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Abai, Oracle of Apollo, 134 Achaia, 3Map; LH IIIC
INDEX Abai, oracle of Apollo, 134 Aghios Kosmas, 140 Achaia, 3map; LH IIIC pottery, 148; migration Aghios Minas (Drosia), 201 to northeast Aegean from, 188; nonpalatial Aghios Nikolaos (Vathy), 201 modes of political organization, 64n1, 112, Aghios Vasileios (Laconia), 3map, 9, 73n9, 243 120, 144; relations with Corinthian Gulf, 127; Agnanti, 158 “warrior burials”, 141. 144, 148, 188. See also agriculture, 18, 60, 207; access to resources, Ahhiyawa 61, 86, 88, 90, 101, 228; advent of iron Achaians, 110, 243 ploughshare, 171; Boeotia, 45–46; centralized Acharnai (Menidi), 55map, 66, 68map, 77map, consumption, 135; centralized production, 97–98, 104map, 238 73, 100, 113, 136; diffusion of, 245; East Lokris, Achinos, 197map, 203 49–50; Euboea, 52, 54, 209map; house-hold administration: absence of, 73, 141; as part of and community-based, 21, 135–36; intensified statehood, 66, 69, 71; center, 82; centralized, production, 70–71; large-scale (project), 121, 134, 238; complex offices for, 234; foreign, 64, 135; Lelantine Plain, 85, 207, 208–10; 107; Linear A, 9; Linear B, 9, 75–78, 84, nearest-neighbor analysis, 57; networks 94, 117–18; palatial, 27, 65, 69, 73–74, 105, of production, 101, 121; palatial control, 114; political, 63–64, 234–35; religious, 217; 10, 65, 69–70, 75, 81–83, 97, 207; Phokis, systems, 110, 113, 240; writing as technology 47; prehistoric Iron Age, 204–5, 242; for, 216–17 redistribution of products, 81, 101–2, 113, 135; Aegina, 9, 55map, 67, 99–100, 179, 219map subsistence, 73, 128, 190, 239; Thessaly 51, 70, Aeolians, 180, 187, 188 94–95; Thriasian Plain, 98 “age of heroes”, 151, 187, 200, 213, 222, 243, 260 agropastoral societies, 21, 26, 60, 84, 170 aggrandizement: competitive, 134; of the sea, 129; Ahhiyawa, 108–11 self-, 65, 66, 105, 147, 251 Aigai, 82 Aghia Elousa, 201 Aigaleo, Mt., 54, 55map, 96 Aghia Irini (Kea), 139map, 156, 197map, 199 Aigeira, 3map, 141 Aghia Marina Pyrgos, 77map, 81, 247 Akkadian, 105, 109, 255 Aghios Ilias, 85. -
Department Town Address Postcode Telephone Etoloakarnania Agrinio
Department Town Address Postcode Telephone Etoloakarnania Agrinio 1, Eirinis square, Dimitrakaki street 301 00 2641046346 Etoloakarnania Mesologgi 45, Charilaou Trikoupi street 302 00 2631022487 Etoloakarnania Nafpaktos 1, Athinon street 303 00 2634038210 Etoloakarnania Amfilohia Vasileos Karapanou street 305 00 2642023302 Argolida Argos 12, Danaou street 212 00 2751069042 Argolida Nafplio 35, Argous street 211 00 2752096478 Argolida Porto Heli Porto Heli Argolidas 210 61 2754052102 Arkardia Megalopoli 15, Kolokotroni street 222 00 2791021131 Arkardia Tripoli 48, Ethinikis Antistaseos street 221 00 2710243770 Arta Arta 129, Skoufa street 471 00 2681077020 Attica Athens 316, Acharnon street & 26 Atlantos street 112 52 2102930333 Attica Agios Dimitrios 54, Agiou Dimitriou street 173 41 2109753953 Attica Agios Dimitrios 276, Vouliagmenis avenue 173 43 2109818908 Attica Agios Dimitrios 9 - 11, Agiou Dimitriou street 173 43 2109764322 Attica Agia Paraskevi 429, Mesogeion avenue 153 43 2106006242 Attica Athens - Piraeus 153, Piraeus Avenue 118 53 2104815333 Attica Athens - Aristeidou 1, Aristeidou street 105 59 2103227778 Attica Athens 79, Alexandras avenue 114 74 2106426650 Attica Athens - Plateia Viktorias 2, Victoria square 104 34 2108220800 Attica Athens - Stadiou 7, Stadiou street 105 62 2103316892 Attica Egaleo 266, Iera Odos street 122 42 2105316671 126, Vasilissis Sofias street & 2, Feidippidou Attica Abelokipoi street 115 27 2106461200 Attica Amfiali 32, Pavlou Fissa street 187 57 2104324300 Attica Palaio Faliro 82, Amfitheas avenue -
Response of the Greek Government to the Report of the European
CPT/Inf (2019) 5 Response of the Greek Government to the report of the European Committee for the Prevention of Torture and Inhuman or Degrading Treatment or Punishment (CPT) on its visit to Greece from 10 to 19 April 2018 The Greek Government has requested the publication of this response. The CPT’s report on the April 2018 visit to Greece is set out in document CPT/Inf (2019) 4. Strasbourg, 19 February 2019 Table of contents Response of the Ministry of Health ……………………………………………..................... 3 Response of the Ministry of Justice, Transparency and Human Rights ………………..... 8 Response of the Ministry of Citizen Protection.……………………………………………. 13 Response of the Ministry for Migration Policy……………………………………………… 38 3 HELLENIC REPUBLIC MINISTRY OF HEALTH REPORT TO THE GREEK GOVERNMENT ON THE VISIT TO GREECE CARRIED OUT BY THE EUROPEAN COMMITTEE FOR THE PREVENTION OF TORTURE AND INHUMAN OR DEGRADING TREATMENT OR PUNISHMENT (CPT) FROM 10 TO 19 APRIL 2018 Comments of the Ministry of Health Regarding cooperation and the obligation of national authorities to assist the work of CPT (paragraph 7): The Ministry of Health and the Department of Mental Health have made every possible effort to facilitate the delegation’s visit within their competence and provide the information requested so far in a timely and accurate manner. We apologize for any inconvenience caused by poor cooperation between the ministries due to Easter holiday season at the time of the particular visit and would like to assure the Committee that every effort will be made on our part to avoid such an unfortunate occurrence in the future. -
