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Discourses Exploring the Space Between Tradition and Modernity in Indonesia
In the 8th International Indonesia Forum Conference DISCOURSES EXPLORING THE SPACE BETWEEN TRADITION AND MODERNITY IN INDONESIA i Sanksi Pelanggaran Pasal 72 Undang-undang Nomor 19 Tahun 2002 Perubahan atas Undang-undang Nomor 7 Tahun 1987 Perubahan atas Undang-undang Nomor 6 Tahun 1982 Tentang Hak Cipta 1. Barang siapa dengan sengaja dan tanpa hak melakukan perbuatan sebagaimana dimaksud dalam Pasal 2 ayat (1) atau Pasal 49 ayat (1) dan ayat (2) dipidana dengan pidana penjara masing-masing paling singkat 1 (satu) bulan dan/atau denda paling sedikit Rp. 1.000.000,00 (satu juta rupiah), atau pidana penjara paling lama 7 (tujuh) tahun dan/atau denda paling banyak Rp. 5.000.000.000,00 (lima miliar rupiah). 2. Barang siapa dengan sengaja menyiarkan, memamerkan, mengedarkan atau menjual kepada umum suatu ciptaan atau barang hasil pelanggaran Hak Cipta atau Hak Terkait sebagaimana dimaksud dalam ayat (1), dipidana dengan pidana penjara paling lama 5 (lima) tahun dan/atau denda paling banyak Rp. 500.000.000,00 (lima ratus juta rupiah). ii In the 8th International Indonesia Forum Conference DISCOURSES EXPLORING THE SPACE BETWEEN TRADITION AND MODERNITY IN INDONESIA Editorial Board: Hermanu Joebagio, Frank Dhont Pramudita Press iii In the 8th International Indonesia Forum Conference Sebelas Maret University, Solo, Indonesia 29 – 30 July 2015 Organized by: Sebelas Maret University and International Indonesia Forum DISCOURSES EXPLORING THE SPACE BETWEEN TRADITION AND MODERNITY IN INDONESIA Editorial Board: Hermanu Joebagio, Frank Dhont Paper Contributor: -
Symbolic Animals in the Land Between the Waters Markers of Place and Transition
Robert Wessing Leiden University Symbolic Animals in the Land between the Waters Markers of Place and Transition Abstract This paper analyzes the use of symbolic animals in Indonesia and Southeast Asia gen- erally as markers of place or state of being, and aids in transition between states of being. It shows that especially naga and Garuda, both subsets of a larger category of naga, respectively define the categories upperworld and underworld as the male and female extremes of a water continuum. These are linked by the rainbow, which is also a member of the naga category. Together these symbolic animals make up the axis mundi, as can be seen in both the symbolic mountain of the Javanese shadow theatre and the Balinese cremation tower. Within the arc of water created by these three ele- ments lies the earth, which has emerged from, and can be seen to be part of the under- world. The emergence of the earth as well as states and crops from the underworld is made possible by the movement of buffalo or its equivalents, which also aid in the transition of human beings from the prenatal state, through life and into death. Keywords: Naga—Garuda—water buffalo—origins—life-cycle rituals—cosmology— Indonesia—Southeast Asia Asian Folklore Studies, Volume 65, 2006: 205–239 ne evening in East Java, I heard a cicak (small house-lizard; Hemi- dactylus frenatus) chatter quite excitedly.1 Since cicak there are reput- ed to be consummate gossips, I perked up my ears: was it true what Othey said about Mrs. A? Did Mr. -
Pramoedya's Developing Literary Concepts- by Martina Heinschke
