Philippine Folklore: Engkanto Beliefs
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LOS DUENDES EN LA LITERATURA ESPAÑOLA Manuel
REVISTA GAROZA Nº 10. SEPTIEMBRE 2010. ISSN: 1577-8932 LOS DUENDES EN LA LITERATURA ESPAÑOLA Manuel COUSILLAS RODRÍGUEZ I.E.S. Salvador de Madariaga. A Coruña RESUMEN Como seres mitológicos elementales de la naturaleza, guardianes de los bosques y de todos los seres vivos que habitan en ellos, los duendes forman parte de la raza elemental feérica, y junto con elfos, trols y hadas, son los seres más populares de las mitologías celta y nórdica. Según la mitología celta, el rey de los duendes y elfos responde al nombre de Oberón, mencionado en obras como Macbeth o Sueño de una noche de San Juan de William Shakespeare. Posteriormente, estas leyendas son igualmente mencionadas en el Fausto de Goethe, donde un coro de silfos invocado por Mefistófeles trata de seducir al doctor Fausto, o en cuentos tradicionales infantiles como los escritos por los hermanos Grimm, donde la figura del duende suele asociarse a pequeños seres bonachones. Herederos de esa tradición literaria son muchos de los cuentos contemporáneos del peninsular español. Palabras clave: duende, céltica, península ibérica, literatura comparada. ABSTRACT As a basic mythological element in our nature, guardians of forests and all living things that inhabit them, fairies are part of the elemental fairy race, and along with elves, and trolls, are the most popular creatures in Celtic and Norse mythologies. According to Celtic mythology, the king of fairies and elves is named Oberon, mentioned in works such as Macbeth or Midsummer Night's Dream by William Shakespeare. These legends are also mentioned in Goethe's 61 MANUEL COUSILLAS RODRÍGUEZ REVISTA GAROZA Nº 10. -
The Barzakh of Flamenco: Tracing the Spirituality, Locality and Musicality of Flamenco from South of the Strait of Gibraltar
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2011 The aB rzakh of Flamenco: Tracing the Spirituality, Locality and Musicality of Flamenco From South of the Strait of Gibraltar Tania Flores SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the Dance Commons, Ethnomusicology Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Flores, Tania, "The aB rzakh of Flamenco: Tracing the Spirituality, Locality and Musicality of Flamenco From South of the Strait of Gibraltar" (2011). Independent Study Project (ISP) Collection. 1118. https://digitalcollections.sit.edu/isp_collection/1118 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. The Barzakh of Flamenco: Tracing the Spirituality, Locality and Musicality of Flamenco from South of the Strait of Gibraltar Tania Flores Occidental College Migration and Transnational Identity: Fall 2011 Flores 2 Acknowledgments I could not have completed this project without the advice and guidance of my academic director, Professor Souad Eddouada; my advisor, Professor Taieb Belghazi; my professor of music at Occidental College, Professor Simeon Pillich; my professor of Islamic studies at Occidental, Professor Malek Moazzam-Doulat; or my gracious and helpful interviewees. I am also grateful to Elvira Roca Rey for allowing me to use her studio to choreograph after we had finished dance class, and to Professor Said Graiouid for his guidance and time. -
Economic Instruments for the Sustainable Management Of
Economic Instruments for the Sustainable Management of Natural Resources A Case Study on the Philippines’ Forestry Sector Economic Instruments for the Sustainable Management of Natural Resources A Case Study on the Philippines’ Forestry Sector National Institution leading the Study: University of the Philippines Los Baños, the Philippines National Team Contributing Authors: Herminia Francisco, Edwino Fernando, Celofe Torres, Eleno Peralta, Jose Sargento, Joselito Barile, Rex Victor Cruz, Leonida Bugayong, Priscila Dolom, Nena Espriritu, Margaret Calderon, Cerenilla Cruz, Roberto Cereno, Fe Mallion, Zenaida Sumalde, Wilfredo Carandang, Araceli Oliva, Jesus