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SPECIAL I COLLECTIONS PAGE 2 -1-1 .111 - I. I ,111 '. I A-- I 1. 1. II rmmr ?- r 1 111 -r .I I.. 1 111 'F1-1:' A .I L -1- . .L ..' dL . .m -1- - . .dhdm-dmm-4&db-mmLd&.. DEAR DICKHEADS Esteemed readers, perienced thanothers, but at least Hey All you Dickheads, MayIherebysecondthemo- they have enough guts to try There's a serious problem tion, as presented in April's eventhoughpeoplelikethiscriti- we have here with our scene so SLUG, that indeed "there's al- cize their every move. I even listen up. I moved to Oregon ways room for Jello." think it's cool (heaven forbid) about one-and-half-years ago to Writer Chris Robin deserves that there is a larger variety of experience a new city. There's ~~~~ credit for having further exposed people coming to concerts and not much of a local music scene MAY 101) 1 (hereinUtah),JelloBiafrafs years supportinglocalbands.Itrsgood up there. Portland is centered Editor /Publisher of consistent, innovative contri- to see new faces and meet new around out-of-town bands who J.R. Ruppel butions to the consciousness of people. generate the'sbows there. I was alternative music. The "Provo scene" isn't bummed th$ local bands Sales & Production As explained by Robin, going downhill I'm pleased to were given the real chance to Natalie Kaminski Biafra played a leading role' ifi say. I'm fairly certain it's here to show what thefivegot. I thought Photographs this era's fight against cenabr- stay. It will probably have it's Salt Lake was iqhJar that point. Robert DeBerry ship; and wasa true forefather to upsand downs though. It's your Boy was I f@XinWwrong on '. the cause who has yet to receive .attitude which determines how that. 1 come bar&tb find every- see AND OUR THANX T000000: national recognition for his if- you things. If you don't like one in thesestu'pid fuckin'cliques Jon Bmy, Jon Shuw, BdCollins, forts. the bands, or the people attend- that don't m&ai$h!t,bht egoism. Woody Comala, Bnd Barker, Rlck Ruppel, DmKeough, I feel we are each indebted, .ing, and you are going to do All that showshare a bunch of Man Tavlor. Matt Monwn. Scott as supporters of the &lei-- c nothing but put everything fuckheads try@g to be popular. ground scene and the first . which moves down, why bother What the FUCK'is going on amendment, to the mu$$ sp- ' ' Wasting your time by going? people? I renieinhe'~when Al- Coppelcld Publishing. Hoffhe Pdnting and mat of dl lo hepeople who dvar ken words and general activis,m. why dm't you find something ice's was o~q\&d.ivhen the Use and suppoa oureM~d..~anxa@nIII of Jello Biafra. His work should . to do Which you would like bet- Speedwaywas jpttopqing, and 1 I . , .The opinions and views be an inspiration to us all. .ter (if there is anything)? We The Word wasgoingstfong. Eve- expressed in Uli. mg rethose My thanks once agaln :to ,' .would probably go on without rybody just hmg,.out and lis- of the writers and are not , 1 Chris Robin for his article., . "ou. I'm not saying don't come, tened to soma 'wt'hardcore necgsarily those of the people I'm saying come with a better bands. 1remeF*henstraight who put this shit together. Sincerely, ' attitude.Concerts should be fun, edge kids, punk$ *skins hung 1.1. Godfrey and they are, no matter how out together. aitd &here wasn't @ All Material 1991 , many "sporto-jocks" are there. this hate for &ch ot%l 1 I The music may change a little, Now all @~\egot'isa bunch SLUG Le prlnted by the flflh of each I " month and la kee to the public. The S.L.U.G., . and the people may change too, of cliques that $g, mudice of written material is provided by YOU. , Iamwritinginresponsetoa ' but it's your attitude which al- each other and tFas)qws they Your opinions are vital!! Please feel free to send what you have-Letters, letter printed in the last issqe lows or disallows you to have a go to. What's t%edea14people? Artlcies, Art work; Reviews, Poetry, which was written by Mary- good time, and determine the Can't you forget haw 'much you Phvk Concert and Event Infonna- Anne. I happen to know Mary- change as a good one or a bad need toimpre&,~dutfiidndsand lion s by the 20th of each month Anneand she can definitely bea one. That's the only thing. just get along?I realize there are lo..". cool and, yes, even a very nice As far as The Keck goes, it's always going to. Ee yglethat person. But if by some chance therefor us.