YAFA Equestrian Division 1 Worksheet Completion Table
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
List of Horse Breeds 1 List of Horse Breeds
List of horse breeds 1 List of horse breeds This page is a list of horse and pony breeds, and also includes terms used to describe types of horse that are not breeds but are commonly mistaken for breeds. While there is no scientifically accepted definition of the term "breed,"[1] a breed is defined generally as having distinct true-breeding characteristics over a number of generations; its members may be called "purebred". In most cases, bloodlines of horse breeds are recorded with a breed registry. However, in horses, the concept is somewhat flexible, as open stud books are created for developing horse breeds that are not yet fully true-breeding. Registries also are considered the authority as to whether a given breed is listed as Light or saddle horse breeds a "horse" or a "pony". There are also a number of "color breed", sport horse, and gaited horse registries for horses with various phenotypes or other traits, which admit any animal fitting a given set of physical characteristics, even if there is little or no evidence of the trait being a true-breeding characteristic. Other recording entities or specialty organizations may recognize horses from multiple breeds, thus, for the purposes of this article, such animals are classified as a "type" rather than a "breed". The breeds and types listed here are those that already have a Wikipedia article. For a more extensive list, see the List of all horse breeds in DAD-IS. Heavy or draft horse breeds For additional information, see horse breed, horse breeding and the individual articles listed below. -
RGP LTE Beta
RPG LTE: Swords and Sorcery - Beta Edition Animals, Vehicles, and Hirelings Armor: - Armor Rating 7 Small 80 Medium 170 There may come a time when the party of adventurers has more to carry or defend Large 300 than they can on their own or are traveling in land foreign to them. In these cases Heavy – Armor Rating +2 +30 the purchasing of animals and vehicles, and the hiring of aid may be necessary. The Saddlebag 5 following charts should serve as a general guide for such scenarios. Bridle and Reigns 15-25 For animals the price refers to the average cost the animal would be at a trader, Muzzle 7-14 while the upkeep refers to the average price of daily supplies the animal needs to be Harness 20-30 kept alive and in good health (the average cost of stabling for a night). Blinders 6-13 Horses Whip 6 Type Price Upkeep Cage 10-100 Packhorse (Pony) 50 1 Sled 20 Riding Horse (Rouncey*, Hackney**) 75 1 Smooth Hunting/Riding Horse (Palfrey) 250 2 Carts – 2-wheeled vehicles Swift Warhorse (Courser) 100 2 Item Cost Strong Warhorse (Destrier) 300 3 Small (Push) Handcart 25 Draft Horse (Percheron) 75 1 Large (Pull) Handcart 40 * General purpose ** Riding specific Animal (Draw) Cart 50 Riding Cart – 2 Person 50 Pony – A small horse suitable for riding by Dwarves, Paulpiens, and other smaller Chariot 130 folk, or carrying a little less than a human riders weight in items. Rouncey – A medium-sized general purpose horse that can be trained as a warhorse, Wagons – 4-wheeled vehicles, 2-4 animals to pull. -
Horse Power: Social Evolution in Medieval Europe
ABSTRACT HORSE POWER: SOCIAL EVOLUTION IN MEDIEVAL EUROPE My research is on the development of the horse as a status symbol in Western Europe during the Middle Ages. Horses throughout history are often restricted to the upper classes in non-nomadic societies simply due to the expense and time required of ownership of a 1,000lb prey animal. However, between 1000 and 1300 the perceived social value of the horse far surpasses the expense involved. After this point, ownership of quality animals begins to be regulated by law, such that a well off merchant or a lower level noble would not be legally allowed to own the most prestigious mounts, despite being able to easily afford one. Depictions of horses in literature become increasingly more elaborate and more reflective of their owners’ status and heroic value during this time. Changes over time in the frequency of horses being used, named, and given as gifts in literature from the same traditions, such as from the Waltharius to the Niebelungenlied, and the evolving Arthurian cycles, show a steady increase in the horse’s use as social currency. Later epics, such as La Chanson de Roland and La Cantar del Mio Cid, illustrate how firmly entrenched the horse became in not only the trappings of aristocracy, but also in marking an individuals nuanced position in society. Katrin Boniface May 2015 HORSE POWER: SOCIAL EVOLUTION IN MEDIEVAL EUROPE by Katrin Boniface A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History in the College of Social Sciences California State University, Fresno May 2015 APPROVED For the Department of History: We, the undersigned, certify that the thesis of the following student meets the required standards of scholarship, format, and style of the university and the student's graduate degree program for the awarding of the master's degree. -