Between G elanggang and Lekra: Pramoedya's Developing Literary Concepts- by Martina Heinschke Introduction During the first decade of the New Order, the idea of the autonomy of art was the unchallenged basis for all art production considered legitimate. The term encompasses two significant assumptions. First, it includes the idea that art and/or its individual categories are recognized within society as independent sub-systems that make their own rules, i.e. that art is not subject to influences exerted by other social sub-systems (politics and religion, for example). Secondly, it entails a complex of aesthetic notions that basically tend to exclude all non-artistic considerations from the aesthetic field and to define art as an activity detached from everyday life. An aesthetics of autonomy can create problems for its adherents, as a review of recent occidental art and literary history makes clear. Artists have attempted to overcome these problems by reasserting social ideals (e.g. as in naturalism) or through revolt, as in the avant-garde movements of the twentieth century which challenged the aesthetic norms of the autonomous work of art in order to relocate aesthetic experience at a pivotal point in relation to individual and social life.* 1 * This article is based on parts of my doctoral thesis, Angkatan 45. Literaturkonzeptionen im gesellschafipolitischen Kontext (Berlin: Reimer, 1993). I thank the editors of Indonesia, especially Benedict Anderson, for helpful comments and suggestions. 1 In German studies of literature, the institutionalization of art as an autonomous field and its aesthetic consequences is discussed mainly by Christa Burger and Peter Burger. -
Identity, Minority, and the Idea of a Nation: a Closer Look at Frieda (1951) by Dr
Vol. 1 Journal of Korean and Asian Arts SPRING 2020 Identity, Minority, and the Idea of a Nation: a Closer Look at Frieda (1951) by Dr. Huyung Umi Lestari / Universitas Multimedia Nusantara 【Abstract】 The discourse on film nasional (national film) in Indonesia always started by bringing up Darah dan Doa (1950, Blood and Prayer) as the foundation of the Indonesian film industry. The prominent film historian, Misbach Yusa Biran, stated that Darah dan Doa was produced with national consciousness value. The legacy of Darah dan Doa was not only neglecting the role of filmmakers from pre-Independence in Indonesia but also the role of other filmmakers during the 1950s, including Dr. Huyung. Previously, Dr. Huyung (Hinatsu Eitaro /Hŏ Yŏng) came from Korea and became a supporter of Imperial Japan during World War II. After Indonesia gained her independence, Huyung joined Berita Film Indonesia and became a film teacher at the Cine Drama Institute and Kino Drama Atelier. It was there that they then went on to make Frieda (1951), Bunga Rumah Makan (1951, The Flower of the Restaurant), Kenangan Masa (1951, Memories of the Past), and Gadis Olahraga (1951, the Sportswoman). This article discusses 'unity in diversity', a concept in filmmaking that was started by Huyung in 1949. When discussing Darah and Doa as the first film nasional, people forget that the film is driven from the military perspective. Meanwhile, Huyung tried to represent an ethnic minority in Frieda and showing that the ordinary people and the intellectuals also shaped the nation. Based on his experience in the Japanese army and Berita Film Indonesia, Huyung understood that film was very useful in achieving the goals of the state apparatus, due to the cinema's ability to spread nationalism. -
M. Cohen on the Origin of the Komedie Stamboelpopular Culture, Colonial Society, and the Parsi Theatre Movement
