Adventure 16: How Brunhild Was Welcomed Home
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Gunther's Head and Hagen's Heart. Royal Sacrifice In
Corpus Mundi. 2020. No 1 От литературного к кинематографическому дискурсу GUNTHER’S HEAD AND HAGEN’S HEART. ROYAL SACRIFICE IN THE LAY OF NIBELUNGS Asya A. Sarakaeva (a) (a) Hainan State University. Haikou, China. Email: asia-lin[at]mail.ru Abstract Thee article deals with the ficnal part of the German epic Nibelungenlied to learn the real significcance, cultural and ideological context of these episodes. Thee author analyzes literary and anthropological theories, as well as archaeological ficnds to conclude that royal deaths described in the epic refliect the ancient practice of human sacrificce. Keywords the Nibelungenlied; the Elder Edda; interpretative level; human sacrificce; intra- communal violence Theis work is licensed under a Creative Commons «Atteribution» ?.0 International License. 135 Corpus Mundi. 2020. No 1 From Literary to Cinematic Discourse ГОЛОВА ГУНТЕРА И СЕРДЦЕ ХАГЕНА. ЖЕРТВОПРИНОШЕНИЕ В «ПЕСНИ О НИБЕЛУНГАХ» Саракаева Ася Алиевна (a) (a) Хайнаньский университет. Хайкоу, Китай. Email: asia-lin[at]mail.ru Аннотация В статье подробному рассмотрению подвергается финальная часть немецкой эпической поэмы «Песнь о нибелунгах», автор ставит себе задачу выяснить подлинное значение, культурный и идеологический контекст этих эпизодов. На основании анализа литературоведческих и антропологических теорий и археологических находок автор приходит к выводу, что гибель королей, описанная в поэме, отражает древную практику человеческих жертвоприношений. Ключевые слова «Песнь о нибелунгах»; «Старшая Эдда»; уровни интерпретации; человеческое жертвоприношение; внутриобщинное насилие Это произведение доступно по лицензии Creative Commons « Atteribution » («Атрибуция») ?.0 Всемирная 136 Corpus Mundi. 2020. No 1 От литературного к кинематографическому дискурсу Thee German epic Nibelungenlied (Thee Lay of Nibelungs) is a unique work of European medieval literature. It can boast a long and elaborate plot, rich imagery and unprecedented for its time psychological insights into human nature, but that’s not what makes it unique. -
Thesis Cover Page
Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies Nema ein Guðrún er hon æva grét Emotion, gender and revenge in heroic poetry Ritgerð til MA-prófs í Medieval Icelandic Studies Elizabeth Skuthorpe Kt.: 141075-4469 Leiðbeinandi: Ármann Jakobsson Desember 2015 Acknowledgements The completion of this thesis would have been impossible without support from various quarters. But at the risk of becoming overly emotional or sentimental (and hopefully not vengeful) the following people have my sincere thanks: my family, especially my parents and David Hollingworth; the professors and instructors of the VMN and MIS programs at Háskoli Íslands, who’s teaching and support confirmed that my decision to travel to the other side of the world was a good one; Katie Thorn for her eagle-eyed proofreading; and my supervisor, Ármann Jakobsson, for his advice and assistance throughout this project. Abstract Revenge is a central theme of the heroic poetry of the Poetic Edda as are the attendant emotions such as shame and honour. Similarly the role of men and women in feud and vengeance is one of the prime concerns of this corpus of literature. Despite this centrality the heroic poems also bear a reputation for grim stoicism and a supposedly barren emotional landscape. Recent scholarship into the history of the emotions and the affective turn has begun to focus on the expression of emotion in medieval literature. This thesis surveys the language of emotion, the physical expressions of sentiment and emotional interactions in the final four poems of the Vǫlsunga and Niflunga narratives of the Poetic Edda; Atlakviða, Atlamál, Guðrúnarhvǫt and Hamðismál. -
The Nibelungenlied at the Court of Burgundy, Kriemhild, the Virginal
