The Status and Role of Ethnic Koreans in the Japanese Economy
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Japan Has Still Yet to Recognize Ryukyu/Okinawan Peoples
International Covenant on Civil and Political Rights Alternative Report Submission: Violations of Indigenous Peoples’ Rights in Japan Prepared for 128th Session, Geneva, 2 March - 27 March, 2020 Submitted by Cultural Survival Cultural Survival 2067 Massachusetts Avenue Cambridge, MA 02140 Tel: 1 (617) 441 5400 [email protected] www.culturalsurvival.org International Covenant on Civil and Political Rights Alternative Report Submission: Violations of Indigenous Peoples’ Rights in Japan I. Reporting Organization Cultural Survival is an international Indigenous rights organization with a global Indigenous leadership and consultative status with ECOSOC since 2005. Cultural Survival is located in Cambridge, Massachusetts, and is registered as a 501(c)(3) non-profit organization in the United States. Cultural Survival monitors the protection of Indigenous Peoples’ rights in countries throughout the world and publishes its findings in its magazine, the Cultural Survival Quarterly, and on its website: www.cs.org. II. Introduction The nation of Japan has made some significant strides in addressing historical issues of marginalization and discrimination against the Ainu Peoples. However, Japan has not made the same effort to address such issues regarding the Ryukyu Peoples. Both Peoples have been subject to historical injustices such as suppression of cultural practices and language, removal from land, and discrimination. Today, Ainu individuals continue to suffer greater rates of discrimination, poverty and lower rates of academic success compared to non-Ainu Japanese citizens. Furthermore, the dialogue between the government of Japan and the Ainu Peoples continues to be lacking. The Ryukyu Peoples continue to not be recognized as Indigenous by the Japanese government and face the nonconsensual use of their traditional lands by the United States military. -
Joseonhakgyo, Learning Under North Korean Leadership: Transitioning from 1970 to Present*
https://doi.org/10.33728/ijkus.2020.29.1.007 International Journal of Korean Unification Studies Vol. 29, No. 1, 2020, 161-188. Joseonhakgyo, Learning under North Korean Leadership: Transitioning from 1970 to Present* Min Hye Cho** This paper analyzes English as a Foreign Language (EFL) textbooks used during North Korea’s three leaderships: 1970s, 1990s and present. The textbooks have been used at Korean ethnic schools, Joseonhakgyo (朝鮮学校), which are managed by the Chongryon (總聯) organization in Japan. The organization is affiliated with North Korea despite its South Korean origins. Given North Korea’s changing influence over Chongryon’s education system, this study investigates how Chongryon Koreans’ view on themselves has undergone a transition. The textbooks’ content that have been used in junior high school classrooms (students aged between thirteen and fifteen years) are analyzed. Selected texts from these textbooks are analyzed critically to delineate the changing views of Chongryon Koreans. The findings demonstrate that Chongryon Koreans have changed their perspective from focusing on their ties to North Korea (1970s) to focusing on surviving as a minority group (1990s) to finally recognising that they reside permanently in Japan (present). Keywords: EFL textbooks, Korean ethnic school, minority education, North Koreans in Japan, North Korean leadership ** Acknowledgments: The author would like to acknowledge the generous and thoughtful support of the staff at Hagusobang (Chongryon publishing company), including Mr Nam In Ryang, Ms Kyong Suk Kim and Ms Mi Ja Moon; Ms Malryo Jang, an English teacher at Joseonhakgyo; and Mr Seong Bok Kang at Joseon University in Tokyo. They have consistently provided primary resource materials, such as Chongryon EFL textbooks, which made this research project possible. -
Special Article 3 an Interview with Chu Wen-Ching, Advisor & Director, Taipei Cultural Center, Taipei Economic and Cultural Representative Office in Japan
Special Article 3 An Interview with Chu Wen-Ching, Advisor & Director, Taipei Cultural Center, Taipei Economic and Cultural Representative Office in Japan By Japan SPOTLIGHT Editorial Section The last issue highlighted Japanese soft power. Soft power is in particular important in consolidating close diplomatic relations with a neighboring country. In this issue Japan SPOTLIGHT highlights Taiwan and Taiwan-Japan cultural exchanges in an interview with a senior Taiwanese expert on culture, Chu Wen- Ching, advisor and director at the Taipei Cultural Center. Q: How do you assess the current Japanese NHK programs can always be status of cultural exchanges seen in Taiwan, as Taiwanese Cable TV has between Taiwan and Japan? a contract with NHK. Japanese folk singers