The Lucifer Principle

Total Page:16

File Type:pdf, Size:1020Kb

The Lucifer Principle THE LUCIFER PRINCIPLE A SCIENTIFIC EXPEDITION INTO THE FORCES OF HISTORY by Howard Bloom Copyright 2000 by Howard Bloom Introduction copyright 1997 by David Sloan Wilson Comments on The Lucifer Principle "A revolutionary vision of the relationship between psychology and history. The Lucifer Principle will have a profound impact on our concepts of human nature. It is astonishing that a book of this importance could be such a pleasure to read." Elizabeth F. Loftus, immediate past president, American Psychological Society, author of Witness for the Defense and The Myth of Repressed Memory "Readers will be mesmerized by the mirror Bloom holds to the human condition, and dumbfounded by the fusillade of eclectic data that arrives with the swiftness and intensity of a furious tennis volley. His style is effortless, engaging, witty and brisk.... He draws on a dozen years of research into a jungle of scholarly fields...and meticulously supports every bit of information...." Washington Post "Unlike anything you've ever read before. An act of astonishing intellectual courage." Leon Uris "a philosophical look at the history of our species, which alternated between fascinating and frightening. Reading it was like reading Dean Koontz or Stephen King: I couldn't put it down. ...Masterful.... Best Non-Fiction Book of the year." Mark Graham, Rocky Mountain News "Bloom's work marshals a quantity of evidence reminiscent of Darwin's 1859 Origin of Species." Dorion Sagan, Wired "Addresses a topic that more timid and conventional sources are not inclined to confront: the nature and causes of human evil. ...Vigorous...fervent...a freshly viable theory of human social evolution." The Washington Times "Great fun to read, and crammed with fantastic information." Martin Gardner, creator and author of The Scientific American's "Mathematical Games" section 1956-1986, author of over 100 books, including The Annotated Alice: The Definitive Edition "Provocative...explosive...feisty...a string of rhetorical firecrackers that challenge our many forms of self-righteousness." Chet Raymo, Boston Globe "Elegant...the highest quality of brain food...[a] revolutionary new vision of human nature...[a] monumental work...heady stuff from a wonderful, original thinker...simply stunning...." Lawrence Hall, Newark Star-Ledger "The Lucifer Principle is a tour de force, a brilliant and seminal work." Sol Gordon, founder, The Institute for Family Research and Education, author of When Living Hurts "Draws heavily on biological and anthropological evidence to show that human beings are not by nature isolated, self-interested individuals but have powerful natural inclinations toward social groups, and that much of the violence and cruelty that has characterized human history is rooted in competition between groups for status and domination." Francis Fukuyama, Foreign Affairs "Challenging" Horace Barlow, Royal Society Research Professor of Physiology, Cambridge University Part 1 - When Evil Comes Disguised as Love Part 2 - Bloodstains in Paradise Part 3 - Why Humans Self-Destructv Part 4 - One Man's God Is Another Man's Devil Part 5 - Man - Inventor of the Invisible World Part 6 - The Mysteries of the Evolutionary Learning Machine Part 7 - Ideology is Theft Part 8 - Who Are the Next Barbarians? Part 9 - The Rise and Fall of the American Empire The Luciferian Paradox Part 1 WHEN EVIL COMES DISGUISED AS LOVE TABLE OF CONTENTS WHEN EVIL COMES DISGUISED AS LOVE Introduction by David Sloan Wilson Prologue Who Is Lucifer? The Clint Eastwood Conundrum The Whole Is Bigger Than the Sum of Its Parts The Chinese Cultural Revolution Notes Introduction The author of this book is an intellectual, originally trained in science, who decided to avoid the limitations of an academic career. Instead of conducting laboratory experiments and competing for federal grant dollars, he put his interest in mass human behavior to work by playing a key role in the careers of rock stars such as Michael Jackson and John Cougar Mellencamp. Meanwhile, he continued to read widely and do what all scientists, as intellectuals, should do; attempt to understand and explain the nature of the world around him. His experience " at the center of our culture's myth-making machinery" may have taught him more about human nature than a university career. Perhaps we should regard him as an anthropologist who has spent many years observing a strange tribe--us. In the course of his inquiry, Howard Bloom became convinced that evolution could explain the fundamentals of human nature and the broad sweep of human history. He is not alone. It is no longer heretical to study our own species as one of evolution's creations, and many books are appearing on the subject. However, The Lucifer Principle does not merely report on the rapid developments that are taking place within