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Newsletter 15/10 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/10 DIGITAL EDITION Nr. 278 - September 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/10 (Nr. 278) September 2010 editorial Hallo Laserdisc- und DVD-Fans, auch jede Menge Filme auf dem liebe Filmfreunde! Fantasy Filmfest inspiziert. Diese sind Herzlich willkommen zum ersten jedoch in seinem Blog nicht enthalten, Newsletter nach unserer Sommer- sondern werden wie üblich zu einem pause. Es ist schon erstaunlich, wie späteren Zeitpunkt in einem separaten schnell so ein Urlaub vorbeigehen Artikel besprochen werden. Als ganz kann. Aber wie sollten wir es auch besonderes Bonbon werden wir in ei- merken? Denn die meiste Zeit ha- ner der nächsten Ausgaben ein exklu- ben wir im Kino verbracht. Unser sives Interview mit dem deutschstäm- Filmblogger Wolfram Hannemann migen Regisseur Daniel Stamm prä- hat es während dieser Zeit immer- sentieren, das unser Filmblogger wäh- hin auf satte 61 Filme gebracht! Da rend des Fantasy Filmfests anlässlich bleibt nicht viel Zeit für andere Ak- des Screenings von Stamms Film DER tivitäten, zumal einer der gesichte- LETZTE EXORZISMUS geführt ten Filme mit einer Lauflänge von 5 hat. ½ Stunden aufwartete. Während wir dieses Editorial schreiben ist er Sie sehen – es bleibt spannend! schon längst wieder dabei, Filmein- führungen für das bevorstehende Ihr Laser Hotline Team 70mm-Filmfestival der Karlsruher Schauburg zu schreiben. Am 1. Ok- tober geht’s los und hält uns und viele andere wieder für drei ganze Tage und Nächte auf Trab. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
Newsletter 17/12 (Nr
ISSN 1610-2606 ISSN 1610-2606 newsletterDIGITAL EDITION Nr. 321 - 17/12November 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 17/12 (Nr. 321) November 2012 editorial DIE WAND: Martina Gedeck und Julian Roman Pölsler Hallo Laserdisc- und DVD-Fans, versprochen so gibt es ab Seite 10 len wir eine Stippvisite in unserem liebe Filmfreunde! den persönlichen Rückblick unseres YouTube-Kanal, der zwei neue Pro- Film-Bloggers auf das diesjährige duktionen bereithält, deren Stars Herzlich willkommen zur neuesten Fantasy Filmfest. Ganz aktuell wie Sie bereits auf dieser Seite sehen Ausgabe unseres Newsletters, der immer auch der Film-Blog ab Seite können. Wie immer wünschen wir zugegebenermaßen mit etwas Ver- 3, der Sie mit vielen neuen Kino- viel Spaß beim Lesen und Schauen! spätung an den Start geht, dafür filmen bekannt machen wird. Und aber randvoll mit Infos steckt. Wie alles beginnt wie immer auf Seite 2. Ihr Laser Hotline Team Dort spricht Anna einmal mehr mit Hollywood und unterhält sich über das – Wetter! Und wem das alles noch nicht genug ist, dem empfeh- G GNADE: Jürgen VogelG GNADE: Matthias Glasner LASER HOTLINE Seite 2 Newsletter 17/12 (Nr. 321) November 2012 November Blues November. Der Winter ist offiziell da. Passend zur Jahreszeit und über seine Trauer, dass der Herbst vorbei ist, nicht gibt es nur ein Thema: das Wetter. Zu kalt, zu nass, zu wenig hinwegkommt, dem sei The Trouble with Harry empfohlen. -
The Mary Tyler Moore Show" 10 8
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or “target" for pages apparently lacking from the document photographed is “ Missing Page(s)". If it was possible to obtain the missing page{s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in die adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in “sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right .in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Theatrs Theaters
The Passing Show I [HEEVENINGSTAR, Washington, D. C. Story Bought Busy Winner j’ SATURDAY. MAT 1L IWW ** A-11 HOLLYWOOD. HOLLYWOOD, j AIR CONDITIONED Those Gilbreths Are Back “Captain Gallant,” a story Kim Hunter. Academy Award , run sum tbmgit ihsmlA outlined by Director John Far- winner, who thought her acting . NATIONAL*NOW \ im hudmt f In an Agreeable Sequel row, has been bought by Hal career was washed up two years ! uio NOW *'•' r ...lllftin' 1 Wallis Productions. Novelist ! ! ago, has leading roles in three "America's First Theatre" Ma H Dm ll:M I.u By Joy Carmody James has been as- prompt curtain: Edmiston topflight films, “Anything Can Em. at ft:SO • Mat- Wcd.-Sat. t:SO That happy household of children begot by the authors of signed to work with Farrow on “Deadline, U. S. ictand Keyword pt»Made “Cheaper by the Dozen’’ is back in a sequel at the Palace Theater the development of the story, ] i Happen,” A.” and every one should be just as delighted as before. which deals with a sea captain 1 < and “A Streetcar Named De- M &hsl Merman These are good wholesome American Gilbreths and their trials jM| BP # Sijjfe-.. M and a career girl who works for sire,” for which she won her and triumphs, so broadly like those of every one else, are pleasant to an advertising agency. I “Oscar.” Miss Hunter also will benold on the screen. In the con-f Farrow, who recently com- star in Jose Ferrer’s forthcom- & mil, RICHA-D S'CallMeMadam'’M” EASTHAM fidenee born on the first film's ••BELI.ES pleted “Botany Bay” for Para- ing “The ON THEIR TOES.” a stage production. -