TUBERCULOSIS in GREECE an Experiment in the Relief and Rehabilitation of a Country by J
TUBERCULOSIS IN GREECE An Experiment in the Relief and Rehabilitation of a Country By J. B. McDOUGALL, C.B.E., M.D., F.R.C.P. (Ed.), F.R.S.E.; Late Consultant in Tuberculosis, Greece, UNRRA INTRODUCTION In Greece, we follow the traditions of truly great men in all branches of science, and in none more than in the science of medicine. Charles Singer has rightly said - "Without Herophilus, we should have had no Harvey, and the rise of physiology might have been delayed for centuries. Had Galen's works not survived, Vesalius would have never reconstructed anatomy, and surgery too might have stayed behind with her laggard sister, Medicine. The Hippo- cratic collection was the necessary and acknowledged basis for the work of the greatest of modern clinical observers, Sydenham, and the teaching of Hippocrates and his school is still the substantial basis of instruction in the wards of a modern hospital." When we consider the paucity of the raw material with which the Father of Medicine had to work-the absence of the precise scientific method, a population no larger than that of a small town in England, the opposition of religious doctrines and dogma which concerned themselves largely with the healing art, and a natural tendency to speculate on theory rather than to face the practical problems involved-it is indeed remarkable that we have been left a heritage in clinical medicine which has never been excelled. Nearly 2,000 years elapsed before any really vital advances were made on the fundamentals as laid down by the Hippocratic School. -
WORKSHOP: Around the World in 30 Instruments Educator’S Guide [email protected]
WORKSHOP: Around The World In 30 Instruments Educator’s Guide www.4shillingsshort.com [email protected] AROUND THE WORLD IN 30 INSTRUMENTS A MULTI-CULTURAL EDUCATIONAL CONCERT for ALL AGES Four Shillings Short are the husband-wife duo of Aodh Og O’Tuama, from Cork, Ireland and Christy Martin, from San Diego, California. We have been touring in the United States and Ireland since 1997. We are multi-instrumentalists and vocalists who play a variety of musical styles on over 30 instruments from around the World. Around the World in 30 Instruments is a multi-cultural educational concert presenting Traditional music from Ireland, Scotland, England, Medieval & Renaissance Europe, the Americas and India on a variety of musical instruments including hammered & mountain dulcimer, mandolin, mandola, bouzouki, Medieval and Renaissance woodwinds, recorders, tinwhistles, banjo, North Indian Sitar, Medieval Psaltery, the Andean Charango, Irish Bodhran, African Doumbek, Spoons and vocals. Our program lasts 1 to 2 hours and is tailored to fit the audience and specific music educational curriculum where appropriate. We have performed for libraries, schools & museums all around the country and have presented in individual classrooms, full school assemblies, auditoriums and community rooms as well as smaller more intimate settings. During the program we introduce each instrument, talk about its history, introduce musical concepts and follow with a demonstration in the form of a song or an instrumental piece. Our main objective is to create an opportunity to expand people’s understanding of music through direct expe- rience of traditional folk and world music. ABOUT THE MUSICIANS: Aodh Og O’Tuama grew up in a family of poets, musicians and writers. -
A Methodology for Assessing Ground Borne Noise And
