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MUS 115 a Survey of Music History
School of Arts & Science DEPT: Music MUS 115 A Survey of Music History COURSE OUTLINE The Approved Course Description is available on the web @ TBA_______________ Ω Please note: This outline will not be kept indefinitely. It is recommended students keep this outline for your records. 1. Instructor Information (a) Instructor: Dr. Mary C. J. Byrne (b) Office hours: by appointment only ( [email protected] ) – Tuesday prior to class at Camosun Lansdowne; Wednesday/Thursday at Victoria Conservatory of Music (c) Location: Fischer 346C or Victoria Conservatory of Music 320 (d) Phone: (250) 386-5311, ext 257 -- please follow forwarding instructions, 8:30 a.m. to 8:00 p.m. weekdays, 10:00 to 2:00 weekends, and at no time on holidays (e) E-mail: [email protected] (f) Website: www.vcm.bc.ca 2. Intended Learning Outcomes (If any changes are made to this part, then the Approved Course Description must also be changed and sent through the approval process.) Upon successful completion of this course, students will be able to: • Knowledgeably discuss a performance practice issue related to students’ major • Discuss select aspects of technical developments in musical instruments, including voice and orchestra. • Discuss a major musical work composed between 1830 and 1950, defending the choice as a seminal work with significant influence on later composers. • Prepare research papers and give presentations related to topics in music history. 1 MUS 115, Course Outline, Fall 2009 Mary C. J. Byrne, Ph. D. Camosun College/Victoria Conservatory of Music 3. Required -
Amunowruz-Magazine-No1-Sep2018
AMU NOWRUZ E-MAGAZINE | NO. 1 | SEPTEMBER 2018 27SEP. HAPPY WORLD TOURISM DAY Taste Persia! One of the world's most ancient and important culinary schools belongs to Iran People of the world; Iran! Includes 22 historical sites and a natural one. They 're just one small portion from Iran's historical and natural resources Autumn, one name and a thousand significations About Persia • History [1] Contents AMU NOWRUZ E-MAGAZINE | NO. 1 | SEPTEMBER 2018 27SEP. HAPPY WORLD TOURISM DAY Taste Persia! One of the world's most ancient and important culinary schools belongs to Iran Editorial 06 People of the world; Iran! Includes 22 historical sites and a natural one. They 're just one small portion from Iran's historical and natural resources Autumn, one name and a thousand significations Tourism and the Digital Transformation 08 AMU NOWRUZ E-MAGAZINE NO.1 SEPTEMBER 2018 10 About Persia History 10 A History that Builds Civilization Editorial Department Farshid Karimi, Ramin Nouri, Samira Mohebali UNESCO Heritages Editor In Chief Samira Mohebali 14 People of the world; Iran! Authors Kimia Ajayebi, Katherin Azami, Elnaz Darvishi, Fereshteh Derakhshesh, Elham Fazeli, Parto Hasanizadeh, Maryam Hesaraki, Saba Karkheiran, Art & Culture Arvin Moazenzadeh, Homeira Mohebali, Bashir Momeni, Shirin Najvan 22 Tourism with Ethnic Groups in Iran Editor Shekufe Ranjbar 26 Religions in Iran 28 Farsi; a Language Rooted in History Translation Group Shekufe Ranjbar, Somayeh Shirizadeh 30 Taste Persia! Photographers Hessam Mirrahimi, Saeid Zohari, Reza Nouri, Payam Moein, -
Categorized 2017 Contemporary Music Catalog
