Gargoyles of Princeton University Ga Grotesque Tour of the Campus
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1967 Gargoyle
the 1967 gargoyle The 1967 Gargoyle Flushing High School Flushing, New York Mr. Arthur Franzen, Principal • /875 ~~. Gargoyle Staff Editors-in-chief Edward Rauschkolb Bonnie Sherman Literary Editor Harriet Teller Art Editor Brenda Eskenazi Managing Editor Eileen Grossmar Photography Editor Kenneth Slovak Advertising Editor Lois Falk Faculty Adviser Mr. Milton Gordon Business Manager Mr, Morris Rosenblatt Evelyn Langlieb Photography Staff Literary Contributors Phyllis Schuster Walter Gross Ronald Bash Suzy Daytre Mike Hirschfeld Susan Kesner Steven Tischler Larry Herschaft DavId Nevis Sandie Feinman Henry Lenz Joan Friedwald Bruce Blaisdell Art Staff KatM Velten Clerical Staff Marlene Steiger Peter Simon Constance Ragone Freda Forman Rebecca Aiger Lynn Stekas Arlene Rubinstem Beth Schlau Carolyn Wells Paula Silverman Vivian Koffer Linda Singer Barbara Shana Shelley Drucker Ellen Busman Janet Silverman Freda Forman Pamela Glachman Carol Boltz Larissa Podgoretz Isa Bernstein Alan Perlman David Master Marlene Lamhut Debbie Baumann Deborah Singer Hettie Frank Gayle Fittipaldi Meryl Dorman Marilyn Roth 2 Table of Contents Principal's Message 4 Dedication 5 Departments 10 Extracurricular 25 Sports 34 The Graduates 43 Advertisers 97 I 3 Principal's Message The Gargoyle staff has chosen felicitous specialized so that the good fortune of success ly the device of quotations as hooks to hang in a career may be achieved. Success, in living. things on. My message to the seniors hangs of course. demands wider preparation. You on this hook, a quotation from Louis Pasteur: seniors have made a start in preparing your "Chance favors the prepared mind," That is. minds. Continue that preparation until all the prepared mind recognizes fortune. -
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man, Hawkeye Wizard, other villains Vault Breakout stopped, but some escape New Mutants #86 Rusty, Skids Vulture, Tinkerer, Nitro Albany Everyone Arrested Damage Control #1 John, Gene, Bart, (Cap) Wrecking Crew Vault Thunderball and Wrecker escape Avengers #311 Quasar, Peggy Carter, other Avengers employees Doombots Avengers Hydrobase Hydrobase destroyed Captain America #365 Captain America Namor (controlled by Controller) Statue of Liberty Namor defeated Fantastic Four #334 Fantastic Four Constrictor, Beetle, Shocker Baxter Building FF victorious Amazing Spider-Man #326 Spiderman Graviton Daily Bugle Graviton wins Spectacular Spiderman #159 Spiderman Trapster New York Trapster defeated, Spidey gets cosmic powers Wolverine #19 & 20 Wolverine, La Bandera Tiger Shark Tierra Verde Tiger Shark eaten by sharks Cloak & Dagger #9 Cloak, Dagger, Avengers Jester, Fenris, Rock, Hydro-man New York Villains defeated Web of Spiderman #59 Spiderman, Puma Titania Daily Bugle Titania defeated Power Pack #53 Power Pack Typhoid Mary NY apartment Typhoid kills PP's dad, but they save him. Incredible Hulk #363 Hulk Grey Gargoyle Las Vegas Grey Gargoyle defeated, but escapes Moon Knight #8-9 Moon Knight, Midnight, Punisher Flag Smasher, Ultimatum Brooklyn Ultimatum defeated, Flag Smasher killed Doctor Strange #11 Doctor Strange Hobgoblin, NY TV studio Hobgoblin defeated Doctor Strange #12 Doctor Strange, Clea Enchantress, Skurge Empire State Building Enchantress defeated Fantastic Four #335-336 Fantastic -
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JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc. -
Gargoyles.Notebook February 24, 2016
gargoyles.notebook February 24, 2016 Bring in an image to art of something you want to create into a clay gargoyle. What is a gargoyle? Feb 211:03 PM 1 gargoyles.notebook February 24, 2016 http://www.youtube.com/watch?v=t3QUQS1ypPk The word "Gargoyle" shares a root with the word "Gargle"; they come from "gargouille," an old French word for "Throat." A true gargoyle is a waterspout. An unusual carved creature that does not serve that purpose is properly called a "Grotesque." Feb 152:42 PM 2 gargoyles.notebook February 24, 2016 Gargoyles can be traced back 4000 years to Egypt, Rome and Greece. Terra cotta water spouts depicting: lions, eagles, and other creatures, including those based on Greek and Roman mythology, were very common. Gargoyle water spouts were even found at the ruins of Pompeii. The first grotesque figures came from Egypt. The Egyptians believed in deities with the heads of animals and frequently replicated these deities in their architecture and wall paintings. Feb 152:54 PM 3 gargoyles.notebook February 24, 2016 Notre Dame Cathedral Paris, France Feb 152:59 PM 4 gargoyles.notebook February 24, 2016 NotreDame Cathedral Paris, France A prominent landmark NotreDame is a perfect example of Gothic architecture. The Construction of Notre Dame took 2 centuries and began in 1163 by Pope Alexander III and ended in 1345. http://www.fno.org/exhibits/Gargoyles/gargoyle.html Feb 1611:53 AM 5 gargoyles.notebook February 24, 2016 National Cathedral Washington, DC Feb 1611:57 AM 6 gargoyles.notebook February 24, 2016 Walter S. -