like Sachiko Kobayashi, Shinichi Mori, Chu: We have a very close relationship in Sayuri Ishikawa, and Hiroshi Itsuki are also terms of trade and human exchanges. Our very popular. Masaharu Fukuyama, another bilateral trade totaled $62 billion last year famous Japanese singer, was recently and the number of tourists coming and appointed by the Taiwanese Tourism going between us will soon reach 4 million. Bureau as an ambassador of tourism for I have recently heard that there were a Taiwan and he is expected to volunteer to number of Taiwanese tourists who could introduce in his Japanese radio program not reserve air tickets to Japan to see the Taiwanese cuisine and culture to his cherry blossoms in April this year because audience. there were not enough vacancies. As this Taiwanese rock group Mayday and episode shows, human exchanges between Japanese pop-rock band flumpool are good us have recently been significantly friends, and often visit each other, while increasing. -
Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
Welcome to Korea Day: from Diasporic to Hallyu Fan-Nationalism
International Journal of Communication 13(2019), 3764–3780 1932–8036/20190005 Welcome to Korea Day: From Diasporic to Hallyu Fan-Nationalism IRINA LYAN1 University of Oxford, UK With the increasing appeal of Korean popular culture known as the Korean Wave or hallyu, fans in Israel among Korean studies students have joined—and even replaced— ethnic Koreans in performing nationalism beyond South Korea’s borders, creating what I call hallyu fan-nationalism. As an unintended consequence of hallyu, such nationalism enables non-Korean hallyu fans to take on the empowering roles of cultural experts, educators, and even cultural ambassadors to promote Korea abroad. The symbolic shift from diasporic to hallyu nationalism brings to the fore nonnationalist, nonessentialist, and transcultural perspectives in fandom studies. In tracing the history of Korea Day from the 2000s to the 2010s, I found that hallyu fan-students are mobilized both by the macro mission to promote a positive image of Korea in their home societies and by the micro motivation to repair their own, often stigmatized, self-image. Keywords: transcultural fandom studies, hallyu, Korean Wave, Korean studies, Korea Day, diasporic nationalism While talking with Israeli students enrolled in Korean studies (mostly female fans of Korean popular culture) in an effort to understand their motivations behind organizing Korea Day and promoting Korean culture in Israel in general, I was surprised when some of them used the Hebrew word hasbara, which literally translates as “explanation.” As a synonym for propaganda, hasbara refers to the public diplomacy of Israel that aims to promote a positive image of Israel to the world and to counter its delegitimization. -
Ainu Imaginary, Ethnicity and Assimilation
The Fight for Self-Representation: Ainu Imaginary, Ethnicity and Assimilation Marcos P. Centeno Martín Abstract: Film representation of the Ainu people is as old as cinema but it has not remained stable over time. From the origins of cinema, Ainu people were an object of interest for Japanese and foreign explorers who portrayed them as an Other, savage and isolated from the modern world. The notion of “otherness” was slightly modified during wartime, as the Ainu were represented as Japanese subjects within the “imperial family”, and at the end of the fifties when entertainment cinema presented the Ainu according to the codes of the Hollywood Western on the one hand; and Mikio Naruse proposed a new portrayal focusing on the Ainu as a long-discriminated social collective rather than as an ethnic group, on the other. However, Tadayoshi Himeda’s series of seven documentaries following the Ainu leader Shigeru Kayano’s activities marked a significant shift in Ainu iconography. Himeda challenged both the postwar institutional discourse on the inexistence of minorities in Japan, and the touristic and ahistorical image that concealed the Ainu’s cultural assimilation to Japanese culture. The proposed films do not try to show an exotic people but a conventional people struggling to recover their collective past. Shifts in Ainu Film Representations The relationship between film and the Ainu people is as old as cinema. They are featured in The Ainu in Yeso (Les Aïnous à Yéso, 1897), which are two of the first thirty-three cinematographic sequences shot in Japan as part of the actualités filmed by the French operator François-Constant Girel for a Lumière brothers catalogue. -
The Issue of Diversity and Multiculturalism in Japan