Catalog of Recent 20th and 21st Century Compositions Spring 2017 THEODORE FRONT MUSICAL LITERATURE, INC. 26362 Ruether Ave. • Santa Clarita, CA 91350, U.S.A. Tel. (661) 250-7189 • Fax (661) 250-7195 E-mail: [email protected] Web Site: www.tfront.com Theodore Front Musical Literature, Inc. 26362 Ruether Avenue • Santa Clarita CA 91350-2990 USA Toll Free: +1 (844) 350-7189 Tel: +1 (661) 250-7189 • Fax: +1 (661) 250-7195 [email protected] • www.tfront.com Catalog of Recent 20th and 21st Century Compositions - Spring 2017 To expedite your order, please include: • Author & Title • Publisher • Score Format • Edition Number or ISBN/ISMN Prices subject to change without notice. This Catalog contains new items released in 2016. Catalog of Recent Contemporary Compositions Spring 2017 Accordion Bacewicz, Grazyna, 1909-1969. Oberek No. 1 : For Violin and Piano / Transcription For Three Accordions by Janusz Wojtarowicz. $13.99 Krakow: Polskie Wydawnictwo Muzyczne ©2014,[2016] PWM11547 HL00145774 Score & 3 Parts; 31 cm.; 7, 3x3 p. 9790274010553 http://www.tfront.com/p-407360-oberek-no-1-for-violin-and-piano-transcription-for-three-accordions-by-janusz-wojtarowicz.aspx Giner, Bruno, 1960- Ain : Pour Accordéon (2016). $17.10 Sampzon: Editions Delatour ©2016 DLT2714 9790232113616 Score; 30 cm.; 12 p. http://www.tfront.com/p-407243-ain-pour-accordéon-2016.aspx Gorecki, Henryk Mikolaj, 1933-2010. Three Pieces In Old Style / Transcription For Three Accordions by Janusz Wojtarowicz. $20.99 Krakow: Polskie Wydawnictwo Muzyczne ©2014,[2016] PWM11548 HL00145776 Score & 3 Parts; 31 cm.; 16, 9, 2x7 p. 9790274010560 http://www.tfront.com/p-407362-three-pieces-in-old-style-transcription-for-three-accordions-by-janusz-wojtarowicz.aspx Hosokawa, Toshio, 1955- Mi-Ko : For 3 Accordions. -
2015-09-07-Khatibi-BBC-Persian
The Scarlet Stone Play: A Mythological Look at Human Nature, In Search of the Iranian Human Firouzeh Khatibi Art and Culture Journalist BBC Persian 7 September 2015, 16 Shahrivar 1394 Translated by Hooman Rahim (EN 15038 and ISO 17100 certified translator) http://www.bbc.com/persian/arts/2015/09/150907_l51_scarlet_stone_theatre PHOTOS BY JIM CARMODY The “Scarlet Stone” drama, which is the result of several years of research and cooperation between Shahrokh Yadegari, composer, sound designer and director residing in San Diego and Shahrokh Moshkin Ghalam, dancer, actor, and director residing in Paris, is a mixture of music, dance, theater, minstrelsy and pardeh dari (screen based storytelling), is an adoption of the story of “Rostam and Sohrab” From Ferdowsi’s Shahnameh and is inspired by the latest epic work of Siavash Kasrai, who is the creator of Arash Kamangir poem. After opening in San Diego andf having three successful runs in this year’s Tirgan Festival in Toronto, this multimedia play was brought on stage on Sunday, August 29th in Los Angeles University’s “Royce Hall” in Persian language accompanied by English subtitles. While keeping its connection with deep roots of the Iranian culture, the “Scarlet Stone” drama communicates with modern audience using innovation and through a new form. In this play, in addition to Shahrokh Moshkin Ghalam who plays Sohrab and is the choreographer and costume designer, other acclaimed artists have participated; Such as Afshin Mofid (son of Bijan Mofid) and former New York City Ballet’s stars, in the role of Rostam, Miriam Peretz, international dancer of folklore ballet, in the role of Tahmineh, Ida Saki, one of the youngest talents of dancing scene, in the role of Gordafarid. -
Cultural Untranslatability Words in the Novel and the Mountains Echoed by Khaled Hosseini
CULTURAL UNTRANSLATABILITY WORDS IN THE NOVEL AND THE MOUNTAINS ECHOED BY KHALED HOSSEINI A Thesis Submitted to the Faculty of Adab and Humanities in Partial Fulfillment of the Requirements for the Strata One Degree BY AHMAD WAHYUDI NIM 109026000088 ENGLISH DEPARTEMENT FACULTY OF ADAB AND HUMANITIES SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2016 ABSTRACT Ahmad Wahyudi, Cultural Untranslatability Words in the Novel And The Mountains Echoed by Khaled Hosseini. Thesis: Faculty of Adab and Humanities, State Islamic University Syarif Hidayatllah Jakarta, 2016. In the research, the researcher focuses on the analysis of method, that