academia. Howard Bloom has his own vision of evolution and human nature that many scientific authorities would dispute. He is a heretic among former heretics. The bone of contention is the organismic nature of human society. Thomas Hobbes and many others of his time regarded individuals as the cells and organs of a giant social organism--a Leviathan--" which is but an artificial man, though of greater stature and strength than the natural, for whose protection and defence it was intended." Today this idea is regarded as no more than a fanciful metaphor. Evolution is thought to produce individuals who are designed to relentlessly pursue their own reproductive success. Society is merely the byproduct of individual striving and should not be regarded as an organism in its own right. Even individuals can be decomposed into selfish genes whose only purpose is to replicate themselves. It is a mark of Howard Bloom's independence of thought that he resisted the extreme reductionism that pervades modern evolutionary biology. He believes that the Leviathan, or society as an organism, is not a fanciful metaphor but an actual product of evolution. The Darwinian struggle for existence has taken place among societies, as well as among individuals within societies. We do strive as individuals but we are also part of something larger than ourselves, with a complex physiology and mental life that we carry out but only dimly understand. That is the vision of evolution and human behavior found in The Lucifer Principle and at the moment it can be found no where else. When Howard Bloom wrote The Lucifer Principle, he studied numerous developments taking place within the halls of academe, but was unaware of others. Evolution is increasingly being studied as a process that operates on a hierarchy of units. Even individual organisms are higher level units, composed of parts that were themselves free-living organisms in the distant past. Truly organismic societies have evolved in insects and even some recently discovered mammal species. As for ourselves, human society may turn out to be far more organismic than the vast majority of evolutionary biologists imagined only a few years ago. These discoveries are unfolding within the scientific community, and many of them have been anticipated by Bloom. Scientists and other Academicians might find themselves treading a path forged by an outsider. As a scientist who has been developing a hierarchical view of evolution from within academia, I have learned from Howard Bloom and value him as a fellow traveler. I do not agree with everything he says and I sometimes blush at the way he says it--not with the reserve of a scientist but with the brashness of a mass media denizen. Of course, that only makes the book more fun for the average reader. Many of Howard Bloom's ideas must be passed through the scientific verification machine before they can be accepted. Until then, your motto for The Lucifer Principle should be not "read it and believe," but "read it and think." --David Sloan Wilson Binghamton, New York Prologue The Lucifer Principle is a book with a peculiar mission. Its goal is to provide the reader with a new way of looking at his world. The Lucifer Principle takes fresh data from a variety of sciences and shapes them into a perceptual lens, a tool with which to reinterpret the human experience. It attempts to offer a very different approach to the anatomy of the social organism, a new way of understanding the operation of its tendons, bones and joints. In the process, The Lucifer Principle contends that "evil" is a by-product of nature's strategies for creation and is woven into our most basic biological fabric. This argument echoes a very old one. St. Paul proposed it when he put forth the doctrine of original sin. Thomas Hobbes resurrected it when he called the lot of man brutish and nasty. Anthropologist Raymond Dart brought it to the fore again when he interpreted fossil remains in Africa as evidence that man is a killer ape. Old as it is, the concept has often had revolutionary implications. Why? Because it has been the thread on which men like Hobbes and St. Paul have hung dramatic new visions of the world. I've attempted to employ the subject of man's inborn "evil" like those who turned to the subject in the past--to offer up a restructuring of the way we see the business of being human. I've taken the conclusions of cutting-edge sciences--ethology, sociobiology, psychoneuroimmunology and the study of complex adaptive systems, among others--to suggest a new way of looking at culture, civilization, and the mysterious emotions of those who live inside the social beast. The goal is to open the path toward a new sociology, one which escapes the narrow boundaries of Durkheimian, Weberian and Marxist concepts, theories that have proven invaluable to the study of mass human behavior while simultaneously entrapping it in orthodoxy.
