingxian, China is the oldest tiered structure in the world. Built in 1056, the nine-story building is 67.31 meters high. With multiple pagoda structures located throughout the world, this was the first wooden structure completed under the Ming (1368–1644) and Qing Dynasties (1644-1912). -
Green Cities Edited by Michael Lindfield and Florian Steinberg
www.kargosha.com Urban Development Series Green Cities Edited by Michael Lindfield and Florian Steinberg November 2012 www.kargosha.com © 2012 Asian Development Bank All rights reserved. Published in 2012. Printed in the Philippines ISBN 978-92-9092-896-6 (Print), 978-92-9092-897-3 (PDF) Publication Stock No. BKK125129 Cataloging-In-Publication Data Lindfield, Michael and Florian Steinberg. Green cities. Mandaluyong City, Philippines: Asian Development Bank, 2012. 1. Green cities. 2. Environmental management. 3. Asia. I. Asian Development Bank. The views expressed in this publication are those of the authors and do not necessarily reflect the views and policies of the Asian Development Bank (ADB) or its Board of Governors or the governments they represent. ADB does not guarantee the accuracy of the data included in this publication and accepts no responsibility for any consequence of their use. By making any designation of or reference to a particular territory or geographic area, or by using the term “country” in this document, ADB does not intend to make any judgments as to the legal or other status of any territory or area. ADB encourages printing or copying information exclusively for personal and noncommercial use with proper acknowledgment of ADB. Users are restricted from reselling, redistributing, or creating derivative works for commercial purposes without the express, written consent of ADB. Notes: In this report, “$” refers to US dollars. “Hong Kong” and "Taipei" refer to the entire urbanized area within Hong Kong, China and -
Mosque Tourism in Malaysia: a Marketing Perspective
International Journal of Social Science Research e-ISSN: 2710-6276 | Vol. 1, No. 2, 108-120, 2019 http://myjms.moe.gov.my/index.php/ijssr MOSQUE TOURISM IN MALAYSIA: A MARKETING PERSPECTIVE Norhanim Abdul Razak1* 1 School of Tourism, Hospitality and Event Management, College of Law, Government and International Studies, Universiti Utara Malaysia, Sintok, Kedah, MALAYSIA *Corresponding author: [email protected] Accepted: 6 December 2019 | Published: 16 December 2019 Abstract: Mosque tourism is one of the niche areas in the field of Islamic tourism that is expanding rapidly. The presence of mosques with outstanding historical, heritage, and aesthetic values have attracted foreign and domestic tourists to visit, appreciate, and experience these Muslim places of worship. As Islamic tourism is gaining popularity and the importance of mosques as tourist attractions is growing, it is therefore useful to explore mosque tourism in the context of Malaysia. While a number of investigations have researched mosque tourism in the contexts of motivations, residents’ attitudes, and architecture uniqueness, limited studies have examined Muslim places of worship from the perspective of marketing. Hence, this paper focuses on how Malaysian mosques have been promoted in tourism materials. Content analysis was utilised in the assessment of textual descriptions and visual images of mosques that have been featured in tourism promotions for over seven decades. Findings of this paper uncovered that mosques have been represented in tourism brochures published from 1969 to August 2019. Two of the earliest mosques that appeared in tourism brochures are Kapitan Kling Mosque and the Malay Mosque (Masjid Kampung Melayu) in the promotion of Penang as a tourist destination. -
Traditional Mosque in Malaysia
Traditional Mosque in Malaysia Nicklaus Emmanuel George Mohd Shamsul Nizam bin Marzuki Muhammad Fauzee bin Ahmed Zulkifli Siti Nadia binti Mohamad Daud Norafiqah binti Jalal El Din Nabilla Laili binti Ramli INTRODUCTION TRADITIONAL MOSQUE IN MALAYSIA Since the end of the 20th century, many scholars have been intrigued by the significance, aesthetic values and philosophical meanings of the most notable symbol of Islamic architecture, mosques. Although Islam was introduced to Southeast Asia between the 13th, 14th and the 15th centuries and since then numerous mosques were erected throughout the region, but yet the Islamic architecture of this region remains little-known and poorly documented probably because these mosques have followed local building traditions and climatic conditions and do not resemble Islamic architecture of Middle East. Among all the materials and records about mosques architecture and typology, there are few scholars who have mentioned Southeast Asian mosques architecture. Some have acknowledged Southeast Asian mosque as one of the seven regional mosque typology, which represents one of the fascinating architectural styles in mosque design. Masjid Ubudiah, Kuala Kangsar INTRODUCTION . Built in 1913 and completed later in 1917, opened by Sultan Jalil Karamatullah Shah. Masjid Ubudiah is a Royal Mosque, built by the Late Sultan Idris Murshidul’adzam Shah. This “great beauty“ mosque was built as a thanksgiving after he recovered from his illness. Designed by Arthur Benison Hubback. Influenced by Mughal-Gothic architecture and Moorish Architecture. The construction cost for mosque was about rm200 000 at that time. Can accommodate 1000 people at one time. Become one of the Malaysia’s tourist attraction.