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Geometric Analysis of Architectural Drawings of the 19Th Century
Journal for Geometry and Graphics Volume 15 (2011), No. 1, 69–78. Geometric Analysis of Architectural Drawings of the 19th Century Paola Casu Dipartment of Architecture, University of Cagliari Via Corte d’Appello 87, 09124 Cagliari, Italy email: [email protected] Abstract. The Library of the Department of Architecture of the University of Cagliari houses the drawings of 41 graduation thesis of Architecture that had been debated during the second half of the 19th century. These drawings are the results of a three-year long course of “Architecture, Drawing and Ornate” that was taught in Cagliari by Prof. Arch. Gaetano Cima (1805–1878). From the analysis of the drawing it is possible to make some remarks both of historic and methodologi- cal aspects. It is very interesting how the students carried out the architectural composition using geometric constructions. The marks of the geometric construc- tions are yet visible on many of the drawings. In the work presented here, these tiny signs are used as instruments for reconstructing, using the accuracy of CAD, the outlining process. Drawings were sorted according to the rules of construc- tion found for each architectonic composition: golden section, dynamic symmetry (root 2 rectangle), squares and triangles, etc. The classification of the graphic analysis was then related to the note of Prof. Cima and the books he made use of to teach architecture, in order to value affinity and differences. Aim of the work is to regain the Cima’s teaching method from the graphic results of his students and to establish a method that could be applied to similar cases where architectural drawings are the only documents to regain the outline of a building. -
1568984383.Pdf
The Architecture of Modern Italy SWITZERLAND AUSTRIA Italy 1750 Simplon Veneto Lombardy Belluno Gallarate Bergamo Possagno Monza Treviso Novara Brescia Verona Trieste Milan Venice Tur in Padua Mantua Piedmont Parma Ferrara Modena Genoa Bologna Liguria Faenza Carrara Pistoia San Marino Florence Urbino Livorno Ancona Tuscany Papal States ADRIATIC SEA Montalcino Follonica Perugia Elba Civitavecchia Tivoli Rome Subiaco Terracina Minturno Gaeta Caserta Naples Kingdom of Portici/Herculaneum Two Sicilies Amalfi SARDINIA Paestum TYRRHENIAN SEA Palermo The Architecture of Modern Italy Volume I:The Challenge of Tradition,1750–1900 Terry Kirk Princeton Architectural Press New York for marcello Published by Princeton Architectural Press 37 East Seventh Street New York,New York 10003 For a free catalog of books, call 1.800.722.6657. Visit our web site at www.papress.com. © 2005 Princeton Architectural Press All rights reserved Printed and bound in Hong Kong 08 07 06 05 5 4 3 2 1 First edition No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. Every reasonable attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. Project Coordinator: Mark Lamster Editing: Elizabeth Johnson, Linda Lee, Megan Carey Layout: Jane Sheinman Special thanks to: Nettie Aljian, Dorothy Ball, Nicola Bednarek, Janet Behning, Penny (Yuen Pik) Chu, Russell Fernandez, Clare Jacobson, John King, Nancy Eklund Later, Katharine Myers, Lauren Nelson, Scott Tennent,Jennifer Thompson, and Joseph Weston of Princeton Architectural Press —Kevin C. Lippert, publisher Library of Congress Cataloging-in-Publication Data Kirk,Terry. -
The Construction of the Gran Madre Di Dio Church (Turin, 1814 - 1832)
De Computis, Revista Española de Historia de la Contabilidad 17 (1), junio 2020, 36-51 ISSN: 1886-1881 - doi: http://dx.doi.org/10.26784/issn.1886-1881.v17i1.372 ARTÍCULOS DOCTRINALES / ARTICLES CROWDFUNDING AND ACCOUNTING HISTORY: THE CONSTRUCTION OF THE GRAN MADRE DI DIO CHURCH (TURIN, 1814 - 1832) Silvia Sinicropi University of Turin, Italy. Correo-e: [email protected] - ORCID iD: https://orcid.org/0000-0002-2894-4981 Damiano Cortese University of Turin, Italy. Correo-e: [email protected] - ORCID iD: https://orcid.org/0000-0002-6222-7302 Massimo Pollifroni University of Turin, Italy. Correo-e: [email protected] - ORCID iD: https://orcid.org/0000-0002-2533-490X Valter Cantino University of Turin, Italy. Correo-e: [email protected] - ORCID iD: https://orcid.org/0000-0002-9936-8133 