Castillo, Lolita Aquino, Lucrecio Rebugio, Josefina Dizon and Linda Peñalba UNITED NATIONS New York and Geneva, 1999 NOTE The views and interpretation reflected in this document are those of the author(s) and do not necessarily reflect an expression of opinion on the part on the United Nations Environment Programme. UNEP/99/4 ii The United Nations Environment Programme The United Nations Environment Programme (UNEP) is the overall coordinating environ- mental organisation of the United Nations system. Its mission is to provide leadership and encour- age partnerships in caring for the environment by inspiring, informing and enabling nations and people to improve their quality of life without compromising that of future generations. In accord- ance with its mandate, UNEP works to observe, monitor and assess the state of the global environ- ment, and improve our scientific understanding of how environmental change occurs, and in turn, how such changes can be managed by action-oriented national policies and international agree- ments. With today’s rapid pace of unprecedented environmental changes, UNEP works to build tools that help policy-makers better understand and respond to emerging environmental challenges. -
Ioften Ask My Students at the Beginning of My Writing
WHERE HAVE ALL OUR MONSTERS GONE?: Using Philippine Lower Mythology in Children’s Literature Carla M. Pacis often ask my students at the beginning of my Writing for Children class who their favorite storybook characters were when Ithey were kids. The answers are usually the same and very predictable – Snow White, Sleeping Beauty, Peter Pan et. al. semester upon semester. One day, however, a student from Mindanao said that her favorite characters were the creatures her mother had told her about. These creatures, she said, lived in the forests and mountains that surrounded their town. The whole class and I perked up. What were these creatures, we all wanted to know? She told us of the wak-wak that came out at night to suck the fetus from pregnant sleeping mothers or the tianak that took the form of a cute little baby but was really an ugly dwarf. Ahh, we all nodded, we had also heard of these and many other creatures. Thus ensued an entire session of remembering and recounting of fascinating creatures long forgotten and all our very own. In his book The Uses of Enchantment, Bruno Bettelheim explains the importance of monsters in fairytales and stories. He says that “the monster the child knows best and is most concerned with is the monster he feels or fears himself to be, and which also sometimes, persecutes him. By keeping this monster within the child unspoken of, hidden in his unconscious, adults prevent the child from spinning fantasies around it in the image of the fairytales he knows. -
The Language of Folk Healing Among Selected Ilocano Communities
International Journal of Scientific & Engineering Research Volume 9, Issue 10, October-2018 756 ISSN 2229-5518 THE LANGUAGE OF FOLK HEALING AMONG SELECTED ILOCANO COMMUNITIES Luzviminda P. Relon University of Northern Philippines Vigan City [email protected] ABSTRACT Folk healing in the Philippines reflects the deep-seated cultural beliefs and practices of ruralites. Traditionally, both affluent and poor families sought the help of traditional healers that may be called mangngilot, albularyo, mangngagas, agsantigwar, agtawas among others but are rendering similar services to the people. This study looked into the practices of folk healing at the same time, made an analysis on the frequently used Iloko words and how these Iloko words used in healing have changed and understood in the passing of years. Moreover, this study aimed also to shed light on the multiple functions that traditional healers are doing in the society. This is qualitative in nature which utilized the phenomenological design. Data were gathered from five traditional folk healers through KIM or Key Informant Mangngagas and Special Informants Pasyente (SIPs). It came out that while folk healers