A Methodology for Assessing Ground Borne Noise and Vibration Transfer Functions “Tunnel wall-Soil surface” for Metropolitan Rail Networks using the TBM Muck Train as a linear source: Measurements Campaign in the extension of Athens Metro Line 3 towards Piraeus Vassiliki Zafiropoulou Dr. Researcher Laboratory of Transportation Environmental Acoustics (L.T.E.A.), Faculty of the Civil Engineering, University of Thessaly, Volos, Greece Konstantinos Vogiatzis Associate Professor, Laboratory of Transportation Environmental Acoustics (L.T.E.A.), Faculty of the Civil Engineering, University of Thessaly, Volos, Greece. Haralampos Mouzakis Assistant Professor, National Technical University of Athens, Greece. Summary Attiko Metro S.A., in view of the further development of the Athens Metro network, has fully initiated the new extension of 7.6 km, for line 3 “Haidari to Piraeus Dimotiko Theatre” towards “University of Piraeus” (forestation), connecting the major Piraeus Port with “Eleftherios Venizelos” International Airport. During the operation of this major urban subway rail transit system, vibrations are expected to be generated when transmitted through the soil and cause vibrations in nearby buildings. In urban areas, these vibrations are a consequence of the vehicle forces acting from the wheels onto the track in local defects. The transmission of ground-borne vibrations from subway rail transit systems in a building is mainly governed by the transfer function (TF) of vibration diffusion from the tunnel wall or invert towards the soil surface in the façade of the given protected building. Therefore at the early stages of a vibration assessment, it is necessary to complete a rigorous and detailed analysis in the basis of a detailed finite element calculation. -
VINICIO CAPOSSELA from Tefteri: a Settling of Scores
VINICIO CAPOSSELA From Tefteri: A Settling of Scores (non- fiction) Translated from the Italian by Elettra Pauletto Athens, March 2012 The word “crisis” comes from the Greek kríno, which means to sep- arate, sort, divide. Crisis is a concept that lends itself well to rebetiko— a type of music born of separation—and to Greece, from which Europe is pulling away, driven by the disdain that lies at the root of all rejection. People often speak of Greece with language that evokes tragedy, which, as a genre, was invented there. The word “tragedy” comes from the Greek tragudi, or song, and at its root is tragos, which means goat. Tragodia, song of the goat. Once the cultural mother of Europe, Greece has become a scapegoat for her sins. Europa, daughter to a king of Crete, seduced by Zeus. Europa of the “wide eyes,” land of the west, ever facing the setting sun. Since ancient times, Greek creations have been permeated with a sense of universality. Taken together, this body of work tells the story of man, the anthropos. And it tells the story of man and destiny, of what is happening to Westerners in this moment of “crisis,” of choices. Let’s travel there, a small tool in hand— a thyrsus, perhaps— and accompanied by music born of catastrophe. Greeks still use the word Katastrofis to describe the Greco- Turkish war of 1922, the destruction of Smyrna, and the exodus of the Greeks from Asia Minor. These million and a half refugees were the ones who, following the treaty of Lausanne, returned destitute to a motherland that no longer wanted them; brought back with them the music and customs of other places; and gathered in suburban neighborhoods, changing the social fabric of 1920s Athens (then dubbed the “Paris of the Eastern Mediterranean” by the young Greek state, which wanted to westernize Greek culture). -
Copyright© 2017 M. Diakakis, G. Deligiannakis, K. Katsetsiadou, E. Lekkas, M. Melaki, Z. Antoniadis
Bulletin of the Geological Society of Greece Vol. 50, 2016 MAPPING AND CLASSIFICATION OF DIRECT EFFECTS OF THE FLOOD OF OCTOBER 2014 IN ATHENS Diakakis M. National & Kapodistrian University of Athens Deligiannakis G. Agricultural University of Athens Katsetsiadou K. National & Kapodistrian University of Athens Lekkas E. National & Kapodistrian University of Athens Melaki M. National & Kapodistrian University of Athens Antoniadis Z. National & Kapodistrian University of Athens http://dx.doi.org/10.12681/bgsg.11774 Copyright © 2017 M. Diakakis, G. Deligiannakis, K. Katsetsiadou, E. Lekkas, M. Melaki, Z. Antoniadis To cite this article: Diakakis, M., Deligiannakis, G., Katsetsiadou, K., Lekkas, E., Melaki, M., & Antoniadis, Z. (2016). MAPPING AND CLASSIFICATION OF DIRECT EFFECTS OF THE FLOOD OF OCTOBER 2014 IN ATHENS. Bulletin of the Geological Society of Greece, 50(2), 681-690. doi:http://dx.doi.org/10.12681/bgsg.11774 http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 04/08/2019 09:23:57 | http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 04/08/2019 09:23:57 | Δελτίο της Ελληνικής Γεωλογικής Εταιρίας, τόμος L, σελ. 681-690 Bulletin of the Geological Society of Greece, vol. L, p. Πρακτικά 14ου Διεθνούς Συνεδρίου, Θεσσαλονίκη, Μάιος 2016 Proceedings of the 14th International Congress, Thessaloniki, May 2016 MAPPING AND CLASSIFICATION OF DIRECT EFFECTS OF THE FLOOD OF OCTOBER 2014 IN ATHENS Diakakis M.1, Deligiannakis G.2, Katsetsiadou K.1, Lekkas E.1, Melaki M.1 and Antoniadis Z.1 1National & Kapodistrian University of Athens, Zografou, Athens, Greece, 302107274669, [email protected] 2Agricultural University of Athens, Athens, Greece, [email protected] Abstract In 24 October 2014, a high intensity storm hit Athens’ western suburbs causing extensive flash flooding phenomena. -