M. Cohen On the origin of the Komedie StamboelPopular culture, colonial society, and the Parsi theatre movement In: Bijdragen tot de Taal-, Land- en Volkenkunde 157 (2001), no: 2, Leiden, 313-357 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/10/2021 12:19:15AM via free access MATTHEW ISAAC COHEN On the Origin of the Komedie Stamboel Popular Culture, Colonial Society, and the Parsi Theatre Movement Introduction . The Komedie Stamboel, also known as the Malay Opera, occupies a prom- inent place in Indonesia's cultural history.1 lts emergence in 1891 has been characterized as a 'landmark' in the development of modern popular theatre (Teeuw 1979:207). The theatre later contributed greatly to the birth of Indo- nesian contemporary theatre and film2 and played a formative role in mod- ern political discourse and representation (see Anderson 1996:36-7). The Komedie Stamboel has been celebrated as one of the most significant 'artistic achievements' of the Eurasian population of colonial Java (see Van der Veur 1968a), but also damned for its deleterious influence on Java's classical and 1 This article was written while a postdoctoral research fellow at the International Institute for Asian Studies (DAS). It was presented in part as lectures at KAS and the Fifth International Humanities Symposium, Gadjah Mada University, in 1998.1 would like to thank all the particip- ants in the research seminar, 'Popular theatres of Indonesia', Department of Southeast Asian and Oceanic Languages and Cultures, Leiden University, where I developed some of the ideas pre- sented here, as well as Kathryn Hansen, Rakesh Solomon, Catherine Diamond, Surapone Virulrak, Hanne de Bruin, and two anonymous BKI reviewers for their comments. -
JSS 072 0A Front
7-ro .- JOURNAL OF THE SIAM SOCIETY JANUAR ts 1&2 "· THE SIAM SOCIETY PATRON His Majesty the King VICE-PATRONS Her Majesty the Queen Her Royal Highness the Princess Mother Her Royal Highness Princess Maha Chakri Sirindhorn HON . M E MBE R S The Ven. Buddhadasa Bhikkhu The Ven. Phra Rajavaramuni (Payu!to) Mr. Fua Haripitak Dr. Mary R. Haas Dr. Puey Ungphakorn Soedjatmoko Dr. Sood Saengvichien H.S.H. Prince Chand Chirayu Rajni Professor William J. Gedney HON. VIC E-PRESIDF.NTS Mr. Alexander B. Griswold Mom Kobkaew Abhakara Na Ayudhya H.S.H. Prince Subhadradis Diskul COU N CIL.. OF 'I'HE S IAM S O C IETY FOR 19841 8 5 President M.R. Patanachai Jayant Vice-President and Leader, Natural History Section Dr. Tern Smitinand Vice-President Mr. Dacre F.A. Raikes Vice-President Dr. Svasti Srisukh Honorary Treasurer Mrs. Katherine B. Buri Honorary Secretary Mrs. Nongyao Narumit Honorary Editor. Dr. Tej Bunnag Honorary Librarian Khi.m .Varun Yupha Snidvongs Assistant Honorary Treasurer Mr. James Stent Assistant Honorary Secretary Mrs. Virginia M. Di Crocco Assistant Honorary Librarian Mrs. Bonnie Davis Mr. Sulak Sivaraksa Mr. Wilhelm Mayer Mr. Henri Pagau-Clarac Dr. Pornchai Suchitta Dr. Piriya Krairiksh Miss A.B. Lambert Dr. Warren Y. Brockelman Mr. Rolf E. Von Bueren H.E. Mr. W.F.M. Schmidt Mr. Rich ard Engelhardt Mr. Hartmut Schneider Dr. Thawatchai Santisuk Dr. Rachit Buri JSS . JOURNAL ·"' .. ·..· OF THE SIAM SOCIETY 75 •• 2 nopeny of tbo ~ Society'• IJ1nQ BAN~Olt JANUARY & JULY 1.984 volume 72 par_ts 1. & 2 THE SIAM SOCIETY 1984 • Honorary Editor : Dr. -
Ecaade 2021 Towards a New, Configurable Architecture, Volume 2