De Vrije Fries 2015.Indb
The Friesian horse and the Frisian horse The (re)invention and the historicity of an iconic breed JORIEKE SAVELKOULS The Friesian horse is iconic . This elegant, showy breed of horse sports a jet-black coat and thick, wavy mane and tail . Not only do these horses find their way from Friesland to breed enthusiasts all over the world, but even Hollywood is quite smitten 1. Whether as a Roman, Persian, Spanish or Medieval horse, the Friesian seems a keeper in Hollywood – never mind historical accuracy . On the other hand, the problem of historical accuracy persists in histories of the breed . Like many – if not most – breed histories, the history of the Friesian horse is distorted . The obvious question is to ask how it is distorted; the next might be to wonder why . Like the studbooks themselves, this distortion of history may well be a remnant of nineteenth- century notions of purity and heritage . This article will offer further insight into the history of the Friesian horse . The long nineteenth century (circa 1750-1914) was marked by great changes in Europe and overseas . The French Revolution, Industrial Revolution and Agricultural Revolution transformed the political, socio-eco- nomic and cultural landscape . A combination of state-formation and nation- building resulted in countries seeking to establish nationalist “us against them” mentalities . The process of modernisation and nation-state formation sparked a (re)invention and revision of tradition, heritage and history, which was expressed in all levels of society and included folklore, folk costume and national anthems 2. Frisian identity did not escape this trend: the popular Frisian sjees, a gig which seated a couple in traditional costume, is one such example .3 Nowadays, this two-wheeled carriage is closely associated with the Friesian horse . -
The Age of Wars of Religion, 1000-1650
THE AGE OF WARS OF RELIGION, 1000–1650 THE AGE OF WARS OF RELIGION, 1000–1650 AN ENCYCLOPEDIA OF GLOBAL WARFARE AND CIVILIZATION Volume 1, A–K Cathal J. Nolan Greenwood Encyclopedias of Modern World Wars GREENWOOD PRESS Westport, Connecticut London Library of Congress Cataloging-in-Publication Data Nolan, Cathal J. The age of wars of religion, 1000–1650 : an encyclopedia of global warfare and civilization / Cathal J. Nolan. p. cm.—(Greenwood encyclopedias of modern world wars) Includes bibliographical references and index. ISBN 0–313–33045–X (set)—ISBN 0–313–33733–0 (vol. 1)— ISBN 0–313–33734–9 (vol. 2) 1. Middle Ages—History—Encyclopedias. 2. History, Modern—17th century— Encyclopedias. 3. Military history, Medieval—Encyclopedias. 4. Military history, Modern—17th century—Encyclopedias. 5. Biography—Middle Ages, 500–1500— Encyclopedias. 6. Biography—17th century—Encyclopedias. I. Title. D114.N66 2006 909.0703—dc22 2005031626 British Library Cataloguing in Publication Data is available. Copyright # 2006 by Cathal J. Nolan All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2005031626 ISBN: 0–313–33045–X (set) 0–313–33733–0 (vol. I) 0–313–33734–9 (vol. II) First published in 2006 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). -
Standard and Exotic Horses Standard Horses
Standard and Exotic Horses Standard Horses Stot Standard Horses Large beast (draft horse), unaligned This category encompasses the typical horses your party may encounter along their journeys. Horses of Armor Class 10 this category possess typical animal intelligence and Hit Points 19 (3d10 + 3) limitations. While war horses are typically available for Speed 30 ft. purchase only in large cities, draft and riding horses can STR DEX CON INT WIS CHA typically be found in most stables. 16 (+3) 10 (+0) 12 (+1) 2 (-4) 10 (+0) 6 (-2) Senses Passive perception 10 Exotic Horses Languages - Horses of this category are rare, intelligent, and in Challenge 1/8 (25 XP) many cases, even magical. Such horses are typically not for sale, and are remarkably picky when deciding Actions who may ride them. The GM should evaluate the Hooves. Melee Weapon Attack: +5 to hit, reach 5 ft., benefits in advance when rewarding the party such one target. Hit: 8 (2d4 + 3) bludgeoning damage. horses, as their unique abilities can provide huge advantages in multiple fields. An exotic horse with a challenge rating of 3 should be treated as a rare magic item, while exotic horses of challenge rating 4 are Description: An old term meaning; “worthless horse,” higher should be treated as very rare magic items. stots are horses of inferior breeding and weak physical stature. Stots are typically relegated to farm work. Standard Horses Horse Cost Speed Carrying Capacity Stot 20 gp 30 ft. 480 lb. Dray 30 gp 35 ft. 540 lb. Garron 50 gp 40 ft. 480 lb. -
The Wife of Bath's Tales: Literary Characters As Social Persons In
