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Third Series • Volume Xxiii Part 1 • Third Series Third
part 1 volume xxiii • academia sinica • taiwan • 2010 INSTITUTE OF HISTORY AND PHILOLOGY third series asia major • third series • volume xxiii • part 1 • 2010 xiao tong’s preface to tao yuanming ji ping wang Between Reluctant Revelation and Disinterested Disclosure: Reading Xiao Tong’s Preface to Tao Yuanming ji iao Tong 蕭統 (501–531), posthumously the Crown Prince of Re- X .splendent Brilliance (Zhaoming taizi 昭明太子) of the Liang dynasty (502–557), is most famous for his compilation of the Wen xuan 文選, one of the most important anthologies in the Chinese literary tradi- tion.1 Yet the Liang prince made another contribution to the world of letters, namely, his fervent praise of Tao Yuanming 陶淵明 (365–427) that serves as a crucial link in the reception history of one of the great- est poets in China. The prince’s promotion of Tao Yuanming is seen in three interrelated activities: rewriting Tao Yuanming’s biography, collecting Tao’s works, and composing for the collection a long pref- ace (referred to here as the Preface). While the biography has proved a useful point of comparison for studying the canonization history of Tao Yuanming as a poet,2 the Preface attracts scholarly attention for a I would like to thank David R. Knechtges, Paul W. Kroll, Martin Kern, Susan Naquin, Ben- jamin Elman, Willard Peterson, and Paul R. Goldin, who read and commented on this paper. Their feedback has benefited me greatly in the process of revision. I also owe thanks to the editors and anomymous readers at Asia Major for comments and suggestions. -
Dissertation Section 1
Elegies for Empire The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ! 2013 Gregory M. Patterson All rights reserved ABSTRACT Elegies for Empire: The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson This dissertation explores highly influential constructions of the past at a key turning point in Chinese history by mapping out what I term a poetics of memory in the more than four hundred poems written by Du Fu !" (712-770) during his two-year stay in the remote town of Kuizhou (modern Fengjie County #$%). A survivor of the catastrophic An Lushan rebellion (756-763), which transformed Tang Dynasty (618-906) politics and culture, Du Fu was among the first to write in the twilight of the Chinese medieval period. His most prescient anticipation of mid-Tang concerns was his restless preoccupation with memory and its mediations, which drove his prolific output in Kuizhou. For Du Fu, memory held the promise of salvaging and creatively reimagining personal, social, and cultural identities under conditions of displacement and sweeping social change. The poetics of his late work is characterized by an acute attentiveness to the material supports—monuments, rituals, images, and texts—that enabled and structured connections to the past. The organization of the study attempts to capture the range of Du Fu’s engagement with memory’s frameworks and media. It begins by examining commemorative poems that read Kuizhou’s historical memory in local landmarks, decoding and rhetorically emulating great deeds of classical exemplars. -
Tao Yuanming's Perspectives on Life As Reflected in His Poems on History
Journal of chinese humanities 6 (2020) 235–258 brill.com/joch Tao Yuanming’s Perspectives on Life as Reflected in His Poems on History Zhang Yue 張月 Associate Professor of Department of Chinese Language and Literature, University of Macau, Taipa, Macau, China [email protected] Abstract Studies on Tao Yuanming have often focused on his personality, reclusive life, and pas- toral poetry. However, Tao’s extant oeuvre includes a large number of poems on history. This article aims to complement current scholarship by exploring his viewpoints on life through a close reading of his poems on history. His poems on history are a key to Tao’s perspectives with regard to the factors that decide a successful political career, the best way to cope with difficulties and frustrations, and the situations in which literati should withdraw from public life. Examining his positions reveals the connec- tions between these different aspects. These poems express Tao’s perspectives on life, as informed by his historical predecessors and philosophical beliefs, and as developed through his own life experience and efforts at poetic composition. Keywords Tao Yuanming – poems on history – perspectives on life Tao Yuanming 陶淵明 [ca. 365–427], a native of Xunyang 潯陽 (contem- porary Jiujiang 九江, Jiangxi), is one of the best-known and most-studied Chinese poets from before the Tang [618–907]. His extant corpus, comprising 125 poems and 12 prose works, is one of the few complete collections to survive from early medieval China, largely thanks to Xiao Tong 蕭統 [501–531], a prince of the Liang dynasty [502–557], who collected Tao’s works, wrote a preface, and © ZHANG YUE, 2021 | doi:10.1163/23521341-12340102 This is an open access article distributed under the terms of the CC BY 4.0Downloaded license. -
