Corrosion of Longquan Celadons in the Marine Environment
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The Conditions and Characteristics of Chinese Ceramics Excavated from Sites of the Goryeo Dynasty: a Study Focused on Archaeological Findings from South Korea
The Conditions and Characteristics of Chinese Ceramics Excavated from Sites of the Goryeo Dynasty: A Study Focused on Archaeological Findings from South Korea LEE Myoung ok Translated: ARAKI Kazunori The Goryeo Dynasty had constant trade with the Song, Liao, and Jin Dynasties in its early and middle periods and with the Yuan Empire in its late period. Against this backdrop, a variety of Chinese objects of each period were introduced to the Goryeo Dynasty. In particular, a great deal of Chinese ceramics were distributed throughout the territory of the Goryeo Dynasty. Although they had been imported throughout the Goryeo period, many were found in sites of the mid-Goryeo period. An analysis of the distribution and characteristics of these sites indicates that Chinese ceramics were excavated from the ruins of palaces and government buildings, temples (and their remains), the ruins of buildings, and tombs in Gyeonggi, Chungcheong, Jeolla, and Gyeongsang Provinces and the Jeju Region and from the bottom of the sea in the Jeolla and Chungcheong Regions. According to an analysis of types of ceramics, the discovered celadons were produced at the Yuezhou kilns and the Longquan kilns, ranging from Yuezhou ware dated to the end of the Five Dynasties period to the Northern Song period to porcelains dated to the Northern Song period to the Yuan period, though most of them were produced during the Song period. The white porcelains were mostly produced at the Ding kilns or the Jingdezhen kilns during the Northern and Southern Song periods, and a few were made at the Cizhou kilns and other kilns in Fujian and Guangdong. -
736 | Asian Art China I – V Lot 1 – 948A 6 – 7 May 2016 Viewing: 3 – 5 May, 10.00 Am – 5.00 Pm
736 | Asian Art China I – V Lot 1 – 948a 6 – 7 May 2016 Viewing: 3 – 5 May, 10.00 am – 5.00 pm Please note that the times given below only give an approximation of the schedule of the auction, during which considerable delays may arise. Please note also that the succession of the following lot numbers may include numbers without belonging to an object. Friday, 6 May 2016 doors open: 09.00 am 9.30 am 1 – 39a China I - Hidden - treasures ca. 9.45 am 41 – 88 China II - Chinese paintings and calligraphy ca. 10.30 am 89 – 140 China III - Tibet, Nepal and South East Asia ca. 10.45 am 141 – 540 China IV ca. 2.00 pm 541 – 714 China V Saturday, 7 May 2016 doors open: 09.00 am 9.30 am 717 – 948a China V Please address enquiries about individual objects to the appropriate expert. Catalogue: Michael Trautmann, Tel.+49 (0) 711 / 649 69 - 310, [email protected] All participants in the auction are bound by our conditions of sale published at the end of this catalogue. Statements by us in the catalogue or in condition reports or made orally or in writing elsewhere regarding the autorship, origin, size, date, medium, attribution genuiness, provenience, condition or estimated selling prize of any lot are merely statements of opinion and are not to be relied on as statements of definitive fact. Prospective buyers are advised to examine the goods in which they are interested before auction takes place. Condition reports available on request Katalogbearbeitung / Catalogue / 圖錄 Michael Trautmann Tel.: ++49 (0)711 / 649 69 - 310 trautmann @ auction.de 1 1 China I 11 China I A FINE CIRCULAR, CARVED CINNABAR A CIRCULAR CINNABAR LACQUER BOX LACQUER (tihong) DISH WITH LANDSCAPE WITH DEPICTION OF SCHOLARS IN A DESIGN AND SCHOLARS IN A GARDEN GARDEN, China, c. -
The Study of Chinese Trade Ceramics in Sungai Sadong, Sarawak Jonathan
