Jim Gianopulos Takes 20Th Century Fox Into the New Millennium
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The Cinema of Oliver Stone
Interviews Stone on Stone Between 2010 and 2014 we interviewed Oliver Stone on a number of occasions, either personally or in correspondence by email. He was always ready to engage with us, quite literally. Stone thrives on the cut- and- thrust of debate about his films, about himself and per- ceptions of him that have adorned media outlets around the world throughout his career – and, of course, about the state of America. What follows are transcripts from some of those interviews, with- out redaction. Stone is always at his most fascinating when a ques- tion leads him down a line of theory or thinking that can expound on almost any topic to do with his films, or with the issues in the world at large. Here, that line of thinking appears on the page as he spoke, and gives credence to the notion of a filmmaker who, whether loved or loathed, admired or admonished, is always ready to fight his corner and battle for what he believes is a worthwhile, even noble, cause. Oliver Stone’s career has been defined by battle and the will to overcome criticism and or adversity. The following reflections demonstrate why he remains the most talked about, and combative, filmmaker of his generation. Interview with Oliver Stone, 19 January 2010 In relation to the Classification and Ratings Administration Interviewer: How do you see the issue of cinematic censorship? Oliver Stone: The ratings thing is very much a limited game. If you talk to Joan Graves, you’ll get the facts. The rules are the rules. -
To Academy Oral Histories Marvin J. Levy
Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410 -
Dr. Ioannis N. Grigoriadis
Room T-364 Phone : +90-312-290-1856 Dept of Political Science & Fax : +90-312-290-2742 Public Administration E-mail : [email protected] Bilkent University, Bilkent Date of Birth: 2 December 1976 Ankara, TR-06800 Turkey DR. IOANNIS N. GRIGORIADIS Education-Training: Oct 2011- Higher Board of Education, Turkish Ministry of National Education, Ankara § Associate Professor Specialization Field: “Political Life and Institutions [Siyasal Yaşam ve Kurumlar]” Sep 2002- University of London, School of Oriental & African Studies (SOAS), London Sep 2005 § Doctor of Philosophy (PhD) in Politics (Supervisor: Prof. William M. Hale) Thesis Title: “Turkish Political Culture and the European Union” Aug 2000- Columbia University, School of International & Public Affairs (SIPA), New York May 2002 § Master of International Affairs (Concentrations: International Energy Management & Policy/Middle East) Aug 2000- Columbia University, The Middle East Institute, New York May 2002 § Advanced Certificate of Middle East Studies Dec 1998- Athens Court of First Instance, Athens Aug 2000 § Athens Bar Association Membership Licence Aug 1998- Hellenic Infantry Reserve Officers School (SEAP), Heraklion, Greece Dec 1998 § Certificate of Military Studies Sep 1994- National & Capodistrian University of Athens, School of Legal, Economic & Political Sciences, Athens Aug 1998 § Juris Doctor (J.D.) Teaching Experience: Sep 2009- Bilkent University, Department of Political Science & Public Administration, Ankara § Associate Professor-Jean Monnet Chair of European Studies -
DOCUMENT RESUME ED 115 646 SP 009 718 TITLE Multi-Ethnic
DOCUMENT RESUME ED 115 646 SP 009 718 TITLE Multi-Ethnic Contributions to American History.A Supplementary Booklet, Grades 4-12. INSTITUTION Caddo Parish School Board, Shreveport, La. NOTE' 57p.; For related document, see SP 009 719 EDRS PRICE MF-$0.76 HC-$3.32 Plus Postage DESCRIPTORS Achievement; *American History; *Cultural Background; Elementary Secondary Education; *Ethnic Groups; *Ethnic Origins; *Teaching Guides IDENTIFIERS *Multicultural Education ABSTRACT This booklet is designed as a teacher guide for supplementary use in the rsgulat social studies program. It lists names and contributions of Americans from all ethnic groups to the development of the United States. Seven units usable at three levels (upper elementary, junior high, and high school) have been developed, with the material arranged in outline form. These seven units are (1) Exploration and Colonization;(2) The Revolutionary Period and Its Aftermath;(3) Sectionalism, Civil War, and Reconstruction;(4) The United States Becomes a World Power; (5) World War I--World War II; (6) Challenges of a Transitional Era; and (7) America's Involvement in Cultural Affairs. Bibliographical references are included at the end of each unit, and other source materials are recommended. (Author/BD) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * via the ERIC Document-Reproduction Service (EDRS). EDRS is not * responsible for the qUa_lity of the original document. Reproductions * supplied-by EDRS are the best that can be made from the original. -