are instrumental in enriching the rich cultural beliefs and practices of typical Iloko community, they also contribute in propagating the present-day Ilocano terms or words which are commonly encountered during the healing process. It was validated that these are now rarely used by the younger generation in this fast changing society where technology has invaded the lives of people from all walks of life. Keywords: Culture, Qualitative Research, Ilocano, Northern Luzon, Traditional Healing IJSER Introduction human psyche. Traditional Healers see the universe as an living intelligence that Traditional Healing is the oldest operates according to natural laws that form of structured medicine. -
Nytårsrejsen Til Filippinerne – 2014
Nytårsrejsen til Filippinerne – 2014. Martins Dagbog Dorte og Michael kørte os til Kastrup, og det lykkedes os at få en opgradering til business class - et gammelt tilgodebevis fra lidt lægearbejde på et Singapore Airlines fly. Vi fik hilst på vore 16 glade gamle rejsevenner ved gaten. Karin fik lov at sidde på business class, mens jeg sad på det sidste sæde i økonomiklassen. Vi fik julemad i flyet - flæskesteg med rødkål efterfulgt af ris á la mande. Serveringen var ganske god, og underholdningen var også fin - jeg så filmen "The Hundred Foot Journey", som handlede om en indisk familie, der åbner en restaurant lige overfor en Michelin-restaurant i en mindre fransk by - meget stemningsfuld og sympatisk. Den var instrueret af Lasse Hallström. Det tog 12 timer at flyve til Singapore, og flyet var helt fuldt. Flytiden mellem Singapore og Manila var 3 timer. Vi havde kun 30 kg bagage med tilsammen (12 kg håndbagage og 18 kg i en indchecket kuffert). Jeg sad ved siden af en australsk student, der skulle hjem til Perth efter et halvt år i Bergen. Hans fly fra Lufthansa var blevet aflyst, så han havde måttet vente 16 timer i Københavns lufthavn uden kompensation. Et fly fra Air Asia på vej mod Singapore forulykkede med 162 personer pga. dårligt vejr. Miriams kuffert var ikke med til Manilla, så der måtte skrives anmeldelse - hun fik 2200 pesos til akutte fornødenheder. Vi vekslede penge som en samlet gruppe for at spare tid og gebyr - en $ var ca. 45 pesos. Vi kom i 3 minibusser ind til Manila Hotel, hvor det tog 1,5 time at checke os ind på 8 værelser. -
The Truth of Diwa
The Truth of Diwa Diwa is both the building block and the string upon which all of reality is spun. It permeates all things, and exists in varying states of matter. In a manner of speaking, that chair you see in front of you is Diwa, in a given form. Break it down to its most essential components and you shall see Diwa. However Diwa can be used more than that. It exists in four states: • Agos, Diwa echoing Water. This is the normal state of Diwa, the Diwa that makes up all things. • Tagos, Diwa echoing Air. This is the Diwa that binds things together. It can be manipulated at this level, and if one were to have some means of seeing the invisible machinations of the gods, they will see tiny strands that link everything to everything, as well as the Diwata that embody everything. Diwa in this state can be known as “Fate”, and indeed, the Agents of Heaven call this Tadhana. • Bala, Diwa echoing Fire. This is the Diwa that burns within every living being, and every thing is a living being because everything has a diwata. The Human Eight-Point Soul is made up of this Burning Diwa, and so are the powerful essences of the Karanduun. Burning Diwa can be used to affect other states -- most commonly by having a lot of Burning Diwa, you have more say in how reality works. Thus why Burning Diwa in all beings is known as “Bala”, or “Power”. It is their measure of capability, and it is well known that the Karanduun possess “Unlocked” Bala, which allows their Bala to transcend event that of Gods. -
TESOL Reader and Teachers Guide