School of Media, Creative Arts, and Social Inquiry The Wife of Bath’s Tales: Literary Characters as Social Persons in Historical Fiction Carol Ann Hoggart This thesis is presented for the Degree of Doctor of Philosophy of Curtin University February 2019 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgement has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Signature: …………………… Date: ………………04/07/2019……. ii Acknowledgements First and foremost, thanks go to my wonderful and long-suffering supervisor, Dr Anne Ryden: editor, encourager, and nudger-of-posterior extraordinaire. I couldn’t have done this without you, Anne. Many thanks also to the other supervisors who have helped me along this doctoral journey, particularly Professor Tim Dolin and Dr Liz Byrski. I am particularly grateful to Curtin not only for providing academic and financial support, but also for offering a great working space in the Postgraduate Hub and setting up the Creative Practice Network (CPN) to enable peer critique and support. Thank you Rosemary Stevens for running the CPN so sensitively, and all my fellow Networkers (particularly Katrin Den Elzen, Daniel Juckes, Khin Myint, Renee Pettitt-Schipp, Marie O’Rourke, Carol Mills, and Lesley Smith) for your invaluable feedback. I’d also like to acknowledge former supervisors at the University of Western Australia – Professor Andrew Lynch for introducing me to Chaucer, and Professor Philippa Maddern, an eternally inspiring medieval historian. Many thanks to those outside of academia who offered me writing support and advice, especially the wonderful Wordwrights critique group (Janet Woods, Deb Bennetto, Elizabeth Reid-Boyd, and Sharon Micenko), and Colin Falconer for his encouragement. -
Jordanus Ruffus and the Late-Medieval Hippiatric Tradition: Animal-Care Practitioners and the Horse
Jordanus Ruffus and the late-medieval hippiatric tradition: Animal-care practitioners and the horse Sunny Harrison Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Institute for Medieval Studies September 2018 i Intellectual Property and Publication Statements The candidate confirms that the work submitted is their own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Sunny Harrison to be identified as the Author of this work has been asserted by Sunny Harrison in accordance with the Copyright, Designs, and Patents Act 1988. ii Acknowledgements First, I must thank my supervisors Iona McCleery and Bill Flynn for their guidance and support throughout the project. From first inception to final submission, Iona and Bill have provided encouragement and wisdom, curbing some of my excesses and nudging me onto more fruitful paths. I must also thank my examiners Jonathan Saha and Peter Murray Jones for a stimulating and positive viva that helped to give me the confidence to address some of the broader questions I would like my research to answer in the future. For this project I received generous support and funding from several bodies, notably the University of Leeds 110th Anniversary PhD Scholarship, the School of History and Institute for Medieval Studies at Leeds who funded a number of conference and research trips, and the Faculty of Arts, Humanities, and Cultures who supported the fledgling Leeds Animal Studies Network in 2016-18. -
Introduction
Introduction "O for a muse of fire, that would ascend the brightest heaven of invention, A kingdom for a stage, princes to act and monarchs to behold the swelling scene!" - Shakespeare's Henry V Writing & Graphics: Painted Miniatures: Additional Editing: Photography: Special Thanks: 1 Big Art Big Art Table of Contents 4 Getting Started PLAY MATERIALS LINE OF SIGHT You’ll need a few bits and pieces to get started with Broken The game rules often refer to what a Fighter can see, or line Lance. of sight. To establish this, lean down and take a look from » A handful of individually based figures to represent each behind the model - this will give you a good idea of what is player’s warband. visible. » A handful of six-sided dice per player, in at least two different colours (We’ve used red and white) While viewing the battlefield through your Fighter’s eyes, you » Copies of this book, quick reference sheet and a warband can ignore any friends or foes. An individual Fighter is not roster for each player. sufficient to block line of sight. » Rulers or measuring sticks marked in inches. Terrain pieces, however, do block line of sight. If more THE RULES than 50% of a model is obscured by a piece of terrain, it is assumed to be out of sight. Every effort has been made to make these rules as simple and easy to understand as possible. Examples and diagrams have been included where necessary MODELS AND BASES The rules assume that models are mounted on 25mm round to illustrate any complicated concepts. -
Medieval Madness Saturday, May 18, 2019