The Nibelungenlied At the court of Burgundy, Kriemhild, the virginal sister of King Gunther and his brothers Gernot and Giselher, has a dream of a falcon that is killed by two eagles. Her mother interprets this to mean that Kriemhild’s future husband will die a violent death, and Kriemhild consequently resolves to remain unmarried. Siegfried is the crown prince of Xanten. In an introductory narrative, he slays a dragon and bathes in its blood, rendering his skin sword-proof, save one small spot which the dragon’s blood didn’t cover; he also obtains a large treasure, after killing two brothers who had drawn him into the struggle over how to divide the wealth between themselves. Siegfried arrives in Worms with the hopes of wooing Kriemhild. Upon his arrival, Hagen tells Gunther about Siegfried’s youthful exploits that involved winning a treasure and lands from a pair of brothers, Nibelung and Schilbung, whom Siegfried had killed when he was unable to divide the treasure between them and, almost incidentally, the killing of a dragon. After killing the dragon, he had bathed in its blood rendering him invulnerable. Unfortunately for Siegfried a leaf fell onto his back from a linden tree as he was bathing and the tiny patch of skin that it covered did not come into contact with the dragon’s blood, so that Siegfried remains vulnerable in that one spot. In spite of Hagen’s threatening stories about his youth, the Burgundians welcome him, but do not allow him to meet the princess. Disappointed, he nonetheless remains in Worms and helps Gunther defeat the invading Saxons. -
Grímnismál: Acriticaledition
GRÍMNISMÁL: A CRITICAL EDITION Vittorio Mattioli A Thesis Submitted for the Degree of PhD at the University of St Andrews 2017 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/12219 This item is protected by original copyright This item is licensed under a Creative Commons Licence Grímnismál: A Critical Edition Vittorio Mattioli This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 12.11.2017 i 1. Candidate’s declarations: I Vittorio Mattioli, hereby certify that this thesis, which is approximately 72500 words in length, has been written by me, and that it is the record of work carried out by me, or principally by myself in collaboration with others as acknowledged, and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September, 2014 and as a candidate for the degree of Ph.D. in September, 2014; the higher study for which this is a record was carried out in the University of St Andrews between 2014 and 2017. Date signature of candidate 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Ph.D. in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date signature of supervisors 3. -
The Nibelungenlied
The Nibelungenlied translated by Margaret Armour In parentheses Publications Medieval German Series Cambridge, Ontario 1999 CONTENTS BOOK I PAGE First AdventureÑConcerning the Nibelungs 4 Second AdventureÑConcerning Siegfried 5 Third AdventureÑHow Siegfried Came to Worms 7 Fourth AdventureÑHow Siegfried Fought with the Saxons 14 Fifth AdventureÑHow Siegfried First Saw Kriemhild 22 Sixth AdventureÑHow Gunther Went to Issland to Woo Brunhild 26 Seventh AdventureÑHow Gunther Won Brunhild 31 Eighth AdventureÑHow Siegfried Journeyed to the Nibelungs 37 Ninth AdventureÑHow Siegfried was Sent to Worms 41 Tenth AdventureÑHow Brunhild was Received at Worms 44 Eleventh AdventureÑHow Siegfried Brought his Wife Home 52 Twelfth AdventureÑHow Gunther Invited Siegfried to the Hightide 55 Thirteenth AdventureÑHow They Rode to the Hightide 59 Fourteenth AdventureÑHow the Queens Quarrelled 62 Fifteenth AdventureÑHow Siegfried was Betrayed 66 Sixteenth AdventureÑHow Siegfried was Slain 70 Seventeenth AdventureÑHow Siegfried was Mourned and Buried 76 Eighteenth AdventureÑHow Siegmund Returned Home 81 Nineteenth AdventureÑHow the Nibelung Hoard Came to Worms 83 Book II Twentieth AdventureÑHow King Etzel Sent to Burgundy for Kriemhild 87 Twenty-first AdventureÑHow Kriemhild Journeyed to the Huns 98 Twenty-second AdventureÑHow She was Received among The Huns 102 Twenty-third AdventureÑHow Kriemhild Thought of Revenging her Wrong 105 PAGE Twenty-fourth AdventureÑHow Werbel and Schwemmel Brought the Message 108 Twenty-fifth AdventureÑHow the Kings Journeyed to -
