WCP NEWS Volume 9 August 2021

Total Page:16

File Type:pdf, Size:1020Kb

WCP NEWS Volume 9 August 2021 WCP NEWS Volume 9 August 2021 WHAT?! WE’RE STILL WINDING UP! THERE’S LOTS MORE TO DO AND SEE IN AUGUST AND BEYOND. Inside this issue Winnebago County Parks Dept. Schedule of Events 2 Winnebago 625 E. Cty.County Rd. ParksY #500, Dept. Spotlight on—Memories 3 625Oshkosh E. Cty. WIRd. 54901 Y #500, Park Rx with Dr. Eric 5 Oshkosh(920)232 WI-1960 54901 Winnebago County Fair 6 www.co.winnebago.wi.us/parks(920)232-1960 www.co.winnebago.wi.us/parks@WinnCoParksExpo @WinnCoParksExpo Picture Yourself in Winnebago County Parks & Sunnyview Expo Center! WCP NEWS Page 2 SUNNYVIEW EXPO CENTER WINNEBAGO COUNTY COMMUNITY Aug. 4-8 WINNEBAGO COUNTY FAIR PARK Aug. 14 MONSTER TRUCKS X TOUR Aug. 21 OYSC 3 X 3 TOURNEY Aug. 15 BADGER VOLLEYBALL TOURNEY Aug. 28 & 29 FOX VALLEY OPEN DISC Aug. 15 MEXICAN RODEO GOLF TOURNEY Aug. 20 MEXICAN DANCE Aug. 20—22 WI PAINT HORSE CLUB SHOW Aug. 28 WI WATERFOWL CONFERENCE Aug. 29 MEXICAN RODEO 2021 EVENT ETIQUETTE It is important to be courteous to everyone attending or participating in events and comply with the Covid Plans in With the opening of the Community Park and Sunnyview place by the event promoter. It is understood that there Expo Center for events this season there are a few may be some minor inconveniences to endure, however precautions to take into consideration. the reopening of events is monumental progress from where we were as a community last year at this time. 1. All event holders have been required to provide a Covid 19 Social Distancing Plan for Health Dept. Stay Safe, and Have Fun! approval prior to their event. 2. Though not unnecessarily restrictive, these plans are required in case of a ’worst case scenario’. 3. Participants, attendees, guests, and spectators for all events are expected to adhere to the guidelines required by the individual event’s Covid plan. Plans shall be made available onsite for information. 4. Law Enforcement has been notified of the Covid Plan requirement and will respond if necessary for non- compliant violator complaints. 5. If there is any question as to the Covid Plan in place for an event, contact the individual event promoter for more information. Contact information can be found for all events on the Parks web page under the event calendar tabs. Picture Yourself in Winnebago County Parks & Sunnyview Expo Center! Page 3 WCP NEWS Spotlight IN MEMORY OF… Memorial Tree & Bench Program On Create an Enduring Memorial The Winnebago County Parks Department Memorial Tree and Bench Program is an opportunity to preserve the memory of someone special and beautify our local parks and recreation areas. • Place a bench in your favorite spot for all to enjoy • Restore the tree canopy in Winnebago County Community Park • Revive the Sesquicentennial Tree Grove at the J.P. Coughlin Center Memorial Bench Program Cast iron benches and concrete aggregate are tough and built to stand the test of time, just like the memories of your loved one. Each bench can be personalized with an engraved message or plaque. Learn more about the Me- morial Bench Progam in the information packet. To discuss your bench design and location as well as bench dedi- cation and placement, please call the Parks Department. 920-232-1960 Memorial Tree Program Trees are an environmentally-friendly gift that keep on giving for generations. Plant a living tribute in memory of a loved one or honor someone you care about. Learn more about the Memorial Tree Program in the information packet. To discuss tree type and planting location, please call the Parks Department. 920-232-1960. Winnebago County Community Park EAB Restoration The Emerald Ash Borer was discovered in Winnebago County in 2013. With this discovery, all species of ash within the county were threatened. The Winnebago County Community Park has more than 500 ash trees. In an attempt to preserve the tree canopy within the park for future generations, new trees will need to be planted as the infected ash trees will certainly die over time. A future plaque with donors names will be installed within the Community Park. Sesquicentennial Tree Grove at J.P. Coughlin Center One hundred fifty years ago, the Oak Savannah Plant Community dominated the Winnebago County landscape. Eventually, these large tracts diminished to a point where now few remain. In an effort to restore a piece of Wiscon- sin’s heritage the Winnebago County Sesquicentennial Committee created this grove. The names of individuals for whom each tree is planted will appear on plaques permanently located inside the J.P. Coughlin Center. A Lasting Memory If you are interested in the Memorial Tree and Bench Program, please complete theOSH application-O-NEE/ inGRUNDMAN our information packet. Once we receive your application, we will contact you for more information. Picture Yourself in Winnebago County Parks & Sunnyview Expo