Chinese New Acquisitions List (January 2012) 澳大利亞國家圖書館中文新書簡報 （2012 年 1 月）
Chinese New Acquisitions List (January 2012) 澳大利亞國家圖書館中文新書簡報 （2012 年 1 月） MONOGRAPHS （圖書）, SERIALS （期刊）, e-RESOURCES （電子刊物）, MAPS (地圖) e-RESOURCES （電子刊物）Links to full-text e-books online: http://nla.lib.apabi.com/List.asp?lang=gb 書 名 Titles 索 書 號 Call numbers FULL CATALOGUE DESCRIPTION AUSTRALIANA in Chinese Language 澳大利亞館藏 – Books & Serials about Australia or by Australians 書 名 Titles 索 書 號 Call numbers FULL CATALOGUE DESCRIPTION Zhuan duo shao cai gou : cai fu yu xing fu de zhe xue = How much is enough / Ailun CHN 332.024 A147 http://nla.gov.au/nla.cat-vn5753693 Aibei, Andelu Fute zhu. 赚多少才够 : 财富与幸福的哲学 = How much is enough / 艾伦·艾贝, 安德鲁·福特著. Zhongguo : wei lai er shi nian de gai ge yu fa zhan = China : the next 20 years of CHN 338.951 G234 http://nla.gov.au/nla.cat- vn5748421 reform and development / Gao Ruosu (Ross Gamout), Jane Golley, Song Ligang zhu bian. 中国 : 未来二十年的改革与发展 = China : the next 20 years of reform and development / 郜若素(Ross Gamout), Jane Golley, 宋立刚主编. Hong gou : yi ge bei shi nü qiu de zhen shi gu shi / Qi Jiazhen zhu. CHN 365.45092 Q1JZ http://nla.gov.au/nla.cat- vn5758925 紅狗 : 一個被釋女囚的真實故事 / 齊家貞著. 1 Papunya painting : out of the Australian desert = Papanya hui hua : lai zi Aodaliya sha CHN 759.994291 P213 http://nla.gov.au/nla.cat- vn5089333 mo / edited by Vivien Johnson. Papunya painting : out of the Australian desert = 帕潘亚绘画 : 来自澳大利亚沙漠 / edited by Vivien Johnson. Yuan qu de qun shan / Bingfu. CHN 895.1152 B613F http://nla.gov.au/nla.cat- vn5759150 遠去的群山 / 冰夫 Aodaliya / Xinjiapo APA chu ban you xian gong si bian ; Xue Zhengwen, Zhao Ping fan CHN 919.4047 A638D http://nla.gov.au/nla.cat- vn5753655 yi. -
Mating-Induced Male Death and Pheromone Toxin-Regulated Androstasis
bioRxiv preprint first posted online Dec. 15, 2015; doi: http://dx.doi.org/10.1101/034181. The copyright holder for this preprint (which was not peer-reviewed) is the author/funder. All rights reserved. No reuse allowed without permission. Shi, Runnels & Murphy – preprint version –www.biorxiv.org Mating-induced Male Death and Pheromone Toxin-regulated Androstasis Cheng Shi, Alexi M. Runnels, and Coleen T. Murphy* Lewis-Sigler Institute for Integrative Genomics and Dept. of Molecular Biology, Princeton University, Princeton, NJ 08544, USA *Correspondence to: [email protected] Abstract How mating affects male lifespan is poorly understood. Using single worm lifespan assays, we discovered that males live significantly shorter after mating in both androdioecious (male and hermaphroditic) and gonochoristic (male and female) Caenorhabditis. Germline-dependent shrinking, glycogen loss, and ectopic expression of vitellogenins contribute to male post-mating lifespan reduction, which is conserved between the sexes. In addition to mating-induced lifespan decrease, worms are subject to killing by male pheromone-dependent toxicity. C. elegans males are the most sensitive, whereas C. remanei are immune, suggesting that males in androdioecious and gonochoristic species utilize male pheromone differently as a toxin or a chemical messenger. Our study reveals two mechanisms involved in male lifespan regulation: germline-dependent shrinking and death is the result of an unavoidable cost of reproduction and is evolutionarily conserved, whereas male pheromone-mediated killing provides a novel mechanism to cull the male population and ensure a return to the self-reproduction mode in androdioecious species. Our work highlights the importance of understanding the shared vs. sex- and species- specific mechanisms that regulate lifespan. -
Late Works of Mou Zongsan Modern Chinese Philosophy
Late Works of Mou Zongsan Modern Chinese Philosophy Edited by John Makeham, Australian National University VOLUME 7 The titles published in this series are listed at brill.com/mcp Late Works of Mou Zongsan Selected Essays on Chinese Philosophy Translated and edited by Jason Clower LEIDEN | BOSTON The book is an English translation of Mou Zongsan’s essays with the permission granted by the Foundation for the Study of Chinese Philosophy and Culture. Library of Congress Cataloging-in-Publication Data Mou, Zongsan, author. [Works. Selections. English] Late works of Mou Zongsan : selected essays on Chinese philosophy / translated and edited by Jason Clower. pages cm — (Modern Chinese philosophy ; VOLUME 7) Includes bibliographical references and index. ISBN 978-90-04-27889-9 (hardback : alk. paper) — ISBN 978-90-04-27890-5 (e-book) 1. Philosophy, Chinese. I. Clower, Jason (Jason T.), translator, editor. II. Title. B126.M66413 2014 181’.11—dc23 2014016448 This publication has been typeset in the multilingual ‘Brill’ typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see brill.com/brill-typeface. issn 1875-9386 isbn 978 90 04 27889 9 (hardback) isbn 978 90 04 27890 5 (e-book) Copyright 2014 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill nv incorporates the imprints Brill, Brill Nijhoff, Global Oriental and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
Chinese Letters and Intellectual Life in Medieval Japan: the Poetry and Political Philosophy of Chūgan Engetsu
Chinese Letters and Intellectual Life in Medieval Japan: The Poetry and Political Philosophy of Chūgan Engetsu By Brendan Arkell Morley A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor H. Mack Horton Professor Alan Tansman Professor Paula Varsano Professor Mary Elizabeth Berry Summer 2019 1 Abstract Chinese Letters and Intellectual Life in Medieval Japan: The Poetry and Political Philosophy of Chūgan Engetsu by Brendan Arkell Morley Doctor of Philosophy in Japanese University of California, Berkeley Professor H. Mack Horton, Chair This dissertation explores the writings of the fourteenth-century poet and intellectual Chūgan Engetsu 中巌円月, a leading figure in the literary movement known to history as Gozan (“Five Mountains”) literature. In terms of modern disciplinary divisions, Gozan literature straddles the interstices of several distinct areas of study, including classical Chinese poetry and poetics, Chinese philosophy and intellectual history, Buddhology, and the broader tradition of “Sinitic” poetry and prose (kanshibun) in Japan. Among the central contentions of this dissertation are the following: (1) that Chūgan was the most original Confucian thinker in pre-Tokugawa Japanese history, the significance of his contributions matched only by those of early-modern figures such as Ogyū Sorai, and (2) that kanshi and kanbun were creative media, not merely displays of erudition or scholastic mimicry. Chūgan’s expository writing demonstrates that the enormous multiplicity of terms and concepts animating the Chinese philosophical tradition were very much alive to premodern Japanese intellectuals, and that they were subject to thoughtful reinterpretation and application to specifically Japanese sociohistorical phenomena. -
Xiao Tong's Literary Inclination 51 GENTLEMANLY STYLE
Xiao Tong’s Literary Inclination 51 Chapter Two Gentlemanly Style: Xiao Tong’S Literary Inclination The Great Anthology The official history of the Liang might have intended to bequeath to Xiao Tong a good name as an ideal Confucian heir apparent, but in practice the crown prince is best remembered for the anthology he compiled in the 520s, the Wen xuan. The prince’s posthumous name—Zhaoming—is tra- ditionally attached to the title of this anthology, which is therefore known to us as the Zhaoming Wen xuan. The Wen xuan is the oldest extant liter- ary anthology and since the Tang has exerted profound influence on the learning and understanding of early medieval Chinese literature. It pre- serves 761 pieces, arranged according to genre, by 130 authors and span- ning eight hundred years from the late Zhou to the Liang.1 Many poetic works that we now take for granted as touchstones of Chinese literary his- tory would not have been available to us without the Wen xuan. The “Nineteen Old Poems” (Gushi shijiu shou 古詩十九首) is a case in point. By presenting these poems as a group, Xiao Tong asserted their exalted status and thus made them some of the most admired and memorized pieces of Chinese poetry. The only other anthology comparable to the Wen xuan in this regard is the eighteenth-century Anthology of Three Hundred Tang Poems (Tang shi sanbai shou 唐詩三百首), and this was not the Wen xuan’s peer in scope and volume. It is no exaggeration to say that Xiao Tong’s Wen xuan, to a large extent, shaped how writers wrote in later times. -
Oxford Handbooks Online
Collections (ji集) Oxford Handbooks Online Collections (ji集) Xiaofei Tian The Oxford Handbook of Classical Chinese Literature Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian Print Publication Date: May 2017 Subject: Classical Studies, Ancient Prose Literature Online Publication Date: Apr 2017 DOI: 10.1093/oxfordhb/9780199356591.013.15 Abstract and Keywords Ji, “collection,” is the last of the four-part Chinese bibliographical scheme after “Classics,” “Histories,” and “Masters.” Referring to collections of literary works, it is central to our understanding of the premodern Chinese conception of literature. This chapter focuses on bieji (literary collections by individual authors) and introduces the fundamental issues regarding the formation and content of a literary collection. It discusses when the term bieji first appeared, and what the early collections were; how a literary collection was constituted, circulated, transmitted, and reconstituted; what genres a literary collection might include, and more important, exclude; and in what ways a bieji is important to a historicized understanding of what constituted “literature” in the Middle Period. The coda briefly discusses the rebuilding of the lost and scattered medieval literary collections and the proliferation of specialized collections in the Song and beyond. Keywords: literary collection (bieji), “little collection/selected works” (xiaoji), specialized collection, prose genres, wen WITH ji 集, “collection,” the last of the “four-part” bibliographical scheme (see Chapter 11), we now stand at the center of classical literature: collections of literary works. Ji bu 集部 derived from the fourth category (ding bu 丁部, literally Category No. 4) in Xun Xu’s 荀勖 (d. 289) four-part division of the imperial library collection, but Xun Xu’s category notably includes a mixture of shi 詩 (poetry) and fu 賦 (poetic expositions), encomia inscribed in paintings, and a cache of ancient books discovered by grave-robbers (Sui shu 32.906). -