Scms 2017 Conference Program
SCMS 2017 CONFERENCE PROGRAM FAIRMONT CHICAGO MILLENNIUM PARK March 22–26, 2017 Letter from the President Dear Friends and Colleagues, On behalf of the Board of Directors, the Host and Program Committees, and the Home Office staff, let me welcome everyone to SCMS 2017 in Chicago! Because of its Midwestern location and huge hub airport, not to say its wealth of great restaurants, nightlife, museums, shopping, and architecture, Chicago is always an exciting setting for an SCMS conference. This year at the Fairmont Chicago hotel we are in the heart of the city, close to the Loop, the river, and the Magnificent Mile. You can see the nearby Millennium Park from our hotel and the Art Institute on Michigan Avenue is but a short walk away. Included with the inexpensive hotel rate, moreover, are several amenities that I hope you will enjoy. I know from previewing the program that, as always, it boasts an impressive display of the best, most stimulating work presently being done in our field, which is at once singular in its focus on visual and digital media and yet quite diverse in its scope, intellectual interests and goals, and methodologies. This year we introduced our new policy limiting members to a single role, and I am happy to say that we achieved our goal of having fewer panels overall with no apparent loss of quality in the program or member participation. With this conference we have made presentation abstracts available online on a voluntary basis, and I urge you to let them help you navigate your way through the program. -
QUEBEC FILM SOURCEBOOK 2016 Update 2015-12
QUEBEC FILM SOURCEBOOK 2016 Update 2015-12 WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM QUEBEC FILM AND TELEVISION COUNCIL TOLL FREE: 1 866 320 FILM (3456) Telephone: 514 499-7070 Fax: 514 499-7018 [email protected] www.qftc.ca For the e-book version go to www.quebecfilmsourcebook.com DISCLAIMER Although every effort has been made to ensure that this information is correct, the publisher cannot guarantee accuracy. Please take note that the information herein is meant to be used as a guide only. © Copyright 2015, Quebec Film and Televison Council. 2015 Edition Published by Quebec Film and Television Council It is a pleasure for us to provide you with this invaluable tool that is the Quebec Film SourceBook (QFSB), the annual directory of the Quebec film and television industry. Now in its 5th edition, the QFSB is a comprehensive guide to the best of what Quebec has to offer in terms of labor, services, resources and infrastructures to help you film your production in our province. In it, you will also find all you need to know about our generous tax incentives, our unions and guilds, as well as our regional and municipal film offices – everything to ensure your film or TV shoot runs as smoothly as possible, from pre-produc- tion to the production, post-production and VFX stages. -
Roaring Into the Future: New York 1925-35 FINAL Installation Checklist
Roaring into the Future: New York 1925-35 FINAL Installation checklist Introduction During the 10 years that took America from effervescent heights to the invented new forms to suit a modern American lifestyle. Although depths of economic devastation, New York State transformed the nation. this period is often called Art Deco today, the term was not Roaring into the Future: New York 1925-35 is a pioneering exploration adopted until 1968.New York State’s artists, architects, and that celebrates the Empire State as the driving force behind the creation designers played a pivotal role in making the State the epicenter of 20th-century modernism. From Buffalo to Brooklyn, artists, designers, of modernism. Modernism, often called Modernistic, in New York and manufacturers generated avant-garde art, fashion, technology, was not one style but rather it was an expression of a vital decorative arts, and music that resulted in the century’s most important youthful spirit that embraced the new. Modernism appeared in artistic revolution. elegant Art Moderne designs based on classical historical precedents, faceted skyscrapers and objects influenced by When France invited the United States to send their new and original Cubism, brawny Machine Age wares using the vocabulary of designs to the Exposition Internationale des Arts Décortifs et Industriels