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Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R
The original documents are located in Box 27, folder “State Visits - Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 27 of The Ron Nessen Papers at the Gerald R. Ford Presidential Library THE EMPEROR OF JAPAN ~ . .,1. THE EMPEROR OF JAPAN A Profile On the Occasion of The Visit by The Emperor and Empress to the United States September 30th to October 13th, 1975 by Edwin 0. Reischauer The Emperor and Empress of japan on a quiet stroll in the gardens of the Imperial Palace in Tokyo. Few events in the long history of international relations carry the significance of the first visit to the United States of the Em peror and Empress of Japan. Only once before has the reigning Emperor of Japan ventured forth from his beautiful island realm to travel abroad. On that occasion, his visit to a number of Euro pean countries resulted in an immediate strengthening of the bonds linking Japan and Europe. -
Joseonhakgyo, Learning Under North Korean Leadership: Transitioning from 1970 to Present*
https://doi.org/10.33728/ijkus.2020.29.1.007 International Journal of Korean Unification Studies Vol. 29, No. 1, 2020, 161-188. Joseonhakgyo, Learning under North Korean Leadership: Transitioning from 1970 to Present* Min Hye Cho** This paper analyzes English as a Foreign Language (EFL) textbooks used during North Korea’s three leaderships: 1970s, 1990s and present. The textbooks have been used at Korean ethnic schools, Joseonhakgyo (朝鮮学校), which are managed by the Chongryon (總聯) organization in Japan. The organization is affiliated with North Korea despite its South Korean origins. Given North Korea’s changing influence over Chongryon’s education system, this study investigates how Chongryon Koreans’ view on themselves has undergone a transition. The textbooks’ content that have been used in junior high school classrooms (students aged between thirteen and fifteen years) are analyzed. Selected texts from these textbooks are analyzed critically to delineate the changing views of Chongryon Koreans. The findings demonstrate that Chongryon Koreans have changed their perspective from focusing on their ties to North Korea (1970s) to focusing on surviving as a minority group (1990s) to finally recognising that they reside permanently in Japan (present). Keywords: EFL textbooks, Korean ethnic school, minority education, North Koreans in Japan, North Korean leadership ** Acknowledgments: The author would like to acknowledge the generous and thoughtful support of the staff at Hagusobang (Chongryon publishing company), including Mr Nam In Ryang, Ms Kyong Suk Kim and Ms Mi Ja Moon; Ms Malryo Jang, an English teacher at Joseonhakgyo; and Mr Seong Bok Kang at Joseon University in Tokyo. They have consistently provided primary resource materials, such as Chongryon EFL textbooks, which made this research project possible. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
Poet Profiles His Imperial Majesty Emperor Akihito and Her Imperial Majesty Empress Michiko of Japan Ty Hadman
Poet Profiles His Imperial Majesty Emperor Akihito and Her Imperial Majesty Empress Michiko of Japan Ty Hadman Since 951 A.D., in the fifth year of Tenreki during the reign of Emperor Murakami, there has been held a ceremony, in the presence of the assembled high court of Japan, known as Utakai Shiki (Ceremony for Chanting Poetry). In spite of interruptions of wars and political variations of the powers of the clans to determine actual rulers of the country, the ceremony is still celebrated to this day. One of the sustaining facets of the ceremony is the fact that the Emperor and members of the Imperial Family each contribute their best poem of the year to be read before this distinguished audience. In order to fulfill this duty of office and to also present an elevated standard of proficiency, part of the education of princes and princesses, is to study the art of waka or tanka writing. The present Emperor of Japan, taken from his mother when he was three years old to be raised by tutors, chamberlains and nurses, was also given instruction in poetry writing. Even after becoming an adult, and still as His Imperial Highness, the Crown Prince, he continued to be instructed on tanka composition by Gotô Shigeru. In 1957, when the then Crown Prince Akihito was of an age to marry, he met, at a tennis match, Miss Michiko Shoda, the eldest daughter of the chairman of the Nisshin Flour Milling Company. She had just graduated, as valedictorian, from the Sacred Heart Women’s University, with a degree from the Department of Literature. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Japan Imperial Institution: Discourse and Reality of Political and Social Ideology