THE STUDY OF CHINESE TRADE CERAMICS IN SUNGAI SADONG, SARAWAK JONATHAN KO JIA YI UNIVERSITI SAINS MALAYSIA 2015 THE STUDY OF CHINESE TRADE CERAMICS IN SUNGAI SADONG, SARAWAK by JONATHAN KO JIA YI Thesis submitted in fulfilment of the requirements for degree of Master of Arts January 2015 ACKNOWLEDGEMENTS This study was made possible with the assistance and support of a number of people and organisations. First of all, I would like to thank my supervisor, Associate Professor Dr. Stephen Chia Ming Soon, the Deputy Director of the Centre for Global Archaeological Research (CGAR), Universiti Sains Malaysia (USM), Penang, for his tremendous support and excellent guidance during my research, and for providing me with a conductive environment for doing my research. I would also like to express my gratitude to the Director of CGAR, Professor Dato’ Dr. Mokhtar Saidin for giving me the opportunity to undertake the graduate study program at CGAR. I am deeply indebted to his constant support and encouragement. I also wish to thank USM for providing the environment and the financial assistance for this research under the USM Research University Grant. My thanks also go to the Institute of Postgraduate Studies in USM for providing the USM Postgraduate Fellowship during the course of my study. The analysis of Chinese trade ceramic in Sadong River, Sarawak was done over a period of more than one year at the Archaeology Section, Sarawak Museum Department with the assistance of a number of people. First of all, I would like to thank the Director of the Sarawak Museum Department, Mr. -
Comparative Study of Black and Gray Body Celadon Shards Excavated from Wayaoyang Kiln in Longquan, China
Microchemical Journal 126 (2016) 274–279 Contents lists available at ScienceDirect Microchemical Journal journal homepage: www.elsevier.com/locate/microc Comparative study of black and gray body celadon shards excavated from Wayaoyang kiln in Longquan, China Hongying Duan a,b,⁎, Dongge Ji a,b, Yinzhong Ding a,b, Guangyao Wang c, Jianming Zheng d, Guanggui Zhou e, Jianmin Miao a,b a Key Scientific Research Base of Ancient Ceramics (the Palace Museum), State Administration of Cultural Heritage, Beijing 100009, China b Conservation Department, the Palace Museum, Beijing 100009, China c Department of Objects and Decorative Arts, the Palace Museum, Beijing 100009, China d Zhejiang Provincial Cultural Relics Archaeological Research Institute, Hangzhou, Zhejiang 310014, China e The Museum of Longquan City, Longquan, Zhejiang 323700, China article info abstract Article history: Longquan celadon is one of the most valuable treasures in Chinese ceramic history. Representative products are Received 8 August 2015 Ge ware (Ge meaning elder brother, black body celadon) and Di ware (Di meaning younger brother, gray body Received in revised form 12 December 2015 celadon) of the Song Dynasty (960–1279 A.D.). In this study, Ge and Di ware shards excavated from Wayaoyang Accepted 12 December 2015 kiln site in Longquan were collected and studied. Chemical and crystallite composition, microstructure, body and Available online 19 December 2015 glaze thickness, firing temperature and glaze reflectance spectrum were observed and examined. Differences in Keywords: raw materials and manufacturing technology between Ge and Di ware were studied. Based on the results and Longquan Ge ware historical background, it was speculated that some Ge wares from Wayaoyang kiln site might be the test products Longquan Di ware of jade-like black body celadon for the imperial court. -
Chinese Art the Szekeres Collection
Chinese Art The Szekeres Collection J. J. Lally & Co. oriental art Chinese Art The Szekeres Collection Chinese Art The Szekeres Collection March 13 to 29, 2019 J. J. Lally & Co. oriental art 41 East 57th Street New York, NY 10022 Tel (212) 371-3380 Fax (212) 593-4699 e-mail [email protected] www.jjlally.com Janos Szekeres ANOS Szekeres was a scientist, an When his success in business gave him greater resources for collecting art, he first inventor, an aviator, a businessman and a formed a collection of Post-Impressionist paintings, which he had always loved, but Jfamily man. The outline of his life reads as business affairs brought him back to Asia he once again began to visit the antiques like a classic American success story. Born in shops looking for Chinese art, and soon he had a significant collection of Chinese snuff Hungary in 1914, Janos attended the University bottles. His interest and sophistication grew rapidly and eventually he served on the of Vienna for his graduate studies in chemistry. Board of Directors of the International Chinese Snuff Bottle Society and on the Chinese When war in Europe was imminent he signed Art Collections Committee of the Harvard University Art Museums. A trip to China in on as a seaman on a commercial freighter and, 1982 visiting Chinese art museums, kiln sites and monuments reinforced a wider interest on arrival in New York harbor, “jumped ship.” in Chinese ceramics and works of art. He enlisted in the US Army Air Force in 1941 Janos took great pleasure in collecting. -
