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Collection De Porcelaines Chinoises De Monsieur Et Madame Robert De Strycker
Collection de porcelaines chinoises de Monsieur et Madame Robert de strycker Lundi 9 décembre 2013 HÔTEL DROUOT Henri-Pierre TEISSÈDRE Delphine de COURTRY Commissaires-priseurs PIASA 5, rue Drouot 75009 Paris Tél. : +33 (0)1 53 34 10 10 Fax : +33 (0)1 53 34 10 11 ESTIMATIONS GRATUITES [email protected] ET CONFIDENTIELLES www.piasa.fr Piasa SA Ventes volontaires aux enchères publiques - agrément n° 2001-020 ART D'ASIE COLLECTION DE PORCELAINES CHINOISES DE MONSIEUR ET MADAME ROBERT DE STRYCKER PARTIE II Lundi 9 décembre 2013 à 13h30 Hôtel Drouot, salle 2 9 rue Drouot 75009 Paris Tél. : + 33 (0)1 48 00 20 02 EXPOSITION PUBLIQUE Hôtel Drouot, salle 2 Samedi 7 décembre de 11h à 18h Dimanche 8 décembre de 11h à 18h Lundi 9 décembre de 11h à 12h EXPERTS Thierry Portier RESPONSABLE DE VENTE Expert SFEP Anne-Caroline Germaine-Le Mintier Alice Jossaume Buhlmann Tél. : +33 (0)1 53 34 10 12 Expert SFEP [email protected] 26 bd Poissonière 75009 Paris Tél : +33 (0)1 48 00 03 41 CONTACT PRESSE PIASA Fax : +33 (0)1 48 00 02 64 Isabelle de Puysegur www.portier-asianart.com Tél. : +33 (0)1 53 34 10 10 [email protected] [email protected] ENCHÉRISSEZ EN DIRECT SUR WWW.PIASA.FR SUIVEZ NOTRE ACTUALITÉ SUR FACEBOOK 2 COLLECTION DE PORCELAINES CHINOISES DE MONSIEUR ET MADAME ROBERT DE STRYCKER Grands amateurs d’art, le professeur Robert de Strycker et son épouse découvrirent l’art chinois lors d’un voyage à Londres à la fin des années 1930, au British Museum. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Corrosion of Longquan Celadons in the Marine Environment
He et al. Herit Sci (2021) 9:104 https://doi.org/10.1186/s40494-021-00583-4 RESEARCH ARTICLE Open Access Corrosion of Longquan celadons in the marine environment: study on the celadons from the Dalian Island shipwreck of the Yuan Dynasty Yan He1,2,3,4, Weidong Li1,2,3,4*, Jianan Li5, Changsong Xu1,2,3,4 and Xiaoke Lu1,2,3,4 Abstract The Dalian ( ) Island shipwreck of the Yuan Dynasty (1271–1368 CE) was located in the sea area of Pingtan ( ), Fujian ( ) Province, China. A total of 603 Longquan ( ) celadon wares were excavated, some of which have been severely corroded. In this study, two celadon specimens with severe corrosion were selected to investigate the corrosion mechanism in the marine environment. Optical microscopy (OM), scanning electron microscopy equipped with energy dispersive X-ray spectrometry (SEM–EDS), X-ray difraction analysis (XRD), Micro-Raman spectroscopy, and thermal expansion analysis were applied to analyze the microstructure of the glaze, corrosion morphology, and composition of corrosion products, and the corrosion mechanism was discussed in depth. The results showed that these two celadon wares are opaque matt glaze, in which the anorthite crystallization-phase separation structure with low chemical stability was found, which was more likely to be corroded. There are three possible stages in the corrosion process of the glaze. The frst stage is mainly the long-term cation exchange reaction. Then, because of the corrosion of the CaO-rich droplet phase and the crystal-glass phase interface layer, the porous structure and many microcracks may be formed, promoting the corrosion process. -
2020-Commencement-Program.Pdf
THE JOHNS HOPKINS UNIVERSITY COMMENCEMENT 2020 Conferring of degrees at the close of the 144th academic year MAY 21, 2020 1 CONTENTS Degrees for Conferral .......................................................................... 3 University Motto and Ode ................................................................... 8 Awards ................................................................................................. 9 Honor Societies ................................................................................. 20 Student Honors ................................................................................. 25 Candidates for Degrees ..................................................................... 35 2 ConferringDegrees of Degrees for Conferral on Candidates CAREY BUSINESS SCHOOL Masters of Science Masters of Business Administration Graduate Certificates SCHOOL OF EDUCATION Doctors of Education Doctors of Philosophy Post-Master’s Certificates Masters of Science Masters of Education in the Health Professions Masters of Arts in Teaching Graduate Certificates Bachelors of Science PEABODY CONSERVATORY Doctors of Musical Arts Masters of Arts Masters of Audio Sciences Masters of Music Artist Diplomas Graduate Performance Diplomas Bachelors of Music SCHOOL OF NURSING Doctors of Nursing Practice Doctors of Philosophy Masters of Science in Nursing/Advanced Practice Masters of Science in Nursing/Entry into Nursing Practice SCHOOL OF NURSING AND BLOOMBERG SCHOOL OF PUBLIC HEALTH Masters of Science in Nursing/Masters of Public -