Recibido: 13-10-19; Aceptado: 26-3-20. Cómo citar este artículo/Citation: Sinicropi S., Cortese D., Pollifroni M., Cantino V. (2020). Crowdfunding and accounting history: the construction of the Gran Madre di Dio Church (Turin, 1814 - 1832). De Computis - Revista Española de Historia de la Contabilidad, 17 (1), 36-51. doi: http://dx.doi.org/10.26784/issn.1886-1881.v17i1.372 Abstract: This study emphasizes the history of accountancy, shedding light on its link with artistic and cultural patrimony, an issue that is scarcely addressed but is nearly always a matter underlying the greatest monuments of our civilization. As a case study, this study focuses on one of the significant architectural monuments of the City of Turin: the “Church of Gran Madre di Dio”; which was built to celebrate a historical and political event. -
Palazzo Di Città
POLITECNICO DI TORINO Repository ISTITUZIONALE The BIM process for the architectural heritage: New communication tools based on AR/VR Case study: Palazzo di Città Original The BIM process for the architectural heritage: New communication tools based on AR/VR Case study: Palazzo di Città / Davardoust, Sanaz. - (2017). Availability: This version is available at: 11583/2673924 since: 2017-06-01T13:42:02Z Publisher: Politecnico di Torino Published DOI:10.6092/polito/porto/2673924 Terms of use: openAccess This article is made available under terms and conditions as specified in the corresponding bibliographic description in the repository Publisher copyright (Article begins on next page) 04 August 2020 Doctoral Dissertation Doctoral Program in Architectural and Landscape Heritage (29th Cycle) The BIM process for the architectural heritage: New communication tools based on AR/VR Case study: Palazzo di Città By Sanaz Davardoust ****** Supervisor(s): Prof. Anna Osello Prof. Rosa Tamborrino Doctoral Examination Committee: Prof. Fabrizio Apollonio, Referee, University of Bologna Prof. Andrea Giordano, Referee, University of Padova Politecnico di Torino 2017 Declaration I hereby declare that, the contents and organization of this dissertation constitute my own original work and does not compromise in any way the rights of third parties, including those relating to the security of personal data. Sanaz Davardoust 2017 Acknowledgment And I would like to acknowledge ... I wish to thank to my friends, to professors who impressed me with their huge knowledge during my research, I sincerely appreciate the support of Professor Bernardino Chiaia who helped me to resolve some of the important issues at the beginning of my PhD course and finally i feel highly indebted to them. -
Loughlin Kealy School of Architecture, University College of Dublin (Ireland)
Teaching Conservation/Restoration of the Architectural Heritage Goals, Contents and Methods This project has been carried out with the support of the European Community and in the framework of the Socrates Programme. The content of this project does not necessarily reflect the position of the European Community, nor does it involve any responsibility on the part of the European Community. Host Institution School of Specialization in Restoration of Monuments University of Genoa Faculty of Architecture University of Genoa DSA – Department of Sciences for Architecture University of Genoa Institutions that gave their patronage to the workshop Regional Directorate of Liguria for Cultural Heritage and Landscape - MiBAC, Ministry of Cultural Heritage and Activities (Italy) Municipality of Genoa Private company that gave its sponsorship to the workshop Teaching Conservation/Restoration of the Architectural Heritage Goals, Contents and Methods Transactions on Architectural Education No 38 Editors: Stefano F. Musso Luisa De Marco ISBN 2-930301-35-Χ Copyright © 2008 by the authors All rights reserved. No part of this book may be reproduced in any form, by print, photoprint, microfilm or by any other means without written permission from the publisher. EAAE no 38 Teaching Conservation/Restoration of the Architectural Heritage - Goals, Contents and Methods This book presents the contributions to the workshop that took place at the University of Genoa, Faculty of Architecture, on October 2007, as a new start for the thematic sub- network on Conservation, -