BRUNHILDS CINEMATIC EVOLUTION in GERMAN FILM By
BRUNHILDS CINEMATIC EVOLUTION IN GERMAN FILM by ULLA KASPRZYK HELD (Under the Direction of Christine Haase) ABSTRACT This thesis investigates the portrayal of Brunhild in three major films that retell the Norse and Germanic variations of the legends of Brunhild and Siegfried: Fritz Lang’s Die Nibelungen (1924), Harald Reinl’s Die Nibelungen (1966), and Uli Edel’s Die Nibelungen – Der Fluch des Drachen (2004) (English title Dark Kingdom: The Dragon King, 2006). The emphasis will be on whether Brunhild is portrayed in keeping with the spirit of the Norse tradition, i.e. that of a strong woman with agency, by examining the decade the film was shot in, to include gender relations, the director and production team, the literary and other sources used for the film, and finally the plot of the film itself, coupled with the portrayal of the character by the respective actress. I will argue the portrayal of this epic figure does not correspond to the most successful and emancipated representation of Brunhild in the Norse tradition in Lang’s and Reinl’s films, whereas it does in Edel’s film. An overview of the legend and sagas that have served as sources for these films will be required in order to support my analyses. A connection between the making of these films and the directors’ choice of which literary Brunhild to portray will also be examined. INDEX WORDS: Fritz Lang, Harald Reinl, Uli Edel, German Cinema, Fantasy, Brunhild, Brynhild, Siegfried, Sigurd, Die Nibelungen, Die Nibelungen – Der Fluch des Drachen, The Ring of the Nibelungs, Dark -
Read Book the Legend of Sigurd and Gudrun
THE LEGEND OF SIGURD AND GUDRUN PDF, EPUB, EBOOK J. R. R. Tolkien,Christopher Tolkien | 384 pages | 01 Apr 2010 | HarperCollins Publishers | 9780007317240 | English | London, United Kingdom The Legend of Sigurd and Gudrun PDF Book Tolkien than J. My expectations were very neutral before reading. Hartman has recently suggested that the late Old English poem The Battle of Brunanburh may have used ponderous verse— types in much the same way , It is not so jumpy that it puts off an informed reader. His use of this device is much like in the Fall of Arthur, though in this poem he uses it slightly less frequently, 26 and crossed alliteration is somewhat rarer in general. Neckel, Gustav, ed. Grimhild advises her daughter to mourn no longer, commenting that Brynhild is dead and that Gudrun is still beautiful. Which I don't have, since my education lacked things like the "Nibelungenlied", which is apparently similar. Some of the differences and similarities between Gudrun and Kriemhild in the Scandinavian and continental Germanic traditions can be seen in the following two stanzas taken from original sources. Das Nibelungenlied und die Klage. It should not be forgotten that Tolkien was an Oxford don more than he was a professional writer, and this translation of a long, turgid Norse saga is a scholarly work, that if it didn't have JRRT's name on the cover would probably only be read by a few intellectuals. Some of the biggest books out this fall promise to be epics full of magic, adventure, However, type E was nowhere near so rare for Tolkien as for the Anglo— Saxons, and even if he were not freer with anacrusis more generally, it would not be surprising that he would feel more comfortable using it with this rhythmic pattern. -
Old Norse Myths, Literature and Society