Center! Page 4 WCP NEWS also provide the many-fold benefits of all wetlands; including cleaner Legislation & Regulation: water & flood control impacts, to name a few. We also work to in- The Wisconsin Waterfowl Associa- crease nesting success through hab- tion has been a leader in working itat improvement, as well as control with the state Legislature to find so- of the spread of invasive species. lutions to the complex problems as- Our goal is to continue these rela- sociated with waterfowl and wet- Who is the WI Waterfowl Association? tionships to further increase the lands issues. Our goal is to continue quantity and quality of wetland and our strong involvement with the Leg- The Wisconsin Waterfowl Associa- upland habitat in the state. islature on issues pertaining to our tion is a 501(c)(3), membership- areas of focus. We have been in- based, non-profit organization, Education: strumental in working with the U.S. founded by hunters in 1984, acting Fish and Wildlife Service, flyway exclusively in Wisconsin, with this We believe the number and the in- councils and state agencies to devel- stated mission: tensity of environmental problems op waterfowl regulations which will facing Wisconsin’s waterfowl and provide the maximum amount of op- Mission Statement: wetland resources will continue to portunity for waterfowl enthusiasts grow in the coming years. Each of us and at the same time meet the popu- The purpose of the Association shall must be prepared to make informed lation goals of the North American include: work to further restoration decisions about these complex is- Waterfowl Management Plan. WWA and conservation of Wisconsin’s wa- sues. Recognizing a need for inno- representatives serve on the Migra- terfowl and wetland resources, the vative approaches to these educa- tory Bird committees of both the implementation of education pro- tion needs, WWA pioneered a pro- WDNR & the WI Wildlife Federation, grams for Wisconsin youth that gram where trained biologists would as well as the WDNR’s Wild Rice heighten awareness of our wetland visit environmental-based charter Advisory Team, (an important food resources, and promotion of legisla- schools weekly, to provide a hands- source for migratory waterfowl in the tion that protects Wisconsin’s re- on approach to learning in the out- northern third of our state), as well sources and the rights of citizens to doors. This program ran ten years as the recent Beaver management hunt and fish. under WWA support & guidance, plan update team, and Waterfowl Our Goals: from 2002-2012, when we handed it Hunting Zones ad-hoc committee, to We are dedicated to the conserva- off to our partners from the WI Wild- name just a few key examples. Our tion of Wisconsin’s waterfowl and life Federation, so the program could goal is to continue with a strong wetland resources. The Wisconsin be expanded even further, beyond presence on these committees Waterfowl Association works closely its ten school limitation. More re- through our staff, membership and with federal and state wildlife agen- cently, our focus has been on re- board of directors. cies on issues pertaining to Wiscon- cruitment & education of new water- https://waterfowlhuntersexpo.com/ sin wetlands and waterfowl. We pro- fowl hunters, using a variety of A vide a voice for our members, and means: organized youth hunts, the represent the perspective of those more structured WDNR Learn to who hunt waterfowl. Hunt format, as well as the Habitat Restoration: WDNR Wisconsin Non-Toxic Wing- shooting program, which helps wa- The quality of North America’s wa- terfowl hunters become more profi- terfowl breeding grounds, in particu- cient in their shooting skills. We also 2021 WATERFOWL lar those located within the bounda- actively seek to partner with others, HUNTER'S EXPO - T H E ries of Wisconsin, depend on the to help educate outdoors people on INAUGURAL YEAR management decisions of landown- controlling the spread of invasive ers. WWA works directly with Wis- species. WWA volunteers & staff A "MUST BE THERE" consin landowners and federal, present seminars to many groups, EVENT FOR ALL WATER- state, county and private agencies youth & adult, on wetland restora- FOWLERS! when restoring both public and pri- tion, hunting skills & traditions, & vate wetland & upland habitats in nesting success improvements, .WATERFOWL HUNTERS Wisconsin. Our field restoration team throughout the course of the EXPO utilizes a historic-ecosystem based year. Our goal is to continue to find technique, which has received inter- new and innovative ways to help Sunnyview Expo Center national attention and acceptance. educate future generations about the Restored wetlands not only provide important issues which impact our 8 am to 5 pm Saturday, important habitat for waterfowl and lives as outdoors enthusiasts & con- August 28, 2021 thousands of other species, but they servationists, here in Wisconsin.