is, the translation method in translating cultural untranslatability words on the novel And The Mountains Echoed by Khaled Hosseini: novel translated by Berliani Mantili Nugrahani. The objective of this research is to know what kinds of translation method used in translating cultural untranslatability words of the novel. The researcher uses the qualitative method. The researcher describes translation method used by translator to translate the selected cultural untranslatability words. He analyses the translation by reading the source language and target language, marking the cultural untranslatability words, selecting and analyzing them based on Benny Hoed’s theory about transation method, then classified them into cultural words catagories. The research reveals that there are 19 selected cultural untranslatability words in the novel. It can be concluded that as follow: first, ten cultural words translated by using exotic method (this method choose to let element of source language culture into target language), second, four cultural untranslatability words translated by loan cultural method. (loan cultural if there is no word in indonesia culture, sometimes loan also is conducted with giving the additional information about word. -
(EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli
FAMILY (EN) GROUP (EN) KEYWORD (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli Wind Accordions Accordion Strings Zithers Accord‐zither Percussion Drums Adufe Strings Musical bows Adungu Strings Zithers Aeolian harp Keyboard Organs Aeolian organ Wind Others Aerophone Percussion Bells Agogo Ogebe ; Ugebe Percussion Drums Agual Agwal Wind Trumpets Agwara Wind Oboes Alboka Albogon ; Albogue Wind Oboes Algaita Wind Flutes Algoja Algoza Wind Trumpets Alphorn Alpenhorn Wind Saxhorns Althorn Wind Saxhorns Alto bugle Wind Clarinets Alto clarinet Wind Oboes Alto crumhorn Wind Bassoons Alto dulcian Wind Bassoons Alto fagotto Wind Flugelhorns Alto flugelhorn Tenor horn Wind Flutes Alto flute Wind Saxhorns Alto horn Wind Bugles Alto keyed bugle Wind Ophicleides Alto ophicleide Wind Oboes Alto rothophone Wind Saxhorns Alto saxhorn Wind Saxophones Alto saxophone Wind Tubas Alto saxotromba Wind Oboes Alto shawm Wind Trombones Alto trombone Wind Trumpets Amakondere Percussion Bells Ambassa Wind Flutes Anata Tarca ; Tarka ; Taruma ; Turum Strings Lutes Angel lute Angelica Percussion Rattles Angklung Mechanical Mechanical Antiphonel Wind Saxhorns Antoniophone Percussion Metallophones / Steeldrums Anvil Percussion Rattles Anzona Percussion Bells Aporo Strings Zithers Appalchian dulcimer Strings Citterns Arch harp‐lute Strings Harps Arched harp Strings Citterns Archcittern Strings Lutes Archlute Strings Harps Ardin Wind Clarinets Arghul Argul ; Arghoul Strings Zithers Armandine Strings Zithers Arpanetta Strings Violoncellos Arpeggione Keyboard -
Medium of Performance Thesaurus for Music
A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭. -
Additional Musical Resources] Arabic, Turkish, Farsi Styles
1missing image: image Copyright © 2012 KORG Italy Spa Additional Musical Resources] Arabic, Turkish, Farsi Pa600QT includes additional Sound and Style data in the User area, that are intended to show the power of this instrument and its use in Middle Eastern music. A set of Demo Songs (marked with the“ QT ”suffix) will let you immediately appreciate the new data. You are free to customize the User banks as you like. Beware, however, that Demo Songs, Styles, Pads and Performances may no longer play with the right Sounds, if you load new data over the QT User data. If you modify the User banks, you can restore the original data by using the Factory Restore command (in the Media mode). Be warned that this operation will delete any custom data, by reinstalling the original