Old Norse Myths, Literature and Society Proceedings of the 11th International Saga Conference 2-7 July 2000, University of Sydney Edited by Geraldine Barnes and Margaret Clunies Ross Centre for Medieval Studies, University of Sydney Sydney, Australia July 2000 © 2000, Contributors All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. ISBN 1-86487-3167 Contents David Ashurst 1 Journey to the Antipodes. Cosmological and Mythological Themes in Alexanders Saga Sverre Bagge 14 Rigsflúla and Viking Age Society Richard N. Bailey 15 Scandinavian Myth on Viking-period Stone Sculpture in England Simonetta Battista 24 Interpretations of the Roman Pantheon in the Old Norse Hagiographic Sagas Mai Elisabeth Berg 35 Myth or Poetry, a Brief Discussion of Some Motives in the Elder Edda Claudia Bornholdt 44 The Bridal-Quest Narratives in fii›reks saga and the German Waltharius Poem as an Extension of the Rhenish Bridal-Quest Tradition Trine Buhl 53 Reflections on the use of narrative form in Hrafnkels saga Freysgo›a Phil Cardew 54 Hamhleypur in fiorskfir›inga saga: a post-classical ironisation of myth? Martin Chase 65 The Ragnarƒk Within: Grundtvig, Jung, and the Subjective Interpretation of Myth Carol Clover 74 Saga facts Einar G. Pétursson 75 Brynjólfur biskup Sveinsson, forn átrúna›ur og Eddurnar Alison Finlay 85 Pouring Ó›inn’s Mead: An Antiquarian Theme? Elena Gurevich 100 Skaldic Praise Poetry and Macrologia: some observations on Óláfr fiór›arson’s use of his sources Jan Ragnar Hagland 109 Gerhard Schøning and Saga Literature Anna Mette Hansen 118 The Icelandic Lucidarius, Traditional and New Philology Lotte Hedeager 126 Skandinavisk dyreornamentik: Symbolsk repræsentation af en før-kristen kosmologi Frands Herschend 142 Ship grave hall passage – the Oseberg monument as compound meaning K. -
The Rape of Brunhild
University of Iceland School of Humanities Faculty of Languages and Culture The Rape of Brunhild Dismantling Female Transgression and Dominant Ideological Frameworks from the Middle Ages to Now MA degree in Literature, Culture & Media Melanie Janin Waha Kt.: 210684-3609 Supervisor: Þórhallur Eyþórsson May 2020 Abstract This thesis focusses on the literary character Brunhild, who is a crucial figure in the German medieval Nibelungenlied as well as in related Nordic literature. Medieval society will be examined closely in terms of its politics, laws, regulations, and general social occurrences, shedding light on her character from a historical angle. Followed by a close reading of the stanzas and sections in the Nibelungenlied, which deal with Brunhild in particular, the thesis will move onto the 19th and 20th century and the dominant European nationalistic currencies of the time. The underlying theme of this thesis are the notions myth and ideology, which remain crucial to disentangle the political and social networks that created and appropriated the medieval figure for centuries to come. This is also why the last section is concerned with the 21st century and a Brunhild that now stands in stark contrast to the previous centuries. Table of Contents 1. Introduction......................................................................................................................................1 1.1. The Importance of Myth...........................................................................................................3 2. Origins..............................................................................................................................................4 -
Brunhilda of Austrasia
EXTRAORDINARY PEOPLE Brunhilda of Austrasia (c543–613) POWER-HUNGRY VISIGOTHIC PRINCESS Germanic legends of valkyries may have been based on a strong-willed medieval ruler of northern Europe. Eleanor Rosamund Barraclough introduces the real Brunhild he name Brunhild con- Sigebert spent much of his time warring Brunhilda’s final regency came as she jures up images of shield- against his half-brother, King Chilperic, approached her seventies, this time for maidens and valkyries. who ruled in the west. her great-grandson. Her nemesis Frede- The legendary figure of Brunhilda, meanwhile, was busy with gund had died several years earlier, but Brunhild has a starring her own battle against Chilperic’s wife, the queenly feud outlived her, and would roleT in medieval Norse legends and the equally powerful and headstrong eventually lead to Brunhilda’s demise. continental Germanic tradition, later