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Aug./Jul. 2007 VOL.55 TOTAL TIME: 78'47” 01 THE
01 THE BISHOPS Menace About Town 08 PARAELE STRIPES Blues 15 BILL CALLAHAN Diamond Dancer ザ・ビショップ ス「メーニス・アバウト・タウ ン 」 パラエル・ストライプス「ブルース」 ビル・キャラハン「ダイアモンド・ダンサー」 (The Bishops) 3:09 (words by Masato Hirano; music by Paraele (Bill Callahan) 3:55 Aug./Jul. 2007 VOL.55 taken from the album THE BISHOPS Stripes) 4:23 taken from the album WOKE ON A WHALEHEART [1-2-3-4 / Kurofune]> P052 taken from the album PHIRST TENSE [Drag City / P-Vine]> P080 [Thistime]> P058 02 BATTLES Atlas [radio edit] 09 GOOD SHOES All In My Head 16 OMAR RODRIGUEZ-LOPEZ バト ル ス「アトラス（レディオ・エディット）」 グッド・シューズ「オール・イン・マイ・ヘッド」 Boiling Death Request A Body To Rest Its Head On (Battles) 4:09 (Good Shoes) 2:32 オマー・ロドリゲス・ロペス「ボイリング・デス・リクエスト・ア・ボ ディー・トゥ・レスト・イッツ・ヘッド・オン」 original version appears on the album MIRRORED taken from the album THINK BEFORE YOU SPEAK (Omar Rodriguez Lopez) 4:16 [Warp / Beat]> P016 [Brille / Kurofune]> P054 taken from the album SE DICE BISONTE, NO BUFALO [Gold Standard Laboratories / Beat]> P060 03 MICE PARADE Sneaky Red 10 CLUELESS Believe That This Is Right 17 VON SÜDENFED Chicken Yiamas マイス・パレード「スニーキー・レッド」 クルーレス「ビリーヴ・ザット・ディス・イズ・ライト」 ヴォン・スーデンフェッド「チキン・イヤーマ」 (Adam Pierce) 4:16 (words by Tim Van Doorne; music by Clueless) 2:46 (Mark E Smith, Andi Toma, Jan St. Werner) 2:34 taken from the album MICE PARADE taken from the album CLUELESS taken from the album TROMATIC REFLEXXIONS [Fatcat USA / P-Vine]> P091 [Moondown / Thistime]> P104 [Domino / Hostess]> P024 04 FRIDGE Eyelids 11 MARNIE STERN 18 GRINDERMAN No Pussy Blues フリッジ「アイリッズ」 Every Single Line Means Something グラインダーマン「ノー・プッシー・ブ -
Nibbler by Ken Urban
NIBBLER BY KEN URBAN DRAMATISTS PLAY SERVICE INC. NIBBLER Copyright © 2017, Ken Urban All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of NIB- BLER is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation profes- sional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, elec- tronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for NIBBLER are controlled exclusively by Dra- matists Play Service, Inc., 440 Park Avenue South, New York, NY 10016. No profes- sional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of Dramatists Play Service, Inc., and paying the requi- site fee. Inquiries concerning all other rights should be addressed to Abrams Artists Agency, 275 Seventh Avenue, 26th Floor, New York, NY 10001. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
April Quill 2013 Template.Indd
The Quill, April, 2013 5 No. 20, Vol. See The Quill online at www.centenarycollege.edu/thequill Notice anything strange yet?? Money back, guaranteed! By Clarissa Anderson Centenary Starting in the fall, Centenary College will be running a financial program to get fro- called “Fast Track,” which guarantees the funding of zen yogurt students’ education. Students who location achieve over a 3.7 GPA will be reimbursed their full By Loren Kessell tuition. Those who qualify A long night of New, off-campus dorm planned for this program must sign a studying ahead, and the clock contract stating their dedica- keeps ticking? Your brain By Kathryn Nieves tion to their education. Many is sluggish, and things seem Increased student people say this tactic is a ploy hopeless. Something sweet kitchen, and a living room. Funding for the dorm enrollment on campus has to increase students’ academ- might get the energy flowing. The style of the building was provided by a donor caused a housing issue. The ic success; others say bribing There is good news. will also replicate the two whose name has not yet solution? The college will is not the answer. Centenary College already- standing apartment been released. However, it build a new dorm. But the “Fast Track” plans to add a new hang-out buildings. However, rather is likely that the name will Currently, there are eight program guarantees your for the student body. Re- than having three floors, this appear on a sign on the front on campus: two freshman money back, so why not cently, the frozen yogurt building will have five. -
DEAD CHANNEL SURFING: Cyberpunk and Industrial Music
DEAD CHANNEL SURFING: Cyberpunk and industrial music In the early 1980s from out of Vancouver, home of cyberpunk writer William Gibson and science fiction film-maker David Cronenberg, came a series of pioneering bands with a similar style and outlook. The popular synth-pop band Images in Vogue, after touring with Duran Duran and Roxy Music, split into several influential factions. Don Gordon went on to found Numb, Kevin Crompton to found Skinny Puppy, and Ric Arboit to form Nettwerk Records, which would later release Skinny Puppy, Severed Heads, Moev, Delerium and more. Controversial band Numb ended up receiving less attention than the seminal Skinny Puppy. Kevin Crompton (now called Cevin Key) joined forces with Kevin Ogilvie (Nivek Ogre) and began their career by playing in art galleries. After their friend Bill Leeb quit citing ‘creative freedom’ disputes, they embarked on a new style along with the help of newly recruited Dwayne Goettel. Leeb would go on to found Front Line Assembly with Rhys Fulber in 1986. The style of music created by these bands, as well as many similar others, has since been dubbed ‘cyberpunk’ by some journalists. Cyberpunk represents an interesting coupling of concepts. It can be dissected, as Istvan Csiscery-Ronay has shown, into its two distinct parts, ‘cyber’ and ‘punk’. Cyber refers to cybernet- ics, the study of information and control in man and machine, which was created by U.S. American mathematician Norbert Wiener fifty years ago. Wiener fabricated the word from the Greek kyber- netes, meaning ‘governor’, ‘steersman’ or ‘pilot’ (Leary, 1994: 66). The second concept, punk, in the sense commonly used since 1976, is a style of music incorporating do-it-yourself (d.i.y) techniques, centred on independence and touting anarchist attitudes. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
3300 ICP Technician's Handbook
MITEL 3300 IP Communications Platform Technician’s Handbook Mitel Communications Director Release 5.0 NOTICE The information contained in this document is believed to be accurate in all respects but is not warranted by Mitel Networks™ Corporation (MITEL®). The information is subject to change without notice and should not be construed in any way as a commitment by Mitel or any of its affiliates or subsidiaries. Mitel and its affiliates and subsidiaries assume no responsibility for any errors or omissions in this document. Revisions of this document or new editions of it may be issued to incorporate such changes. No part of this document can be reproduced or transmitted in any form or by any means - electronic or mechanical - for any purpose without written permission from Mitel Networks Corporation. Trademarks Mitel, SX-2000, SUPERCONSOLE 1000, and SUPERSET are trademarks of Mitel Networks Corporation. Windows is a trademark of Microsoft Corporation. Cisco is a trademark of Cisco Systems, Inc. VT100 is a trademark of Digital Equipment Corporation. Java is a trademark of Sun Microsystems Incorporated. Other product names mentioned in this document may be trademarks of their respective companies and are hereby acknowledged. 