Turyn: Oblicza Miasta. W Kierunku Smart Turin: Faces of the City
DOI: 10.4467/25438700SM.18.042.9207 BEATA MALINOWSKA-PETELENZ* Turyn: oblicza miasta. W kierunku smart Turin: faces of the city. Towards thesmart Streszczenie Turyn to miasto o silnych korzeniach antycznych i średniowiecznych – miasto kościołów i pałaców. Miasto kultury, biznesu i sportu – monumentalne, eleganckie i chłodne a jednocześnie fascynująco skromne. Stolica Piemontu, położona rzeką Po, miasto wielkich architektów: Juvarry, Guariniego i Alfieriego, stanowi do dziś jedną z najlepszych lekcji post-barokowej urba- nistyki. Miasto o wielu obliczach, w którym przeszłość miesza się z inteligentną przyszłością. Il. 1. Piazza San Carlo, rys. B. Malinowska-Petelenz / Piazza San Carlo, drawing by B. Malinowska-Petelenz Abstract Turin is a city with very strong ancient and medieval roots—a city of churches and palaces. A city of culture, business and sports—one that is monumental, elegant and cool, while at the same time being fascinatingly modest. The capital of Pied- mont, located on the Po River, a city of great architects: Juvarra, Guarini and Alfieri, today constitutes one of the best lessons czone murami. Do dzisiejszych czasów zachowała się Porta a rectangular plan, and was surrounded by walls. on post-Baroque urban planning. A city of many faces, in which the past mixes itself with a smart future. Palatina z I w. n.e. jako jedna z bram wjazdowych do miasta Porta Palatina, from the first century AD, has sur- 3 vived to our time as one of the entry gates to the oraz regularny układ siatki urbanistycznej . Od średniowiecza 2 Słowa kluczowe: barok, Turyn, monumentalizm, wnętrze urbanistyczne, oś miejska, krajobraz, rewitalizacja, tereny poprzemysłowe city, as has the regular layout of the urban grid . -
Piazza San Carlo
BOTTEGHE STORICHE CHIESE E CAPPELLE PALAZZI ED EDIFICI STORICI ToTo TORINO TOUR FOR ALL ARCHITECTURE PLACES SITI ARCHEOLOGICI MONUMENTI IL QUADRILATEROARCHITETTURA URBANA POINT OF INTEREST 1 PIAZZA CASTELLO Torino Tour for All begins in the very heart of the city, piazza Castello, which spans about 40 thousand square meters. It is bordered to the northeast by piazzetta Reale and it merges four of the main downtown roads: via Garibaldi (a pedestrian street), via Po, via Roma and via Pietro Micca. During the Savoy reign, and then in the post-Unification period, Piazza Castello was the center of the Piedmontese State. It is surrounded on three sides by monumental porches, built in different times. In the mid XIX century, the west arcades were nicknamed Arcades of the Fair, because of the market housed during Carnival. On Piazza Castello there are several historical buildings, starting from via Garibaldi and proceed- ing clockwise: Palace of the Regional Council, Church of San Lorenzo, Royal Palace, Royal Library and Armory, State Archives, Government Palace (now the Prefecture Palace), Royal The- atre and the Galleria dell’Industria Subalpina (Subalpine Gallery of Industry). At the center of the square there is Palazzo Madama. Ascanio Vitozzi, architect of the Duke of Savoy Carlo Emanuele I, designed piazza Castello start- ing from 1587. The square was born to frame in a neat space the existing Senate and to accom- modate the Novo Palazzo Grande, today’s Royal Palace. Despite the architectural interventions of 1612 and 1773, piazza Castello maintains its configuration in three areas: the oldest, whose structure dates back to Roman times, on the side of Via Garibaldi, the area connecting Piazza Castello to the river through Via Po and the area of the Piazzetta Reale which was once divided from the square by a brick wall. -
Pinacoteca "Il Divisionismo" Fondazione Cassa Di Risparmio Di Tortona