Volume 3, Issue 10, October– 2018 International Journal of Innovative Science and Research Technology ISSN No:-2456-2165 Japan Imperial Institution: Discourse and Reality of Political and Social Ideology Reihani Suci Budi Utami I Ketut Surajaya Under graduate student Japanese Studies Program Professor of History, Department of History, Faculty of Humanities University Indonesia, Depok 16424, Japanese Studies Program Faculty of Humanities University Indonesia Indonesia, Depok 16424, Indonesia Abstract:- This study discussed the position and role of state slogan Fukoku Kyouhei(Strong Military Rich State) the Emperor based on two Constitutions that have been proclaimed by Meiji government. and are in force in Japan, namely the Meiji Constitution and the 1947 Constitution. The focus of this study was to The Japan State Constitution, passed in 1946 and describe Articles governing the position and role of the implemented in 1947, was compiled during the American Emperor in Japanese government are implemented. The Occupation under General Douglas MacArthur. Democracy study found that articles governing the position of and peace were the ideological foundation of the 1947 Emperor in the Meiji Constitution were not properly Constitution. The Imperial Institution was separated from implemented due to military domination in the the State institutions that run the Government. The position government. Emperor Hirohito in reality did not have of the Emperor as symbol of State union shall not interfere full power in carrying out his functions according to the in administration affairs of the Government. institution. Articles governing the position and function of the Emperor in the 1947 Constitution are proper. In the Meiji Constitution, the Emperor was a Head of Emperor Hirohito, who was later replaced by Prince State who had wide prerogative rights. -
Their Majesties the Emperor and Empress and the Imperial Family
Their Majesties the Emperor and Empress and the Imperial Family Ministry of Foreign Affairs of Japan January 2021 1 【Contents】 1. The Emperor and the Imperial Family 2. Personal Histories 3. Ceremonies of the Accession to the Throne (From Heisei to Reiwa) 4. Activities of Their Majesties the Emperor and Empress 5. Imperial Palace ※ NB: This material provides basic information about the Imperial Family, which helps foreign readers understand the role and the activities of the Imperial Family of Japan. Cover Photo: Nijubashi Bridges spanning the moat of the Imperial Palace, Tokyo 2 1. The Emperor and the Imperial Family ⃝ The Emperor 【 Position】 1 The Emperor is the symbol of the State and of the unity of the people, deriving his position from the will of the people with whom resides sovereign power (the Constitution of Japan, Article 1). 2 The Imperial Throne is dynastic and succeeded to in accordance with the Imperial House Law passed by the Diet (Constitution, Article 2). 【 Powers】 1 The Emperor performs only such acts in matters of state as are provided for in the Constitution, and has no powers related to government (Constitution, Article 4(1)). 2 The Emperor's acts in matters of State (Constitution, Articles 6, Article 7, and Article 4(2)). (1) Appointment of the Prime Minister as designated by the Diet (2) Appointment of the Chief Justice of the Supreme Court as designated by the Cabinet (3) Promulgation of amendments of the Constitution, laws, cabinet orders, and treaties (4) Convocation of the Diet (5) Dissolution of the House -
The Heian Court Poetry As World Literature from the Point of View of Early Italian Poetry the Heian Court Poetry As Poetry the Heian Court World Literature
FLORIENTALIA EDOARDO GERLINI GERLINI EDOARDO The Heian Court Poetry as World Literature From the Point of View of Early Italian Poetry The Heian Court Poetry as World Literature World The Heian Court Poetry as EDOARDO GERLINI FUP FIRENZE UNIVERSITY PRESS STRUMENTI PER LA DIDATTICA E LA RICERCA – 159 – FLORIENTALIA Asian Studies Series – University of Florence Scientific Committee Valentina Pedone, Coordinator, University of Florence Sagiyama Ikuko, Coordinator, University of Florence Alessandra Brezzi, University of Rome “La Sapienza” Marco Del Bene, University of Rome “La Sapienza” Paolo De Troia, University of Rome “La Sapienza” Fujiwara Katsumi, University of Tokyo Guo Xi, Jinan University Hyodo Hiromi, Gakushuin University Tokyo Federico Masini, University of Rome “La Sapienza” Nagashima Hiroaki, University of Tokyo Chiara Romagnoli, Roma Tre University Bonaventura Ruperti, University of Venice “Ca’ Foscari” Luca Stirpe, University of Chieti-Pescara “Gabriele d’Annunzio” Tada Kazuomi, University of Tokyo Massimiliano Tomasi, Western Washington University Xu Daming, University of Macau Yan Xiaopeng, Wenzhou University Zhang Xiong, Peking University Zhou Yongming, University of Wisconsin-Madison Published Titles Valentina Pedone, A Journey to the West. Observations on the Chinese Migration to Italy Edoardo Gerlini, The Heian Court Poetry as World Literature. From the Point of View of Early Italian Poetry Ikuko Sagiyama, Valentina Pedone (edited by), Perspectives on East Asia Edoardo Gerlini The Heian Court Poetry as World Literature -
