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Lntertextuality in AMERICAN DRAMA Critical Essays on Eugene 0 'Neill, Susan Glaspell, Thornton Wilder, -~Arthur Miller and Other Playwrights
lNTERTEXTUALITY IN AMERICAN DRAMA Critical Essays on Eugene 0 'Neill, Susan Glaspell, Thornton Wilder, -~Arthur Miller and Other Playwrights Edited by Drew Eisenhauer and Brenda Murphy McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London Table of Contents Introduction: What Is "'ntertextuality" and Why Is the Term Important Today? DREW EISENHAUER .......................... 1 Part I: Literary Intertextuality LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA SECTION ONE: PoETS Intertextuality in American drama : critical essays on Eugene O'Neill, Susan Glaspell, Thornton Wilder, Arthur Miller The Ancient Mariner and O'Neill's Intertextual Epiphany and other playwrights I edited by Drew Eisenhauer and (Herman Daniel Farrell III) ............................... 10 Brenda Murphy. p. em. "Deep in my silent sea": Eugene O'Neill's Extended Includes bibliographical references and index. Adaptation of Coleridge's The Ancient Mariner ISBN 978-0-7864-6391-6 (Rupendra Guha Majumdar) ............................... 25 softcover : acid free paper § A Multi-Faceted Moon: Shakespearean and Keatsian Echoes 1. American drama- 20th century- History in Eugene O'Neill's A Moon for the Misbegotten and criticism. 2. O'Neill, Eugene, 1888-1953- (Aurelie Sanchez) ........................................ 36 Criticism and interpretation. 3. Glaspell, Susan, 1876-1948- Criticism and interpretation. Trailing Clouds of Glory: Glaspell, Romantic Ideology 4. Wilder, Thornton, 1897-1975- Criticism and Cultural Conflict in Modern American Literature and interpretation. 5. Miller, Arthur, 1915-2005- Criticism and interpretation. 6. Intertextuality. (Michael Winetsky) ...................................... 52 I. Eisenhauer, Drew. II. Murphy, Brenda, 1950- On Closets and Graves: Intertextualities in Susan Glaspell's PS350.I58 2013 Alison's House and Emily Dickinson's Poetry 812'.509-dc23 2012038662 (Noelia Hernando-Real) ................................. -
2018 Celebrity Birthday Book!
2 Contents 1 2018 17 1.1 January ............................................... 17 January 1 - Verne Troyer gets the start of a project (2018-01-01 00:02) . 17 January 2 - Jack Hanna gets animal considerations (2018-01-02 09:00) . 18 January 3 - Dan Harmon gets pestered (2018-01-03 09:00) . 18 January 4 - Dave Foley gets an outdoor slumber (2018-01-04 09:00) . 18 January 5 - deadmau5 gets a restructured week (2018-01-05 09:00) . 19 January 6 - Julie Chen gets variations on a dining invitation (2018-01-06 09:00) . 19 January 7 - Katie Couric gets a baristo’s indolence (2018-01-07 09:00) . 20 January 8 - Jenny Lewis gets a young Peter Pan (2018-01-08 09:00) . 20 January 9 - Joan Baez gets Mickey Brennan’d (2018-01-09 09:00) . 20 January 10 - Jemaine Clement gets incremental name dropping (2018-01-10 09:00) . 21 January 11 - Mary J. Blige gets transferable Bop-It skills (2018-01-11 09:00) . 22 January 12 - Raekwon gets world leader factoids (2018-01-12 09:00) . 22 January 13 - Julia Louis-Dreyfus gets a painful hallumination (2018-01-13 09:00) . 22 January 14 - Jason Bateman gets a squirrel’s revenge (2018-01-14 09:00) . 23 January 15 - Charo gets an avian alarm (2018-01-15 09:00) . 24 January 16 – Lin-Manuel Miranda gets an alternate path to a coveted award (2018-01-16 09:00) .................................... 24 January 17 - Joshua Malina gets a Baader-Meinhof’d rice pudding (2018-01-17 09:00) . 25 January 18 - Jason Segel gets a body donation (2018-01-18 09:00) . -
Reverbnation Crowd Review
ReverbNation Crowd Review The Timekeeper • Color Theory • 200 reviewers • March 31, 2017 Standard Insight Track Rating Summary Generally, listener reaction to this song was mixed. When asked to rate this song on a scale from 1 to 10, reviewers reported a 6.7 on average, which ranks this song in the 68th percentile of all songs analyzed by Crowd Review. Most listeners rated your song a 7, and did want to hear your song again after listening to it once. When reviewing your song, the most commonly selected words were vocals, lyrics, good, music, beat. According to a sentiment analysis of those written reviews, listener comments 6.7 were generally neutral. Based on the results of this study, this song probably needs a little more work before it’s ready for promotion to a wider audience. 