Recommended publications
  • Bajo Sexto Basics Bajo Sexto Basico
    Bajo Sexto Basics Bajo Sexto Basico PREVIEW Created by Rodolfo Gonzalez ©2017 Bajo Sexto Basics/Bajo Sexto Basico Created by Rodolfo Gonzalez, Ed. D. © 2017 Table of Contents – Contenido Page(s)/pagina(s) I. Parts of the Bajo Sexto - Partes de el Bajo Sexto 3 II. Tuning the Bajo Sexto - Afinación de el Bajo Sexto 4 III. Bajo Sexto Chord Frame - Marco de Acordes 5 IV. A. Basic Major Chords – Acordes Mayores Basicos 6-7 B. Advanced Major Chords – Acordes Mayores Avanzados 8-10 V. A. Basic Minor Chords – Acordes Menores Basicos 12-13 B. Advanced Minor Chords – Acordes Menores Avanzados 13-15 VI. Basic Major Scales - Escalas Mayores Basicas 16-21 VII. Basic Minor Scales - Escalas Menores Basicas 22-27 VIII. Bass and Alternate Bass Notes– Notas de Bajo y Bajo Alternado (28) 29 IX. Chord Progressions – Círculos Basicos (28) 30 X. Passing Tones - Tonos de Paso (28) 31 XI.PREVIEW Bajo Sexto Players 32 XII. Six Song Styles - Seis Ritmos de Cancion 33-38 XIII. Songs for Bajo Sexto - Canciones para el Bajo Sexto 39-49 A. Vals: De Colores 39-40 B. Ranchera Lenta: La Barca De Oro 41-42 C. Polka: Cruz de Madera 43-44 XIV. Conjunto Groups/Grupos de Conjunto 44a D. Cumbia: La Muruca 45 E. Bolero: Cariño 46-47 F. Huapango: Besame Morenita 48-49 XV. About the Author/Informacion sobre el autor 50 2 Parts of the Bajo Sexto Partes de el Bajo Sexto Clavijero/Tuning Keys Cejilla/Nut Trastes/Frets Brazo/Neck PREVIEWBoca/Soundhole Caja de Resonancia/ Roseta/Rosetta Body Cuerdas/Strings Puente/Bridge 3 BASIC BAJO SEXTO CHORDS – TONO DE DO (Key of C) Primera De
    [Show full text]
  • Guitar Tunings
    Big City String Company Strings ~ Guitar Tunings Guitar: Acoustic Tuning Low 6 5 4 3 2 1 High Classic Mayfield F# A# C# F# A# F# Electric Flamenco Collins F C F Ab C F Steinberger Half Bent F Bb Eb Ab C F Bass Guitar Fourths E A D G C F Banjo Open E E B E G# B E Mandolin Open A E A E A C# E International Nashville e a d G B E Picks High Plain D E A d G B E Accessories Standard E A D G B E Lute E A D F# B E How to Order Hendrix Eb Ab Db Gb Bb Eb Shop Drop D D A D G B E Drop D D A D G B D DADGAD D A D G A D Open D D A D F# A D D Minor D A D F A D D Modal D A D D A D Slack Key G 6 D G D G B E Slide Guitar Open G D G D G B D 7 & 8 String Richards G D G B D More Tunings G Minor D G D G Bb D Capo Reference Cross Harp Guide Cooder Db Ab Db F Ab Db Bass Guitar Kottke C# F# B E G# C# Open C C G C G C E C 6 C G C G A E Kaki King C G D G A D Leadbelly B E A D