Medieval Madness Saturday, May 18, 2019 Show Coordinator: Stacylynn Mullady Email: [email protected] LOCATION: West Stafford Firehouse, 144 W. Stafford Road, Stafford Springs, CT 06076 TIME: Hall will open at 8:00 AM. Show will begin promptly at 9:00 AM. FEES: $50 per entrant for Open Divisions and $40 for Novice Division. Please state which division(s) you are entering. There is no cross-entering between the Novice and Open Divisions. DEADLINE: Entry fees MUST be received by Friday, May 10, 2019. Make checks payable to Stacylynn Mullady. This is on a first come, first served policy. Please use enclosed entry form when sending entry fee. JUDGES: Open Halter: Laura Rock-Smith Open Performance: Joan Fauteux Novice Division: Taylor Simpson AWARDS: Paper flats to first through sixth. All first and second place winners in each NAMHSA approved class will receive Region 10 cards. Beautiful custom commercial rosettes to all champions and reserves. CHAMPIONS: Champions will be determined by callbacks. Any horse placing 1st and 2nd will be called b ack with the ribbons it won for that division. Halter classes will be double judged for breed and collectibiliy. LIMITS: Open: Halter 2 horses per class, limit of 1 buy-in at $1 per class Performance 2 horses per class, no buy-ins Novice: Halter 2 horses per class no buy-ins Performance 1 set-up per class no buy-ins GENERAL INFO: You will need to provide your own leg tags. Medieval Madness is a participant in the Region 10 (or Region X) tag system. To get your own exhibitor number and learn about the Tag Manager, please go to https://RegionXNation.com/start You will need to turn in a list of your horses with their corresponding numbers prior to the start of the show. -
East Meets West: Mounted Encounters in Early and High Mediaeval Europe
Acta Periodica Duellatorum, Scholarly section, articles 75 DOI 10.1515/apd-2017-0003 East meets West: Mounted Encounters in Early and High Mediaeval Europe Jürg Gassmann Artes Certaminis and Schweizer Rossfechten-Verein [email protected] Abstract – By the Late Middle Ages, mounted troops – cavalry in the form of knights – are established as the dominant battlefield arm in North-Western Europe. This paper considers the development of cavalry after the Germanic Barbarian Successor Kingdoms such as the Visigoths in Spain or the Carolingian Franks emerged from Roman Late Antiquity and their encounters with Islam, as with the Moors in Iberia or the Saracens (Arabs and Turks) during the Crusades, since an important part of literature ascribes advances in European horse breeding and horsemanship to Arab influence. Special attention is paid to information about horse types or breeds, conformation, tactics – fighting with lance and bow – and training. Genetic studies and the archaeological record are incorporated to test the literary tradition. Keywords – Knights, cavalry, Moors, Crusades, Saracens, Islam, Byzantium, Visigoths, Normans, Arabs, Iberia, horses I. INTRODUCTION – HORSE DOMESTICATION, USE AND TERMINOLOGY I.1. Introduction The Germanic kingdoms that established themselves in the Roman Empire of the West in the 5th C did not exist in a vacuum, they interacted with outside powers. Initially defensively, as Muslim forces first overran North Africa and then – in Iberia and Gaul – encroached on the European kingdoms as well; and further during the Crusades, as Europe transitioned from the defensive to the strategic counter-offensive. The equine side of these encounters has received little attention, and where it has, statements are often made and conclusions drawn which at the very least require testing against the archaeological and literary record. -
EQUESTRIAN Atching Sight of a Trebuchet That Had Fallen Behind the Rest of the Line, a Knight Spurs Her Armoured Stallion Into a Direct Charge
EQUESTRIAN atching sight of a trebuchet that had fallen behind the rest of the line, a knight spurs her armoured stallion into a direct charge. The pair drive aside a hastily mustered row of pikes to C take up position beside the war machine. The steed rears up again and again, shattering its beams beneath his hooves, while his rider slices through defenders rushing to overwhelm them. Having reduced the mighty device to splinters, the knight rides off astride her most trusted friend to gather a force and lead them to finish the work they’d started. A moose charges down the underground passage, its antlers brushing the walls on either side and the elf on her back bending low under the ceiling. The moment they burst into the chamber from which the chanting emanated, the elf leapt from her massive mount's back, her glaive flashing and cleaving the nearest cultist in two. The moose heads straight for the unconscious prince draped across the altar, lifting him gently with his horns onto its wide shoulders. The elf unleashes the breath of a handheld dragon that tears through the crowd calling for their otherworldly master’s aid, then signals her elk with a sharp whistle. As the beast charges past her, she grabs his muscular neck and swings up into the saddle, securing her weapon and the prince alike to deliver him to the healers waiting back at camp. A halfling peers through the flaps of the enemy general’s tent, keeping an ear out for the guards on patrol.