Pinacoteca "Il Divisionismo" Fondazione Cassa di Risparmio di Tortona Categoria: Museo Descrizione attività: "Il Divisionismo" Pinacoteca Fondazione C.R. Tortona è un'esposizione permanente che si propone di documentare una stagione di significativa importanza dell'arte italiana tra Ottocento e Novecento attraverso la varietà e l'originalità dei linguaggi pittorici utilizzati non solo dai grandi maestri divisionisti, ma anche da personaggi che hanno dato voce a culture per così dire periferiche per lungo tempo sottovalutate. Il percorso espositivo, articolato in più di un centinaio di opere, risulta incentrato intorno al dialogo tra i diversi interpreti di una tecnica audace che ha saputo rappresentare le istanze di un secolo nuovo: dagli artisti socialmente impegnati degli anni Novanta dell'Ottocento fino agli approcci empirici in ambito simbolista e ai primi saggi dei protagonisti della rivoluzione futurista. A capolavori di grandi pittori, quali Giuseppe Pellizza, Angelo Morbelli, Plinio Nomellini, Gaetano Previati, Emilio Longoni, Giovanni Segantini, si legano e si confrontano importanti opere di notevole originalità di firme meno conosciute , come Benvenuto Benvenuti, Galileo Chini, Giuseppe Cominetti, Giovanni Battista Crema, Camillo Innocenti, Giorgio Kienerk, Enrico Lionne, Baldassarre Longoni, Serafino Macchiati, Cesare Maggi, Giuseppe Mentessi, Matteo Olivero, Angelo Torchi. Recentemente si è aggiunta alla collezione la preziosa raccolta di gessi di Luigi Aghemo, scultore pinerolese, visitabile la prima domenica di ogni mese o su prenotazione. Riapertura 27 aprile 2021: lunedì - venerdì dalle 9.30-2.00 e 15.00-18.00; sabato e domenica 15.00-19.00. Prenotazione della visita con almeno un giorno di anticipo alla seguente email: [email protected] Indirizzo: corso Leoniero 2 - 15057 - Tortona , presso Palazzetto medievale Soggetto gestore: Fondazione C.R. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Pianta Topografica Di Roma Antica Con I Principali Monumenti Ideati Nel Loro Primitivo Stato Secondo Le Ultime Scoperte E Con I Frammenti Della Marmorea Pianta Capitolina Disposti Nel Svo D' Intorno Deineata Dall'Architetto Cav L.Canina Nell' Anno MDCCCXXXII . Stock#: 38471 Map Maker: Canina Date: 1850 Place: Rome Color: Uncolored Condition: VG Size: 54.5 x 38 inches Price: SOLD Description: Fine Archaeological Map of Rome, published by one if the leading Roman Architects and Archaeologists of the mid-19th Century. Rare large-scale map of the archeological ruins in Rome, prepared by Luigi Canina, an Italian architect and archeologist, whose work provides an important view of the condition of the city and ancient artifacts in the mid-nineteenth century. Canina's map depicts the monuments of ancient Rome, superimposed on a base map of the modern city. Luigi Canina (1795 - 1856) was an Italian archaeologist and architect, born in Casale Monferrato in 1795 and died in Florence in 1856. He was a pupil of Ferdinando Bonsignore in Turin and settled in Rome in 1818. His most famous work includes a portion of the construction at the Villa Borghese (monumental neoclassical propylaea from Piazzale Flaminio); Casino Vagnuzzi outside of Porta del Popolo in Egyptian style. He is also known for his proposed reconstruction of the sanctuary of Oropa (1856). Canina served as a professor of architecture at Turin. His most important archaeological works were the excavation of Tusculum in 1829 and of the Appian Way in 1848. -
DALLA TORRE ALLA TORRE PIEZOMETRICA a Cura Di Antonella Greco
STORIA DELL’URBANISTICA 5/2013 DALLA TORRE ALLA TORRE PIEZOMETRICA a cura di Antonella Greco EDIZIONI KAPPA STORIA DELL’URBANISTICA 5/2013 STORIA DELL’URBANISTICA ANNUARIO NAZIONALE DI STORIA DELLA CITTÀ E DEL TERRITORIO Fondato da Enrico Guidoni Anno XXXII - Serie Terza 5/2013 ISSN 2035-8733 DIPARTIMENTO INTERATENEO DI SCIENZE, PROGETTO E POLITICHE DEL TERRITORIO DEL POLITECNICO DI TORINO DIPARTIMENTO DI ARCHITETTURA DELL’UNIVERSITÀ DI FIRENZE DIPARTIMENTO DI ARCHITETTURA DELL’UNIVERSITÀ DI “ROMA TRE” DIPARTIMENTO DI STORIA, DISEGNO E RESTAURO DELL’ARCHITETTURA, SAPIENZA-UNIVERSITÀ DI ROMA DIPARTIMENTO DI ARCHITETTURA DELL’UNIVERSITÀ “FEDERICO II” DI NAPOLI DIPARTIMENTO DI INGEGNERIA CIVILE, AMBIENTALE E ARCHITETTURA, UNIVERSITÀ DEGLI STUDI DI CAGLIARI Comitato scientifico Nur Akin, Sofia Avgerinou Kolonias, Clementina Barucci, Carla Benocci, Claudia Bonardi, Marco Cadinu, Jean Cancellieri, Carmel Cassar, Teresa Colletta, Antonella Greco, Paolo Micalizzi, Amerigo Restucci, Costanza Roggero, Carla Giuseppina Romby, Tommaso Scalesse, Eva Semotanova, Ugo Soragni, Donato Tamblè Redazione Federica Angelucci, Claudia Bonardi, Marco Cadinu,Teresa Colletta, Gabriele Corsani, Antonella Greco, Stefania Ricci, Laura Zanini Segreteria di Redazione Irina Baldescu, Giada Lepri (coordinatrice), Raimondo Pinna, Luigina Romaniello, Maurizio Vesco Corrispondenti Eva Chodejovska, Vilma Fasoli, Luciana Finelli, Maria Teresa Marsala, Francesca Martorano, Adam Nadolny, Josè Miguel Remolina Direttore responsabile: Ugo Soragni I contributi proposti saranno valutati dal Comitato scientifico che sottoporrà i testi ai referees, secondo il criterio del blind peer review Segreteria: c/o Stefania Ricci, Associazione Storia della Città, Via I. Aleandri 9, 00040 Ariccia (Roma) e-mail: s.ricci@storiadellacittà.it Copyright © 2014 Edizioni Kappa, piazza Borghese, 6 - 00186 Roma - tel. 0039 066790356 Amministrazione e distribuzione: via Silvio Benco, 2 - 00177 Roma - tel. -