Official Journal L 60 of the European Union
Official Journal L 60 of the European Union ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ Volume 59 English edition Legislation 5 March 2016 Contents II Non-legislative acts REGULATIONS ★ Council Implementing Regulation (EU) 2016/311 of 4 March 2016 implementing Regulation (EU) No 208/2014 concerning restrictive measures directed against certain persons, entities and bodies in view of the situation in Ukraine .................................................................... 1 ★ Commission Implementing Regulation (EU) 2016/312 of 4 March 2016 correcting Regulation (EU) No 37/2010 as regards the substance ‘tylvalosin’ (1) ....................................................... 3 ★ Commission Implementing Regulation (EU) 2016/313 of 1 March 2016 amending Implementing Regulation (EU) No 680/2014 with regard to additional monitoring metrics for liquidity reporting (1) ....................................................................................................... 5 ★ Commission Regulation (EU) 2016/314 of 4 March 2016 amending Annex III to Regulation (EC) No 1223/2009 of the European Parliament and of the Council on cosmetic products (1) 59 ★ Commission Implementing Regulation (EU) 2016/315 of 4 March 2016 amending Council Regulation (EC) No 329/2007 concerning restrictive measures against the Democratic People's Republic of Korea ........................................................................................................... 62 Commission Implementing Regulation (EU) 2016/316 of 4 March 2016 establishing the standard import values for determining -
North Korea (Democratic People's Republic of Korea)
CONSOLIDATED LIST OF FINANCIAL SANCTIONS TARGETS IN THE UK Page 1 of 21 CONSOLIDATED LIST OF FINANCIAL SANCTIONS TARGETS IN THE UK Last Updated:08/11/2018 Status: Asset Freeze Targets REGIME: North Korea (Democratic People's Republic of Korea) INDIVIDUALS 1. Name 6: IL 1: KIM KYONG 2: n/a 3: n/a 4: n/a 5: n/a. DOB: 01/08/1979. a.k.a: KYO'NG-IL, Kim Passport Details: Passport No. 836210029 Address: Libya. Position: Foreign Trade Bank deputy chief representative in Libya Other Information: Annex XIII. UN Listing. UN Ref.KPI.067. Listed on: 22/12/2017 Last Updated: 09/01/2018 Group ID: 13562. 2. Name 6: AN 1: JONG 2: HYUK 3: n/a 4: n/a 5: n/a. DOB: 14/03/1970. a.k.a: AN , Jong , Hyok Passport Details: Passport Number. 563410155 Position: Diplomat DPRK Embassy Egypt Other Information: Annex XVI EU Listing not UN. Representative of Saeng Pil Trading Corporation, an alias of Green Pine Associated Corporation, and DPRK diplomat in Egypt. Listed on: 22/01/2018 Last Updated: 22/01/2018 Group ID: 13590. 3. Name 6: BONG 1: PAEK 2: SE 3: n/a 4: n/a 5: n/a. DOB: 21/03/1938. Nationality: Democratic People’s Republic of Korea Other Information: Annex XIII [UN Listing (formerly temporary listing, in accordance with Policing and Crime Act 2017]. UN Reference KPi.048. Former Chairman of the Second Economic Committee, a former member of the National Defense Commission, and a former Vice Director of Munitions Industry Department (MID). -
The Status and Role of Ethnic Koreans in the Japanese Economy
5 The Status and Role of Ethnic Koreans in the Japanese Economy TOSHIYUKI TAMURA Who really are ethnic Koreans and who are they not in Japanese society? To answer this question is not an easy task. They are sometimes wrongly taken for Korean-Japanese, that is, Koreans residing in Japan with Japanese nationality. Actually, these people may or may not be included in the con- cept of ethnic Koreans, depending on the scope and the context of argu- ment. The overwhelming majority of ethnic Koreans are legally foreigners with foreign passports, and accordingly their legal status should not be considered parallel to that of people in other countries, such as Korean-Americans. For a closer understanding of the concept, we must retrace the modern history of Korea and Japan and their interrelationships. A smattering of history will convince one how and why the illusion that Japan is ethni- cally homogeneous—which I have termed the “homogeneity myth”1—has spread so widely among Japanese citizens. It was this kind of conscious- ness that, together with the North-South division of the Korean penin- sula, had made the legal status of Korean residents so complicated and peculiar to Japan. In this chapter, I try to describe the past and the present situations of Koreans in Japan, making utmost use of official statistical data, as well as the results of my own work. In the second and third sections, I Toshiyuki Tamura is dean of the Faculty of International Politics and Economics at Nishogakusha University. 1. See Tamura (1983b). 77 Institute for International Economics | http://www.iie.com introduce my own definition of the concept of Zainichi Koreans. -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective.