Autumn Winter 2014 New Titles Catalogue
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Chwedlau'r Oesoedd Canol | Prifysgol Bangor University
09/26/21 Chwedlau'r Oesoedd Canol | Prifysgol Bangor University Chwedlau'r Oesoedd Canol View Online A.H. Diverres (1981) ‘Iarlles y Ffynnawn and Le Chevalier au Lion: adaptation or common source?’, Studia Celtica, 16/17, pp. 144–162. Bobi Jones (1956) ‘Y Rhamantau Cymraeg a’u Cysylltiad â'r Rhamantau Ffrangeg’, Llên Cymru, 4, pp. 208–227. Bromwich, Rachel, Jarman, A. O. H. and Roberts, Brynley F. (1991) The Arthur of the Welsh: the Arthurian legend in medieval Welsh literature. Cardiff: University of Wales Press. Brynley, F Roberts (1974) ‘Ystorya’, The bulletin of the Board of Celtic studies, 26. Brynley F. Roberts (1977) ‘Owein neu Iarlles y Ffynnon’, in J.E. Caerwyn Williams (ed.) Ysgrifau beirniadol, pp. 124–143. Brynley, F. Roberts (1991) ‘Culhwch ac Olwen, The Triads, Saints’ Lives’, in The Arthur of the Welsh: the Arthurian legend in medieval Welsh literature, pp. 73–95. Brynley, F Roberts (1992) ‘The Idea of a Welsh Romance’, in Studies on Middle Welsh literature, pp. 132–146. Brynley, F Roberts (2002) ‘Peredur Son of Efrawg’, in Perceval =: Parzival : a casebook, pp. 105–118. Ceridwen Lloyd-Morgan (1981) ‘Narrative Structure in Peredur’, Zeitschrift für celtische Philologie, 38, pp. 187–231. Ceridwen Lloyd-Morgan (2004) ‘Medieval Welsh Tales or Romances?’, Cambrian medieval Celtic studies, 47. Ceridwen Lloyd-Morgan (2009) ‘Migrating Narratives: Peredur, Owain, and Geraint’, in Helen Fulton (ed.) A companion to Arthurian literature, pp. 128–141. Ceridwen Lloyd-Morgan (no date) ‘The Celtic Tradition’, in The Arthur of the English: the Arthurian legend in medieval English life and literature, pp. 1–11. -
The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. -
Kyffin Williams and Welsh Art
Gareth Lloyd Roderick Kyffin Williams Online at the National Library of Wales: presenting and interpreting art in a digital context. 0 1 Mandatory Layout of Declaration/Statements Word Count of thesis: 82,423 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed ....................................................... (candidate) Date .......................................................... STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where *correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ..................................................................... (candidate) Date ........................................................................ [*this refers to the extent to which the text has been corrected by others] STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ..................................................................... (candidate) Date ........................................................................ 2 Acknowledgements I would like to thank my supervisors, Professor Robert Meyrick and Professor Lorna Hughes for their help, guidance -
Arthurian Personal Names in Medieval Welsh Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aberystwyth Research Portal ʹͲͳͷ Summary The aim of this work is to provide an extensive survey of the Arthurian personal names in the works of Beirdd y Tywysogion (the Poets of the Princes) and Beirdd yr Uchelwyr (the Poets of the Nobility) from c.1100 to c.1525. This work explores how the images of Arthur and other Arthurian characters (Gwenhwyfar, Llachau, Uthr, Eigr, Cai, Bedwyr, Gwalchmai, Melwas, Medrawd, Peredur, Owain, Luned, Geraint, Enid, and finally, Twrch Trwyth) depicted mainly in medieval Welsh prose tales are reflected in the works of poets during that period, traces their developments and changes over time, and, occasionally, has a peep into reminiscences of possible Arthurian tales that are now lost to us, so that readers will see the interaction between the two aspects of middle Welsh literary tradition. Table of Contents Acknowledgements ...................................................................................................... 3 Bibliographical Abbreviations and Short Titles ....................................................... 4 Introduction .................................................................................................................. 9 Chapter 1: Possible Sources in Welsh and Latin for the References to Arthur in Medieval Welsh Poetry .............................................................................................. 17 1.1. Arthur in the White Book of Rhydderch and the -