From Marcus Welby, M.D. to the Resident: the Changing Portrayal of Physicians in Tv Medical Dramas
RMC Original JMM ISSN electrónico: 1885-5210 DOI: http://dx.doi.org/10.14201/rmc202016287102 FROM MARCUS WELBY, M.D. TO THE RESIDENT: THE CHANGING PORTRAYAL OF PHYSICIANS IN TV MEDICAL DRAMAS Desde Marcus Welby, M.D. hasta The resident: los cambios en las representaciones de los médicos en las series de televisión Irene CAMBRA-BADII1; Elena GUARDIOLA2; Josep-E. BAÑOS2 1Cátedra de Bioética. Universitat de Vic – Universitat Central de Catalunya.2 Facultad de Medicina. Universitat de Vic – Universitat Central de Catalunya (Spain). e-mail: [email protected] Fecha de recepción: 9 July 2019 Fecha de aceptación: 5 September 2019 Fecha del Avance On-Line: Fecha de publicación: 1 June 2020 Summary Over the years, the way medical dramas represent health professionals has changed. When the first medical dramas were broadcasted, the main characters were good, peaceful, intelligent, competent, empathic, and successful physicians. One of the most famous, even outside the US, was Marcus Welby M.D. (1969-1976) of David Victor –which this year marks 50 years since its first emission. This depiction began to change in the mid-1990s. While maintaining the over positive image of medical doctors, TV series started to put more emphasis on their negative characteristics and difficulties in their interpersonal relationships, such asER (TV) by Michael Crichton (United States) and House MD (TV) by David Shore (United States). In these series, physicians were portrayed as arrogant, greedy, and adulterous, and their diagnostic and therapeutic errors were exposed. The last two series are The Good Doctor (TV) by David Shore (United States), with a resident of surgery with autism and Savant syndrome, and The Resident (TV) by Amy Holden Jones, Hayley Schore and Roshan Sethi (United States), where serious institutional problems appear. -
Fun Street Upgrading Contingent on a Number of Township "Ifs5 5
X 25C The Lowell i r • Volume 15, Issue 23 Serving Lowell Area Readers Since 1893 Wednesday, April 17, 1991 Fun Street upgrading contingent on a number of Township "Ifs5 5 Lowell Township^ board one time only. If the Kent ship Board member, Dick Township let the dust go on approved a resolution Mon- County Road Commission Huver said. Bewell another year or wait day night which would help says no to the proposal then Lowell Township funds a year to pave the rest of Fore- bring Fun Street up to specifi- the Township will make no used toward Fun Street would man?" cations provided a number of contribution toward the re- have to come out of the Huver told Boyink that the "ifs" are met. pair and construction of Fun maintenance budget since all work orders for those two In a 3-1 vote, Lowell Street. of the construction budget is roads have already been Township proposed to seek a According to Townhip At- spoken for over the next signed. new estimate if it can be torney, Robert DeBoer, the couple of years. That money If the Township had voted worked into its maintenance Township is legally not re- is earmarked for Bewell Road not to give any money toward budget. Also, if it receives a sponsible for roads not in its and Foreman Street. the upgrading of Fun Street, statement from the Kent jurisdiction. DeBoer advised "I don't understand why I it may have been open to a County Road Commission the board not to allocate pay taxes to Lowell Town- law suit by Township resi- stating Lowell Township is money toward the repair and ship when I can't get the dents living in the Fun Street no longer responsible for construction of Fun Street. -