eCAADe 2021 Towards a New, Configurable Architecture Volume 2 Editors Vesna Stojaković, Bojan Tepavčević, University of Novi Sad, Faculty of Technical Sciences 1st Edition, September 2021 Towards a New, Configurable Architecture - Proceedings of the 39th International Hybrid Conference on Education and Research in Computer Aided Architectural Design in Europe, Novi Sad, Serbia, 8-10th September 2021, Volume 2. Edited by Vesna Stojaković and Bojan Tepavčević. Brussels: Education and Research in Computer Aided Architectural Design in Europe, Belgium / Novi Sad: Digital Design Center, University of Novi Sad. Legal Depot D/2021/14982/02 ISBN 978-94-91207-23-5 (volume 2), Publisher eCAADe (Education and Research in Computer Aided Architectural Design in Europe) ISBN 978-86-6022-359-5 (volume 2), Publisher FTN (Faculty of Technical Sciences, University of Novi Sad, Serbia) ISSN 2684-1843 Cover Design Vesna Stojaković Printed by: GRID, Faculty of Technical Sciences All rights reserved. Nothing from this publication may be produced, stored in computerised system or published in any form or in any manner, including electronic, mechanical, reprographic or photographic, without prior written permission from the publisher. Authors are responsible for all pictures, contents and copyright-related issues in their own paper(s). ii | eCAADe 39 - Volume 2 eCAADe 2021 Towards a New, Configurable Architecture Volume 2 Proceedings The 39th Conference on Education and Research in Computer Aided Architectural Design in Europe Hybrid Conference 8th-10th September -
ASIAN REPRESENTATIONS of AUSTRALIA Alison Elizabeth Broinowski 12 December 2001 a Thesis Submitted for the Degree Of
ABOUT FACE: ASIAN REPRESENTATIONS OF AUSTRALIA Alison Elizabeth Broinowski 12 December 2001 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University ii Statement This thesis is my own work. Preliminary research was undertaken collaboratively with a team of Asian Australians under my co-direction with Dr Russell Trood and Deborah McNamara. They were asked in 1995-96 to collect relevant material, in English and vernacular languages, from the public sphere in their countries of origin. Three monographs based on this work were published in 1998 by the Centre for the Study of Australia Asia Relations at Griffith University and these, together with one unpublished paper, are extensively cited in Part 2. The researchers were Kwak Ki-Sung, Anne T. Nguyen, Ouyang Yu, and Heidi Powson and Lou Miles. Further research was conducted from 2000 at the National Library with a team of Chinese and Japanese linguists from the Australian National University, under an ARC project, ‘Asian Accounts of Australia’, of which Shun Ikeda and I are Chief Investigators. Its preliminary findings are cited in Part 2. Alison Broinowski iii Abstract This thesis considers the ways in which Australia has been publicly represented in ten Asian societies in the twentieth century. It shows how these representations are at odds with Australian opinion leaders’ assertions about being a multicultural society, with their claims about engagement with Asia, and with their understanding of what is ‘typically’ Australian. It reviews the emergence and development of Asian regionalism in the twentieth century, and considers how Occidentalist strategies have come to be used to exclude and marginalise Australia. -
BOSNIA and HERZEGOVINA MINISTRY of FOREIGN AFFAIRS Department of Diplomatic Protocol
BOSNIA AND HERZEGOVINA MINISTRY OF FOREIGN AFFAIRS Department of Diplomatic Protocol DIPLOMATIC AND CONSULAR CORPS AND INTERNATIONAL ORGANIZATIONS IN BOSNIA AND HERZEGOVINA December, 2015 1 2 C O N T E N T S Order of Precedence among the Heads of Diplomatic Missions and dates of presentation of credentials 8 Heads of Diplomatic Representation Offices 10 Diplomatic Missions accredited to Bosnia and Herzegovina * - Non Resident ALBANIA* 13 ALGERIA * 15 ANGOLA * 19 ARGENTINA * 21 ARMENIA* 23 AUSTRALIA * 25 AUSTRIA 27 AZERBAIJAN* 31 BANGLADESH * 33 BELARUS * 35 BELGIUM * 37 BRAZIL 41 BULGARIA 43 BURKINA FASO * 45 CANADA* 47 CHILE * 49 CHINA 51 COSTA RICA* 53 CROATIA 55 CUBA * 57 CYPRUS* 59 CZECH REPUBLIC 61 DENMARK* 63 ECUADOR* 65 EGYPT 67 ESTONIA * 69 3 FINLAND * 71 FRANCE 73 GEORGIA* 77 GERMANY 79 GREECE 83 HOLY SEE 85 HUNGARY 87 ICELAND * 89 INDIA * 91 INDONESIA 93 IRAN 95 IRAQ* 97 IRELAND * 99 ISRAEL * 101 ITALY 103 JAPAN 107 JORDAN * 109 KAZAKHSTAN* 111 KOREA (Democratic People's Republic) * 113 KOREA (Republic of Korea) * 115 KUWAIT 117 LATVIA * 119 LITHUANIA* 121 LIBYA 123 LUXEMBOURG* 127 MACEDONIA 129 MALAYSIA 131 MALI * 133 MALTA * 135 MAURITANIA* 137 MEXICO * 139 MOLDOVA * 141 MONGOLIA* 143 MONTENEGRO 145 4 MOROCCO * 147 THE NETHERLANDS 149 NEW ZEALAND * 151 NIGERIA * 153 NORWAY 155 OMAN * 157 PAKISTAN 159 PALESTINE 161 PERU * 163 PHILIPPINES * 165 POLAND 167 PORTUGAL* 169 QATAR 171 ROMANIA 173 RUSSIA 175 SAN MARINO 177 SAUDI ARABIA 181 SERBIA 185 SYRIA * 187 SLOVAKIA 189 SLOVENIA 191 SOUTH AFRICA * 193 THE SOVEREIGN MILITARY ORDER -
Penulis: Mahasiswa Peserta Mata Kuliah Sejarah Sosial Program Studi Pendidikan Sejarah Universitas Sanata Dharma Angkatan 2015
Penulis: Mahasiswa Peserta Mata Kuliah Sejarah Sosial Program Studi Pendidikan Sejarah Universitas Sanata Dharma Angkatan 2015 Editor: Hendra Kurniawan Agatha Cristhy Leatemia Mengulas yang Terbatas, Menafsir yang Silam Copyright © CV Jejak, 2017 Penulis: Mahasiswa Peserta Mata Kuliah Sejarah Sosial Program Studi Pendidikan Sejarah Universitas Sanata Dharma Angkatan 2015 ISBN: 978-602-61880-4-5 Editor: Hendra Kurniawan Agatha Cristhy Leatemia Penyunting dan Penata Letak: Tim CV Jejak Desain Sampul: Meditation Art Sumber Foto: Dokumentasi Tropenmuseum, National Museum of World Cultures – Amsterdam (http://www.tropenmuseum.nl) Penerbit: CV Jejak (Jejak Publisher) Redaksi: Jln. Bojong genteng Nomor 18, Kec. Bojong genteng Kab. Sukabumi, Jawa Barat 43353 Web : www.jejakpublisher.com E-mail : [email protected] Facebook : Jejak Publisher Twitter : @JejakPublisher WhatsApp : +6285771233027 Cetakan Pertama, Juli 2017 250 halaman; 14 x 20 cm Hak cipta dilindungi undang-undang Dilarang memperbanyak maupun mengedarkan buku dalam bentuk dan dengan cara apapun tanpa ijin tertulis dari penerbit maupun penulis 2 | Antusiasme mahasiswa -orang muda- saat mengikuti perkuliahan Sejarah Sosial pada semester genap 2016/2017 memberi suntikan semangat untuk mendorong mereka berlatih menulis. Kebetulan, sebagai mata kuliah pilihan, jumlah mahasiswa tidak terlalu banyak sehingga memungkinkan pendampingan secara intensif. Maka perkuliahan dikemas agar tidak hanya teoretis namun juga praktik penulisan (historiografi) sejarah sosial. Setelah beberapa kali pertemuan, konsultasi dan revisi sana- sini, akhirnya diperoleh 21 tulisan sejarah sosial dengan beragam topik. Aneka ragam topik ini dikelompokkan ke dalam lima tema: budaya dan kearifan lokal; industri, kaum marginal, dan masalah kota; transportasi dan angkutan; olahraga dan kesehatan; serta media massa dan hiburan. Seluruhnya didokumentasikan dalam buku bertajuk “Mengulas yang Terbatas, Menafsir yang Silam”. -
Keterbacaan Buku Teks Bahasa Sunda Untuk Sekolah Dasar Di Jawa Barat Kata Pengantar Kepala Pusat Pembinaan Dan Pengembangan Bahasa