DOCUMENT RESUME ED 347 808 FL 019 946 AUTHOR Hanson-Smith, Elizabeth TITLE TESOL Reader andTeachers Guide. INSTITUTION Ministry of Education(Belize). Curriculum Development Unit. PUB DATE 86 NOTE 326p. PUB TYPE Guides - Classroom Use - InstructionalMaterials (For Learner) (051) -- Guides - Classroom Use- Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC14 PlusPostage. DESCRIPTORS *English (Second Language);*Folk Culture; Foreign Countries; IndigenousPopulations; Instructional Materials; SecondLanguage Instruction IDENTIFIERS *Belize ABSTRACT This combined readerand teacher's guide second language for English instruction was developedfrom teacher workshops conducted in Belize. The reader consistsof stories,poems, and drama from the indigenouspeople of that country, accompanied bysupporting English language learningexercises and activities. aspects of indigenous Texts represent culture and are groupedaccording to the following catagories:folk tales, holidays, life in the country, school and home life, river and sea, townand city, and the Belize. The components nation of of most lessonsare: a preview section students; then the for story; and lastlyexercises and vocabulary building activities. Some illustrationsare included. The text reader and the text of the of the teacher's guideare presented in a parallel format. Anintroduction to the guide offers suggestionsfor instructional techniques,grouping, and supplementary (MSE) activities. *********************************************************************** Reproductions supplied by EDRS -
SARE, Vol. 58, Issue 1 | 2021
SARE, Vol. 58, Issue 1 | 2021 Making Space for Myth: Worldbuilding and Interconnected Narratives in Mythspace Francis Paolo Quina University of the Philippines-Diliman, Quezon City, the Philippines Abstract The comics medium has long proven to be fertile ground for worldbuilding, spawning not only imaginary worlds but multiverses that have become international transmedial franchises. In the Philippines, komiks (as it is called locally) has provided the Filipino popular imagination with worlds populated by superheroes, super spies, supernatural detectives, and creatures from different Philippine mythologies. The komiks series Mythspace, written by Paolo Chikiamco and illustrated by several artist-collaborators, takes the latter concept, and launches it into outer space. Classified by its own writer as a “Filipino space opera” consisting of six loosely interconnected stories, Mythspace presents a storyworld where the creatures of Philippine lower mythologies are based on various alien species that visited the Philippines long ago. The article will examine the use of interconnected narratives as a strategy for worldbuilding in Mythspace. Drawing from both subcreation and comic studies, this article posits that interconnected narratives is a worldbuilding technique particularly well-suited to comics, and that the collaborative nature of the medium allows for a diversity of genres and visual styles that can be used by future komiks creators to develop more expansive storyworlds. Keywords: comics studies, subcreation studies, storyworlds, Mythspace, the Philippines The comics medium has long proven to be fertile ground for worldbuilding. It has spawned not only storyworlds in the pages of comic books and graphic novels but given birth to multiverses of storytelling across several media. -
Echoes of the Gothic in Early Twentieth- Century Spanish Music
Echoes of the Gothic in Early Twentieth- Century Spanish Music Jennifer Lillian Hanna ORCID: 0000-0002-2788-9888 Submitted in total fulfilment of the requirements of the Master of Music (Musicology/Ethnomusicology) November 2020 Melbourne Conservatorium of Music Faculty of Fine Arts and Music University of Melbourne ii Abstract This thesis explores traces of the Gothic in music and related artforms concerning Spain in the early twentieth century, drawing together a number of case studies with varied proximity to Manuel de Falla and his artistic milieu. A range of Gothic perspectives are applied to a series of musical works, repertories, constructions of race, modes of performance and stage personae, and this examination is preceded