Om Typologi Och Grafisk Variation I Den Äldre Futharken
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EFNI GRI Michael MacPherson and Yoav Tirosh: A Stylometric Analysis of Ljósvetninga saga Þórdís Edda Jóhannesdóttir: P „Hugblauð hormegðarbikkja“: Um Bósa sögu yngri LA GRIPLA Mikael Males: Fóstbrœðra saga : A Missing Link? XXXI Rósa Þorsteinsdóttir: XXXI Þjóðsögur Magnúsar Grímssonar: Hlutur Magnúsar Grímssonar í upphafi þjóðsagnasöfnunar á 19. öld Philip Lavender: Timur, ‘The Wrath of God’: An Unknown Source of Oddverjaannáll and the Vindication of a Tyrant in Ambáles saga and Ambáles rímur Leiv Olsen: Of/um-partikkelen som dateringskriterium for eddakvada Klaus Johan Myrvoll: Gísli Súrsson as Egða andspillir An Obscure Kenning and its Implications for Tribal Identities in Tenth-Century Iceland Anna Katharina Heiniger: The Silenced Trauma in the Íslendingasögur Christopher Crocker: Narrating Blindness and Seeing Ocularcentrism in Þorsteins saga hvíta Árni Heimir Ingólfsson: Sléttsöngur í lútherskum sið á Íslandi 1550–1800 Handrit REYKJAVÍK U202030 STOFNUN ÁRNA MAGNÚSSONAR 2020 2020 GRIPLA Ráðgjafar FRANÇOIS-XAVIER DILLMANN, MATTHEW JAMES DRISCOLL, JÜRG GLAUSER, STEFANIE GROPPER, HAKI ANTONSSON, TATJANA N. JACKSON, KARL G. JOHANSSON, MARIANNE E. KALINKE, STEPHEN A. MITCHELL, JUDY QUINN, LENA ROHRBACH, ANDREW WAWN Gripla er ritrýnt tímarit sem kemur út einu sinni á ári. Það er alþjóðlegur vettvangur fyrir rannsóknir á sviði íslenskra og norrænna fræða, einkum handrita- og textafræða, bókmennta og þjóðfræða. Birtar eru útgáfur á stuttum textum, greinar og ritgerðir og stuttar fræðilegar athuga- semdir. Greinar skulu að jafnaði skrifaðar á íslensku en einnig eru birtar greinar á öðrum norræ- num málum, ensku, þýsku og frönsku. Leiðbeiningar um frágang handrita er að finna á heima síðu Árnastofnunar: https://www.arnastofnun.is/is/leidbeiningar-um-skil-og-fragang-greina. -
Gunther's Head and Hagen's Heart. Royal Sacrifice In
Corpus Mundi. 2020. No 1 От литературного к кинематографическому дискурсу GUNTHER’S HEAD AND HAGEN’S HEART. ROYAL SACRIFICE IN THE LAY OF NIBELUNGS Asya A. Sarakaeva (a) (a) Hainan State University. Haikou, China. Email: asia-lin[at]mail.ru Abstract Thee article deals with the ficnal part of the German epic Nibelungenlied to learn the real significcance, cultural and ideological context of these episodes. Thee author analyzes literary and anthropological theories, as well as archaeological ficnds to conclude that royal deaths described in the epic refliect the ancient practice of human sacrificce. Keywords the Nibelungenlied; the Elder Edda; interpretative level; human sacrificce; intra- communal violence Theis work is licensed under a Creative Commons «Atteribution» ?.0 International License. 135 Corpus Mundi. 2020. No 1 From Literary to Cinematic Discourse ГОЛОВА ГУНТЕРА И СЕРДЦЕ ХАГЕНА. ЖЕРТВОПРИНОШЕНИЕ В «ПЕСНИ О НИБЕЛУНГАХ» Саракаева Ася Алиевна (a) (a) Хайнаньский университет. Хайкоу, Китай. Email: asia-lin[at]mail.ru Аннотация В статье подробному рассмотрению подвергается финальная часть немецкой эпической поэмы «Песнь о нибелунгах», автор ставит себе задачу выяснить подлинное значение, культурный и идеологический контекст этих эпизодов. На основании анализа литературоведческих и антропологических теорий и археологических находок автор приходит к выводу, что гибель королей, описанная в поэме, отражает древную практику человеческих жертвоприношений. Ключевые слова «Песнь о нибелунгах»; «Старшая Эдда»; уровни интерпретации; человеческое жертвоприношение; внутриобщинное насилие Это произведение доступно по лицензии Creative Commons « Atteribution » («Атрибуция») ?.0 Всемирная 136 Corpus Mundi. 2020. No 1 От литературного к кинематографическому дискурсу Thee German epic Nibelungenlied (Thee Lay of Nibelungs) is a unique work of European medieval literature. It can boast a long and elaborate plot, rich imagery and unprecedented for its time psychological insights into human nature, but that’s not what makes it unique. -
Agrarian Metaphors 397