Welsh Horizons Across 50 Years Edited by John Osmond and Peter Finch Photography: John Briggs
25 25 Vision Welsh horizons across 50 years Edited by John Osmond and Peter Finch Photography: John Briggs 25 25 Vision Welsh horizons across 50 years Edited by John Osmond and Peter Finch Photography: John Briggs The Institute of Welsh Affairs exists to promote quality research and informed debate affecting the cultural, social, political and economic well being of Wales. The IWA is an independent organisation owing no allegiance to any political or economic interest group. Our only interest is in seeing Wales flourish as a country in which to work and live. We are funded by a range of organisations and individuals, including the Joseph Rowntree Charitable Trust, the Esmée Fairbairn Foundation, and the Waterloo Foundation. For more information about the Institute, its publications, and how to join, either as an individual or corporate supporter, contact: IWA - Institute of Welsh Affairs, 4 Cathedral Road, Cardiff CF11 9LJ T: 029 2066 0820 F: 029 2023 3741 E: [email protected] www.iwa.org.uk www.clickonwales.org Inspired by the bardd teulu (household poet) tradition of medieval and Renaissance Wales, the H’mm Foundation is seeking to bridge the gap between poets and people by bringing modern poetry more into the public domain and particularly to the workplace. The H’mm Foundation is named after H’m, a volume of poetry by R.S. Thomas, and because the musing sound ‘H’mm’ is an internationally familiar ‘expression’, crossing all linguistic frontiers. This literary venture has already secured the support of well-known poets and writers, including Gillian Clarke, National Poet for Wales, Jon Gower, Menna Elfyn, Nigel Jenkins, Peter Finch and Gwyneth Lewis. -
Introduction 1
NOTES Introduction 1 . Siân Echard, Arthurian Narrative in the Latin Tradition , Cambridge Studies in Medieval Literature 36 (Cambridge: Cambridge University Press, 1998 ), p. 14; Helen Cooper, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford: Oxford University Press, 2004 ), pp. 26–27; Anne F. Sutton and Livia Visser-Fuchs, “The Dark Dragon of the Normans: A Creation of Geoffrey of Monmouth, Stephen of Rouen, and Merlin Silvester,” Quondam et Futurus: A Journal of Arthurian Interpretations 2.2 ( 1992 ): 2 [1–19]. 2 . Julia Briggs discusses the Vortiger and Uther Pendragon plays per- formed by Philip Henslowe’s company as well as William Rowley’s The Birth of Merlin and Thomas Middleton’s Hengist , “New Times and Old Stories: Middleton’s Hengist ,” Literary Appropriations of the Anglo-Saxons from the Thirteenth to the Twentieth Century , ed. Donald Scragg and Carole Weinberg, Cambridge Studies in Anglo-Saxon England 29 (Cambridge: Cambridge University Press, 2000 ), pp. 108–9 [107–21]. 3 . For evidence supporting a late 1138 date for Geoffrey’s HRB , see Wright, introduction to HRB Bern , p. xvi [ix-lix] and John Gillingham, “The Context and Purposes of Geoffrey of Monmouth’s History of the Kings of Britain ,” Anglo-Norman Studies 13 (1991 ): 100 n5 [99–118]. 4 . Clarke, introduction to VM , p. vii [vii-50]; Echard, Arthurian Narrative , p. 218. 5 . Lee Patterson, Negotiating the Past: The Historical Understanding of Medieval Literature (Madison, WI: The University of Wisconsin Press, 1987 ), pp. 160, 201, 170, and 187; Virgil, Aeneid in Eclogues, Georgics, Aeneid I-VI , trans. -
Breakthrough Enriches the Knowledge Economy.” World-Class Research at Swansea University Swansea University Breakthrough 1
“An environment of research excellence that Breakthrough enriches the knowledge economy.” World-Class Research at Swansea University Swansea University Breakthrough 1 Contents Foreword - Professor Richard B Davies, Vice-Chancellor 4 Recent highlights 5 Introduction – Professor Nigel Weatherill, Pro-Vice-Chancellor (Research) 6 Commercial partners 7 Department for Research and Innovation 10 SCHOOL OF ARTS 12 Introduction – Professor Kevin Williams 13 Media and Communication 14 English 16 Creative Writing 19 Centre for Research into Gender in Culture and Society (GENCAS) 20 Centre for Research into the English Literature and Language of Wales (CREW) 21 Welsh 22 German 23 French 26 Italian 28 Hispanic