Chen Gui and Other Works Attributed to Empress Wu Zetian
chen gui denis twitchett Chen gui and Other Works Attributed to Empress Wu Zetian ome quarter-century ago, studies by Antonino Forte and Richard S Guisso greatly advanced our understanding of the ways in which the empress Wu Zetian ࣳঞ֚ made deliberate and sophisticated use of Buddhist materials both before and after declaring herself ruler of a new Zhou ࡌʳdynasty in 690, in particular the text of Dayun jing Օႆᆖ in establishing her claim to be a legitimate sovereign.1 However, little attention has ever been given to the numerous political writings that had earlier been compiled in her name. These show that for some years before the demise of her husband emperor Gaozong in 683, she had been at considerable pains to establish her credentials as a potential ruler in more conventional terms, and had commissioned the writing of a large series of political writings designed to provide the ideologi- cal basis for both a new style of “Confucian” imperial rule and a new type of minister. All save two of these works were long ago lost in China, where none of her writings seems to have survived the Song, and most may not have survived the Tang. We are fortunate enough to possess that titled complete with its commentary, and also a fragmentary Chen gui copy of the work on music commissioned in her name, Yue shu yaolu ᑗ ᙕ,2 only thanks to their preservation in Japan. They had been ac- quired by an embassy to China, almost certainly that of 702–704, led టԳ (see the concluding section of thisضby Awata no ason Mahito ொ article) to the court of empress Wu, who was at that time sovereign of 1 See Antonino Forte, Political Propaganda and Ideology in China at the End of the Seventh Century (Naples: Istituto Universitario Orientale,1976); R. -
Kjeld Von Folsach and Joachim Meyer. the Human Figure in Islamic Art
Reviews Kjeld von Folsach and Joachim Meyer. The Human Figure in Islamic Art. Holy Men, Princes, and Commoners. Copenhagen: The David Collection, 2017. 280 pp. ISBN 978-8792949-96-7. here is still time to catch this exhibition at the Da- the achievements of the arts in the Islamic world (and T vid Collection Museum in Copenhagen, where it those achievements are legion) must take into account closes on 13 May 2018. And one should make a point how and why humans were depicted and try to un- of visiting, not only for this special, coordinated selec- derstand how they were viewed. Not least in interest tion from the museum’s treasures, but to see the rest is the possibility that the visual material can shed light of the collection, whose Islamic holdings are among on aspects of daily life that otherwise might not be the most important anywhere in the world. Don’t, clear just from written texts. In conveying these un- however, arrive with busloads of other tourists, as the derstandings, von Folsach and Meyer have succeeded museum spaces are intimate, which makes for a won- admirably. derful viewing experience but cannot accommodate As is the case both on the museum’s website and in huge crowds all at once. The website photos of the the books it publishes, the image quality is superb — corridors and rooms where the exhibition is mounted there is no better museum photography than that by emphasize how stunning it must be to see the material Pernille Klemp, who does all their work. -
2017 Luojia International Summer Program June 18Th - July 15Th
2017 Luojia International Summer Program June 18th - July 15th Date 9:00-12:00 14:00-17:00 Evening Airport Pick-up Jun. 18th Chinese Language Opening ceremony& Jun.19th Course 1 Free time Guided campus tour Chinese Language Chinese Language Jun.20th Course 2 Course 3 Free time Lecture 1: Chinese Language Jun.21st Free time Chinese Culture Course 4 Lecture 2: Chinese Chinese Language Free time Jun.22nd Culture Course 5 Guided city internship- Jun.23rd Guided city internship- Garden Exposition 园博园 Cruise tour on Yangtze River Lecture 3: Jun.24th Group activity Free time Chinese Culture Jun.25th 1. Take high-speed train from Wuhan to Enshi(恩施), Hubei on 25th June. Jun.26th 2. Take classes in Hubei University for Nationalities in Enshi (Taichi Practice, Tujia Jun.27th Ethnic Music 土家民族音乐, Tujia Ethnic Dance 土家民族舞蹈, Tujia Ethnic Sports 