396 Agrarian Metaphors 397 The Bible provided homilists with a rich store of "agricultural" metaphors and symbols) The loci classici are passages like Isaiah's "Song of the Vineyard" (Is. 5:1-7), Ezekiel's allegories of the Tree (Ez. 15,17,19:10-14,31) and christ's parables of the Sower (Matt. 13: 3-23, Mark 4:3-20, Luke 8:5-15) ,2 the Good Seed (Matt. 13:24-30, Mark 4:26-29) , the Barren Fig-tree (Luke 13:6-9) , the Labourers in the Vineyard (Matt. 21:33-44, Mark 12:1-11, Luke 20:9-18), and the Mustard Seed (Matt. 13:31-32, Mark 4:30-32, Luke 13:18-19). Commonplace in Scripture, however, are comparisons of God to a gardener or farmer,5 6 of man to a plant or tree, of his soul to a garden, 7and of his works to "fruits of the spirit". 8 Man is called the "husbandry" of God (1 Cor. 3:6-9), and the final doom which awaits him is depicted as a harvest in which the wheat of the blessed will be gathered into God's storehouse and the chaff of the damned cast into eternal fire. Medieval scriptural commentaries and spiritual handbooks helped to standardize the interpretation of such figures and to impress them on the memories of preachers (and their congregations). The allegorical exposition of the res rustica presented in Rabanus Maurus' De Universo (XIX, cap.l, "De cultura agrorum") is a distillation of typical readings: Spiritaliter ... in Scripturis sacris agricultura corda credentium intelliguntur, in quibus fructus virtutuxn germinant: unde Apostolus ad credentes ait [1 Cor. -
Pedigree of the Wilson Family N O P
Pedigree of the Wilson Family N O P Namur** . NOP-1 Pegonitissa . NOP-203 Namur** . NOP-6 Pelaez** . NOP-205 Nantes** . NOP-10 Pembridge . NOP-208 Naples** . NOP-13 Peninton . NOP-210 Naples*** . NOP-16 Penthievre**. NOP-212 Narbonne** . NOP-27 Peplesham . NOP-217 Navarre*** . NOP-30 Perche** . NOP-220 Navarre*** . NOP-40 Percy** . NOP-224 Neuchatel** . NOP-51 Percy** . NOP-236 Neufmarche** . NOP-55 Periton . NOP-244 Nevers**. NOP-66 Pershale . NOP-246 Nevil . NOP-68 Pettendorf* . NOP-248 Neville** . NOP-70 Peverel . NOP-251 Neville** . NOP-78 Peverel . NOP-253 Noel* . NOP-84 Peverel . NOP-255 Nordmark . NOP-89 Pichard . NOP-257 Normandy** . NOP-92 Picot . NOP-259 Northeim**. NOP-96 Picquigny . NOP-261 Northumberland/Northumbria** . NOP-100 Pierrepont . NOP-263 Norton . NOP-103 Pigot . NOP-266 Norwood** . NOP-105 Plaiz . NOP-268 Nottingham . NOP-112 Plantagenet*** . NOP-270 Noyers** . NOP-114 Plantagenet** . NOP-288 Nullenburg . NOP-117 Plessis . NOP-295 Nunwicke . NOP-119 Poland*** . NOP-297 Olafsdotter*** . NOP-121 Pole*** . NOP-356 Olofsdottir*** . NOP-142 Pollington . NOP-360 O’Neill*** . NOP-148 Polotsk** . NOP-363 Orleans*** . NOP-153 Ponthieu . NOP-366 Orreby . NOP-157 Porhoet** . NOP-368 Osborn . NOP-160 Port . NOP-372 Ostmark** . NOP-163 Port* . NOP-374 O’Toole*** . NOP-166 Portugal*** . NOP-376 Ovequiz . NOP-173 Poynings . NOP-387 Oviedo* . NOP-175 Prendergast** . NOP-390 Oxton . NOP-178 Prescott . NOP-394 Pamplona . NOP-180 Preuilly . NOP-396 Pantolph . NOP-183 Provence*** . NOP-398 Paris*** . NOP-185 Provence** . NOP-400 Paris** . NOP-187 Provence** . NOP-406 Pateshull . NOP-189 Purefoy/Purifoy . NOP-410 Paunton . NOP-191 Pusterthal . -
Sidelights on Teutonic History During the Migration Period
SIDELIGHTS ON TEUTONIC HISTORY DURING THE MIGRATION PERIOD M. G. CLARKE ^=00 ICO 'CO GIRTON COLLEGE STUDIES No, III GIRTON COLLEGE STUDIES EDITED BY LILIAN KNOWLES, LITT.D., READER IN ECONOMIC HISTORY IN THE UNIVERSITY OP LONDON No. 3 SIDELIGHTS ON TEUTONIC HISTORY DURING THE MIGRATION PERIOD CAMBEIDGE UNIVERSITY PEESS Edition: FETTER LANE, E.G. C. F. CLAY, MANAGER 100, PRINCES STREET Btrlin : A. ASHER AND CO. leipjifi: F. A. BROCKHAUS #efo 8orh: G. P. PUTNAM'S SONS Bambap. anH Calcutta : MACMILLAN AND CO., LTD. All rights reserved SIDELIGHTS ON TEUTONIC HISTORY DURING THE MIGRATION PERIOD BEING BY M. G. CLARKE, M.A. Cambridge : SEEN BY at the University F ress 1 PRESERVATION 191 SERVICES \\ PR SI PRINTED BY JOHN CLAY, M.A. AT THE UNTVEKSITY PRESS PREFACE