6.7/10 - 68th percentile Song Rating Position Reviewer Rating Distribution Your Song 60 s r e n 40 e t s i L f o r e b m 20 u N 1 2 3 4 5 6 7 8 9 10 Rating 0 1 2 3 4 5 6 7 8 9 10 All songs Songs in this genre Rating 1 Comment Sentiment Analysis Would you want to hear this song again? 100 90 80 70 60 % 50 No: 42% 40 30 Yes: 59% 20 10 0 Positive Neutral Negative This Song Av erage Would you want to hear this song again? tone love melody 100 artist thought 90 bad softtimehear instruments 80 singer quality 70 electronic beat goodgreat 60 enjoyed % track feel 50 weird vocals voice 40 pretty nice listen 30 music lyrics pianosongs 20 reminds unique 10 work mix soundedinteresting 0 kind Yes No instrumentation This Song Av erage 2 Songwriting Analysis Song Component Rating Average Summary Your song reminded people of Depeche Mode, and made people feel Mellow, Thoughtful and Interested. -
Aug./Jul. 2007 VOL.55 TOTAL TIME: 78'47” 01 THE
01 THE BISHOPS Menace About Town 08 PARAELE STRIPES Blues 15 BILL CALLAHAN Diamond Dancer ザ・ビショップ ス「メーニス・アバウト・タウ ン 」 パラエル・ストライプス「ブルース」 ビル・キャラハン「ダイアモンド・ダンサー」 (The Bishops) 3:09 (words by Masato Hirano; music by Paraele (Bill Callahan) 3:55 Aug./Jul. 2007 VOL.55 taken from the album THE BISHOPS Stripes) 4:23 taken from the album WOKE ON A WHALEHEART [1-2-3-4 / Kurofune]> P052 taken from the album PHIRST TENSE [Drag City / P-Vine]> P080 [Thistime]> P058 02 BATTLES Atlas [radio edit] 09 GOOD SHOES All In My Head 16 OMAR RODRIGUEZ-LOPEZ バト ル ス「アトラス(レディオ・エディット)」 グッド・シューズ「オール・イン・マイ・ヘッド」 Boiling Death Request A Body To Rest Its Head On (Battles) 4:09 (Good Shoes) 2:32 オマー・ロドリゲス・ロペス「ボイリング・デス・リクエスト・ア・ボ ディー・トゥ・レスト・イッツ・ヘッド・オン」 original version appears on the album MIRRORED taken from the album THINK BEFORE YOU SPEAK (Omar Rodriguez Lopez) 4:16 [Warp / Beat]> P016 [Brille / Kurofune]> P054 taken from the album SE DICE BISONTE, NO BUFALO [Gold Standard Laboratories / Beat]> P060 03 MICE PARADE Sneaky Red 10 CLUELESS Believe That This Is Right 17 VON SÜDENFED Chicken Yiamas マイス・パレード「スニーキー・レッド」 クルーレス「ビリーヴ・ザット・ディス・イズ・ライト」 ヴォン・スーデンフェッド「チキン・イヤーマ」 (Adam Pierce) 4:16 (words by Tim Van Doorne; music by Clueless) 2:46 (Mark E Smith, Andi Toma, Jan St. Werner) 2:34 taken from the album MICE PARADE taken from the album CLUELESS taken from the album TROMATIC REFLEXXIONS [Fatcat USA / P-Vine]> P091 [Moondown / Thistime]> P104 [Domino / Hostess]> P024 04 FRIDGE Eyelids 11 MARNIE STERN 18 GRINDERMAN No Pussy Blues フリッジ「アイリッズ」 Every Single Line Means Something グラインダーマン「ノー・プッシー・ブ -
Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7
Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420. -
American Theatre and Drama Eugene O'neill and His Contemporaries
Theatre 365-1: American Theatre and Drama Eugene O’Neill and His Contemporaries Monday/Wednesday 9:30-10:50am, Parkes Hall 215 Instructor: Shannon K. Fitzsimons ([email protected]) Office Hours: By appointment Course Description This course will examine American drama and theatre history from 1915 to 1945 through the stylistically diverse career of Eugene O'Neill, the only American dramatist to win the Nobel Prize for Literature. Special emphasis will be placed on O'Neill's early career with the Provincetown Players, the expressionistic experiments of the 1920s, social dramas of the Depression years, and finally, the realist family dramas of the 1940s. Playwrights (besides O'Neill) to be studied include Susan Glaspell, Elmer Rice, Sophie Treadwell, Gertrude Stein, Marc Blitzstein, Clifford Odets, Tennessee Williams, and Arthur Miller. Assignments Discussion Questions Beginning with class on Wednesday, January 4, and continuing through class on Wednesday, February 29, students are required to post TWO discussion questions on the assigned reading(s) for each class on Blackboard. Discussion questions are due by 8 am on the day of class. Students are expected to post discussion questions for 15 of the 17 discussion days; in other words, you may opt to not write questions for two classes of your choice. The discussion questions for each class are worth 1% of your final grade, for a total of 15%. They will be marked on a complete/incomplete basis, with complete questions receiving an A and incomplete questions receiving a zero. Contextual Presentation and Summary/Bibliography Each student will be responsible for presenting one ten-minute in-class presentation on a topic related to the course material; topics for each class meeting are listed on the weekly schedule below and a sign-up sheet for these presentations will be circulated on the first day of class. -