content. Please see the User Manual for more information. Additional data courtesy of Fadi Saade and Hani Damiri from Lebanon) MG, Cüneyt Erta çof Can Elektronik (Turkey) TR, Sina Tahmasbpour, Meysam AhmadiFar and Ali Rostami of Korg Persia) IR. Styles Name Page Pos. Bank: User 1 Saide 1 MG 1 1 Saide 2 MG 1 2 Saide Modern MG 1 3 Laff MG 1 4 Katakufti MG 1 5 Katakufti Mod.MG 1 6 ChaabiKatakftiMG 1 7 Chaabi Laff MG 1 8 Maksum MG 2 1 Maksum Sari MG 2 2 Wehda MG 2 3 Shafatelli MG 2 4 Gipsy MG 2 5 Baladi MG 2 6 Hajaa MG 2 7 Ayoub MG 2 8 Fox MG 3 1 Zaffa MG 3 2 Soudasi MG 3 3 Waltz ¾ MG 3 4 Tecno Or. -
The Makian Languages and Their Neighbours
PACIFIC LINGUISTICS Series D - No. 46 THE MAKIAN LANGUAGES AND THEIR NEIGHBOURS C.L. Voorhoeve, ed. (MATERIALS IN LANGUAGES OF INDONESIA, No.12) ' W.A.L. Stokhof, Series Editor Department of Linguistics Research School of Pacific Studies Voorhoeve, C.L. editor. The Makian languages and their neighbours. D-46, viii + 156 pages. Pacific Linguistics, The Australian National University, 1982. DOI:10.15144/THEPL-D46.cover AUSTRALIAN NATIONAL UNIVERSITY ©1982 Pacific Linguistics and/or the author(s). Online edition licensed 2015 CC BY-SA 4.0, with permission of PL. A sealang.net/CRCL initiative. PACIFIC LINGUISTICS is issued through the Linguistic Circle of Canberra and consists of four series: SERIES A - Occasional Papers SERIES B - Monographs SERIES C - Books SERIES D - Special Publications EDITOR: S.A. Wurm ASSOCIATE EDITORS: D.C. Laycock, C.L. Voorhoeve, D.T. Tryon, T.E. Dutton EDITORIAL ADVISERS: B.W. Bender John Lynch University of Hawaii University of Papua New Guinea David Bradley K.A. McElhanon La Trobe University University of Texas A. Capell H.P. McKaughan University of Sydney University of Hawaii Michael G. Clyne P. MOhlhiiusler Monash University Linacre College, Oxford S.H. Elbert G.N. O'Grady University of Hawaii University of Victoria, B.C. K.J. Franklin A.K. Pawley Summer Institute of Linguistics University of Auckland W.W. Glover K.L. Pike University of Michigan; Summer Institute of LingUistics Summer Institute of Linguistics G.W. Grace E.C. Polome University of Hawaii University of Texas M.A.K. Halliday Gillian Sankoff University of Sydney University of Pennsylvania A. Healey W.A.L. -
Der Star-Cellist Kian Soltani, Das Ensemble Shiraz & Die
Im Anschluss an einKlassische Konzert im viel-beachteten, persische neu eröffneten Pierre Musik-Boulez-Saal in Berlin tritt Im Der Star-Cellist Kian Soltani, das Ensemble Shiraz & die renommierte Sängerin Sepideh Raissadat Samstag, 13. Mai 2017; um 19:30 Uhr Kulturhaus Helferei Kirchgasse 13, 8001 Zürich Kian Soltani: Cello & Kamantscheh Sepideh Raissadat: Gesang & Setar Majid Derakhshani: Tar Mohammad Ghavihelm: Perkussion Arjang Seyfizadeh: Setar Khosrow Soltani: Ney & Balaban (Duduk) Eintritt: 50.00 CHF; ermässigt 35:00 CHF Ticket: Musik HUG, Limmatquai 28-30, 8001 Zürich Tel: 044 269 41 00 Abendkasse ab 18:00 Uhr Info: 076 222 26 77 / 079 448 78 76 Eine Veranstaltung von Verein Iranischer Akademiker/innen und Studierende VIAS Mit freundlicher Unterstützung von SüdKulturFonds Im Anschluss an ein Konzert im viel-beachteten, neu eröffneten Pierre-Boulez-Saal in Berlin tritt der Cello- Virtuose Kian Soltani in der Begleitung des Ensembles Shiraz un der renommierten Sängerin Sepideh Raissadat auch in Zürich auf. Spätestens seit seinem Ersten Preis beim Internationalen Paulo Cello Competition 2013 in Helsinki hat sich der gerade erst 23 Jahre alte Kian Soltani auf der höchsten Ebene der neuen Cellisten-Generation etabliert. Weitere Erste Preise erhielt er beim Karl Davidoff International Cello Competition in Lettland sowie beim International Cello Competition Antonio Janigro in Kroatien. Soltani studierte bei zahlreichen renommierten Musikern, allen voran bei Ivan Monighetti (Musikakademie Basel) und Frans Helmerson (Kronberg Academy). Zu den Orchestern, mit denen Soltani zusammengearbeitet hat, gehören die Zagreber Solisten, das Georgische Kammerorchester, das Arpeggione Kammerorchester, die Basel Sinfonietta, das Latvian National Symphony Orchestra, das Sinfonieorchester Liechtenstein, das Helsinki Philharmonic Orchestra und das Zagreb Philharmonic Orchestra. -