following chapters are the outcome of two periods THEof stud}7 undertaken during the tenure of research scholarships awarded by Girton College, and form an attempt to discover the amount of historical truth under lying the allusions to persons and events in the Old English heroic poems. The essay deals with an aspect of these poems, which I has not, so far as know, been treated systematically by- anyone who has previously written on the subject. Thus, in the absence of any model, I have had to work on independent lines, especially as regards the grouping and arrangement of different traditions, and the method of discussion followed in the several chapters. The actual arrangement has been adopted for convenience of discus sion, according to the nationality of the persons concerned, except in cases where a particular section forms a complete epic narrative with a personal (as opposed to a national) interest of its own: in these cases the tradition has been discussed under the heading of the poem in which it is contained, or that of the character round whom the narrative centres. -
Thesis Cover Page
Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies Nema ein Guðrún er hon æva grét Emotion, gender and revenge in heroic poetry Ritgerð til MA-prófs í Medieval Icelandic Studies Elizabeth Skuthorpe Kt.: 141075-4469 Leiðbeinandi: Ármann Jakobsson Desember 2015 Acknowledgements The completion of this thesis would have been impossible without support from various quarters. But at the risk of becoming overly emotional or sentimental (and hopefully not vengeful) the following people have my sincere thanks: my family, especially my parents and David Hollingworth; the professors and instructors of the VMN and MIS programs at Háskoli Íslands, who’s teaching and support confirmed that my decision to travel to the other side of the world was a good one; Katie Thorn for her eagle-eyed proofreading; and my supervisor, Ármann Jakobsson, for his advice and assistance throughout this project. Abstract Revenge is a central theme of the heroic poetry of the Poetic Edda as are the attendant emotions such as shame and honour. Similarly the role of men and women in feud and vengeance is one of the prime concerns of this corpus of literature. Despite this centrality the heroic poems also bear a reputation for grim stoicism and a supposedly barren emotional landscape. Recent scholarship into the history of the emotions and the affective turn has begun to focus on the expression of emotion in medieval literature. This thesis surveys the language of emotion, the physical expressions of sentiment and emotional interactions in the final four poems of the Vǫlsunga and Niflunga narratives of the Poetic Edda; Atlakviða, Atlamál, Guðrúnarhvǫt and Hamðismál. -
The Nibelungenlied at the Court of Burgundy, Kriemhild, the Virginal
The Nibelungenlied At the court of Burgundy, Kriemhild, the virginal sister of King Gunther and his brothers Gernot and Giselher, has a dream of a falcon that is killed by two eagles. Her mother interprets this to mean that Kriemhild’s future husband will die a violent death, and Kriemhild consequently resolves to remain unmarried. Siegfried is the crown prince of Xanten. In an introductory narrative, he slays a dragon and bathes in its blood, rendering his skin sword-proof, save one small spot which the dragon’s blood didn’t cover; he also obtains a large treasure, after killing two brothers who had drawn him into the struggle over how to divide the wealth between themselves. Siegfried arrives in Worms with the hopes of wooing Kriemhild. Upon his arrival, Hagen tells Gunther about Siegfried’s youthful exploits that involved winning a treasure and lands from a pair of brothers, Nibelung and Schilbung, whom Siegfried had killed when he was unable to divide the treasure between them and, almost incidentally, the killing of a dragon. After killing the dragon, he had bathed in its blood rendering him invulnerable. Unfortunately for Siegfried a leaf fell onto his back from a linden tree as he was bathing and the tiny patch of skin that it covered did not come into contact with the dragon’s blood, so that Siegfried remains vulnerable in that one spot. In spite of Hagen’s threatening stories about his youth, the Burgundians welcome him, but do not allow him to meet the princess. Disappointed, he nonetheless remains in Worms and helps Gunther defeat the invading Saxons. -