Mart Annual Report 2019
MART ANNUAL REPORT 2019 Il Report è disponibile online sul sito del Mart www.mart.tn.it e consultabile presso la Biblioteca del Museo. INDICE 5 Introduzione 7 Le sedi 8 Le collezioni 26 Le mostre 56 Area educazione e mediazione culturale 64 La ricerca: archivi e biblioteca 74 Marketing e comunicazione 92 La logistica 96 L’amministrazione 98 Le persone 104 I visitatori 121 Il bilancio di attività 127 Il Mart ringrazia 5 INTRODUZIONE Il Mart del 2019 ha visto l’insediarsi e dalla propria sede originaria: assieme ai suoi interpreti e di un nuovo Consiglio di il Palazzo delle Albere. ai curatori che lavoreranno nel Amministrazione in corrispondenza Le caratteristiche di una provincia 2020 guidati da un nuovo agli indirizzi generali espressi dalla varia e ricca oltre gli stereotipi direttore. La scelta di Gianfranco Giunta Provinciale del Trentino. metropolitani, la disponibilità Maraniello di non proseguire nelle I servizi e i programmi del 2019 di numerose opere nelle collezioni proprie funzioni oltre la scadenza sono stati articolati secondo del museo e la volontà di stabilire naturale del suo mandato le precedenti direttive e le azioni un sistema provinciale declinando consegna al CdA del Museo e al già intraprese, ma indirizzati verso la sua vocazione turistica suo Comitato Scientifico un’ancor un nuovo ciclo di iniziative che e produttiva orienteranno il Mart più impegnativa responsabilità includano la fotografia e il cinema. verso una programmazione nell’ispirare obiettivi e proposte La certa solidità di gestione di richiamo per la sede di Rovereto per il futuro del Mart. e la reputazione costituiscono e di un più ampio itinerario nel le fondamenta di un museo che progetto di delocazione definito intende essere ancor più popolare “Galassia Mart”. -
Cambridge History of Christianity: Volume 8, World Christianities C
the cambridge history of christianity WORLD CHRISTIANITIES c.1815–c.1914 This is the first scholarly treatment of nineteenth-century Chris- tianity to discuss the subject in a global context. Part i analyses the responses of Catholic and Protestant Christianity to the intellectual and social challenges presented by European modernity. It gives attention to the explosion of new voluntary forms of Christianity and the expanding role of women in religious life. Part ii surveys the diverse and complex relationships between the churches and nationalism, resulting in fundamental changes to the connections between church and state. Part iii examines the varied fortunes of Christianity as it expanded its historic bases in Asia and Africa, established itself for the first time in Australasia, and responded to the challenges and opportunities of the European colonial era. Each chapter has a full bibliography providing guidance on further reading. Sheridan Gilley is an Emeritus Reader in Theology, Durham University. He is the author of Newman and His Age (republished, 2003) and of numerous articles on modern religious history. He is co-editor, with Roger Swift, of The Irish in the Victorian City (1985), The Irish in Britain 1815–1939(1989) and The Irish in Victorian Britain (1999), and with W.J. Sheils, of A History of Religion in Britain (1994). Brian Stanley is Director of the Henry Martyn Centre for the Study of Mission and World Christianity in the Cambridge Theological Federation and a Fellow of St Edmund’s College, Cambridge. He has written and edited a number of books on the modern history of Christian missions, including The Bible and the Flag (1990), The History of the Baptist Missionary Society 1792–1992 (1992), Christian Missions and the Enlightenment (2001) and Missions, Nationalism, and the End of Empire (2003).