Projecting MUSIC Across the Silk Road
Projecting Movement, Union, Synergy, Interplay & Cultural-collaboration across the Silk Road (& beyond) Chuah Aaron global citizen Aim Interplay between culture and globalisation, and in particular the musical connection between the two has been forwarded as an illustrative, hopeful, and harmonious example of how humanity as a global race may enhance mutual understanding and cross-cultural appreciation of its many diverse groups. In particular, this study aims to investigate the global community-building behind the relatively recent Silkroad initiative, and to what degree has its aims been achieved, and how. Introduction The dawn of globalisation (though the term was only coined probably in the 1930s, 1 and popularised in the mid-1980s2), probably began at the confluence of the traditional “East” and “West” thousands of years ago, along what is now popularly known as the “Silk Road” or “Silk Route”, a slight misnomer for it was not a single lengthy road but an ancient network of caravan and maritime routes stretching from Japan and the Korean peninsula in far east Asia to the Mediterranean Sea in the near west, through which it also linked the European and African continents. So named because of its distinct trade of silk amongst other items, particularly horses and spices, the Silk Road has been a channel of exchange between great civilizations from antiquity including the Persians, Syrians, Arabs, Turks, Arabs, Indians and Chinese. The first documented Silk Road crossing3 was led by emissary Zhang Qian (Chang Ch’ien / K’ien) in 139 BCE under the remit of Han Chinese emperor Wu-Di who wished to explore the possibility of alliance with their Central-Asian enemies, which led to deep interest in establishing and defending this trade route. -
Commencement
COMMENCEMENT D OCTORAL H OODING M ASTER’ S R ECOGNITION THURSDAY, MAY 2, 2019 BACCALAUREATE AND ASSOCIATE DEGREES FRIDAY, MAY 3, 2019 SATURDAY, MAY 4, 2019 PROGRAM AND ROSTER OF CANDIDATES U NIVERSITY OF C INCINNATI Two Hundredth Year 2 ROSTER OF GRADUATES Professional Degrees College of Law ........................................................................................................ PagePage 31 College of Medicine ........................................................................................ PagePage 35 James L. Winkle College of Pharmacy. ............................. PagePage 39 Doctoral Degrees The Graduate School .................................................................................. PagePage 43 Graduate Degrees The Graduate School .................................................................................. PagePage 51 Undergraduate Degrees CarlMcMicken H. Lindner College College of Arts of andBusiness Sciences............................... PagePage 75 College of Allied Health Sciences.............................................. PagePage 80 CollegeUC Blue-Conservatory Ash College........................................... of Music ......................... PagePage 83 CollegeCarl H. Lindnerof Design, College Architecture, of Business Art,................... Page 86 UC and Clermont Planning College ........................................................................................... PagePage 90 CollegeCollege-Conservatory of Education, Criminalof Music .Justice,.........................