Dynasty Warriors 4 TOTAL Guide
Dynasty Warriors 4 TOTAL Guide By ReVeLaTeD Original Creation Date: 3-29-03 Version 1.01 Build 4403 This guide is a project of ReVeLaTeD, representing Digital Legacy Networks. All content within is copyrighted to Muni 1 Shinobu, and as such, the information is NOT to be duplicated or reproduced, digitally or physically, without express consent of the content owner. Any questions about specific information should be referred directly to Muni Shinobu. Any questions about format, layout, or presentation of this document or the items therein should be referred directly to ReVeLaTeD. Any violation of this edict shall be prosecuted to the fullest extent of the law in your area. Dynasty Warriors 4 TOTAL Guide Itinerary ITINERARY...................................................................................................................................................................2 INTRODUCTION.........................................................................................................................................................3 LEVEL 10 WEAPONS ................................................................................................................................................4 SHU .............................................................................................................................................................................. 4 WEI .............................................................................................................................................................................. -
For Building Integration Based on BIM Concept
8th International Conference on Applied Energy (ICAE 2016) Energy Procedia Volume 105 Beijing, China 8-11 October 2016 Part 1 of 7 Editors: Jinyue Yan Fengchun Sun SK Chou Umberto Desideri Hailong Li Pietro Campana Rui Xiong ISBN: 978-1-5108-4237-3 Printed from e-media with permission by: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 Some format issues inherent in the e-media version may also appear in this print version. Copyright© by Elsevier B.V. All rights reserved. Printed by Curran Associates, Inc. (2017) For permission requests, please contact Elsevier B.V. at the address below. Elsevier B.V. Radarweg 29 Amsterdam 1043 NX The Netherlands Phone: +31 20 485 3911 Fax: +31 20 485 2457 http://www.elsevierpublishingsolutions.com/contact.asp Additional copies of this publication are available from: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 USA Phone: 845-758-0400 Fax: 845-758-2633 Email: [email protected] Web: www.proceedings.com TABLE OF CONTENTS PART 1 Design Strategy of a Compact Unglazed Solar Thermal Facade (STF) for Building Integration Based on BIM Concept ................................................................................................................................................................................................................1 Jingchun Shen, Xingxing Zhang, Tong Yang, Llewellyn Tang, Yupeng Wu, Song Pan, Jinshun Wu, Peng Xu Effect of Divergent Chimneys on the Performance of a Solar Chimney Power Plant................................................................................7 -
Nineteen Old Poems” and the Poetics of Un/Concealment
Woman in the Tower: “Nineteen Old Poems” and the Poetics of Un/concealment The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Tian, Xiaofei. 2009. Woman in the tower: ‘Nineteen Old Poems’ and the poetics of un/concealment. Early Medieval China 2009, no. 15: 3-21. Published Version doi:10.1179/152991009X12541417793433;http:// www.ingentaconnect.com/content/maney/ emc/2009/00000015/00000001/art00002 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11130514 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP 1 Woman in the Tower: “Nineteen Old Poems” and the Poetics of Un/concealment Xiaofei Tian In this paper I propose to examine a group of anonymous poems, commonly dated to the second century and known as “Nineteen Old Poems” (“Gushi shijiushou” 古詩十 九首) because of their grouping as such in the sixth century anthology Wen xuan.1 Although The Classic of Poetry and the Songs of Chu are regarded as the fountainhead of Chinese literature, the “Nineteen Old Poems” are often considered to constitute the true origin of classical Chinese poetry.2 Apparently straightforward and transparent, these poems tantalize the reader with a protean quality, as it is often difficult to determine who is speaking what to whom. This impression is confirmed by late imperial Chinese critics’ diversified and often conflicting interpretations of these deceptively simple poems.