3300 IP Communications Platform Technician’s Handbook Mitel Communications Director (MCD) Release 5.0 57011493, Rev A 2011 Trademark of Mitel Networks Corporation ©Copyright 2011, Mitel Networks Corporation All rights reserved Table of Contents Chapter 1 : Getting Started Purpose of This Handbook ....................................................................................................3 -
Issue 11 - Thursday, December 18, 2003
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Winter 12-18-2003 Volume 39 - Issue 11 - Thursday, December 18, 2003 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 39 - Issue 11 - Thursday, December 18, 2003" (2003). The Rose Thorn Archive. 261. https://scholar.rose-hulman.edu/rosethorn/261 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. ROSE-HULMAN INSTITUTE OF TECHNOLOGY TERRE HAUTE, INDIANA Thursday, December 18, 2003 Volume 39, Issue 11 Saddam: Just a man? Part I - Rise his capture. Rubaie had been chose life over death at the legal privilege to have up to need to educate him. -
Vince Herman & Friends
Welcome elcome to the 17th Annual Nederland Music and Arts Festival! We like to call it Colorado’s most intimate music festival because spectators are never more than 200 feet from the Wstage and anyone can get right up to the front and see the artists’ faces and fi ngers. No Jumbotron needed! There is room to dance and hula-hoop or just lay back and look at the sky and enjoy the wonderful music. We have some great artist booths this year and a few spe- cial new sponsors. There are several yummy choices for delectable dinners, three breweries, a meadery, and a winery to tempt your taste buds. Our long-time sponsor Indian Peaks Spring Water has all the wonderful water you need (bring your water bottle!) so make sure to stay hydrated while having fun! If you have little ones with you, make sure you don’t miss our alt special kid’s tent with face painting and fun stuff to eW James D do while at the fest. We have a fantastic mix of music for you this year, so whether you want to dance your days and nights away or just sit back and relax, we’ve got a fantastic weekend for you! — The NedFest Staff he Peak to Peak Music Education Association formed in 2011 Tfollowing the death of NedFest founder Michigan Mike to con- tinue the festival and use its resources to support music education programs for local kids. It received full recognition as a 501(c)3 or- ganization in 2014. So far, the PPMEA has given grants to fund an after school music teacher at the TEENS, Inc. -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
Programmheft