An Aesthetic Study of Ancient Chinese Celadon Ware Culture
2018 4th International Conference on Social Sciences, Modern Management and Economics (SSMME 2018) An Aesthetic Study of Ancient Chinese Celadon Ware Culture Yuan Yihong School of Design, South China University of Technology, Guangdong, Guangzhou, 510006 Keywords: ancient Chinese celadon ware culture; aesthetic study; aesthetic thought Abstract: China is a nation of chinaware and has a long history of ceramic art. Ancient Chinese celadon ware culture has a high aesthetic research value. Based on this, this paper studies the aesthetic value of ancient Chinese celadon ware culture, briefly introduces this culture, and then makes a further analysis of the aesthetic characteristics of its modeling culture and finally discusses the aesthetic thought reflected from ancient Chinese celadon wares with a view to making contributions to the inheritance and development of Chinese celadon ware culture. 1. Introduction Celadon is one of the famous traditional porcelain in China. Firstly apply green glaze on the base, that is, the turquoise glaze with iron as colorant, and fire it in reducing flame, then you’ll get celadon ware. The celadon ware has a long history and various types, such as Yue Kiln in Tang Dynasty, the Imperial Kiln, Ru Kiln, Longquan Kiln, Yaozhou Kiln in Song Dynasty, etc. They all belong to the celadon system. Celadon not only has fine and delicate porcelain, bright and smooth lines, but also has distinctive modeling: dignified and simple, pure, beautiful and gorgeous. In the past dynasties, the aristocrats and the common people as well, were all attracted to them. In promoting the development of their culture, they also endow the celadon ware with rich aesthetic ideas. -
The Porcelain Tour of China Jingdezhen - Longquan - Dehua by China Design Centre
The Porcelain Tour of China Jingdezhen - Longquan - Dehua by China Design Centre Wednesday 24th October - Tuesday 6th November 2018 The well established China Design Centre based at the London Building Centre has hosted numerous high profile culture and creative exhibitions showcasing famous Chinese specialists. It is the cultural bridge between East and West. Discover us at www.chinadesigncentre.com The Porcelain Tour is a small group unique and professional in-depth discovery of exquisite Chinese porcelain at its origins. Celebrate the timeless beauty of ceramic arts and crafts at the three most important porcelain centres in China, personally engage with the masters and participate in an interactive workshop experience. Are you impressed by the Chinese porcelain displayed at the British Museum? Would you like to visit the studios where those pieces were made and are still being made today to learn and interact with the masters? Would you like to learn about the contemporary porcelain and creative industry in China and the exciting Artist-in-Residency programmes? Join us on this special tour and immerse yourself in a unique cultural experience in China. Unlike the conventional trip-planners, we avoid the touristy attractions and will only take you to the most authentic places related to the theme: porcelain. Whether if you have been to China or not, the tour will show you the side of China that you have never seen. The Centres The tour will take you to where the most celebrated styles of porcelain in China were made: Jingdezhen, ‘the capital of porcelain’; Longquan for celadon ware; Dehua for ‘Blanc de Chine’ white porcelain. -
Yuan Dynasty Chinese Ceramics Excavated from the Santa Ana Relics of the Philippines