Recommended publications
  • Rhythms of the Brain
    Rhythms of the Brain György Buzsáki OXFORD UNIVERSITY PRESS Rhythms of the Brain This page intentionally left blank Rhythms of the Brain György Buzsáki 1 2006 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2006 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Buzsáki, G. Rhythms of the brain / György Buzsáki. p. cm. Includes bibliographical references and index. ISBN-13 978-0-19-530106-9 ISBN 0-19-530106-4 1. Brain—Physiology. 2. Oscillations. 3. Biological rhythms. [DNLM: 1. Brain—physiology. 2. Cortical Synchronization. 3. Periodicity. WL 300 B992r 2006] I. Title. QP376.B88 2006 612.8'2—dc22 2006003082 987654321 Printed in the United States of America on acid-free paper To my loved ones. This page intentionally left blank Prelude If the brain were simple enough for us to understand it, we would be too sim- ple to understand it.
    [Show full text]
  • Team-Fly® Power up Your Mind
    Power Up Your Mind:Y L Learn faster,F work smarterM A E T Bill Lucas NICHOLAS BREALEY PUBLISHING Team-Fly® Power Up Your Mind Learn faster, work smarter Bill Lucas N ICHOLAS B REALEY P UBLISHING LONDON First published by Nicholas Brealey Publishing in 2001 Reprinted (twice) 2002 3–5 Spafield Street PO Box 700 Clerkenwell, London Yarmouth EC1R 4QB, UK Maine 04096, USA Tel: +44 (0)20 7239 0360 Tel: (888) BREALEY Fax: +44 (0)20 7239 0370 Fax: (207) 846 5181 http://www.nbrealey-books.com http://www.powerupyourmind.com © Bill Lucas 2001 The right of Bill Lucas to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. ISBN 1-85788-275-X British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Lucas, Bill. Power up your mind : learn faster, work smarter / Bill Lucas. p. cm. Includes bibliographical references and index. ISBN 1-85788-275-X 1. Learning, Psychology of. 2. Work--Psychological aspects. I. Title. BF318 .L83 2001 153.1′5--dc21 2001035940 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording and/or otherwise without the prior written permission of the publishers. This book may not be lent, resold, hired out or otherwise disposed of by way of trade in any form, binding or cover other than that in which it is published, without the prior consent of the publishers.
    [Show full text]
  • War in the Age of Intelligent Machines
    Introduction The image of the ''killer robot" once belonged uniquely to the world of science fiction. This is still so, of course, but only if one thinks of human­ like mechanical contraptions scheming to conquer the planet. The latest weapons systems planned by the Pentagon, however, offer a less anthropo­ morphic example of what machines with "predatory capabilities" might be like: pilotless aircraft and unmanned tanks "intelligent" enough to be able to select and destroy their own targets. Although the existing prototypes of robotic weapons, like the PROWLER or the BRAVE 3000, are not yet truly autonomous, these new weapons do demonstrate that even if Artificial Intel­ ligence is not at present sufficiently sophisticated to create true "killer robots,'' when synthetic intelligence does make its appearance on the planet, there will already be a predatory role awaiting it. The PROWLER, for example, is a small terrestrial armed vehicle, equipped with a primitive form of "machine vision" (the capability to ana­ lyze the contents of a video frame) that allows it to maneuver around a battlefield and distinguish friends from enemies. Or at least this is the aim of the robot's designers. In reality, the PROWLER still has difficulty negoti­ ating sharp turns or maneuvering over rough terrain, and it also has poor friend/foe recognition capabilities. For these reasons it has been deployed only for very simple tasks, such as patrolling a military installation along a predefined path. We do not know whether the PROWLER has ever opened fire on an intruder without human supervision, but it is doubtful that as currently designed this robot has been authorized to kill humans on its own.