Jie Qi & Sheng Ping Zhang The Issue of Diversity and Multiculturalism in Japan THE ISSUE OF DIVERSITY AND MULTICULTURALISM IN JAPAN Jie Qi Utsunomiya University, Japan Sheng Ping Zhang Meijo University, Japan Paper presented at the Annual Meeting of the American Educational Research Association March 24-29, 2008 New York In Session: Internationalization and Globalization in the Curriculum 1 Jie Qi & Sheng Ping Zhang The Issue of Diversity and Multiculturalism in Japan THE ISSUE OF DIVERSITY AND MULTICULTYRALISM IN JAPAN The purpose of this paper is to problematize that which has been taken for granted about the notion of multiculturalism in Japan. Multiculturalism is a novel issue in Japan. As the Japanese government started to promote “internationalization” since 1980’s, slogans such as “international exchange,” “cultural exchange,” “understanding of other cultures,” etc, have become the most popular hackneyed expressions among policy maker and educators. This paper demonstrates that the notion of multiculturalism in Japan is intricately and deeply embedded in Japanese society, Japanese culture and the Japanese educational system and that this type of multiculturalism excludes ethnic groups which have lived in Japan since old times. Firstly, the intention in this study is to interrupt the assumptions about homogeneous nation in Japanese educational discourse as have been accepted since the end of World War II. I assert that Japan is not homogeneous nation rather a society with diverse cultural groups. Secondly, this paper traces the path of the past notion of multiculturalism as embodied in the Japanese political, social and cultural conditions. In undertaking this I first look at the way cultural studies emerged in the 1980’s which created a new image of cultural studies. -
Western Influence on Korean Painting of the Late Chosŏn Period
Western Influence on Korean Painting of the Late Chosŏn Period YiSŏng-mi TheAcademyofKoreanStudies FromtheThreeKingdoms periodon,Koreanculturedevelopeditsuniquenesswhile receivingcontinuousstimuliandinfluencefrom continentalChinese culture;inturn,it hadasignificantimpact onthedevelopmentofJapaneseculture.Viewedfromthe larger contextofworldculture,culturalexchange amongthethreeEastAsiannations presupposeda certaindegreeofhomogeneity.However,the contactwiththeWestern civilizationandculturethroughChristianityinChina beginninginthefirsthalfofthe 16thcentury,andinKorea bywayofChinaduringthelate17thcentury,meantaclash oftwoquitedifferentcivilizations,WesternandEastAsian. Sucha"clashofcivilizations,"toborrowHuntington'sterm,canbediscernedinthe writingsoftheChineseliteratioftheCh'ing periodandinthoseoftheirKorean counterpartsofthelateChosŏnperiod,whotookWesterncultureas a"shock".This paperexaminesthe processofthereceptionofWesterninfluenceonKoreanpaintings ofthe18ththroughtheearly20thcentury before Korea wasfullyexposedtoWestern culture.Documentaryevidenceof contacts aswellasactualworksofartinwhichthe Westerninfluenceisevidentwill bethemainobjectsofexamination. Fromthe beginningofthehistoryof paintingintheWestandinEastAsia,thereexisted afundamentaldifferenceinwhata paintingshouldrepresent.UnlikeintheWest,where theaimof paintingwastoreproducefaithfullytheoutwardappearanceoffiguresor objects,thatinEastAsia wastocapturetheuniversaltruthorspiritualaspects.Inthe NorthernSung period,thisemphasisoncapturing metaphysicalconceptsinpainting developedintothetheoryofliterati -
People Who Eat Darkness Copyright
FOR MUM AND DAD Among the old men who secretly came to this “house of the sleeping beauties,” there must be some who not only looked wistfully back to the vanished past but sought to forget the evil they had done through their lives … among them must be some who had made their successes by wrongdoing and kept their gains by repeated wrongdoing. They would not be men at peace with themselves. They would be among the defeated, rather—victims of terror. In their hearts as they lay against the flesh of naked young girls put to sleep would be more than fear of approaching death and regret for their lost youth. There might also be remorse, and the turmoil so common in the families of the successful. They would have no Buddha before whom to kneel. The naked girl would know nothing, would not open her eyes, if one of the old men were to hold her tight in his arms, shed cold tears, even sob and wail. The old man need feel no shame, no damage to his pride. The regrets and sadness could flow quite freely. And might not the “sleeping beauty” herself be a Buddha of sorts? And she was flesh and blood. Her young skin and scent might be forgiveness for the sad old men. —YASUNARI KAWABATA, House of the Sleeping Beauties CONTENTS TITLE PAGE DEDICATION EPIGRAPH PROLOGUE: LIFE BEFORE DEATH PART I: LUCIE 1. THE WORLD THE RIGHT WAY ROUND 2. RULES 3. LONG HAUL PART II: TOKYO 4. HIGH TOUCH TOWN 5. GEISHA GIRL! (JOKE) 6. -