-Who (besides Mary- don't get along yben they meet Dickheads @ this letter is printed, I know there Anne) cares who goes? Who - but can't you; jQst, dhp you) will be a lot of talk. But it doesn't cares if some of the people are pride to enjoy aesh??; +-d really matter. I'm not writing to from BW? Who cares where it's This scene wPfie;B$r be as Salt Lake City, complain,justtobringupapoint. located? At least we got it. At great as it was.Ihate to say this I always thought that con* least there isa place for bands of but it won't. I'd 1iKetosaythanxs Utah 84110-1 061 certswereaplacetogoand listen all types to play. I'm pretty dang fir staying the sameWdi<eeping to music, but 1 guess to some grateful for it and for any other the small part of oufscene that is ADVERTISING INFORMATION they are a place of domain, that placewhichallowsbandstoplay. excellent to the following: Vic- when youare there, youareruler Before I get off my rather tims Willing, Hatex9, the Fist 484-9266 of all you see. I didn't think they tall soapbox, I'd like to remind Crew -Dave, Jason,Jake. Laters! were a place to put down every- you that once, you too, Mary- one who walked by. I want to Anne, listened to and enjoyed Buried By Hate, know what is so offensive about KJQ (shocking isn't it?). Does . Chfi.~t~lOO a group of people gathering to- everyone have to fit some sort of gether to enpy some music? It stupid stereotypical mold such SLUG makes me sad to think of people as a "sporto-pck"? Can't we just like this. Provo isn't full of it (I be people? Sadly, I guess not in DearDickheads &DO& Bats, I'BRSOMAIS AND hope). I am proud of Provo. I am MaryAnne's and a few other Aloha former !&It. Lake CIASSIFIBD ADS proud of all the people who have people's eyes. friends, how'slife wi.htheMols? UP TO 20 WORDS the guts enough to get together I guess I should get to the point. Still Your Friend, FOR ONLY $2.00 and perform, and give of them- So anyhow, it makes me tinkle in Debra Brua NOTHING SEXIST OR RACIST selves in front of a crowd. Sure, my boxers when I read how a lot SEND TO P.O. BOX some bands are a little more ex- of you bitch and don't support SEE PAGE 14 contlnwd next page PAGE 4 DEAR DlCKHEADS your scene. I used to live inS.L.C., tive, you guys should support got until it'sgone!!" Thank God but I am now stuck in'a skanky SLUG, the Pompadour, and my brother mails me S.L.U.G.s, P.S. I'm a lonely guy. If anyone cesspool they call Cincinnati. every other undekund store. they rule. Keep it goin' Dick- has'sympathy writeme, send me Thereis absolutely no scene & no You all bitch about the skinsand hiads!! Long live the memory of flyers, etc., at 5781 Lengwood good clubs. All I have here is a whine about meaningless things. the Speedway, Trekies, idol, Dr., Cincinnati, OH 45244 place called Bogart's that kicks You guys have one of the best Goldenboy, Kevy, and a wiggly you out for getting on people's zine's and scenes in the country. Leprechaun. shoulders and slamming. .. it's Don't kill it man, or it'll tuminto Greetings Dickheads??!! pitiful! The shows cost a testicle an Ohio ... believe me. As one Peace, Love &good drugs, I'm the guitarist of "the(ska and a breast and can only last 'ti1 spandex, Top 40 metal band put John "Churchmouse" Donahue band) SPECS"; (spelled wrong 11:30 pm. To &f it io perspec- it, "You don't know what you in your paper!!); just returned from our UTAH tour and back home in L.A.! Your rag SLUG is WICKED!! Wereally enpyed stayin'ia Utah and were warmed by you super people there! WHY did we leave??! What an amazin' place! SEND US BACK PLEASE!! Thanks to Ska Bob, KRCL & Dave; Swim Hershel Swim and all you skankin' Utah people!! EAST Send us your next issue PLEASE and 11 Utah women!!! Give Thanks! ----Dale Hawkins Specs pitadst LINGERIE %% 2 < ;gt $S; P 2, a?- OPEN . kl'6* , .a 7 DAYS K-UTE TOP 35 THE K-UTE STUDENT RADIO TOP 35 FOR THE WEEK OF 5/1/'91 I POMPADOUR U BAND ALBUM/SONG LABEL 1 Jesus Jones Doubt SBK 2 -tiearl Throbs -- - @d;~iye(l2-) Elektra 3 -Pop Will Eat Itself c- $,s"a ZW (12") RCA 4 -Happy Mondays Pills, Thrills & Belly-Aches Elektra 5 Lemon Heads Favorite Spanish Dishes Atlantic 6 Spacemen 3 Recurring RC A 7.
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  • Celebrating Duke Ellington

    Celebrating Duke Ellington

    Thursday–Saturday Evening, April 25 –27, 2013, at 8:00 Saturday Afternoon, April 27, 2013, at 2:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. CELEBRATING DUKE ELLINGTON JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto Saxophone, Clarinet TED NASH, Alto Saxophone, Clarinet VICTOR GOINES, Tenor Saxophone, Clarinet WALTER BLANDING, Tenor Saxophone, Clarinet JOE TEMPERLEY, Baritone Saxophone, Bass Clarinet JAMES CHIRILLO, Guitar and Banjo DAN NIMMER, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Selections will be announced from the stage. There will be a 20-minute intermission for the evening performances. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard ® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz.