“To Tread on High Clouds” Dreams of Eternal Youth in Early Japan
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Regular Exhibition "History of Japanese Literature Based on Books" Materials List, Part I 名 称 名称ふりがな 解 説
別紙2 Regular Exhibition "History of Japanese Literature Based on Books" Materials List, Part I 名 称 名称ふりがな 解 説 I Literature in Jodai じょうだいのぶんがく (Ancient Times) While Japanese history often uses the term "kodai" to mean ancient times, the history of literature generally calls the times before the Heian period "jodai." Its beginning is uncertain, but its end is defined as the end of the 8th century. Politically, the state had progressed to unity and completion of its regime during this period. From the perspective of literature, this period was the time when Japanese people—who had not had characters for writing—first met kanji or Chinese characters and attempted various ways to express themselves using kanji. Literature in the period primarily when the capital was at Yamato before it was transferred to Heian-kyo in 794. While the categories range from myths to legends, songs, waka or Japanese poetry, Chinese poetry, Literature in Jodai じょうだいのぶんがく biographies, histories and topographies, there were not so many works as a whole. Every extant work containing ancient contents was actually compiled into a book in the Nara period (710–794). Some of those books were established against the background of the regime establishment of the state. Kojiki was established in 712. O no Yasumaro composed this book by writing down the ancient history inherited by Hieda no Are. Kojiki contains the history from the age of the gods to the reign of Empress Suiko (reign: 593–629). Nihon Shoki was established in 720 through a compilation carried out by Prince Myths and History しんわ・れきし Toneri. -
Rediscovering the Idea of Cultural Heritage and the Relationship with Nature: Four Schools of Essential Thought of the Ancient Han Chinese
heritage Article Rediscovering the Idea of Cultural Heritage and the Relationship with Nature: Four Schools of Essential Thought of the Ancient Han Chinese Otto Chen * and Dawei Han Department of Civil Engineering, University of Bristol, Bristol BS8 1TR, UK * Correspondence: [email protected]; Tel.: +44-117-903-5428 Received: 12 June 2019; Accepted: 28 June 2019; Published: 3 July 2019 Abstract: After a long-standing debate of pluralism in heritage conservation, the global practice has just started to broaden its view from material to people and even to nature, leading to the potential of a more comprehensive understanding and harmony between these spheres. Notwithstanding that the shift from material to people and then to nature seemingly looks like the only path in the modern heritage conservation movement to achieve the foregoing goals, in fact, there exist some regional cultures that originally featured particular views on human–nature harmony. This paper hence highlights the regional difference in heritage with a focus on China of ancient times, which unfolds the particular perspective emphasising the unity of human and nature. With a case study of Huaqing Palace of the Tang Dynasty (618–907 CE), the research is expected to be the first attempt to rediscover that the four schools of thought, Buddhism, Taoism, Confucianism and I Ching, had jointly formed a “wisdom” system of the ancient Han Chinese in shaping the idea of cultural heritage, as well as the idea of heritage conservation, which were inherited by modern Chinese without knowing and recognising it. The paper, therefore, argues that without understanding and acknowledging the significance of the ancient Han Chinese’s particular view on nature and the universe formed by the four schools of thought behind the material, it is not likely to protect and promote comprehensively their heritage value, such that the importance of cultural diversity will be just rhetoric. -
The Case of Sugawara No Michizane in the ''Nihongiryaku, Fuso Ryakki'' and the ''Gukansho''
Ideology and Historiography : The Case of Sugawara no Michizane in the ''Nihongiryaku, Fuso Ryakki'' and the ''Gukansho'' 著者 PLUTSCHOW Herbert 会議概要(会議名, Historiography and Japanese Consciousness of 開催地, 会期, 主催 Values and Norms, カリフォルニア大学 サンタ・ 者等) バーバラ校, カリフォルニア大学 ロサンゼルス校, 2001年1月 page range 133-145 year 2003-01-31 シリーズ 北米シンポジウム 2000 International Symposium in North America 2014 URL http://doi.org/10.15055/00001515 Ideology and Historiography: The Case of Sugawara no Michizane in the Nihongiryaku, Fusi Ryakki and the Gukanshd Herbert PLUTSCHOW University of California at Los Angeles To make victims into heroes is a Japanese cultural phenomenon intimately relat- ed to religion and society. It is as old as written history and survives into modem times. Victims appear as heroes in Buddhist, Shinto, and Shinto-Buddhist cults and in numer- ous works of Japanese literature, theater and the arts. In a number of articles I have pub- lished on this subject,' I tried to offer a religious interpretation, emphasizing the need to placate political victims in order to safeguard the state from their wrath. Unappeased political victims were believed to seek revenge by harming the living, causing natural calamities, provoking social discord, jeopardizing the national welfare. Beginning in the tenth century, such placation took on a national importance. Elsewhere I have tried to demonstrate that the cult of political victims forced political leaders to worship their for- mer enemies in a cult providing the religious legitimization, that is, the mainstay of their power.' The reason for this was, as I demonstrated, the attempt leaders made to control natural forces through the worship of spirits believed to influence them. -
12.2% 122,000 135M Top 1% 154 4,800
We are IntechOpen, the world’s leading publisher of Open Access books Built by scientists, for scientists 4,800 122,000 135M Open access books available International authors and editors Downloads Our authors are among the 154 TOP 1% 12.2% Countries delivered to most cited scientists Contributors from top 500 universities Selection of our books indexed in the Book Citation Index in Web of Science™ Core Collection (BKCI) Interested in publishing with us? Contact [email protected] Numbers displayed above are based on latest data collected. For more information visit www.intechopen.com Chapter Traditional Chinese Medicine: From Aqueous Extracts to Therapeutic Formulae Jinfan Wang, Astrid Sasse and Helen Sheridan Abstract Traditional Chinese medicine (TCM) is one of the most established systems of medicine in the world. The therapeutic formulae used in TCM are frequently derived from aqueous decoctions of single plants or complex multicomponent formulae. There are aspects of plant cultivation and preparation of decoction pieces that are unique to TCM. These include Daodi cultivation, which is associated with high quality medicinal plant material that is grown in a defined geographical area, and Paozhi processing where the decoction pieces can be treated with excipients and are processed, which may fundamentally change the nature of the chemical metabolites. Therefore, a single plant part, processed in a variety of different ways, can each create a unique medicine. The quality of TCM materials, their safety and therapeutic efficacy are of critical importance. The application of metabolomic and chemometric techniques to these complex and multicomponent medicines is of interest to understand the interrelationships between composition, synergy and therapeutic activity. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Ki No Tsurayuki a Poszukiwanie Tożsamości Kulturowej W Literaturze Japońskiej X Wieku
Title: Ki no Tsurayuki a poszukiwanie tożsamości kulturowej w literaturze japońskiej X wieku Author: Krzysztof Olszewski Citation style: Olszewski Krzysztof. (2003). Ki no Tsurayuki a poszukiwanie tożsamości kulturowej w literaturze japońskiej X wieku. Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego Ki no Tsurayuki a poszukiwanie tożsamości kulturowej w literaturze japońskiej X wieku Literatura, język i kultura Japonii Krzysztof Olszewski Ki no Tsurayuki a poszukiwanie tożsamości kulturowej w literaturze japońskiej X wieku WYDAWNICTWO UNIWERSYTETU JAGIELLOŃSKIEGO Seria: Literatura, język i kultura Japonii Publikacja finansowana przez Komitet Badań Naukowych oraz ze środków Instytutu Filologii Orientalnej oraz Wydziału Filologicznego Uniwersytetu Jagiellońskiego RECENZENCI Romuald Huszcza Alfred M. Majewicz PROJEKT OKŁADKI Marcin Bruchnalski REDAKTOR Jerzy Hrycyk KOREKTOR Krystyna Dulińska © Copyright by Krzysztof Olszewski & Wydawnictwo Uniwersytetu Jagiellońskiego Wydanie I, Kraków 2003 All rights reserved ISBN 83-233-1660-0 Wydawnictwo Uniwersytetu Jagiellońskiego Dystrybucja: ul. Bydgoska 19 C, 30-056 Kraków Tel. (012) 638-77-83, 636-80-00 w. 2022, 2023, fax (012) 430-19-95 Tel. kom. 0604-414-568, e-mail: wydaw@if. uj. edu.pl http: //www.wuj. pl Konto: BPH PBK SA IV/O Kraków nr 10601389-320000478769 A MOTTO Księżyc, co mieszka w wodzie, Nabieram w dłonie Odbicie jego To jest, to niknie znowu - Świat, w którym przyszło mi żyć. Ki no Tsurayuki, testament poetycki' W świątyni w Iwai Będę się modlił za Ciebie I czekał całe wieki. Choć -
The Heian Court Poetry As World Literature from the Point of View of Early Italian Poetry the Heian Court Poetry As Poetry the Heian Court World Literature
FLORIENTALIA EDOARDO GERLINI GERLINI EDOARDO The Heian Court Poetry as World Literature From the Point of View of Early Italian Poetry The Heian Court Poetry as World Literature World The Heian Court Poetry as EDOARDO GERLINI FUP FIRENZE UNIVERSITY PRESS STRUMENTI PER LA DIDATTICA E LA RICERCA – 159 – FLORIENTALIA Asian Studies Series – University of Florence Scientific Committee Valentina Pedone, Coordinator, University of Florence Sagiyama Ikuko, Coordinator, University of Florence Alessandra Brezzi, University of Rome “La Sapienza” Marco Del Bene, University of Rome “La Sapienza” Paolo De Troia, University of Rome “La Sapienza” Fujiwara Katsumi, University of Tokyo Guo Xi, Jinan University Hyodo Hiromi, Gakushuin University Tokyo Federico Masini, University of Rome “La Sapienza” Nagashima Hiroaki, University of Tokyo Chiara Romagnoli, Roma Tre University Bonaventura Ruperti, University of Venice “Ca’ Foscari” Luca Stirpe, University of Chieti-Pescara “Gabriele d’Annunzio” Tada Kazuomi, University of Tokyo Massimiliano Tomasi, Western Washington University Xu Daming, University of Macau Yan Xiaopeng, Wenzhou University Zhang Xiong, Peking University Zhou Yongming, University of Wisconsin-Madison Published Titles Valentina Pedone, A Journey to the West. Observations on the Chinese Migration to Italy Edoardo Gerlini, The Heian Court Poetry as World Literature. From the Point of View of Early Italian Poetry Ikuko Sagiyama, Valentina Pedone (edited by), Perspectives on East Asia Edoardo Gerlini The Heian Court Poetry as World Literature -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
Tom Gill Lecture No
Meiji Gakuin Course No. 3505 Minority and Marginal Groups of Contemporary Japan Tom Gill Lecture No. 4 Koreans 在日コリアン HISTORY 1. Ancient History • Korean kings thought to be buried at Nara; many archaeological finds show Korean influence on Japan. • Also Chinese influence via Korea – Confucianism, kanji etc. • Koreans in Japan today like to point out Japan’s cultural debt to Korea. Ancient Japanese burial mounds … 塚・古墳 … may conceal remains of Korean kings? … the Japanese government doesn’t want to know. Radical emperor? During a news conference to mark his 68th birthday, Emperor Akihito mentioned a historical document showing that one of his eighth- century ancestors was a descendant of immigrants from the Korean Peninsula. He said he felt a close "kinship" with Korea. 『続日本記』によると The Emperor, quoting from the "Shoku Nihongi" ("Chronicles of Japan"), compiled in 797, said the mother of Emperor Kanmu (737- 806) had come from the royal family of Paekche, an ancient kingdom of Korea. 桓武天皇の母親はコリアの皇室出身者 It was the first time a member of the Imperial family had ever publicly noted the family's blood ties with 23 Korea. December 2002 韓国で大歓迎 His remark received a warm welcome in Seoul. South Korean President Kim Dae Jung praised the Emperor for his "correct understanding of history." 手を上げてください I wonder how many of the Meigaku students here today know that Emperor Akihito himself has stated that he is of Korean descent? 明学の学生たち、明仁天皇自身が朝鮮の ルーツを認めているて、知っています か? 朝日だけ報道した Of the five national papers, the Mainichi, the Yomiuri, the Sankei and the Nihon Keizai Shinbun ignored the Emperor's Korea reference. -
State Shinto”
Recent Research on “State Shinto” Okuyama Michiaki 奥山倫明 Nanzan Institute for Religion & Culture As a scholarly concept, the concept of State Shinto has been developing, especially after 1945, to refer to the prewar situation surrounding the sup- port and management shrine matters by the state. Academic works are accumulating, both on the concept of State Shinto itself and on the elements that concretely constituted State Shinto. This essay will first summarize the scholarly institutions surrounding the researches related to State Shinto developed in the past fifteen years or so. Then it will try to give an overview of the related sites and facilities of State Shinto, elements that concretely constituted prewar State Shinto. elen Hardacre published Shinto: A History in 2017. In this book she “tries to address the issue of continuity in Shinto history from a new vantage point,” after Kuroda Toshio’s theory on Shinto dismantled “the rhetoric of Shinto as ‘the indigenous religion of HJapan’” in the 1980s (5). Hardacre discusses the subject of modern Shinto in the following five chapters in this book: Chapter 12 entitled “Shinto and the Meiji State”; Chapter 13 “Shinto and Imperial Japan; Chapter 14 “Shinto from 1945 through 1989”; Chapter 15 “Shrine Festivals and Their Changing Place in the Public Sphere”; and Chapter 16 “Heisei Shinto.” These five chapters occupy approximately one-third of the main text of the volume (198 among 552 pages). In this book, “State Shinto” is not a main topic, but nevertheless she pays sig- nificant attention to it. In the introduction that summarizes the contents of each chapter, Hardacre comments on the term “State Shinto” in referring to Chapter 12. -
Daoism/Taoism in Japan
A Bibliography of Materials Related to Daoism/Taoism in Japan Compiled by Jeffrey L. Richey [email protected] Last updated 18 August 2015 Akutagawa, Ryunosuke. Futari Komachi. Trans. T. E. Swann. Monumenta Nipponica 23/3-4 (1968): 485-495. Allan, Sarah. “On the Identity of Shang Di 上帝 and the Origin of the Concept of a Celestial Mandate (Tian ming 天命).” Early China 31 (2007): 1-46. ___. “The Great One, Water, and the Laozi: New Light from Guodian.” T'oung Pao (2nd series) 89/4-5 (2003): 237- 285. Azuma, Hiroki. “The Era of Disasters and the Words of Critical Thought.” Trans. John Person. Genron: Portal on Critical Discourse in Japan. Last modified April 18, 2012. http://global.genron.co.jp/2012/04/15/osaka-symposium- the-era-of-disasters-and-the-words-of-critical-thought/. Barrett, Timothy H. “Shinto and Taoism in Early Japan.” In Shinto in History: Ways of the Kami, eds. John Breen and Mark Teeuwen (Honolulu: University of Hawai’i Press, 2000), 13-31. ___. “The Emergence of the Taoist Papacy in the T’ang Dynasty.” Asia Major 3rd series 7/1 (1994): 89-106. ___. Taoism under the T'ang: religion & empire during the golden age of Chinese history. London: Wellsweep, 1996. ___. “The Taoist Canon in Japan: Some Implications of the Research of Ho Peng Yoke.” Taoist Resources 5/2 (1994): 71-77. Bender, Ross. “Changing the Calendar: Royal Political Theology and the Suppression of the Tachibana Naramaro Conspiracy of 757.” Japanese Journal of Religious Studies 37/2 (2010): 223-245. Benn, Charles D. -
Fusō Gobusshin Ron
FUSŌ GOBUSSHIN RON - ENGLISH TRANSLATION – - Fascicle 1 - Translation Treatise on Japan's Protecting Buddha's and Gods - Preface. Anciently, the Great Priest Furi Qisong1 (1007-1072) hid himself near the West Lake for thirty years. Broadly he perused the instructions from Lu2, widely he searched the Indian scriptures, and he wrote down [his findings] in Fujiaobian 輔教編 ("Compilation in aid of the Teaching") and Fei Han 非韓3 ("Refuting Han [Yu]"), thirty chapters in all. He came to the aid of the teachings of Śākya[muni, which] were already on the verge of collapsing. I was forced to withdraw4 to the village Nanmoku,5 [where] I 1 Song Mingjiao dashi is the Chinese priest Furi Qisong 佛日契嵩, a.k.a. Mingjiao-dashi. (N.B. The Japanese pronunciation of the name 契嵩 is "Kaisū.") Amongst other things, he was an exponent of the sanjiao heyi 三教合一 ("Unity of the Three Teachings"). Bussho kaisetsu daijiten lists six titles under his name. 2 The words "the instructions of Lu" are evidently opposed to the words "Indian scriptures," i.e. Buddhist texts. The same applies to the seven loci one can find through the "SAT Daizōkyō Text Database"; here, too, the words are opposed to zhufen 竺墳, (six times) and shidian 釋典 (one time). The term evidently refers to the Confucian corpus (perhaps to Lunyu?). The compound is not listed in Morohashi, 3 Both in Fujiaobian (3 fasc.) and in Fei Han, Qisong takes a non-exclusivist position towards Confucianism and Taoism. N.B. For the change of the characters in the titles, see Honkoku, note 1.