by an overview of Gothic elements in their nineteenth-century precursors. The connection between Granada’s Alhambra and the Gothic is based not only on architectural style, but also nocturnal and supernatural themes that can be traced back to the writings of Washington Irving. The idea of Alhambrism and Romantic impressions of the Spanish Gypsy, both of which are associated with the magical, primitive, mystic and nocturnal elements of the Gothic, are also related to constructions of flamenco and cante jondo. The Romantic idea of the Spanish gypsy evolved into primitivism, and attitudes that considered their culture archaic can be placed in a Gothic frame. Flamenco and the notion of duende can also be placed in this frame, and this idea is explored through the poetry and writings of Federico García Lorca and in his interaction with Falla in conceiving the Cante jondo competition of 1922. -
2015Suspension 2008Registere
LIST OF SEC REGISTERED CORPORATIONS FY 2008 WHICH FAILED TO SUBMIT FS AND GIS FOR PERIOD 2009 TO 2013 Date SEC Number Company Name Registered 1 CN200808877 "CASTLESPRING ELDERLY & SENIOR CITIZEN ASSOCIATION (CESCA)," INC. 06/11/2008 2 CS200719335 "GO" GENERICS SUPERDRUG INC. 01/30/2008 3 CS200802980 "JUST US" INDUSTRIAL & CONSTRUCTION SERVICES INC. 02/28/2008 4 CN200812088 "KABAGANG" NI DOC LOUIE CHUA INC. 08/05/2008 5 CN200803880 #1-PROBINSYANG MAUNLAD SANDIGAN NG BAYAN (#1-PRO-MASA NG 03/12/2008 6 CN200831927 (CEAG) CARCAR EMERGENCY ASSISTANCE GROUP RESCUE UNIT, INC. 12/10/2008 CN200830435 (D'EXTRA TOURS) DO EXCEL XENOS TEAM RIDERS ASSOCIATION AND TRACK 11/11/2008 7 OVER UNITED ROADS OR SEAS INC. 8 CN200804630 (MAZBDA) MARAGONDONZAPOTE BUS DRIVERS ASSN. INC. 03/28/2008 9 CN200813013 *CASTULE URBAN POOR ASSOCIATION INC. 08/28/2008 10 CS200830445 1 MORE ENTERTAINMENT INC. 11/12/2008 11 CN200811216 1 TULONG AT AGAPAY SA KABATAAN INC. 07/17/2008 12 CN200815933 1004 SHALOM METHODIST CHURCH, INC. 10/10/2008 13 CS200804199 1129 GOLDEN BRIDGE INTL INC. 03/19/2008 14 CS200809641 12-STAR REALTY DEVELOPMENT CORP. 06/24/2008 15 CS200828395 138 YE SEN FA INC. 07/07/2008 16 CN200801915 13TH CLUB OF ANTIPOLO INC. 02/11/2008 17 CS200818390 1415 GROUP, INC. 11/25/2008 18 CN200805092 15 LUCKY STARS OFW ASSOCIATION INC. 04/04/2008 19 CS200807505 153 METALS & MINING CORP. 05/19/2008 20 CS200828236 168 CREDIT CORPORATION 06/05/2008 21 CS200812630 168 MEGASAVE TRADING CORP. 08/14/2008 22 CS200819056 168 TAXI CORP. -
(PDF) Sipi Ng Lumbay Ng Dila
FICTION IDEYA: Journal of the Humanities 10.2 (2009): 47-67 Sipi mula sa Nobelang Ang Lumbay ng Dila Genevieve L. Asenjo [email protected] 1 kong maniwala sa muling pagkaluntian ng bukid. Hindi niya ito naipagpapatuloy. anghaling-tapat ngayon. Kalagitnaan ng Tumunog ang kanyang cellphone. Isang Hunyo.Taong 2007. T breaking news ang mensahe na kaagad din narinig Nakatayo siya — si Sadyah Zapanta Lopez — ng buong baryo sa Bombo Radyo. Ito rin ang sa isang burol sa kanilang baryo, ang Barasanan, bumati sa kanya sa Inquirer7.net. at Philstar.com. sa bayan ng Dao. Nasa dulong timog ito ng Antique, Nasisiguro niyang ito rin ang ibinabalita sa mga isang probinsya sa Panay na ayon sa isang paring istasyon ng TV. Marahil may nakatatak pang musikero nito, ay ang lugar kung saan nagtatagpo eksklusibo. ang dagat at bundok. Lupa at dagat sa pinggan Antique former Assemblyman Marcelo N. naman ito para sa isa niyang babaeng makata na Lopez, acquitted after 21 years of trial! kasalukuyang nasa Amerika. Nakilala niya ang pagkamangha, higit kaysa Nasa dibdib niya ang alinsangan ng tag-init, nasa pagkabigla, na lumukob sa kanya. May anyo ng talampakan ang lamig ng tag-ulan. kaligtasan. Sinuklay niya ng mga daliri ang lampas-balikat na buhok. Inamoy ang bango nito. Isang pag- aanyaya sa banal sa kanyang paligid na dumapo 2 sa kanyang ulo. Katulad kaninang umaga. Umaaso-aso ang kanin na sinandomeng. Nakalapag ito sa mesa sa iya si Sadyah Zapanta Lopez. Apat na taon kanyang gilid katabi ang pinggan ng piniritong Sang nakararaan, nauso ang Friendster.