Registration Certificate
1 The following information has been supplied by the Greek Aliens Bureau: It is obligatory for all EU nationals to apply for a “Registration Certificate” (Veveosi Engrafis - Βεβαίωση Εγγραφής) after they have spent 3 months in Greece (Directive 2004/38/EC).This requirement also applies to UK nationals during the transition period. This certificate is open- dated. You only need to renew it if your circumstances change e.g. if you had registered as unemployed and you have now found employment. Below we outline some of the required documents for the most common cases. Please refer to the local Police Authorities for information on the regulations for freelancers, domestic employment and students. You should submit your application and required documents at your local Aliens Police (Tmima Allodapon – Τμήμα Αλλοδαπών, for addresses, contact telephone and opening hours see end); if you live outside Athens go to the local police station closest to your residence. In all cases, original documents and photocopies are required. You should approach the Greek Authorities for detailed information on the documents required or further clarification. Please note that some authorities work by appointment and will request that you book an appointment in advance. Required documents in the case of a working person: 1. Valid passport. 2. Two (2) photos. 3. Applicant’s proof of address [a document containing both the applicant’s name and address e.g. photocopy of the house lease, public utility bill (DEH, OTE, EYDAP) or statement from Tax Office (Tax Return)]. If unavailable please see the requirements for hospitality. 4. Photocopy of employment contract. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Music, Image, and Identity: Rebetiko and Greek National Identity
Universiteit van Amsterdam Graduate School for Humanities Music, Image, and Identity: Rebetiko and Greek National Identity Alexia Kallergi Panopoulou Student number: 11655631 MA Thesis in European Studies, Identity and Integration track Name of supervisor: Dr. Krisztina Lajosi-Moore Name of second reader: Prof. dr. Joep Leerssen September 2018 2 Table of Contents Introduction ......................................................................................................................... 4 Chapter 1 .............................................................................................................................. 6 1.1 Theory and Methodology ........................................................................................................ 6 Chapter 2. ........................................................................................................................... 11 2.1 The history of Rebetiko ......................................................................................................... 11 2.1.1 Kleftiko songs: Klephts and Armatoloi ............................................................................... 11 2.1.2 The Period of the Klephts Song .......................................................................................... 15 2.2 Rebetiko Songs...................................................................................................................... 18 2.3 Rebetiko periods .................................................................................................................. -
Audible Punctuation Performative Pause In
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/140838 Please be advised that this information was generated on 2021-09-25 and may be subject to change. AUDIBLE PUNCTUATION Performative Pause in Homeric Prosody Audible Punctuation: Performative Pause in Homeric Prosody Proefschrift ter verkrijging van de graad van doctor aan de Radboud Universiteit Nijmegen op gezag van de rector magnificus prof. dr. Th.L.M. Engelen, volgens besluit van het college van decanen in het openbaar te verdedigen op donderdag 21 mei 2015 om 14.30 uur precies door Ronald Blankenborg geboren op 23 maart 1971 te Eibergen Promotoren: Prof. dr. A.P.M.H. Lardinois Prof. dr. J.B. Lidov (City University New York, Verenigde Staten) Manuscriptcommissie: Prof. dr. M.G.M. van der Poel Prof. dr. E.J. Bakker (Yale University, Verenigde Staten) Prof. dr. M. Janse (Universiteit Gent, België) Copyright©Ronald Blankenborg 2015 ISBN 978-90-823119-1-4 [email protected] [email protected] All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the author. Printed by Maarse Printing Cover by Gijs de Reus Audible Punctuation: Performative Pause in Homeric Prosody Doctoral Thesis to obtain the degree of doctor from Radboud University Nijmegen on the authority of the Rector Magnificus prof.