    [Show full text]
  • The Platinum Rule® F O R S a L E S M Ast E R Y
    The Platinum Rule® FO R SALE S M ast E R Y Dr. Tony Alessandra Scott Michael Zimmerman and Dr. Joseph La Lopa PLATINUM RULE GROUP, LLC. The Platinum Rule® FO R S A L E S M ast E R Y © Copyright 2009 • All rights reserved in all media. Dr. Tony Alessandra, Scott Michael Zimmerman and Dr. Joseph La Lopa No part of this publication may be reproduced or transmitted in any form or by any means, mechanical or electronic, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from author or publisher (except by a reviewer, who may quote brief passages and/or show brief video clips in review). ISBN: 0-000000-00-0 (Hardcover) ISBN: 978-0-9819371-2-0 (Paperback) ISBN: 0-000000-00-0 (Audio) ISBN: 0-000000-00-0 (eBook) Published by: Cover & Interior Design by: Glenn Griffiths www.TheCyranoGroup.com Platinum Rule Group, LLC. 600 31st Street SW Barberton, Ohio 44203 1-330-848-0444 www.PlatinumRule.com ACKNOWLEDGE M EN ts WE ARE GRATEFUL TO ALL OF THE PSYCHOLOGISTS, sociologists, visionaries, philosophers, coaches, consultants, trainers, speakers and authors who directly and indirectly influenced our work, documented their findings and who built foundations of evidence upon which we could build. Just a sampling of these include: Michael J. O’Connor, Katherine Briggs, Jim Cathcart, Roger Dawson, John Geier, Paul Green, Phil Hunsaker, Carl Jung, Florence Littauer, Russ Watson, William Moulton Marston, David McClelland, David Merrill, Roger Reid, Larry Wilson, Bill Schwarz, Isabel Briggs Myers, Don Lowry, Janice Van Dyke and Don Hutson.
    [Show full text]
  • What Is Persona?
    What is Monsters and Other Childish Things? Monsters and Other Childish Things (MaOCT) is a roleplaying game written by Benjamin Baugh, based on Wild Talents by Dennis Detwiller and Greg Stolze, using the One Roll Engine (O.R.E.) that Stolze designed. In it, the players control school-age Kids (Elementary through High School, usually) who are accompanied by horrible, slavering, nightmarish Monsters that also happen to be a Kid’s best friend. They have adventures, deal with school bullies (hopefully with words, not by eating them), experiences crushes (again, hopefully without eating them) and discover the horrible secrets of other worlds on the fringes of human awareness. Good fun is had by all. What is Persona? Persona is a Japanese Roleplaying Video Game series made by Atlus. A spin-off of the Shin Megami Tensei series, Persona focuses on high schoolers pitted jointly against other-worldly forces and the crushing gravity of their own social obligations and psychological trauma. Their instrument for dealing with these are Personas: manifestations of psycho-spiritual power that come to their aid and defense. In each of the Persona games, the player controls a group of Persona users who must unravel the mysteries of some supernatural phenomena that threatens the existence of their friends, town, or even the entire world. What am I reading? The Velvet Book is a conversion module for MaOCT designed to optimize its rules for running a game inspired by the Persona series. In truth, you can run Persona with MaOCT’s vanilla rules; the Drunk and Ugly Podcast did an entire series like that (check out “Shin Megami Tensei and Other Childish Things”) and it worked just fine.
    [Show full text]
  • P E R F O R M I N G
    PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales).
    [Show full text]
  • Nonverbal Dictionary
    The The NONVERBAL DICTIONARY of GESTURES, SIGNS & BODY LANGUAGE CUES From Adam's-Apple-Jump to Zygomatic Smile By David B. Givens © 2002 (Spokane, Washington: Center for Nonverbal Studies Press) Items in this Dictionary have been researched by anthropologists, archaeologists, biologists, linguists, psychiatrists, psychologists, semioticians, and others who have studied human communication from a scientific point of view. Every effort has been made to cite their work in the text. Definitions, meanings, and interpretations left uncredited are those of the author. Gestures and consumer products with http://members.aol.com/nonverbal2/diction1.htm (1 of 2) [27/04/02 05:54:42] The current trademark registrations are identified with the ® symbol. Entries in The Dictionary. There have been many who, not knowing how to mingle the useful and the pleasing in the right proportions, have had all their toil and pains for nothing . --Cervantes (Don Quixote) Dedication "A masterful piece of work" --American Library Association "Highly recommended" --New Scientist "Very interesting reading" --The Houston Chronicle "Monumental" --Yahoo! Picks of the Week "Site of the Day Award" --WWW Virtual Library WWW Virtual Library "Best" Site © 2002 by David B. Givens, Ph.D. Center for Nonverbal Studies http://members.aol.com/nonverbal2/diction1.htm (2 of 2) [27/04/02 05:54:42] adajum ADAM'S-APPLE-JUMP Body movement. 1. A conspicuous up-and-down motion of the Adam's apple. 2. A movement of the throat visible while gulping or swallowing, as in nervousness. Usage: The Adam's-apple-jump is an unconscious sign of emotional anxiety, embarrassment, or stress.
    [Show full text]
  • Children of Horun a Fantasy Setting with Guidelines for D&D 5E
    Children of Horun A fantasy setting with guidelines for D&D 5e Children of Horun can be used and shared for personal use, provided it or its derivatives are not used for commercial purposes and that Children of Horun is cited as the source of said derivatives. Introduction Horun is a vast world, inhabited by people of many creeds and cultures from a number of different intelligent species. It is a world where the past has been buried, time and time again, where reality can be manipulated though study and force of will. It is, in a phrase, a fantastic world. Children of Horun is a fantasy role-playing setting suited for many playstyles, with emphasis on political intrigue. It is a medium-magic, low-divine setting; magic is common but magic items are not, learning anything but the most cursory spells is quite difficult, and there are no true gods to derive power from or to influence the world. In terms of atmosphere, Horun varies widely. Campaigns with an emphasis on overcoming adversity or playing one's part in a greater societal structure will work well. On the other hand, standard “great adventurers rising to become demigods” campaigns may not fit the world's theme very well at all. What you use this document for is ultimately up to you. This document is a comprehensive guide of the people, animals, and places of Horun, meant for players and game masters alike. Feel free to share and use this document as you like for non-commercial use, so long as you give credit where credit is due! Chapter 1: The Children of Horun “And so, we split among ourselves, spreading across the world and establishing ourselves among the lifeforms that piqued our interests.
    [Show full text]
  • Digital Control Networks for Virtual Creatures
    Digital control networks for virtual creatures Christopher James Bainbridge Doctor of Philosophy School of Informatics University of Edinburgh 2010 Abstract Robot control systems evolved with genetic algorithms traditionally take the form of floating-point neural network models. This thesis proposes that digital control sys- tems, such as quantised neural networks and logical networks, may also be used for the task of robot control. The inspiration for this is the observation that the dynamics of discrete networks may contain cyclic attractors which generate rhythmic behaviour, and that rhythmic behaviour underlies the central pattern generators which drive low- level motor activity in the biological world. To investigate this a series of experiments were carried out in a simulated physically realistic 3D world. The performance of evolved controllers was evaluated on two well known control tasks — pole balancing, and locomotion of evolved morphologies. The performance of evolved digital controllers was compared to evolved floating-point neu- ral networks. The results show that the digital implementations are competitive with floating-point designs on both of the benchmark problems. In addition, the first re- ported evolution from scratch of a biped walker is presented, demonstrating that when all parameters are left open to evolutionary optimisation complex behaviour can result from simple components. iii Acknowledgements “I know why you’re here... I know what you’ve been doing... why you hardly sleep, why you live alone, and why night after night, you sit by your computer.” I would like to thank my parents and grandmother for all of their support over the years, and for giving me the freedom to pursue my interests from an early age.
    [Show full text]
  • Behavior, Animation, Music
    behavior, animation, music: the music and movement of synthetic characters Marc Downie BA, MSci, Magdalene College, University of Cambridge (1998) submitted to the program in media arts and sciences, school of architecture and planning, in partial fulfilment of the requirements for the degree of master of science in media arts and sciences at the massachusetts institute of technology, february 2001 author program in media arts and sciences Bruce M. Blumberg assistant professor of media arts and sciences, Asahi broadcasting corporation career development professor of media arts and sciences, thesis supervisor Stephen A. Benton chair, department committee on graduate students, program in media arts and sciences massachusetts institute of technology 2000. all rights reserved. behavior, animation, music: the music and movement of synthetic characters Marc Downie submitted to the program in media arts and sciences, school of architecture and planning, in partial fulfilment of the requirements for the degree of master of science in media arts and sciences at the massachusetts institute of technology, february 2001 abstract This thesis begins with the idea that reactive, behavior-based ‘synthetic characters’ can become an appropriate platform for musical experimentation. This idea motivates the creation of a new behavior system for these characters. This system, in addition to providing the basis of the work described therein, appears to solve some outstanding problems in character creation. Next, work on the creation of characters’ motor systems is described, culminating in a new framework for characters to learn and understand their motor actions while remaining within an example-based animation domain. Finally, several musical applications of these systems and this character-based approach are discussed.
    [Show full text]
  • Home Game | Season Eight TEAM:______
    TRACKS TRIVIA | Home Game | Season Eight TEAM:________________________________ 1 21 41 2 22 42 3 23 43 4 24 44 5 25 45 6 26 46 7 27 47 8 28 48 9 29 49 10 30 50 11 31 51 12 32 52 13 33 53 14 34 54 15 35 55 16 36 56 17 37 57 18 38 58 19 39 59 20 40 60 Once you have the latest game, you have 2 HOURS to play and send your answers (in any format) to: [email protected] TRACKS TRIVIA Home Game | Season Eight Game 1 of 8 Written by: Gian Submitted: April 20, 2021 Published: April 28, 2021 Time Limit: 120 minutes Season Eight ROUND 1 Game 1 of 8 Category 1 – Miscellaneous - Themed Category 3 – Wine 1. What is the opening line from the 11. What common 3 word Latin expression Shakespearean History Richard III? means that one tells the truth when “Now is the winter of our under the influence of alcohol? ___________”? 12. Generating an annual income of 4.1 2. What 3 syllable word of French origin billion dollars which brotherly California refers to a club where patrons dance to winery is the world’s largest? recorded pop music? 13. April 17 is declared annually as World 3. What is the name of the longest serving Malbec Day by which wine producing space shuttle (1984-2011) that flew 39 nation? missions in total? 14. Is the French wine varietal Chablis a 4. What 4 syllable word is used to refer to white or a red wine? all of a musical artists recordings 15.
    [Show full text]
  • Sustained Progress New Findings About the Effectiveness and Operation of Small Public High Schools of Choice in New York City
    Sustained Progress New Findings About the Effectiveness and Operation of Small Public High Schools of Choice in New York City Howard S. Bloom Rebecca Unterman AUGUST 2013 Sustained Progress New Findings About the Effectiveness and Operation of Small Public High Schools of Choice in New York City Howard S. Bloom Rebecca Unterman August 2013 Funding for this report was provided by the Bill & Melinda Gates Foundation. Dissemination of MDRC publications is supported by the following funders that help finance MDRC’s public policy outreach and expanding efforts to communicate the results and implications of our work to policymakers, practitioners, and others: The Annie E. Casey Foundation, The George Gund Foundation, Sandler Foundation, and The Starr Foundation. In addition, earnings from the MDRC Endowment help sustain our dissemination efforts. Contributors to the MDRC Endowment include Alcoa Foundation, The Ambrose Monell Foundation, Anheuser-Busch Foundation, Bristol-Myers Squibb Foundation, Charles Stewart Mott Foundation, Ford Foundation, The George Gund Foundation, The Grable Foundation, The Lizabeth and Frank Newman Charitable Foundation, The New York Times Company Foundation, Jan Nicholson, Paul H. O’Neill Charitable Foundation, John S. Reed, Sandler Foundation, and The Stupski Family Fund, as well as other individual contributors. The findings and conclusions in this report do not necessarily represent the official positions or policies of the funders. For information about MDRC and copies of our publications, see our Web site: www.mdrc.org. Copyright © 2013 by MDRC®. All rights reserved. Overview In 2002, New York City embarked on an ambitious and wide-ranging series of education reforms. At the heart of its high school reforms were three interrelated changes: the institution of a districtwide high school choice process for all rising ninth-graders, the closure of 31 large, failing high schools with an average graduation rate of 40 percent, and the opening of more than 200 new small high schools.
    [Show full text]