Fredegund. Brunhilda had a personal In 613, Clotaire II, son of Fredegund, immortalised in Wagner’s Ring cycle. reason to hate Fredegund, who had been accused Brunhilda of responsibility for According to prose and poetic texts Chilperic’s mistress while the western the deaths of no fewer than 10 Frankish from 13th-century Iceland, Brunhild king was married to Brunhilda’s own kings – including her own husband, is a valkyrie who might be won only by sister, Galswintha; when Galswintha Sigebert, and brother-in-law, Chilper- a man who can pass through a wall of died in mysterious circumstances, it was ic – and had her sentenced to death. flame – or, in another version, enchanted rumoured that Chilperic or Fredegund According to the eighth-century Liber shields – to reach her. -
Illuminating the Form and Function of the Valkyrie-Figure in the Literature, Mythology, and Social Consciousness of Anglo-Saxon England
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Spring 5-10-2013 Her Syndan Wælcyrian: Illuminating the Form and Function of the Valkyrie-Figure in the Literature, Mythology, and Social Consciousness of Anglo-Saxon England Philip A. Purser Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Purser, Philip A., "Her Syndan Wælcyrian: Illuminating the Form and Function of the Valkyrie-Figure in the Literature, Mythology, and Social Consciousness of Anglo-Saxon England." Dissertation, Georgia State University, 2013. https://scholarworks.gsu.edu/english_diss/104 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. HER SYNDAN WÆLCYRIAN: ILLUMINATING THE FORM AND FUNCTION OF THE VALKYRIE-FIGURE IN THE LITERATURE, MYTHOLOGY, AND SOCIAL CONSCIOUSNESS OF ANGLO-SAXON ENGLAND by PHILIP A. PURSER Under the Direction of Edward John Christie ABSTRACT The image of the warrior-woman, or Valkyrie, occurs, in a number of forms, throughout the Anglo-Saxon corpus. Her appearance and function in these writings may be subdivided into three primary registers: the named-appearances of the wælcyrge, unnamed appearances of the wælcyrge in the charms and riddles, and unnamed appearances of the wælcyrge in heroic verse. Since the mid-1800’s scholars have defined the wælcyrge in terms of the valkyrja, or Scandinavian Valkyrie figure, which is reductive and misleading and has caused an eclipse-effect in which the native elements of the wælcyrge have gone underestimated and undervalued. -
„Sorg Að Segja“: the Language of Negative Emotions in Eddic Poetry
Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies „Sorg að segja“: The Language of Negative Emotions in Eddic Poetry Ritgerð til M.A.-prófs Eleonora Pancetti Kt.: 130790-4299 Leiðbeinandi: Sif Ríkharðsdóttir January 2018 I thought I was mistaken, I thought I heard your words Tell me how do I feel? Tell me now, how do I feel? ˗ Blue Monday, New Order, 1983 2 Acknowledgments This thesis has been written in many different countries, mostly in Iceland, Italy, and Austria. I am thankful to each one of those places. Also, this thesis would have hardly been completed without the help of some people, to whom I owe my gratitude. First, I would like to thank my supervisor, Sif Rikharðsdóttir, for her understanding, her con- stant support, her sound advice, and for her enthusiasm in my work. Sif represents an outstanding example of brilliant and dedicated scholar, with whom I heartily wish to continue to work. Many thanks also must go to Haraldur Bernharðsson, who kindly agreed to forward me the electronic edition of the Codex Regius. Others must also be thanked now, those friends and colleagues who helped me out to navigate my feelings. I would like to thank Roberto, for being the most caring, demanding, straightforward, and loyal friend I’ve met along this road. Many heartfelt thanks also go to those who made my year in Iceland a memorable experience: to Jaka, for challenging me in every debate; to Elsa and to Giulia, for their loving support and understanding; to my classmates, especially to Embla; and to Julián, for the place he earned.