Studies 28 Applied Linguistics 29 The Richard Burton Centre 31 SCHOOL OF BUSINESS AND ECONOMICS 32 Introduction – Professor Andrew Henley 33 Business 34 Marketing 34 Human resources, Organisations and Entrepreneurship Research Group 38 Information Systems and CeBR 41 Finance 42 Economics 43 Time Series Econometrics 43 Labour Economics Group 44 Monetary policy 46 Fifteen years of transition 47 Welsh Economy Labour Market Evaluation and Research Centre (WELMERC) 49 SCHOOL OF ENGINEERING 52 Introduction – Professor Nigel Weatherill 53 Aerospace engineering 54 The University strategy continues to be, Power electronics and microelectronics technologies 57 Manufacturing technologies 58 in summary, to strengthen research, Multidisciplinary Nanotechnology Centre (MNC) 60 Multi-fracturing solids and particulate media 62 Multi-physics and multi-scale -
Bakalářská Práce
Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Romana Behenská Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce PRESENT AND PAST OF WALES Romana Behenská Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – ruština Bakalářská práce PRESENT AND PAST OF WALES Romana Behenská Vedoucí práce: Mgr. Lenka Dejmalová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracoval(a) samostatně, a použil(a) jen uvedených pramenů a literatury. Plzeň 2016 …………......…………… Acknowledgement I would like to express my gratitude to my supervisor, Mgr. Lenka Dejmalová, for her guidance, advice and helpful suggestions throughout the whole processs of working on this thesis. Table of contents Statement of originality...............................................................................i Acknowledgements....................................................................................ii Table of contents.......................................................................................iii 1 INTRODUCTION ................................................................................. 1 2 BASIC CHARACTERISTIC OF WALES .............................................. 3 2.1 Geography ..................................................................................... 3 2.2 Administrative Division -
Annalee C. Rejhon
Oral Tradition, 5/1 (1990): 131-48 The Effects of Oral and Written Transmission in the Exchange of Materials between Medieval Celtic and French Literatures: A Physiological View1 Annalee C. Rejhon The exchange of literary materials between Celtic and French cultures in the twelfth and thirteenth centuries is characterized by a striking dichotomy: works that were transmitted orally were profoundly transformed to accommodate the needs of the receiving culture, while those transmitted in writing remained essentially static, frozen—as it were—in their vellum manuscripts. What follows is an elaboration on this dichotomy with an attempt at explaining it in the light of the physiological phenomena that necessarily underlie it: that is, the workings of the bicameral brain as they are at present understood. I should say at the start that the work that fi rst got me thinking along these lines was the seminal article of Frederick Turner, “Performed Being: Word Art as a Human Inheritance,” that appeared in the inaugural issue of this journal (1986, i). The present article, therefore, is, in a way, a response to that work, one that applies the general principles suggested therein to the fi elds of medieval Welsh and French literatures. The Celtic material in question represents a body of mythology and literature that in the twelfth century was common to all Brittonic peoples. Welsh, Cornish, and Breton were still mutually intelligible. The works consisted primarily of the Arthurian material that had been developing in the Celtic milieu from at least the ninth century onward. Their dissemination resulted above all from 1) the interaction and intermarriage in the Welsh Marches of Welsh and Norman families who patronized 1 Presented as a paper at the Conference on Materialities of Communication, held at the Inter-University Centre of Post-Graduate Studies, Dubrovnik, Yugoslavia, March 30, 1987. -
The Welsh Society of Vancouver