machine parts, and sleek Streamlined products reflecting Modernes, the World’s Fair held in Paris in 1925, Secretary of Commerce aerodynamic principles of speed. Across the State, New Yorkers Herbert Hoover declined because he could not find any modern designed, manufactured, and distributed new, nationally American goods. However, the Fair proved to be a tremendous catalyst influential works, often made with innovative materials, that for modern design in the United States via those Americans who visited reflected the seismic post-World War I shifts in social customs, the Exposition or saw its highlights, mainly French, in an exhibition that women’s rights, race relations, and technological discoveries. -
Historicizing the Liminal Superhero
BOX OFFICE BACK ISSUES: HISTORICIZING THE LIMINAL SUPERHERO FILMS, 1989–2008 by ZACHARY ROMAN A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2020 DISSERTATION APPROVAL PAGE Student: Zachary Roman Title: Box Office Back Issues: Historicizing the Liminal Superhero Films, 1989–2008 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Peter Alilunas Chairperson Janet Wasko Core Member Erin Hanna Core Member Benjamin Saunders Institutional Representative and Kate Mondloch Interim Vice-Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded December 2020 ii © 2020 Zachary Roman iii DISSERTATION ABSTRACT Zachary Roman Doctor of Philosophy School of Journalism and Communication December 2020 Title: Box Office Back Issues: Historicizing the Liminal Superhero Films, 1989–2008 Although the superhero film became a dominant force in Hollywood early in the 21st century, the formation of the superhero genre can be attributed to a relatively small temporal window beginning in 1989 and ending in 2008. This dissertation argues that a specific group of superhero films that I call the liminal superhero films (LSF) collectively served as the industrial body that organized and created a fully formed superhero genre. The LSF codified the superhero genre, but that was only possible due to several industrial elements at play before they arrived. An increasing industrial appetite for blockbusters coming out of the 1970s, the rise of proprietary intellectual property after the corporate conglomeration that occurred at the end of the 20th century, and finally, the ability of the LSF to mitigate risk (both real and perceived) all led to this cinematic confluence. -
IN THIS ISSUE Museum in THIS ISSUE Fall 2014 FEATURE ARTICLES the Auburn Cord Duesenberg Museum: It’S a Duesey! by Annette Bochenek
F A L L 2 0 1 4 Auburn Cord Palm Beach Style Art Deco Duesenberg Deco Paquebot Radios IN THIS ISSUE Museum IN THIS ISSUE FALL 2014 FEATURE ARTICLES The Auburn Cord Duesenberg Museum: It’s a Duesey! By Annette Bochenek . 14 Art Deco . Palm Beach Style! By Sharon Koskoff . 18. A Look Inside . DecoRadio: the most beautiful radios ever made Reviewed by Kathleen Murphy Skolnik . 22 The Revolutionary Story Behind San Juan’s Hotel Normandie By David Soto . 24 Streamline and “Style Paquebot” By Pascal Laurent . 26 REGULAR FEATURES President’s Message . 3 CADS Recap . 4 Deco Spotlight . 6 Art Deco at Auction . 8 CADS News . 10 Deco Preservation . 12 Deco Bookshelf Cord Complete Reviewed by Bennett Johnson . 29 Art Deco Mailboxes—An Illustrated Design History . 30 Elegance in an Age of Crisis: Fashions of the 1930s . 31 Looking Back… to Move Ahead By Ruth Dearborn . 32 1 A Look Inside… DecoRadio: the most beautiful radios ever made BY Peter Sheridan Schiffer PUblishing Ltd., 2014 Reviewed by Kathleen Murphy Skolnik In their time, the radios produced between the mid-1920s and the early 1950s were simply ordinary household appliances that provided entertainment and information. But today, a select subset is admired for its streamlined styling, use of innovative synthetic materials, and wide range of colors. DecoRadio: the most beautiful radios ever made, the stunning new book from author, historian, and Art Deco devotee Peter Sheridan, showcases these often overlooked unique skyscraper shape. A cutout on the face of the cabinet icons of Art Deco. could be fitted with various inserts—a map, a clock, or an Egyptian scene. -
Between the Panels
Between the Panels How the interactions between commerce and art shape superhero comic book film adaptations (2000-13) Tim Stafford Between The Panels: How the interactions between commerce and art shape superhero comic book film adaptations (2000-13) Tim Stafford Submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of PhD January 2018 Acknowledgments I would like to thank my Principal Supervisor, Professor Keith Randle and my Second Supervisors, Visiting Professor Richard Miller and Dr Mariana Dodourova for their support and guidance during this project. I would also like to thank Greg Pan at Marvel for granting permission to reproduce the three selected comic book panels and Roni Lubliner at Universal for granting permission to use the still from Hulk. This thesis is dedicated in its entirety to my parents, Terry and Sheila Stafford, to Derek Watson, my best friend and guide in the world of comic books and to Hugh Jackman, who started the whole thing off. Between the Panels Contents List of figures 1 Abstract 3 Introduction 5 Research questions 8 Introduction to the conceptual framework and methodology 9 Thesis structure 12 Chapter One: Up, up and away: superheroes and their adaptations 14 Origin story: A brief history of superhero adaptations 14 The superhero film renaissance: 2000 to the present 20 Why are superhero films so popular? 26 i) The studio perspective 26 ii) The audience perspective 29 iii) The role of comic book readers 31 The theory of adaptation 34 The role of the director -
Gaikai - Wikipedia Case 3:19-Cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not Logged in Talk Contributions Create Account Log In
Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 1 of 8 EXHIBIT B Gaikai - Wikipedia Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Gaikai From Wikipedia, the free encyclopedia Main page Gaikai (外海, lit. "open sea", i.e. an expansive outdoor space) is an American company which provides technology for the streaming of high- Contents Gaikai Featured content end video games.[1] Founded in 2008, it was acquired by Sony Interactive Entertainment in 2012. Its technology has multiple applications, Current events including in-home streaming over a local wired or wireless network (as in Remote Play between the PlayStation 4 and PlayStation Vita), as Random article well as cloud-based gaming where video games are rendered on remote servers and delivered to end users via internet streaming (such as Donate to Wikipedia the PlayStation Now game streaming service.[2]) As a startup, before its acquisition by Sony, the company announced many partners using Wikipedia store [3] the technology from 2010 through 2012 including game publishers, web portals, retailers and consumer electronics manufacturers. On July Founded November 2008 Interaction 2, 2012, Sony announced that a formal agreement had been reached to acquire the company for $380 million USD with plans of establishing Headquarters Aliso Viejo, California, U.S. [4] Help their own new cloud-based gaming service, as well as integrating streaming technology built by Gaikai into PlayStation products, resulting Owner Sony [5] [6] About Wikipedia in PlayStation Now and Remote Play. -
SPLC Fights Back Against Bigotry in White House
Southern Poverty Law Center Non Profit Org. 400 Washington Avenue • Montgomery, AL 36104 U.S. Postage PAID www.splcenter.org Southern Poverty SPLC REPORT Law Center Published by the Southern Poverty Law Center Spring 2017 Fighting Hate • Teaching Tolerance • Seeking Justice Volume 47, Number 1 SPLC fights back against IN THIS ISSUE a a a a SPLC president on bigotry in White House extremism of Trump administration The Southern Poverty Law and closest advisers – including Many expressed the belief that it was “one of the most excit- Center took strong action to pro- Stephen Bannon, who helped they finally had a friend in the ing nights of my life. Make no PAGE 2 tect our country’s fundamental nurture a growing white White House. mistake … our people played a values following a presidential nationalist movement. HUGE role in electing Trump!” a a a a election that electrified far- The SPLC also began push- Racists rejoice Days later, about 200 white right extremists and ushered a ing back in the courts against a Former Ku Klux Klan leader nationalists met just a few blocks SPLC in court to white nationalist agenda into White House that appears set on David Duke, perhaps the nation’s from the White House and protect mentally ill the White House. rolling back decades of progress. best-known racist, wrote that shouted “Hail Trump! Hail Our Immediately after the vote, “Our country hasn’t seen this People! Hail Victory!” as their in Alabama prisons the SPLC exposed a wave of kind of extremism in the White leader quoted propaganda from PAGE 4 hate crimes and other bias-re- House in modern times, if ever,” the Third Reich and prompted PUBLISHED BY SPRING 2017 // ISSUE 162 lated incidents that swept SPLC President Richard Cohen THE SOUTHERN POVERTY LAW CENTER sieg heils from the audience.