Grímnismál: Acriticaledition
GRÍMNISMÁL: A CRITICAL EDITION Vittorio Mattioli A Thesis Submitted for the Degree of PhD at the University of St Andrews 2017 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/12219 This item is protected by original copyright This item is licensed under a Creative Commons Licence Grímnismál: A Critical Edition Vittorio Mattioli This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 12.11.2017 i 1. Candidate’s declarations: I Vittorio Mattioli, hereby certify that this thesis, which is approximately 72500 words in length, has been written by me, and that it is the record of work carried out by me, or principally by myself in collaboration with others as acknowledged, and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September, 2014 and as a candidate for the degree of Ph.D. in September, 2014; the higher study for which this is a record was carried out in the University of St Andrews between 2014 and 2017. Date signature of candidate 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Ph.D. in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date signature of supervisors 3. -
The Nibelungenlied
The Nibelungenlied translated by Margaret Armour In parentheses Publications Medieval German Series Cambridge, Ontario 1999 CONTENTS BOOK I PAGE First AdventureÑConcerning the Nibelungs 4 Second AdventureÑConcerning Siegfried 5 Third AdventureÑHow Siegfried Came to Worms 7 Fourth AdventureÑHow Siegfried Fought with the Saxons 14 Fifth AdventureÑHow Siegfried First Saw Kriemhild 22 Sixth AdventureÑHow Gunther Went to Issland to Woo Brunhild 26 Seventh AdventureÑHow Gunther Won Brunhild 31 Eighth AdventureÑHow Siegfried Journeyed to the Nibelungs 37 Ninth AdventureÑHow Siegfried was Sent to Worms 41 Tenth AdventureÑHow Brunhild was Received at Worms 44 Eleventh AdventureÑHow Siegfried Brought his Wife Home 52 Twelfth AdventureÑHow Gunther Invited Siegfried to the Hightide 55 Thirteenth AdventureÑHow They Rode to the Hightide 59 Fourteenth AdventureÑHow the Queens Quarrelled 62 Fifteenth AdventureÑHow Siegfried was Betrayed 66 Sixteenth AdventureÑHow Siegfried was Slain 70 Seventeenth AdventureÑHow Siegfried was Mourned and Buried 76 Eighteenth AdventureÑHow Siegmund Returned Home 81 Nineteenth AdventureÑHow the Nibelung Hoard Came to Worms 83 Book II Twentieth AdventureÑHow King Etzel Sent to Burgundy for Kriemhild 87 Twenty-first AdventureÑHow Kriemhild Journeyed to the Huns 98 Twenty-second AdventureÑHow She was Received among The Huns 102 Twenty-third AdventureÑHow Kriemhild Thought of Revenging her Wrong 105 PAGE Twenty-fourth AdventureÑHow Werbel and Schwemmel Brought the Message 108 Twenty-fifth AdventureÑHow the Kings Journeyed to -
Turville Petre Myth and Religion of the North
Myth and Religion of the North The Religion of Ancient Scandinavia E. O. G. TURVILLE-PETRE GREENWOOD PRESS, PUBLISHERS WESTPORT, CONNECTICUT ( —— CONTENTS Library of Congress Cataloging in Publication Data Turville -Petrs, Edward Oswald Gabriel. Myth and religion of the North. Reprint of the ed. published by Holt, Rinehart and PREFACE ix Winston, New York. Bibliography: p. Includes index. I THE SOURCES I -Religion. 1. Mythology, Norse. 