THE WELSH SOCIETY OF VANCOUVER Cymdeithas Gymraeg Vancouver Cambrian News Mawrth i Ebrill March to April 2011 2011 Society Newsletter – Cylchgrawn y Gymdeithas Saint David’s Druids CAMBRIAN HALL, 215 East 17th Ave, Vancouver B.C. V5V 1A6 1 Newsletter March / April 2011 – Cylchgrawn Mawrth / Ebrill 2011 VANCOUVER WELSH SOCIETY Officers: The Cambrian News President: John Morris From The Editor: Vice-President: Lynn Owens-Whalen This issue reports on the events associated Secretary: with our two Saints, Dwynwen and David. I Elizabeth Williams Wallace am grateful to Eifion Williams for his article [email protected] in the Celtic Connection on our St. David’s Treasurer: events and to Kathy Thomas for the Gaynor Evans photograph on the front page. The St. Membership Secretary: David’s Dinner photos are by Uta. Mark Jones Immediate Past President: Gillian Rogers made me aware of her Jane Byrne correspondence with Margaret Roberts and I Directors: have been reading the book with much Katrina Borsato interest ever since. I’m sure it will be of Heather Davies interest to many of our members. Antone Minard (Recording Secretary) There is an obituary of Rachel Bromwich in Gethin Owen the recent issue of Yr Enfys but I have Alcwyn Rogers chosen to include parts of the one by Meic Contacts Stephens in The Independent. A remarkable Building Committee: scholar who always spoke Welsh with her Lynn Owens-Whalen fellow academics! Cambrian Circle Singers: Nerys Haqq I note that the referendum giving greater Church Service: powers to the Welsh Assembly passed with John Pritchard 63.5% in favour. -
Myths, Memories and Futures the National Library and National Museum in the Story of Wales
2251MythsMemories+Futuresa-wJW 28/2/07 4:22 pm Page i Myths, Memories and Futures The National Library and National Museum in the Story of Wales Edited by John Osmond Cover: 13th Century crowned head exhibited by Amgueddfa Cymru – National Museum Wales in Cathays Park, Cardiff. Excavated from the remains of Deganwy Castle, near Llandudno, in Spring 1966, it is thought to be the head of Llywelyn Fawr (1173-1240).This memory (or myth?) has been promoted by Harri Webb’s poem The Stone Face, written as a response to the 1966 excavation and reproduced in his The Green Desert (Collected Poems 1950-1969).The poem is quoted overleaf and on page 72 of this volume.The crowned head may originally have lined the most embellished room at Llywelyn Fawr’s castle at Deganwy, the now-vanished hall. Copyright: National Museum of Wales. 2251MythsMemories+Futuresa-wJW 28/2/07 4:22 pm Page ii Published in Wales by A stone face sleeps beneath the earth Institute of Welsh Affairs With open eyes.All history is its dream. The Stone Face by Harri Webb The Institute of Welsh Affairs exists to promote quality research and informed debate affecting the cultural, social, political and economic well-being of Wales. The IWA is an independent organisation owing no allegiance to any political or economic interest group. We are funded by a range of organisations and individuals. For more information about the Institute, its publications, and how to join, either as an individual or corporate supporter, contact: IWA – Institute of Welsh Affairs 1–3 Museum Place Cardiff CF10 3BD Telephone 029 2066 6606 Facsimile 029 2022 1482 Email [email protected] Web www.iwa.org.uk First Impression March 2007 ISBN 1 904 773 20 6 © Institute of Welsh Affairs All rights reserved. -
Arthur's Heirs: Situating Medieval Welsh, Spanish, and Scandinavian Texts in Their Literary and Historical Contexts
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses Spring August 2014 ARTHUR’S HEIRS: SITUATING MEDIEVAL WELSH, SPANISH, AND SCANDINAVIAN TEXTS IN THEIR LITERARY AND HISTORICAL CONTEXTS Nahir I. Otaño Gracia University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Celtic Studies Commons, Comparative Literature Commons, Medieval Studies Commons, Scandinavian Studies Commons, and the Spanish Literature Commons Recommended Citation Otaño Gracia, Nahir I., "ARTHUR’S HEIRS: SITUATING MEDIEVAL WELSH, SPANISH, AND SCANDINAVIAN TEXTS IN THEIR LITERARY AND HISTORICAL CONTEXTS" (2014). Doctoral Dissertations. 122. https://doi.org/10.7275/5490896.0 https://scholarworks.umass.edu/dissertations_2/122 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. ARTHUR’S HEIRS: SITUATING MEDIEVAL WELSH, SPANISH, AND SCANDINAVIAN TEXTS IN THEIR LITERARY AND HISTORICAL CONTEXTS A Dissertation Presented By NAHIR I. OTAÑO GRACIA Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2014 Program of Comparative Literature Department of Languages, Literatures