Newsletter 06/10 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 06/10 DIGITAL EDITION Nr. 269 - April 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 06/10 (Nr. 269) April 2010 editorial Hallo Laserdisc- und DVD- wird sich erst noch herausstellen. Fans, liebe Filmfreunde! So schreiben wir diese wenigen Sind Sie nicht auch der Meinung, Zeilen quasi auf einer Baustelle. dass nur zwei Arme einfach zu we- Denn das alte Büro ist nur noch Unsere Anschrift nig sind? Wer sich auch immer das rudimentär vorhanden und die neu- Design des Homo Sapiens ausge- en Geschäftsräume bislang nur an- hat sich dacht hat, der hat vermutlich nie deutungsweise eingerichtet. Aber geändert! damit gerechnet, dass ein solches in der Kürze liegt die Würze. Im- Geschöpf auch einmal umziehen merhin hat uns unsere Kolumnistin Ab sofort sind muss. Und dafür dürften es schon Anna einen schönen Bericht aus wir wie folgt zu ein paar Arme mehr sein, mit de- dem tschechischen Krnov mitge- nen man kräftig zupacken kann. bracht. Sehr gerne wären wir in erreichen: Sie merken schon, dass wir mo- diesem Jahr auch dorthin gereist, mentan von muskelbildender Um- um das traditionelle 70mm-Festival zugsakrobatik vereinnahmt wer- zu unterstützen, doch die zuvor LASER HOTLINE den. Aber so ganz ohne einen neu- erwähnten “Baustellen” haben das Talstr. 11 en Newsletter wollten wir uns aus leider verhindert. Aber Annas Be- den alten Räumlichkeiten dann richt von dort heizt unseren Appe- 70825 Korntal doch nicht verabschieden. -
Andover Townsman, 5/8/1952
t Derby To 94. Be May 3 And 4 annual trout derby will le aturday and Sunday, May at Ilussey's pond in Shaw. It is open to all boys and SIIDCWIP ■OWNSMAN ,lndover's Own Newspaper Since 1997 F the town 12 years old and Prizes for the largest fish VOLUME 65, NUMBER 29 ANDOVER, MASSACHUSETTS, MAY 8, 1 952 PRICE 5 CENTS e awarded. The event is red by the Andover Sports. club, Inc., and will be con. under the supervision of the New West manatee of the club, David Veterans t, chairman. It will be held shine. School To Plan For 'S 127 MAIN ST, AUL TEL. 2125 19 Years' Experience Hold Open .essmaking • Remodeling Memorial • Alterations lies' Suits, Coats and Dresses Made to Order House Sun. Day Rites Open house will be held at the new West Center school Sunday at Plans for the observance of 4p.m. when townspeople will have Memorial day were made at a meet- an opportunity to go through the ing of the Memorial day committee new building. held Tuesday night in the veterans' The exercises will be informal. service office at the town house. There will be a flag raising, one or Members of the town's veteran two very short addresses and public organizations who make up the inspection. committee are expecting a good The building is not entirely com- turnout, this year of those who pleted and the exercises Sunday have served in the armed services will not be a formal dedication. as a tribute of respect to the memo- This will be announced later. -
Collection Prof
ARSC Study Guide Screen Actors Guild Foundation: “Conversations” PROFILE COLLECTION The Screen Actors Guild (SAG) Foundation Legacy Documentation Program is the product of the Foundation's ongoing efforts to preserve and illuminate the history of the Guild, Hollywood, and the labor movement by funding the production of documentary interviews with long-time Guild members. The Screen Actors Guild "Conversations" interview series features high-profile SAG members recorded in discussions, often with other Guild members, in a variety of locations around the United States. Hundreds of interviews have been conducted with a diverse cross-section of talent, including Guild member Rita Moreno offers oral history from Screen Actors notables such as Alfre Woodard, Benicio Guild Conversation interview. del Toro, Henry Fonda, Joan Chen, Lou Diamond Phillips, Viola Davis and the cast of BREAKING BAD. The collection also includes interviews with SAG presidents Howard Keel, Charlton Heston, Dennis Weaver, Ed Asner, William Schallert, and Patty Duke; founding SAG members, Leon Ames and Ralph Bellamy; Board members Marsha Hunt and John Randolph on the blacklist years; and conversations with executives, board members and staff, both living and now-deceased, sharing their wisdom, anecdotes, opinions and reminiscences. The extended and often candid interviews offer an unparalleled window into the careers of the interview subjects as well as the early struggles and successes of the Guild, as seen through the eyes of the industry professionals who have contributed to the Guild's history. The collection includes the 5-hour documentary, BEHIND THE MASKS - THE STORY OF SAG, which chronicles SAG from its inception to present-day.