- INHALT LIEBE EDITORIAL 3 VORWORTE 4 TIMETABLE 6 LIEBE LAGEPLAN 8 INFORMATIONEN 9 “DER HEILIGE AUGENBLICK IST DEINE EINLA ALVIN LUCIER 10 ANGELICA SUMMER 11 LIEBE BENEDIKT TER BRAAK 12 BRIAN PARKS 13 1 BRUEDER SELKE (CEEYS) 14 CARLOS CIPA 15 LIEBE CHORENSEMBLE FIAT ARS 16 CLEMENS CHRISTIAN POETZSCH 17 DAVID GRANSTRÖM 18 ELISA KÜHNL 19 LIEBE ENSEMBLE [___] 20 FRANCESCO CAVALIERE 21 GRAND RIVER 22 GREGOR SCHWELLENBACH 23 LIEBE HARTUNG & TRENZ 24 HAUSCHKA 25 JOHN KAMEEL FARAH 26 KONSTANTIN DUPELIUS 27 LUBOMYR MELNYK 30 LIEBE MARCOS MEZA 31 MARCUS SCHMICKLER 32 MARTA ZAPPAROLI 33 OZAN TEKIN 34 LIEBE PHILLIP SCHULZE 35 RESINA 36 ROGER ENO 37 SARAH DAVACHI 38 LIEBE SVEN HELBIG 39 THE EVER PRESENT ORCHESTRA 40 THE EVER PRESENT SAXOPHONES/ STRING QUARTETT 41 LIEBE TOBIAS THOMAS 42 VIOLA KLEIN 43 „DER HEILIGE AUGENBLICK IST DEINE EINLADUNG AN DIE LIEBE“ WALTRAUD BLISCHKE 44 AMELIE NEUMANN 45 LIEBE A CONTEMPLATION TOWARDS 46 GLOCKENBUCH [21/1000APOSTELN] 47 1 VORTRÄGE & WORKSHOPS 48 REDNER*INNEN 50 LIEBE DANK & SPONSOR*INNEN 53 IMPRESSUM 54 LIEBE AN DIE LIEBE“ 3 LIEBE EDITORIAL In diesem Jahr feiert unser Ambient-Festival über vier Tage verteilt 1000 Jahre St. Aposteln. Für dieses „Once-in-a-lifetime“-Ereignis haben wir ein Festprogramm LIEBE zusammengestellt, das liebevoller, umfänglicher und avancierter ist denn je: mit über 30 international renommierten Künstler*innen aus der zeitgenössisch elektronischen wie klassischen Musikszene, darunter der Chor FIAT ARS und Alvin Luciers THE EVER PRESENT ORCHESTRA, das unser diesjähriges LIEBE Festival-Orchester stellt. Unser Motto lautet ANNUM PER ANNUM, das heißt (lat.) „Jahr für Jahr“. Damit möchten wir Sie und unsere Künstler*innen inspirieren, Zeitlosigkeit zu reflek- tieren – in der Musik wie im Raum mit Konzerten, Performances und Installatio- LIEBE nen. -
Various Kompakt 100 Mp3, Flac, Wma
Various Kompakt 100 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Kompakt 100 Country: Germany Released: 2004 Style: Minimal, Tech House, Ambient MP3 version RAR size: 1637 mb FLAC version RAR size: 1692 mb WMA version RAR size: 1479 mb Rating: 4.2 Votes: 639 Other Formats: ASF VOC FLAC WMA MIDI AIFF APE Tracklist Hide Credits Because Before (The Orb) 1-01 –Ulf Lohmann 4:52 Remix – The Orb Because (Thomas/Mayer) 1-02 –Ulf Lohmann 6:05 Remix – Mayer*, Thomas* Zu Dicht Dran (DJ Koze) 1-03 –Reinhard Voigt 4:37 Remix – DJ Koze Radeln (Sascha Funke) 1-04 –Thomas Fehlmann 6:03 Remix – Sascha Funke Weiche Zäune (The Modernist) 1-05 –Justus Köhncke 5:01 Remix – The Modernist 17&4 (Joachim Spieth) 1-06 –M.Mayer* 5:29 Remix – Joachim Spieth Tomorrow (Kaito) 1-07 –Superpitcher 6:17 Remix – Kaito Robson Ponte (Wassermann) 1-08 –Reinhard Voigt 4:08 Remix – Wassermann Respect To The Distance (Markus Guentner) 1-09 –Kaito 5:39 Remix – Markus Guentner One Two Three No Gravity (Dettinger) 1-10 –Closer Musik 5:05 Remix – Dettinger Pensum (Markus Guentner) 2-01 –M.Mayer* 5:39 Remix – Markus Guentner Frei/Hot Love (Justus Köhncke Feat. Meloboy) 2-02 –Freiland 4:13 Remix – Justus KöhnckeVocals – Meloboy Teaser (SCSI 9) 2-03 –Lawrence 6:33 Remix – SCSI 9* The World Is Crazy (Jürgen Paape) 2-04 –Schaeben&Voss* 4:52 Remix – Jürgen Paape 2-05 –Schaeben&Voss* Dicht Dran (Schaeben&Voss) 5:41 Intershop (Jonas Bering) 2-06 –Dettinger 5:46 Remix – Jonas Bering Megamix (Reinhard Voigt) 2-07 –Closer Musik 6:04 Mixed By – Reinhard Voigt Cero Uno (Matias Aguayo/Leandro Fresco) 2-08 –Leandro Fresco 6:42 Remix – Leandro Fresco, Matias Aguayo Tomorrow (SCSI 9) 2-09 –Superpitcher 6:47 Remix – SCSI 9* Intershop (Ulf Lohmann) 2-10 –Dettinger 3:08 Remix – Ulf Lohmann In Moll (Hannes Teichmann) 2-11 –Markus Guentner 7:16 Remix – Hannes Teichmann Companies, etc.