The Grottesche Part 1. Fragment to Field
CHAPTER 11 The Grottesche Part 1. Fragment to Field We touched on the grottesche as a mode of aggregating decorative fragments into structures which could display the artist’s mastery of design and imagi- native invention.1 The grottesche show the far-reaching transformation which had occurred in the conception and handling of ornament, with the exaltation of antiquity and the growth of ideas of artistic style, fed by a confluence of rhe- torical and Aristotelian thought.2 They exhibit a decorative style which spreads through painted façades, church and palace decoration, frames, furnishings, intermediary spaces and areas of ‘licence’ such as gardens.3 Such proliferation shows the flexibility of candelabra, peopled acanthus or arabesque ornament, which can be readily adapted to various shapes and registers; the grottesche also illustrate the kind of ornament which flourished under printing. With their lack of narrative, end or occasion, they can be used throughout a context, and so achieve a unifying decorative mode. In this ease of application lies a reason for their prolific success as the characteristic form of Renaissance ornament, and their centrality to later historicist readings of ornament as period style. This appears in their success in Neo-Renaissance style and nineteenth century 1 The extant drawings of antique ornament by Giuliano da Sangallo, Amico Aspertini, Jacopo Ripanda, Bambaia and the artists of the Codex Escurialensis are contemporary with—or reflect—the exploration of the Domus Aurea. On the influence of the Domus Aurea in the formation of the grottesche, see Nicole Dacos, La Découverte de la Domus Aurea et la Formation des grotesques à la Renaissance (London: Warburg Institute, Leiden: Brill, 1969); idem, “Ghirlandaio et l’antique”, Bulletin de l’Institut Historique Belge de Rome 39 (1962), 419– 55; idem, Le Logge di Raffaello: Maestro e bottega di fronte all’antica (Rome: Istituto Poligrafico e Zecca dello Stato, 1977, 2nd ed. -
The Monopteros in the Athenian Agora
THE MONOPTEROS IN THE ATHENIAN AGORA (PLATE 88) O SCAR Broneerhas a monopterosat Ancient Isthmia. So do we at the Athenian Agora.' His is middle Roman in date with few architectural remains. So is ours. He, however, has coins which depict his building and he knows, from Pau- sanias, that it was built for the hero Palaimon.2 We, unfortunately, have no such coins and are not even certain of the function of our building. We must be content merely to label it a monopteros, a term defined by Vitruvius in The Ten Books on Architecture, IV, 8, 1: Fiunt autem aedes rotundae, e quibus caliaemonopteroe sine cella columnatae constituuntur.,aliae peripteroe dicuntur. The round building at the Athenian Agora was unearthed during excavations in 1936 to the west of the northern end of the Stoa of Attalos (Fig. 1). Further excavations were carried on in the campaigns of 1951-1954. The structure has been dated to the Antonine period, mid-second century after Christ,' and was apparently built some twenty years later than the large Hadrianic Basilica which was recently found to its north.4 The lifespan of the building was comparatively short in that it was demolished either during or soon after the Herulian invasion of A.D. 267.5 1 I want to thank Professor Homer A. Thompson for his interest, suggestions and generous help in doing this study and for his permission to publish the material from the Athenian Agora which is used in this article. Anastasia N. Dinsmoor helped greatly in correcting the manuscript and in the library work. -
The Grotesque in El Greco
Konstvetenskapliga institutionen THE GROTESQUE IN EL GRECO BETWEEN FORM - BEYOND LANGUAGE - BESIDE THE SUBLIME © Författare: Lena Beckman Påbyggnadskurs (C) i konstvetenskap Höstterminen 2019 Handledare: Johan Eriksson ABSTRACT Institution/Ämne Uppsala Universitet. Konstvetenskapliga institutionen, Konstvetenskap Författare Lena Beckman Titel och Undertitel THE GROTESQUE IN EL GRECO -BETWEEN FORM - BEYOND LANGUAGE - BESIDE THE SUBLIME Engelsk titel THE GROTESQUE IN EL GRECO -BETWEEN FORM - BEYOND LANGUAGE - BESIDE THE SUBLIME Handledare Johan Eriksson Ventileringstermin: Hösttermin (år) Vårtermin (år) Sommartermin (år) 2019 2019 Content: This study attempts to investigate the grotesque in four paintings of