F# B Baritone B E A D F# B Baritone A D G C E A Big City String Company Strings ~ Tunings Guitar: Acoustic Tuning Low 6 5 4 3 2 1 High Classic Bajo Sexto E A D G C F Electric Flamenco Bandurria G# C# F# B E A Steinberger Banjo G D G B D Bass Guitar Tenor Banjo C G D A Banjo Plectrum Banjo C G B D Mandolin Bouzouki International C F A D Charango G C E A E Picks Cuatro B E A D G Accessories Dobro G B D G B D How to Order Dulcimer G C C C Shop Fiddle G D A E Mandola C G D A Mandolin G D A E Mandolin - Blues E B F# C# Oud G A B E A D Requinto A D G C E A Guitar Tunings Tenor Guitar C G D A Tiple A D F# B Ukulele Big City String Company Strings ~ Slack Key Guitar Tunings Guitar: Acoustic Tuning
    [Show full text]
  • 3. La Música Norteña Mexicana En Chile 133 ISBN 978-607-484-456-6 Tomo II
    ¡Arriba el Norte...! Música de acordeón y bajo sexto Tomo II Transnacionalización de la música norteña mexicana ¡Arriba el Norte...! Música de acordeón y bajo sexto Tomo II Transnacionalización de la música norteña mexicana Luis Omar Montoya Arias Coordinador INSTITUTO NACIONAL DE ANTROPOLOGÍA E HISTORIA ¡Arriba el Norte...! Música de acordeón y bajo sexto Tomo II Transnacionalización de la música norteña mexicana Luis Omar Montoya Arias Coordinador INSTITUTO NACIONAL DE ANTROPOLOGÍA E HISTORIA Luis Omar Montoya Arias, coordinador ÍNDICE ¡Arriba el Norte...! Música de acordeón y bajo sexto Tomo II Tomo II. Transnacionalización de la música norteña mexicana Presentación 9 Testimonio Musical de México, 59 Primera edición: diciembre de 2013 III. Medios masivos de comunicación 11 1. Cine y literatura en la música norteña mexicana 12 © y Instituto Nacional de Antropología e Historia 2. La radio en la construcción social de la música norteña 32 Córdoba 45, Col. Roma, Delegación Cuauhtémoc México, DF, 06700 mexicana www. inah.gob.mx IV. Cosmopolitismo 60 Quedan reservados los derechos de autor y de intérprete de piezas musicales u otros documentos que aparecen en esta obra discográfica. 1. La música norteña mexicana en Holanda 62 2. Corridos Prohibidos colombianos 88 ISBN 978-607-484-452-8 Obra completa 3. La música norteña mexicana en Chile 133 ISBN 978-607-484-456-6 Tomo II. Transnacionalización de la música norteña mexicana 4. Pioneros de la música norteña mexicana en Colombia 159 Queda prohibida la reproducción parcial o total, directa o indirecta, del contenido de la presente obra sin contar previamente con la autorización expresa y por escrito de los editores, en términos de la Ley Federal del Derecho V.