2. Scandinavia- Introductory—Old Norse Poetry—Histories and Sagas I. Title. Snorri Sturluson—Saxo Grammaticus [BL860.T8 1975] 293' -0948 75-5003 ISBN 0-8371-7420-1 II OBINN 35 God of Poetry—Lord of the Gallows—God of War—Father of Gods and Men— 5dinn and his Animals—Odinn’s Names Odinn’s Eye—The Cult of Odinn—Woden-Wotan / III VxV‘~W'- \ THOR 75 Thdr and the Serpent—Thdr and the Giants—Thdr’s Ham- mer and his Goats—The Worship of Thor—Thdr in the Viking Colonies—Thdr-Thunor—Conclusion IV BALDR 106 The West Norse Sources—Saxo—The Character of Baldr and his Cult Continental and English Tradition * 2551069268 * — Filozoficka fakulta V LOKI 126 Univerzity Karlovy v Praze VI HEIMDALL 147 VII THE VANIR 156 The War of the JSsir and Vanir—Njord—Freyr-Frddi-Ner- thus-Ing—Freyja Winston, New York Originally published in 1964 by Holt, Rinehart and VIII LESSER-KNOWN DEITIES 180 1964 by E.O.G. Turville-Petre Copyright © Tyr—UI1—Bragi—Idunn—Gefjun—Frigg and others permission of Holt, Rinehart and Winston, Inc. Reprinted with the IX THE DIVINE KINGS 190 Reprinted in 1975 by Greenwood Press X THE DIVINE HEROES 196 A division -
Poetic Edda- "The Flyting of Loki"
WARNING OF COPYRIGHT RESTRICTIONS1 The copyright law of the United States (Title 17, U.S. Code) governs the maKing of photocopies or other reproductions of the copyright materials. Under certain conditions specified in the law, library and archives are authorized to furnish a photocopy or reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than in private study, scholarship, or research.” If a user maKes a reQuest for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement. The Yale University Library reserves the right to refuse to accept a copying order, if, in its judgement fulfillment of the order would involve violation of copyright law. 137 C.F.R. §201.14 2018 the Poetic Eicicia Translated with an Introduction and Explanatory Notes BY LEE M. HOLLANDER SECOND EDITION, REVISED y UNIVERSITY OF TEXAS PRESS AUSTIN • 1962 The Flyting of Loki Lokasenna It is safe to say that the "Lokasenna" is not, and never was, in any sense, a popular lay. It is the product of a witty and clever skald who conceived the idea of showing the solemn and glorious gods from their seamy side. As interlocutor he uses Mephistophelian Loki, who engages the various gods and goddesses in a senna (a flyting, or running dialogue of vitupera- tion) of at times very spicy quality in which each and every one gets his or her share of defamation, until the disturber of the peace is finally put to flight by Th6r's threat of violence. -
Scandinavian Kingship Transformed Succession, Acquisition and Consolidation in the Twelfth and Thirteenth Centuries
Scandinavian Kingship Transformed Succession, Acquisition and Consolidation in the Twelfth and Thirteenth Centuries Thomas Glærum Malo Tollefsen Submission for the degree of Doctor of Philosophy Cardiff University – School of History, Archaeology, and Religion March 2020 0 Abstract This is a comparative study of Scandinavian kingship in the twelfth and thirteenth centuries, based on the themes of succession, acquisition, and consolidation of power. These themes con- stitute the study’s overarching questions: How did a king become a king? How did he keep his kingdom? And finally, how did he pass it on? In order to provide answers to these question this study will consider first the Scandina- vian rules of succession, what they were, to whom they gave succession rights, as well as the order of succession. Second, the study will look at different ways in which kings acquired the kingship, such as through trial by combat and designation succession. Third, the study will look at what happens when succession rules were completely disregarded and children were being made kings, by looking at the processes involved in achieving this as well as asking who the real kingmakers of twelfth century Denmark were. Finally, the study will determine how kings consolidated their power. This study shows, that despite some Scandinavian peculiarities, kingship in Scandinavia was not fundamentally different from European kingship in the twelfth and thirteenth centuries. It also shows that the practice of kingship was dependent on political circumstances making it impossible to draw general conclusions spanning centuries and vast geographical regions. We can look at principles that gave us a general framework, but individual cases were determined by circumstance.