CORE Metadata, citation and similar papers at core.ac.uk Provided by Kanazawa University Repository for Academic Resources 金沢大学考古学紀要 33 2012, 1-22. Yuan Dynasty Chinese Ceramics Excavated from the Santa Ana Relics of the Philippines Yuan Dynasty Chinese Ceramics Excavated from the Santa Ana Relics of the Philippines - A study with a focus on comparisons with Yuan dynasty ceramics from the Sinan shipwreck in South Jeolla province - Kim, Ingyu ( 金 寅圭) (HK Research Professor, Institute for Southeast Asian Studies, Busan University of Foreign Studies) Keywords: The Philippines, Chinese Ceramics, Longquan, Celadon, Blue and White Porcelain, Sinan Shipwreck. Table of Contents Qing dynasties in particular were produced in mass I. Introduction for export purposes, bringing huge financial returns II. Export of Chinese Ceramics to China as well as providing a base for cultural III. Yuan Dynasty Ceramics Excavated in the development in the countries that imported the Philippines ceramics. 1. Lead Glazed Pottery 2. Celadon The Chinese ceramics that were exported to various 3. White Porcelain countries during those times can be found in every 1) Qingbai White Porcelain each part of Asia. At the Santa Ana excavation site in 2) White Porcelain the Philippines, a large collection of ceramics from 3) Blue and White Porcelain the Tang, Yuan, Ming, and the Qing dynasties have IV. Conclusion been found. As we are able to identify the production years of some of the wares, the excavated wares offer I. Introduction insights into the impressive production and spread of From the start of Asian civilization, during the Eun Chinese ceramics from those periods as well as the dynasty, Chinese ceramics have spread actively into roots of Chinese ceramics production. -
Exquisite Chinese Ceramics
FOR IMMEDIATE RELEASE 16 November 2011 Media Contacts: Gillian Leung (Hong Kong) +852 2978 6736 [email protected] Kate Swan Malin (Hong Kong) +852 2978 9966 [email protected] Belinda Chen (Beijing) +8610 65006517 [email protected] CHRISTIE‟S HONG KONG SALES OF IMPORTANT CHINESE CERAMICS & WORKS OF ART SHOWCASES THE FINEST CHINESE ARTISTY & CRAFTSMANSHIP SPANNING THE SONG TO THE QING DYNASTIES Fall Auctions offer over 400 works valued in excess of HK$600 million across Collecting Categories including Imperial Ceramics, Jades, Textiles and Furniture Distinguished Provenance from Important Collections Exceptional Chinese Works of Art from an Important European Collection Important Chinese Ceramics and Works of Art Wednesday, 30 November 2011, 10am, 10.15am and 2.30pm James Christie Room, Grand Hall, Hong Kong Convention and Exhibition Centre HONG KONG – Christie’s Hong Kong 2011 Fall Sales will present Important Chinese Ceramics and Works of Art on Wednesday, 30 November at the Hong Kong Convention & Exhibition Centre. The sale, estimated in excess of HK$600 million /US$80 million, brings together over 400 works of exceptional quality and with excellent provenance, as well as special collection 15 exceptional jade, ivory and rhinoceros horn carvings from an renowned European connoisseur put together over the past 50 years. Exquisite Chinese Ceramics Among the leading lots in the season, and highlighting the sale‟s superb selection of Ming and Qing ceramics, is an important early Ming blue and white bianhu moonflask from the Yongle period (1403-1424) that showcases an elegant blending of Chinese and Central Asia style (Lot 2977, illustrated left, estimate: HK$28,000,000-35,000,000/ US$3,700,000- 4,500,000). -
A Pyxicephalus Publication Isbn 978-0-620-60722-3
THE YOUXIANTANG COLLECTION OF CHINESE ART A PYXICEPHALUS PUBLICATION ISBN 978-0-620-60722-3 Copyright © Pyxicephalus Publication, 2016 Author: Johann Kritzinger Nicola Kritzinger All rights reserved. No part of this publication may be reproduced, stored in any retrieval system, or transmitted in any form or by Editor: Nicola Kritzinger any means, electronic, mechanical, photocopying, recording or otherwise, without the express permission, in writing, of both the Management: Jacob Kritzinger copyright holder and the publishers. Contributors: Dries Blitz Published by Pyxicephalus Publication Dr. Ah Ling Kai-yuen Ng Contact: [email protected] Susan Ollemans Text © Copyright J. J. Kritzinger and Nicola Kritzinger, 2016 Consultants: Susan Ollemans Dries Blitz Editorial Material © Copyright Nicola Kritzinger, 2016 Genevieve Wood Ruanda Coetzee First Published 2016 Typist First State: Dale Sauls (née Marion-O’Shea) Photography: Monique Mance (née Maritz) Nina Zilla Bekink Retoucher: Bollie Ganief Design and Layout: Henn+Honeyball