土家民族运动). Jun. 28th 3. Field Study internship in Enshi (Enshi Tusi Castle 恩施土司城, Enshi Grand Canyon 恩施 Jun. 29th Jun.30th 大峡谷, Dragon Cave 腾龙洞, Ping Ba Camp Tourism Area 坪坝营). Jul. 1st 4. Come back to Wuhan on 1st July. Chinese Language Jul.2nd Group activity Free time Course 6 Lecture 4: Chinese Language Jul.3rd Chinese Culture(test) Free time Course 7 Jul.4th Guided city internship- Cool Village 清凉寨 Chinese Language Chinese Language Free time Jul.5th Course 8 Course 9 Date 9:00-12:00 14:00-17:00 Evening Guided city internship (to be Guided city internship- confirmed)-Wuhan Han Jul.6th Chinese Calligraphy Hubei Provincial Museum Show Theatre (Performance Appreciation) Chinese Language Chinese Language Jul.7th -
A Utumn 2012
Vol. 5 No. 3 5 No. Vol. Autum 2012 Autum Autumn 2012 Vol. 5 No. 3 1 | 1 Quarterly Magazine of the Cultural Heritage Administration Autumn 2012 Vol. 5 No. 3 Cover White Symbolizes autumn. The symbolism originates from the traditional "five direc- tional colors" based on the ancient Chinese thought of wuxing, or ohaeng in Korean. The five colors were associated with seasons and other phenomena in nature, including the fate of humans. The cover design features gat, the fine horsehair hat for Korean men. For more stories about this, see p. 44. KOREAN HERITAGE is also available on the website (http://English.cha.go.kr) and smart devices. 2 | 3 CHA News Vignettes Korean Folk Customs East Asia’s First Neolithic Farm Site Found Hand-turned Millstone The National Research Institute of Cultural Heritage held a briefing on June 26 at A traditional Korean-style hand mill, called an excavation site assumed to be the first Neolithic farm field ever found in East maetdol, typically consists of two flat, round Asia. Presumably dating to 3600-3000 B.C., the locale at Munam-ri, Goseong stones: a stationery bed stone and an upper County, Gangwon Province has yielded fragments of comb-patterned pottery, stone stone that has a vertical wooden handle arrowheads and a dwelling site. Further analysis of the findings is planned for more to spin it on a steel pivot, crushing grain. precise dating of the site, which shows more primitive traces than Bronze Age This ancient household item evolved from agricultural sites. grinding stones of earlier times. -
The Concept of the Five Famous Wares of the Song Dynasty —A Modern Invention
The Concept of the Five Famous Wares of the Song Dynasty —A Modern Invention Sabrina Rastelli Department of Asian and North African Studies, Ca’ Foscari University of Venice, Venice, Italy Abstract The concept of the five famous wares of the Song dynasty is a fundamental theory that has influenced both researching and learning about Chinese ceramics. Archaeological excavations carried out since the 1950s and particularly during the past two decades have provided modern scholars with many and precious pieces of information that have deeply changed our understanding of the history of Chinese ceramics. They have also undermined the concept itself, but when discussing Ding, Ru, Jun, Guan or Ge experts seldom resist the temptation to remind that it is one of the five famous wares. The aim of this paper is to trace back when and how this definition was coined, by combing through Chinese sources. Key words five famous wares China ceramics ceramic literature Song The concept of the five famous wares of the Song dynasty (Songdai Wuda Mingyao 宋代五大名窑 ) is a fundamental theory that has influenced both researching and learning about Chinese ceramics. At the end of the 1980s, Song wares were classified as either official or popular. The first category was constituted by the so-called five famous wares of the Song dynasty, namely Ding(定), Ru(汝), Jun(钧), Guan(官)and Ge(哥). Ten years later, while researching for my PhD thesis, I began to doubt the exactness of this theory, but I explored the problem only from the perspective of the Yaozhou ( 耀州 ) kilns (Rastelli, 2008). -
The Conditions and Characteristics of Chinese Ceramics Excavated from Sites of the Goryeo Dynasty: a Study Focused on Archaeological Findings from South Korea