EVALUASI KETERBACAAN BUKU TEKS BAHASA SUNDA UNTUK SEKOLAH DASAR DI JAWA BARAT KATA PENGANTAR KEPALA PUSAT PEMBINAAN DAN PENGEMBANGAN BAHASA Pembinaan dan pengembangan bahasa dan sastra di Indonesia yang mencakupi masalah bahasa nasional, bahasa daerah, dan bahasa asing perlu diupayakan secara sungguh-sungguh, terencana, dan berkesinam- bungan. Pembinaan bahasa nasional dimaksudkan untuk meningkatkan mutu pemakaian bahasa Indonesia di semua aras kehidupan. Pengembang- annya ditujukan pada pemenuhan fungsi bahasa Indonesia, baik sebagai sarana komunikasi nasional maupun sebagai wahana pengungkap berbagai aspek kehidupan, seiring dengan tuntutan zaman. Langkah yang perlu ditempuh untuk mencapai tujuan tersebut, antara lain, melalui serangkaian kegiatan penelitian berbagai aspek bahasa dan sastra Indonesia dan daerah. Pembinaannya dilakukan melalui kegiatan pemasyarakatan bahasa Indonesia yang baik dan benar, peningkatan apresiasi sastra, serta penyebarluasan berbagai buku acuan, pedoman, dan hasil penelitian kebahasaan dan kesastraan lainnya. Sejak tahun 1974 kegiatan penelitian bahasa dan sastra, sebagaimana disebutkan di atas, berada di bawah koordinasi Pusat Pembinaan dan Pengembangan Bahasa, Departemen Pendidikan dan Kebudayaan, yang secara operasional dikelola oleh: masing-masing satu proyek dan bagian proyek yang berkedudukan di DKI Jakarta dan dua puluh bagian proyek daerah. Kedua puluh bagian proyek daerah itu berkedudukan di ibu kota propinsi, yaitu (1) Daerah Istimewa Aceh, (2) Sumatera Utara, (3) Sumatera Barat, (4) Riau,(5) Lampung,(6) -
Concept Types and Frames in Language, Cognition and Science
Concept Types and Frames in Language, Cognition and Science SHORT FOR Research Unit SPONSOR Functional Concepts and Frames ORGANIZATION Düsseldorf LOCATION CTF09 TOPICS DATE INVITED SPEAKERS Linguistics Computational Linguistics Mathematics Aug 24 – 26, 2009 Cognitive Psychology Barbara Abbott Neuroscience, Philosophy Lawrence Barsalou Philosophy of Science Jerry Hobbs History of Science Beth Levin James Pustejovsky Barry Smith Paul Thagard Program & Abstracts General Chair:Sebastian Löbner Organization: Thomas Gamerschlag Doris Gerland Anna Grabowski Rainer Osswald Wiebke Petersen Tim Riebe UNI-KLINIKEN HEINRICH HEINE UNIVERSITY HOTELS FLORA, CAMPUS GOLDEN TULIP, HAUS MOOREN UNIVERSITY RESTAURANTS BUILDING 21.11 RESTAURANT “SUBWAY” X Uni Uni Mensa West CAFETERIA CAFETERIA BUS 835/836 Uni Ost TO SCHLOSS MICKELN CONFERENCE SITE Uni Mitte B UILDING 25.22 RESTAURANT & CAFETERIA BUS 835/836 TO CITY CENTER/ HOTELS BUS STOP BOTANIC GARDEN COMPUTER CENTER BUILDING 25.41 Contents Imprint 2 Welcome 3 General Information 4 Guided Tour & Conference Dinner 5 Pubs & Restaurants 6 Abstracts 11 Plenary Talks 11 Section Talks 17 Maps of the Conference Site 103 Index of Contributors 105 Schedule 107 CTF 09 University of Düsseldorf, August 24-26, 2009 The organizing committee of the CTF09 Thomas Gamerschlag (Department of General Linguistics) Doris Gerland (Department of General Linguistics) Anna Grabowski (Department of General Linguistics) Rainer Osswald (Department of General Linguistics) Wiebke Petersen (Department of General Linguistics) Tim Riebe (Department of General Linguistics) Contact Heinrich-Heine-Universität Institute for Language and Information Department of General Linguistics Universitätsstraße 1 40225 Düsseldorf Germany Phone +49 211 81-125 54 (during the conference: +49 211 81-10623) Cell phone 0163-9496036 Fax +49 211 81-113 25 Email [email protected] 2 CTF 09 General Information Welcome Welcome to the 2009 international conference on Concept Types and Frames at Düsseldorf, and welcome to the city of Düsseldorf and its university.