the artist Domenikos Theotokopoulos or El Greco as he is most commonly called. The concept of the grotesque originated from the finding of Domus Aurea in the 1480s. These grottoes had once been part of Nero’s palace, and the images and paintings that were found on its walls were to result in a break with the formal and naturalistic ideals of the Quattrocento and the mid-renaissance. By the end of the Cinquecento, artists were working in the mannerist style that had developed from these new ideas of innovativeness, where excess and artificiality were praised, and artists like El Greco worked from the standpoint of creating art that were more perfect than perfect. The grotesque became an end to reach this goal. While Mannerism is a style, the grotesque is rather an effect of the ‘fantastic’.By searching for common denominators from earlier and contemporary studies of the grotesque, and by investigating the grotesque origin and its development through history, I have summarized the grotesque concept into three categories: between form, beyond language and beside the sublime. -
LAST RESORT Kim Eastland
Equipment/Possessions: Putty*—Excellent strength adhesion, HAWKEYE™ causes Remarkable damage to open ARROWS. Hawkeye carries 36 arrows in Clint Francis Barton machinery his quiver. Twelve are standard, target- Hypersonic—Excellent potency knockout Adventurer tipped arrows that inflict Excellent slugfest tip, stuns for five rounds Fighting: GOOD damage. Six have triple-bladed razor Flame-Killer—Amazing smothering effect heads (Excellent Hack'n Slash damage); or damage to flaming creatures. Agility: REMARKABLE he never aims these to strike a living crea- Strength: GOOD ture but uses them, instead, to shred tires, * This type of arrow can be attached to a Endurance: EXCELLENT pin people to trees, etc. The other 18 light rope or cable. The light rope is Excel- Reason: TYPICAL arrows are chosen from a large variety of lent Material and has a maximum range of 5 areas. The cable is Incredible Material Intuition: GOOD special and exotic arrows. Whenever Hawkeye leaves his base of operations, and has a maximum range of 3 areas. Psyche: TYPICAL he must specify what type and how many Talents: Hawkeye has received train- Health: 70 of each of these exotic arrows he is carry- ing under Captain America in martial arts, Karma: 22 ing. Some types of special arrows are and as such can stun and slam any oppo- listed below. Players can design others Resources: TYPICAL nent in combat. Hawkeye receives one with the judge's permission. column shift to the right when using any Popularity: 45 Explosive—Amazing grenade damage weapon that requires an agility FEAT roll. Powers: Tear gas—Excellent potency Background: Hawkeye was trained in EXTRAORDINARY VISION. -
TSR6908.MHR3.Avenger
AVENGERS CAMPAIGN FRANCHISES Avengers Branch Teams hero/heroine and the sponsoring nation, Table A: UN Proposed Avengers Bases For years, the Avengers operated avengers membership for national heroes and New Members relatively autonomously, as did the has become the latest political power chip Australia: Sydney; Talisman I Fantastic Four and other superhuman involved in United Nations negotiations. China: Moscow; Collective Man teams. As the complexities of crime Some member nations, such as the Egypt: Cairo; Scarlet Scarab fighting expanded and the activities of the representatives of the former Soviet France: Paris; Peregrine Avengers expanded to meet them, the Republics and their Peoples' Protectorate, Germany: Berlin; Blitzkrieg, Hauptmann team's needs changed. Their ties with have lobbied for whole teams of powered Deutschland local law enforcement forces and the beings to be admitted as affiliated Great Britain: Paris; Spitfire, Micromax, United States government developed into Avengers' branch teams. Shamrock having direct access to U.S. governmental The most prominent proposal nearing a Israel: Tel Aviv; Sabra and military information networks. The vote is the General Assembly's desired Japan: Undecided; Sunfire Avengers' special compensations (such as establishment of an Avengers' branch Korea: Undecided; Auric, Silver domestic use of super-sonic aircraft like team for the purpose of policing areas Saudi Arabia: Undecided; Arabian Knight their Quintets) were contingent on working outside of the American continent. This Soviet Republics: Moscow; Peoples' with the U.S. National Security Council. proposal has been welcomed by all Protectorate (Perun, Phantasma, Red After a number of years of tumultuous member nations except the United States, Guardian, Vostok) and Crimson Dynamo relations with the U.S. -
Incredible Hulk: Vol. 1 Free