    [Show full text]
  • 3. Presencia Del Mariachi En La Música Norteña Mexicana
    ¡Arriba el Norte...! Música de acordeón y bajo sexto. Tomo I Gestación de la música norteña mexicana ¡Arriba el Norte...! Música de acordeón y bajo sexto. Tomo I Gestación de la música norteña mexicana Luis Omar Montoya Arias INSTITUTO NACIONAL DE ANTROPOLOGÍA E HISTORIA ÍNDICE Luis Omar Montoya Arias Tomo I ¡Arriba el Norte...! Música de acordeón y bajo sexto. Tomo I. Gestación de la música norteña mexicana Presentación 9 Testimonio Musical de México, 59 Introducción 11 Portada: 1. Música Norteña Mexicana 11 Primera edición: diciembre de 2013 2. ¿Qué es la música norteña mexicana? 16 © y Instituto Nacional de Antropología e Historia I. Desde la música 30 Córdoba 45, Col. Roma, Delegación Cuauhtémoc 30 México, DF, 06700 1. Improvisación en la música norteña mexicana. www. inah.gob.mx 2. Estética de la música norteña mexicana en Colombia. 41 3. Presencia del mariachi en la música norteña mexicana. 57 Quedan reservados los derechos de autor y de intérprete de piezas musicales u otros documentos que aparecen 4. El acordeón del Bajío por Patricia Vergara (Investigadora 74 en esta obra discográfica. brasileña). ISBN 978-607-484-452-8 Obra completa ISBN 978-607-484-453-5 Tomo I. Gestación d la música norteña mexicana II. Etnolaudería 109 Queda prohibida la reproducción parcial o total, directa o indirecta, del contenido de la presente obra sin contar 1. Irapuato en la construcción histórica de la música 109 previamente con la autorización expresa y por escrito de los editores, en términos de la Ley Federal del Derecho norteña mexicana. de Autor y, en su caso, de los tratados internacionales aplicables.
    [Show full text]
  • Musica Tejana: More Than Conjuntos and Orquestas
    San Jose State University SJSU ScholarWorks 2001: 28th Annual: Beginning a New Millennium NACCS Annual Conference Proceedings - Tucson, AZ Apr 1st, 5:00 PM Musica Tejana: More Than Conjuntos and Orquestas Guadalupe San Miguel, Jr. University of Houston - Main Follow this and additional works at: https://scholarworks.sjsu.edu/naccs San Miguel,, Guadalupe Jr., "Musica Tejana: More Than Conjuntos and Orquestas" (2001). NACCS Annual Conference Proceedings. 17. https://scholarworks.sjsu.edu/naccs/2001/Proceedings/17 This Conference Proceeding is brought to you for free and open access by the National Association for Chicana and Chicano Studies Archive at SJSU ScholarWorks. It has been accepted for inclusion in NACCS Annual Conference Proceedings by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. CHAPTER FIFTEEN Guadalupe San Miguel, Jr. Musica Tejana: More Than Conjuntos and Orquestas INTRODUCTION Manuel Pena has argued that musica tejana is comprised of two major musical ensembles and their styles, the conjunto and the orquesta.1 These are not the only ones in the community. Others have formed and become dominant at different historical periods in the 20th century. The only ensemble that has survived during this century, however, has been the conjunto. CONJUNTO: TRADITIONAL AND PROGRESSIVE The conjunto originated on both sides of the border and began as a two-person outfit in the 1920s, one played the accordion and the other played a string instrument. Its repertoire, initially, was quite broad and included a host of traditional dances and songs popular throughout 215 Mexico. The conjunto expanded to four persons and four instruments in the post-WWII period.
    [Show full text]
  • PERFORMER ROLE CODES Role Code
    PERFORMER ROLE CODES To help calculate the share of revenues that individual performers should receive from use of a sound recording, a performer is assigned a contributor category and role code. Role codes are split into a number of types – not all of which are eligible for payment. Each type is further sorted into different instrumental, vocal or studio personnel performances, so that it is easy to identify what each performer contributed to a sound recording. Payable roles are generally ones which provide an audible contribution to the final sound recording. Non-payable roles are generally studio activities which add no audible contribution to the final sound recording. PAYABLE ROLES There are a number of payable roles. These are broken down into groups depending on the activity or instrument being played. See below all of the roles within each group. BRASS Role Code Alphorn ALP Alto Horn ALH Alto Trombone ATR Alto Valve Trombone AVT Bankia BKA Bass Trombone BTR Bass Trumpet BTP Bass Tuba BTB Brass Bass BRB Bugle BUE Cornet CTO Corno Da Caccia CDC Dung-Chen DUN Euphonium EUP FanfareTrumpet FFT Flugelhorn FLH French Horn FRH Horn HRN Horn HOR Hunting Horn (Valved) HHN Piccolo Trumpet PCT Sackbut SCK Slide Trumpet STP Sousaphone SOU Tenor Horn TNH Trombone TRM Trompeta TOA Trumpet TRU Trumpet (Eflat) TEF Tuba TUB ValveTrombone VTR ELECTRONICS Role Code Barrel Organ BRO Barrel Piano BPN Beat Box BBX DJ D_J DJ (Scratcher) SCT Emulator EMU Fairground Organ FGO Hurdy Gurdy HUR Musical Box BOX Ondioline OND Optigan OPG Polyphon PPN Programmer
    [Show full text]
  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
    [Show full text]
  • Frying Pan 69
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. GEORGE BEAUCHAMP AND THE RISE OF THE ELECTRIC GUITAR UP TO 1939 Matthew William Hill PhD The University of Edinburgh 2013 Declaration I declare that this thesis is entirely my own work. Matthew William Hill ABSTRACT This thesis examines the rise of the electric guitar in the United States – arguably the most iconic and successful musical instrument of the 20th century – and the role of George Beauchamp in its invention and development. It focuses on Beauchamp's invention of the electromagnetic pickup, which is the component that makes an electric guitar an electric guitar. The research is based on examination of surviving instruments as well as archival research. An extensive contextual background is given regarding the historical development of electrical musical instruments in general and electric and electrified stringed instruments in particular.