Typeface Used: Suisse BP International Printed by: MultiPrint Litho Contents I Introduction 137 Junyao ware VII The origin of the collection 145 Yaozhou ware VIII The art dealers 179 Qingbai ware XI Thermoluminescence testing 207 Southern greenware (Longquan celadon) XII Chronology of Chinese historical dates 243 Cizhou, blackware and Southern tea ware 001 Metalware 279 Ming and Qing dynasty ceramics 059 Earthenware 289 Later Chinese Beijing glass 099 Early white ware Introduction Collecting is like a door into the future, and the The Youxiantang collection is the result of a lifetime obsession past. Often to an area of which the collector has and love. It was given an auspicious name, carefully selected no knowledge, but his emotional instincts lead by Kai-yuen Ng of K. -
CHINESE CERAMICS and TRADE in 14 CENTURY SOUTHEAST ASIA——A CASE STUDY of SINGAPORE XIN GUANGCAN (BA History, Pekingu;MA Arch
CHINESE CERAMICS AND TRADE IN 14TH CENTURY SOUTHEAST ASIA——A CASE STUDY OF SINGAPORE XIN GUANGCAN (BA History, PekingU;MA Archaeology, PekingU) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF SOUTHEAST ASIAN STUDIES NATIONAL UNIVERSITY OF SINGAPORE 2015 Acknowledgements Upon accomplishing the entire work of this thesis, it is time for me to acknowledge many people who have helped me. First, I will like to express my utmost gratitude to my supervisor Dr.John N. Miksic from the Department of Southeast Asian Studies, National University of Singapore. He has dedicated a lot of precious time to supervising me, from choosing the thesis topic, organizing the fieldwork plans, to giving much valued comments and advice on the immature thesis drafts. I am the most indebted to him. The committee member Dr. Patric Daly from the Asian Research Institute and Dr. Yang Bin from the History Department, who gave me useful suggestions during the qualifying examination. I also would like to thank the following people who have given me a lot of support during my fieldwork and final stage of writing. For the fieldtrip in Zhejiang Province, with the help of Mr. Shen Yueming, the director of Zhejiang Relics and Archaeology Institute, I was able to be involved in a meaningful excavation of a Song to Yuan Dynasty ceramic kiln site in Longquan County. During the excavation, the deputy team leader Mr. Xu Jun and the local researcher Mr. Zhou Guanggui gave a lot of suggestions on the identification of Longquan celadon. Moreover, Ms. Wu Qiuhua, Mr. Yang Guanfu, and Mr. -
Nondestructive Analysis on Ancient Porcelain of Longquan Kiln in Zhejiang Province by WDXRF *
Chinese Physics C (HEP & NP) Vol. 32, Suppl./, Oct., 2008 Nondestructive analysis on ancient porcelain of Longquan Kiln in Zhejiang Province by WDXRF * FENG Song-Lin(¾t)1;1) FENG Xiang-Qian(¾c)1 ZHU Ji-Hao(ÁUÓ)1 XIE Guo-Xi(IU)1 YAN Ling-Tong(A(Ï)1 LI Li(ow)1 LI Gang(of)2 SHEN Qiong-Hua(! u)2 1 (Institute of High Energy Physics, Chinese Academy of Sciences, Beijing 100049, China) 2 (Zhejiang Province Museum, Hangzhou 310007, China) Abstract Nuclear analytical technique is an efficient method in study of rarity cultural relic for its advantage of nondestructive analysis. Longquan celadon is one kind of the most important ancient porcelain in China. In order to determine the inner provenance property and age's characteristic of ancient Longquan porcelain, ten components in porcelain body and glaze were measured by the Wave Dispersive X-ray Fluorescence (WDXRF). Multivariates Statistical Analysis was used to analyze the experiment data. The results showed that the chemical compositions in porcelain body of three typical kilns were similar. The difference of components in porcelain glaze can be used to identify the provenance and age. Key words WDXRF, nondestructive analysis, ancient Longquan porcelain, provenance property, ages char- acteristic PACS 32.30.Rj, 82.80.Ej 1 Introduction ware. Longquan Kiln locates Longquan county of Zhe- X-ray Fluorescence (XRF)[1], Proton Induced X- jiang Province. It began to fire celadon porcelain ray Emission (PIXE)[2] and Synchrotron Radiation since Former Northern Song (960|1127 A.D.) and X-ray Fluorescence (SRXRF)[3] can be used to non- is famous for its distinctive glaze color in China and destructive analyze the elemental composition of sam- other countries.