FREE INCREDIBLE HULK: VOL. 1 PDF Jason Aaron,Whilce Portacio,Marc Silvestri | 176 pages | 26 Dec 2012 | Marvel Comics | 9780785133360 | English | New York, United States Essential Incredible Hulk, Vol. 1 by Stan Lee Caught in the heart of a nuclear explosion, victim of gamma radiation gone wild Dr. Robert Bruce Banner now finds himself transformed during the times of stress into the dark personification of his repressed rage and fury: the Incredible Hulk, the most powerful man-like creature ever to walk the face of the earth! Relive his earliest Incredible Hulk: Vol. 1 here! Convert currency. Add to Basket. Book Description Marvel Comics, Condition: New. Brand New!. Seller Inventory VIB More information about this seller Contact this seller. Book Description Condition: New. Incredible Hulk: Vol. 1 Inventory S Items related to Essential Incredible Hulk, Vol. Essential Incredible Hulk, Vol. Lee, Stan. Publisher: Marvel Comics This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis Caught in the heart of a nuclear explosion, victim of gamma radiation gone wild Dr. Buy New Learn more about this copy. Other Popular Editions of the Same Title. Search for all books with this author and title. Customers who bought this item also bought. Stock Image. Published by Incredible Hulk: Vol. 1 Comics New Paperback Quantity Available: 2. Seller Rating:. New Quantity Available: 1. The Incredible Hulk (comic book) - Wikipedia The Incredible Hulk is an ongoing comic book series featuring the Marvel Comics superhero the Hulk and his alter ego Dr. Bruce Banner. First published in Maythe series ran for six issues before it was cancelled in Marchand the Hulk character began appearing in Tales to Astonish. -
The Incredible Hulk
The Incredible Hulk Monster, Man, Hero Dana McKnight Texas Christian University hen Marvel Comics introduced The Incredible Hulk in 1962, the following question was displayed prominently within a bold yellow question mark on W the front page: “Is he man or monster or…is he both?”1 Today, it seems easy to dismiss questions about the Incredible Hulk being a monster by merit of the popular Marvel Universe films, which brought the Incredible Hulk to a wide audience. I suspect that most Americans recognize the Incredible Hulk as a member of the Avengers: a hero, not a monster. However, when the Incredible Hulk first made his debut, Stan Lee expected his readers to wonder whether or not the Hulk would be a villain or a hero.2 Drawing from the first six issues of The Incredible Hulk I will discuss how the Incredible Hulk is simultaneously a hero and a monster, both an allegory of the military might of the United States in the atomic age and of the tenuous relationship between security and safety manifest in the uncontrolled destructive power of nuclear weapons. I will close with a glimpse into the contemporary post-9/11 Hulk. Man or Monster? First, it is cogent to get back to the “man or monster” question posed by Stan Lee in the very first issue of The Incredible Hulk, because the Hulk was both a man, Bruce Banner, and a monster, the Hulk. The “man-or-monster” question is not new and was 1 Stan Lee and Jack Kirby, “The Coming of the Hulk,” The Incredible Hulk, no. -
Bible/Book Studies
1 BIBLE/BOOK STUDIES A Gospel for People on the Journey Luke Novalis Scripture Studies Series Each of the writers of the Gospels has his particular vision of Jesus. For Luke, Jesus is not only the one who announces the Good News of salvation: Jesus is our salvation. 9 copies Editor: Michael Trainor A Gospel for Searching People Matthew Novalis Scripture Studies Series Each of the writers of the Gospels has his particular vision of Jesus. For Matthew, Jesus is the great teacher (Matt. 23:8). But teacher and teachings are inextricable bound together, Matthew tells us. Jesus stands alone as unique teacher because of his special relationship with God: he alone is Son of man and Son of God. And Jesus still teaches those who are searching for meaning and purpose in life today. 9 copies Editor: Michael Trainor A Gospel for Struggling People Mark Novalis Scripture Studies Series “Who do you say that I am? In Mark’s Gospel, no one knows who Jesus is until, in Chapter 8, Peter answers: “You are the Christ.” But what does this mean? The rest of the Gospel shows what kind of Christ or Messiah Jesus is: he has come to suffer and die for his people. Teaching on discipleship and predictions of his death point ahead to the focus of the Gospel-the passion, death and resurrection of Jesus. 9 copies Editor: Michael Trainor Beautiful Bible Stories Beautiful Bible Stories by Rev. Charles P. Roney, D.D. and Rev. Wilfred G. Rice, Collaborator Designed to stimulate a greater interest in the Bible through the arrangement of extensive References, Suggestions for Study, and Test Questions.