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DEAN’S LETTER “The Meaning of Knowing” As a professor who teaches philosophy and literature, I sometimes contemplate the meaning of knowing. When I say “I Know”, what does it really mean? What do I know about the things that I think I know? This may sound quite silly, however, it is no simple matter. Chuang Tzu, the ancient Chinese classic, discloses the fallacy of sensory conviction that we associate with certainty. What we believe to be the most real and obvious is little more than subjective bias. Let’s read the following example from “Discussion on Making All Things Equal”. Men claim that Mao-ch’iang and Lady Li were beautiful, but if fish saw them they would dive to the bottom of the stream......If so, which knows how to fix the standard of beauty for the world? (Translated by Burton Watson) According to the logic proposed in this argument, our concept of beauty is not based on the object of our aesthetic appreciation but it exists in our subjective cognitive faculty. In other words, the beauty of an object has in fact nothing to do with the form or appearance of the object, and therefore we can never secure precise clue to objectively characterizing our judgment of beauty. In this sense, the basis of our sensory conviction which we assume is the most real and empirical becomes dismantled. Considering the underlying implication of the above quote, it seems that Chuang Tzu might have suggested the limitation of our knowledge. Put simply, we do not know the extent of what we know. -
Tom Gill Lecture No
Meiji Gakuin Course No. 3505 Minority and Marginal Groups of Contemporary Japan Tom Gill Lecture No. 4 Koreans 在日コリアン HISTORY 1. Ancient History • Korean kings thought to be buried at Nara; many archaeological finds show Korean influence on Japan. • Also Chinese influence via Korea – Confucianism, kanji etc. • Koreans in Japan today like to point out Japan’s cultural debt to Korea. Ancient Japanese burial mounds … 塚・古墳 … may conceal remains of Korean kings? … the Japanese government doesn’t want to know. Radical emperor? During a news conference to mark his 68th birthday, Emperor Akihito mentioned a historical document showing that one of his eighth- century ancestors was a descendant of immigrants from the Korean Peninsula. He said he felt a close "kinship" with Korea. 『続日本記』によると The Emperor, quoting from the "Shoku Nihongi" ("Chronicles of Japan"), compiled in 797, said the mother of Emperor Kanmu (737- 806) had come from the royal family of Paekche, an ancient kingdom of Korea. 桓武天皇の母親はコリアの皇室出身者 It was the first time a member of the Imperial family had ever publicly noted the family's blood ties with 23 Korea. December 2002 韓国で大歓迎 His remark received a warm welcome in Seoul. South Korean President Kim Dae Jung praised the Emperor for his "correct understanding of history." 手を上げてください I wonder how many of the Meigaku students here today know that Emperor Akihito himself has stated that he is of Korean descent? 明学の学生たち、明仁天皇自身が朝鮮の ルーツを認めているて、知っています か? 朝日だけ報道した Of the five national papers, the Mainichi, the Yomiuri, the Sankei and the Nihon Keizai Shinbun ignored the Emperor's Korea reference. -
A Musical Journey Towards Trans-Border Humanity
The Newsletter | No.69 | Autumn 2014 16 | The Study A musical journey towards trans-border humanity There are also cases of songs that have travelled from Music travels as people migrate from one place to another. As a shared human Japan to other places, including Primorsky Krai and Central Asia. The song Urajio Bushi (Song of Vladivostok) is one such activity, music often appeals to peoples of different ethnicities living in different example; it travelled from a rural area of Japan into continental Asia. The song is considered to be a variation of a local song places, and transcends various boundaries that are often defined by ethnicity, from the Amakusa Islands, Japan. It tells about nostalgia for home: “Someday, I would like to return and disembark at the nation and religion. In this sense, music demonstrates ‘trans-border humanity’ port of Nagasaki (located near Amakusa).” In 1881, a regular boat service opened between Nagasaki and Vladivostok, or bonds amongst human beings in the midst of differences, conflicts, and and many Japanese began to move to the Russian Far East. Karayukisan (Japanese overseas prostitutes, often hailing from transformation. This essay searches trans-border humanity by tracing music the Amakusa area) were such migrants and disseminated the song about their home in Vladivostok. At that time, Vladivostok that has travelled with migrating peoples around Northeast Asia, and beyond. was a rapidly growing city, in which Japanese, Koreans, Chinese, Russians, and other peoples from different regions intersected. Masaya Shishikura Later, the song Urajio Bushi became popular throughout the Russian Far East and even in Manchuria, as Karayukisan had moved around these areas under the Japanese colonial scheme.6 Some Koryo-saram (ethnic Koreans in the post-Soviet States) also remember Karayukisan and their Japanese tunes – as part of their nostalgia for home in the Russian Far East.