Jenny Lewis Feels Good. That Sounds Simple, but It's Been a Long Time
10/15/2015 Jenny Lewis Is Writing Songs Without Apology | Bitch Media MUSIC (/MUSIC) JENNY LEWIS (/TOPIC/JENNYLEWIS) by Hannah Steinkopf-Frank (/profile/hannah-steinkopf-frank) Published on August 25, 2015 at 10:48am Jenny Lewis feels good. That sounds simple, but it’s been a long time coming for the ‘90s child actor turned prolific musician. As a kid, Lewis starred in films like The Wizard and Troop Beverly Hills before pursing music. Her band Rilo Kiley was part of the wave of indie groups that defined the alternative music scene of the aughts. But in recent years, Lewis has faced a series of setbacks: the disbanding of Rilo Kiley, the death of her father, and chronic insomnia. https://bitchmedia.org/article/interview-jenny-lewis-music-and-voyager-feminism 1/9 10/15/2015 Jenny Lewis Is Writing Songs Without Apology | Bitch Media It was these experiences that provided the material for last year’s The Voyager (http://www.jennylewis.com/), her first solo release since 2008’s Acid Tongue. For Lewis, making The Voyager was freeing. Without the pressure of bandmates, she was able to have total control over her music, albeit with the occasional guidance of Beck and Ryan Adams. Lewis has also returned to her Hollywood roots and scored best-friend flick Very Good Girls and 2014 film Song One, which starred her friend Anne Hathaway. Lewis most recently wrote a song with boyfriend and collaborator Jonathan Rice for Meryl Streep’s rocker character, Ricki, in the new film Ricki and the Flash (http://www.imdb.com/title/tt3623726/). -
CONTRIBUTION TOWARDS AMERICAN PLAYS by CLIFFORD ODETS and OTHER PLAYWRIGHTS DURING 1930S
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347-4564; ISSN (E): 2321-8878 Vol. 6, Issue 4, Apr 2018, 51-56 © Impact Journals CONTRIBUTION TOWARDS AMERICAN PLAYS BY CLIFFORD ODETS AND OTHER PLAYWRIGHTS DURING 1930s G. Visalam Head, Department of English, Sri Muthukumaran Arts and Science College, Chennai, Tamil Nadu, India Received: 31 Mar 2018 Accepted: 04 Apr 2018 Published: 07 Apr 2018 ABSTRACT American Plays had a tremendous response during 1930s and several genre of plays were staged at all corners of America and the Americans were fond of enacting and viewing the plays. The genre of plays will vary based on the American people mindset and the political situations. Several playwrights followed Hollywood techniques for writing their scripts. The role of playwright was found to be more vital than the role of an actor or the Director or the Production Company. The contribution of the playwrights during 1930s was considered to be a trend setting period in changing the roles of a writer from technician to becoming an artist. KEYWORDS : Playwright, Writer, Script, Actor, Play, Drama, Theatre INTRODUCTION During the 1930s, the playwrights followed Hollywood’s technique for paying writers for their scripts. Theatres such as Group Theatre and the Theatre Guild supported this idea to consider writers as autonomous artists whose function was very important than any other member of the company. The scripts were sold on the basis of their value, but they were written without the specific actor, particular director or any theatres in mind. Thus the Star System of Pre-World War came to an end, by giving importance to the playwright. -
United States Postal Service: a Sustainable Path Forward Report from the Task Force on the United States Postal System
United States Postal Service: A Sustainable Path Forward Report from the Task Force on the United States Postal System DECEMBER 2018 United States Postal Service: A Sustainable Path Forward Report from the Task Force on the United States Postal System December 4, 2018 DEPARTMENT OF THE TREASURY WASHINGTON, D.C. December 4, 2018 The Honorable Donald J. Trump The White House Washington, DC Dear Mr. President: On April 12, 2018, you signed Executive Order 13829, which established the Task Force on the United States Postal System to evaluate the operations and finances of the United States Postal Service (USPS) and develop recommendations for administrative and legislative reforms for the U.S. postal system. The goal of these recommendations is to identify a path for the USPS to operate under a sustainable business model, providing necessary mail services to citizens and businesses, while competing fairly in commercial markets. The Task Force conducted extensive outreach to stakeholders and performed in depth research and analysis in order to understand the wide range of challenges facing the USPS. In addition to our August 10, 2018, submission, the Task Force presents here its findings and full list of recommendations. We believe these are the first steps forward in creating a sustainable business model under which the USPS can continue to provide necessary mail services for all Americans. Sincerely, Steven T. Mnuchin Secretary of the Treasury Chairman, Task Force on the United States Postal System Table of Contents Executive Summary .................................................................................... 1 A. Task Force on the United States Postal System ...............................................................1 B. Unsustainable Financial Path ...........................................................................................2 C. -
T Wentieth Centur Y North Amer Ican Drama
TWENTIETH CENTURY NORTH AMERICAN DRAMA, SECOND EDITION learn more at at learn more alexanderstreet.com Twentieth Century North American Drama, Second Edition Twentieth Century North American Drama, Second Edition contains 1,900 plays from the United States and Canada. In addition to providing a comprehensive full-text resource for students in the performing arts, the collection offers a unique window into the econom- ic, historical, social, and political psyche of two countries. Scholars and students who use the database will have a new way to study the signal events of the twentieth century – including the Depression, the role of women, the Cold War, and more – through the plays and performances of writers who lived through these decades. More than 1,250 of the works are in copyright and licensed Jules Feiffer, Neil LaBute, Moisés Kaufman, Lee Breuer, Richard from the authors or their estates, and 1,700 plays appear in Foreman, Stephen Adly Guirgis, Horton Foote, Romulus Linney, no other Alexander Street collection. At least 550 of the works David Mamet, Craig Wright, Kenneth Lonergan, David Ives, Tina have never been published before, in any format, and are Howe, Lanford Wilson, Spalding Gray, Anna Deavere Smith, Don available only in Twentieth Century North American Drama, DeLillo, David Rabe, Theresa Rebeck, David Henry Hwang, and Second Edition – including unpublished plays by major writers Maria Irene Fornes. and Pulitzer Prize winners. Besides the mainstream works, users will find a number of plays Important works prior to 1920 are included, with the concentration of particular social significance, such as the “people’s theatre” of works beginning with playwrights such as Eugene O’Neill, exemplified in performances by The Living Theatre and The Open Elmer Rice, Sophie Treadwell, and Susan Glaspell in the 1920s Theatre. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
The Female Gothic in Susan Glaspell's the Morning Is Near Us
The Function of the Gothic in Susan Glaspell’s The Morning Is Near Us I. Susan Glaspell Susan Glaspell (1876-1948) was a prolific writer whose work spans the genres of drama, short fiction, and novels. She “along with her husband George Cram Cook, and, later, Eugene O’Neill—established the Provincetown Players, the first modern American theater company” (Ben Zvi 1). Prominent theater critics of her day and age, Issac Goldberg, Heywood Broun, and Ludwig Lewisohn, cite Glaspell as the mother of American drama. She wrote eleven plays for the group, giving them their first commercial success with “Trifles” (Ben Zvi 1; Ozieblo 2). In 1931, she won a Pulitzer for her play, Alison’s House, and during her lifetime, her short stories were published in journals like Harpers, The Black Cat, and Ladies Home Journal. Three of her novels made best sellers lists and were praised highly by the New York Times; however, despite her success and popularity during her lifetime, Glaspell’s works were largely forgotten about and left out of the American literary canon. Martha Carpentier explains, “This solid body of work should have ensured her place in the annals of American fiction, but Susan Glaspell is a classic case study of gender-biased marginalization” (2). Rather, Glaspell’s body of work follows the trajectory of many women writers, as Linda Ben-Zvi elucidates, she “was well known in her time, effaced from canonical consideration after her death, and rediscovered years later through the resurfacing of one work, around which critical attention has been focused” (1).