    [Show full text]
  • Newsletter April – May 2013
    Newsletter April – May 2013 Special Representative for Commercial and ► Inside this issue… Business Affairs, Lorraine Hariton and Russian Deputy Minister of Economic Development Featured Success – Innovation Oleg Fomichev led their respective delegations during the day-long meeting. BPC Highlights o Business Development and Economic Relations o Counternarcotics o Defense Relations o Education, Culture, Sports, and Media o Environment oFeatured Health Successes o Innovation o Military Cooperation The IWG meeting at Microsoft In Other News … The Working Group oversaw the establishment Events Calendar of four new partnerships through the signing of Memoranda of Understanding (MOUs): Cisco and the Skolkovo Foundation, Cisco and Featured Success SkolTech, Maryland and the biopharma cluster Pushchino, and the University of Wisconsin and The Innovation Working Group (IWG) held its “Northern” Biopharmaceutical Cluster third plenary meeting April 24 at the Microsoft Development Center. Ten other projects were Innovation and Policy Center in Washington, presented —including the announcement of the D.C. U.S. Under Secretary of State for U.S. - Russia Innovation Corridor and the Economic Growth, Energy and the Environment launch of the Business of Innovative Robert Hormats and then Russia Deputy Prime Technologies (BIT) Competition. Minister Vladislav Surkov co-chaired the gathering and addressed the group in an The meeting was well attended with up to 80 executive session. The Department of State’s participants in some of the sessions. Working - 1 - group members included innovation experts 26. The Maryland visit included an additional from the Russian and U.S. private sectors, non- MOU signing between the University of governmental organizations, universities, and Maryland and the University of Nizhniy governments.
    [Show full text]
  • LPD Music International 32575 Industrial Drive VIOLINS/ Madison Heights, MI 48071 ACCESSORIES
    FRETTED INSTRUMENTS/ ACCESSORIES HARMONICA/ KEYBOARD LPD Music International 32575 Industrial Drive VIOLINS/ Madison Heights, MI 48071 ACCESSORIES BAND INSTRUMENTS/ ACCESSORIES NOVELTIES/ BOOKS/ VIDEOS PERCUSSION PRO AUDIO YAMAHA Guitars Inspired by the 60’s with 21st Century Technology. Guitar Concepts and Designs by Trev Wilkinson. Visit Italia Guitars website at: www.italiaguitars.com to view the terrific colors and detailing Electronics, Tone and Hardware That’s why the pros play them! Cool retro styling wouldn’t get you far if your instru- ments didn’t play well, sound great and offer features that were more than copycat. Italia brings innovation with it’s own design spin on tailpieces, tremolos and pickup Whitey Kirst Stevie Salas combinations by Trev Wilkinson. (Iggy Pop) Mondial Classic Special design ‘Acousti-Glas’ top and ITALIA piezo Mondial Sportster jazz style bridge combined with Wilkinson design Same as Mondial Classic, ‘Vintage Voiced’ Alnico V Humbuckers to create a most versatile instrument at home on stage or in except with solid alder body. the studio. This is one cool looking guitar that can Available in Red, Green, Blue, Black, perform alongside any in the market. and Cream. Specifications: LIST ... $699.00 Top: Italia ‘Acousti-Glas’. Body: Two piece center jointed Agathis tone wood. Neck: Maple ‘Center-Lock’ bolt on. Frets: 22 med. jumbo frets 25” scale. NEW! Active: 2 band EQ for true acoustic Piezo sound. Pickups: 2 Wilkinson design Alnico V Humbuckers. Seperate outputs for Humbucker or Piezo Bridge: Italia Piezo jazz style bridge Mondial II (intonatable). Tuning Keys: Grover. Same as Mondial Classic, except Color Options: with mahogany body and neck, Back & Front: Red, Green, solid maple top, deluxe wood Blue, Black, and Cream with black pickguard.