The Conditions and Characteristics of Chinese Ceramics Excavated from Sites of the Goryeo Dynasty: A Study Focused on Archaeological Findings from South Korea LEE Myoung ok Translated: ARAKI Kazunori The Goryeo Dynasty had constant trade with the Song, Liao, and Jin Dynasties in its early and middle periods and with the Yuan Empire in its late period. Against this backdrop, a variety of Chinese objects of each period were introduced to the Goryeo Dynasty. In particular, a great deal of Chinese ceramics were distributed throughout the territory of the Goryeo Dynasty. Although they had been imported throughout the Goryeo period, many were found in sites of the mid-Goryeo period. An analysis of the distribution and characteristics of these sites indicates that Chinese ceramics were excavated from the ruins of palaces and government buildings, temples (and their remains), the ruins of buildings, and tombs in Gyeonggi, Chungcheong, Jeolla, and Gyeongsang Provinces and the Jeju Region and from the bottom of the sea in the Jeolla and Chungcheong Regions. According to an analysis of types of ceramics, the discovered celadons were produced at the Yuezhou kilns and the Longquan kilns, ranging from Yuezhou ware dated to the end of the Five Dynasties period to the Northern Song period to porcelains dated to the Northern Song period to the Yuan period, though most of them were produced during the Song period. The white porcelains were mostly produced at the Ding kilns or the Jingdezhen kilns during the Northern and Southern Song periods, and a few were made at the Cizhou kilns and other kilns in Fujian and Guangdong. -
The Safavid Potter at the Crossroad of Styles – Yolande Crowe - 26.1.2007 - 1/10
The Safavid potter at the crossroad of styles – Yolande Crowe - 26.1.2007 - 1/10 The Safavid potter at the crossroad of styles Yolande Crowe Forthcoming in: Iran and the World in the Safavid Age, 2007 Recent publications such as The Sea Route from Europe to Asia by Harry Holcroft (2000), or Lords of the East by Joan Sutton (1981), a cycle of conferences such as India, Land and Empire in Lisbon (2002) and even the 2002 exhibition on Trading Places : The East India Company and Asia at the British Library, neglect aspects of the trade which took place on the northern shores of the Gulf in the seventeenth and early eighteenth centuries. Admittedly it was of less impor- tance than the spice trade and other commercial exchanges in ports of India, south-east and far-eastern Asia, but this is not a sound enough reason for neglecting the supplies and demands of Persia in particular. Even international conferences dealing with the ceramic trade pursued by the East India companies, especially the Dutch VOC (Vereenigde Oost-indische Compagnie) and the English East India Company, have omitted to draw attention to the part played by Persia and the Persian potter in the history of world ceramics. Although occasionally the Cape has been mentioned, it is as if there had been no ceramic production nor port of call along the sea route between far-eastern Asia, India and Europe. And yet the Persian contribution was well docu- mented by Volker as recently as 1954 and three years later by Lane1. In his pioneering work Volker presented a list of the transhipments of high-fired wares from the far-east to Asian trading ports including Bandar-Abbas; furthermore he recorded the quantities and approximate shapes of the ceramics. -
The Study of Chinese Trade Ceramics in Sungai Sadong, Sarawak Jonathan
THE STUDY OF CHINESE TRADE CERAMICS IN SUNGAI SADONG, SARAWAK JONATHAN KO JIA YI UNIVERSITI SAINS MALAYSIA 2015 THE STUDY OF CHINESE TRADE CERAMICS IN SUNGAI SADONG, SARAWAK by JONATHAN KO JIA YI Thesis submitted in fulfilment of the requirements for degree of Master of Arts January 2015 ACKNOWLEDGEMENTS This study was made possible with the assistance and support of a number of people and organisations. First of all, I would like to thank my supervisor, Associate Professor Dr. Stephen Chia Ming Soon, the Deputy Director of the Centre for Global Archaeological Research (CGAR), Universiti Sains Malaysia (USM), Penang, for his tremendous support and excellent guidance during my research, and for providing me with a conductive environment for doing my research. I would also like to express my gratitude to the Director of CGAR, Professor Dato’ Dr. Mokhtar Saidin for giving me the opportunity to undertake the graduate study program at CGAR. I am deeply indebted to his constant support and encouragement. I also wish to thank USM for providing the environment and the financial assistance for this research under the USM Research University Grant. My thanks also go to the Institute of Postgraduate Studies in USM for providing the USM Postgraduate Fellowship during the course of my study. The analysis of Chinese trade ceramic in Sadong River, Sarawak was done over a period of more than one year at the Archaeology Section, Sarawak Museum Department with the assistance of a number of people. First of all, I would like to thank the Director of the Sarawak Museum Department, Mr.