    [Show full text]
  • Fretted Instrument Octave Designation Diagram & Charts
    ks•Ca oo bo B t t B From the: o o b o a k s C • • C s a k b o o o CB t B B t o o o Series b k a s • C THE MUSICIAN’S WORKBOOK VI Fretted Instrument Octave Designation Diagram & Charts Compiled by Tobe A.Richards FRETTED INSTRUMENT TUNING CHART The comprehesive tuning chart below features each string reading from left to right as if the in- strument was standing up vertically in front of you. Generally, the strings on the left will be lower pitched than those on the right, but there are variations including the mountain dulcimer, where the higher melody strings precede their lower pitched counterparts. The note names are listed in scientific pitch notation as used by The Acoustical Society of Amer- ica. If you need know their Helmholtz equivalents we have a free downloadable/printable ver- sion with both systems and their piano keyboard positioning in Volume VI of our Music Workbook series. You’ll find this in the ‘Freebies’ section of FFM. When discussing the configuration of an instrument’s stringing arrangement, you’ll find they are often referred to by the number of strings or by the number of courses. A course is simply a series of strings tuned to the same note (albeit often an octave apart) to be fretted by one finger at the same time. To give an example of this, the mandolin has 8 strings or 4 courses of strings. Steel strings in particular give a ringing or jangly sound when they are arranged in double, triple or quad- ruple courses.
    [Show full text]
  • Quetzalimaginaries Quetzal Imaginaries 1
    quetzalimaginaries quetzal imaginaries 1. 2+0+1+2=cinco (2+0+1+2=five) (M. González, J. Pérez, P. Jacobson) 4:37 2. imaginaries (M. González, J. Pérez) 2:51 3. estoy aquí (i am here) (Q. Flores, M. González, L. Rebolloso) 5:23 4. time will tell (Q. McCrary, M. González, Q. Flores) 5:20 5. luz y miel (light and honey) (G. González, M. González, Q. Flores, R. Marrón) 5:09 imaginaries 6. witness (M. González, Q. McCrary, Q. Flores, T. Enomoto, P. Jacobson) 3:34 7. tragafuegos (fire breathers) (M. González, Q. Flores) 3:36 8. duérmete (go to sleep) (G. González, T. Enomoto, Q. Flores) 5:38 quetzal 9. dreamers, schemers (M. González, J. Pérez, Q. McCrary) 3:08 10. intifada (M. González, Q. Flores, Q. McCrary) 3:41 11. por eso (that’s why) (G. González, M. González, Q. Flores, E. Gianesi, R. Marrón) 5:13 12. todo lo que tengo (all that I have) M. González, D. Pascuzzo, E. Gianesi) 5:07 This project has received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center SFW CD 40563 2011 Smithsonian Folkways Recordings “Songwriting is storytelling. A song as a sonic and literary manifestation is life’s soundscape, a unique cathartic memento, as well as a powerful political tool. Without question, music is an important historical text. A person’s life- views, triumphs, and struggles can be poured into a song.” —Martha González, member of Quetzal SFW CD 40563 2011 Smithsonian Folkways Recordings introduction by Russell Rodríguez uetzal is an ensemble of highly talented musicians, joined for the goal of creating good music that tells the social, cultural, political, and musical stories of Chicanas and Chicanos of East Los Angeles and their kindred spirits, locally and around the globe.
    [Show full text]