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The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
Getting Ready for Luxembourg
Getting Ready for Luxembourg Lux Program Pre-Departure Handbook ´7KH*UHHQ%RRNµ Luxembourg Office 217 MacMillan Hall 531 East Spring Street Oxford, OH 45056 Phone: 513.529.5050 Fax: 513.529.5051 [email protected] www.muohio.edu/luxembourg **Please share this booklet with your parents/guardians or direct them to our website for their own copy: www.units.muohio.edu/luxembourg/students/bulletins-cost-sheets-student-handbooks Notes: Page 1 TABLE OF CONTENTS ACKNOWLEDGEMENTS .......................................................................................................................................................... 4 PROGRAM INTRODUCTION .................................................................................................................................................... 4 Welcome ............................................................................................................................................................................. 4 Important Contact Information .......................................................................................................................................... 5 Mail & Packages .................................................................................................................................................................. 5 MIAMI LOGISTICS ................................................................................................................................................................... 6 Registration ........................................................................................................................................................................ -
8.4 District Resettlement and Compensation Committees (Drcc)
Public Disclosure Authorized NATIONAL IRRIGATION BOARD LOWER NZOIA IRRIGATION PROJECT RESETTLEMENT ACTION PLAN JANUARY 2013 Public Disclosure Authorized Public Disclosure Authorized Prepared by: ESF CONSULTANTS P.O BOX 7745 - 00100 NAIROBI - KENYA TEL : +254 020 3876512 EMAIL:[email protected] Public Disclosure Authorized Reviewed and updated by: Lazarus Kubasu (Social Specialist) and Tito Kodiaga (Environmental Specialist) Kenya Water Security and Climate Resilience Project (KWSCRP) 31st January 2013 1 TABLE OF CONTENT TABLE OF CONTENT..................................................................................................................................... 2 ACRONYMS AND ABBREVIATIONS ......................................................................................................... 6 1. EXECUTIVE SUMMARY ....................................................................................................................... 8 2. PROJECT BACKGROUND ................................................................................................................... 18 2.1 KENYA WATER SECURITY AND CLIMATE RESILIENCE PROJECT .......................... 18 2.2 LOWER NZOIA IRRIGATION PROJECT (LNIP) ................................................................ 18 2.2.1 Project Background ........................................................................................................... 18 2.2.2 Project Location ................................................................................................................. -
19.05.21 Notable Industry Recognition Awards List • ADC Advertising
19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio -
Xii. Flight Schedule
XII. FLIGHT SCHEDULE: In addition, for your convenience, please find the flight schedule of all the flight to and from Tbilisi: TO TBILISI MONDAY Destination Departure Arrival Company Moscow 09.35 12.15 Aeroflot Paris 11.10 17.50 Georgian Airlines Prague 12.00 17.30 Georgian Airlines Moscow 12.40 15.05 Georgian Airlines Tel Aviv 22.15 01.50 Georgian Airlines Vienna 22.25 03.50 Austrian Airlines Istanbul 23.00 02.30 Turkish Airlines TUESDAY Destination Departure Arrival Company Moscow 09.35 12.15 Aeroflot Athens 12.00 15.45 Georgian Airlines Prague 12.00 17.30 Georgian Airlines Moscow 12.40 15.05 Georgian Airlines Frankfurt 19.30 01.40 Georgian Airlines Amsterdam 19.40 02.00 KLM Munich 21.10 02.55 Lufthansa Vienna 22.25 03.50 Austrian Airlines Dubai 23.45 03.15 Georgian Airlines WEDNESDAY Destination Departure Arrival Company Moscow 09.35 12.15 Aeroflot Amsterdam 10.40 17.10 Georgian Airlines Moscow 12.40 15.05 Georgian Airlines Kiev 19.25 22.40 Georgian Airlines London 21.15 05.20 British Airways Istanbul 23.00 02.30 Turkish Airlines THURSDAY Destination Departure Arrival Company Moscow 09.35 12.15 Aeroflot Vienna 11.10 16.25 Georgian Airlines Athens 12.00 15.45 Georgian Airlines Moscow 12.40 15.05 Georgian Airlines Amsterdam 19.40 02.00 KLM Munich 21.10 02.55 Lufthansa Cologne/Bonn 22.15 05.05 Germania FRIDAY Destination Departure Arrival Company Moscow 09.35 12.15 Aeroflot Paris 11.10 17.50 Georgian Airlines Prague 12.00 17.30 Georgian Airlines Moscow 12.40 15.05 Georgian Airlines Kiev 19.25 22.40 Georgian Airlines London 21.15 05.20 -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Airline Tickets to Frankfurt
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Press, Radio and Television in the Federal Republic of Germany
DOCUMENT RESUME ED 353 617 CS 508 041 AUTHOR Hellack, Georg TITLE Press, Radio and Television in the Federal Republic of Germany. Sonderdienst Special Topic SO 11-1992. INSTITUTION Inter Nationes, Bonn (West Germany). PUB DATE 92 NOTE 52p.; Translated by Brangwyn Jones. PUB TYPE Reports Evaluative/Feasibility (142) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Developing Nations; Foreign Countries; Freedom of Speech; *Mass Media; *Mass Media Effects; *Mass Media Role; Media Research; Professional Training; Technological Advancement IDENTIFIERS *Germany; Historical Background; Journalists; Market Analysis; Media Government Relationship; Media Ownership; Third World; *West Germany ABSTRACT Citing statistics that show that its citizens are well catered for by the mass media, this paper answers questions concerning the media landscape in the Federal Republic of Germany. The paper discusses: (1) Structure and framework conditions of the German media (a historical review of the mass media since 1945); (2) Press (including its particular reliance on local news and the creation of the world status media group, Bertelsmann AG);(3) News agencies and public relations work (which insure a "never-ending stream" of information);(4) Radio and Television (with emphasis on the Federal Republic's surprisingly large number of radio stations--public, commercial, and "guest");(5) New communication paths and media (especially communication and broadcasting satellites and cable in wideband-channel networks);(6) The profession of journalist (which still relies on on-the-job training rather than university degrees); and (7) Help for the media in the Third World (professional training in Germany of journalists and technical experts from underdeveloped countries appears to be the most appropriate way to promote Third World media). -
Does Music Quality Matter for Audience Voters in a Music Contest
Ilmenau University of Technology Institute of Economics ________________________________________________________ Ilmenau Economics Discussion Papers, Vol. 25, No. 122 Does Music Quality Matter for Audience Voters in a Music Contest Oliver Budzinski, Marie Kohlschreiber, Björn A. Kuchinke & Julia Pannicke März 2019 Institute of Economics Ehrenbergstraße 29 Ernst-Abbe-Zentrum D-98 684 Ilmenau Phone 03677/69-4030/-4032 Fax 03677/69-4203 http://www.wirtschaft.tu-ilmenau.de ISSN 0949-3859 Does Music Quality Matter for Audience Voters in a Music Contest? Oliver Budzinski#, Marie Kohlschreiber+, Björn A. Kuchinke*, Julia Pannicke× Abstract: There are numerous studies analyzing factors of success in media-broadcasted artistic con- tests, especially music competitions. However, one factor that is generally neglected in the literature is the quality of the artistic performances (i.e. “music quality”). In this paper, we approach this re- search gap by developing two novel concepts of music quality and by employing unique measures during the empirical analysis of a popular German music television contest in order to analyze how different dimensions of the music and performance quality influences the final voting results. We use the complete historical voting dataset of the music contest from its inception in 2005 until its last broadcast in 2015, collecting 2,816 observations in total. First, we define dimensions of “objective quality” according to insights from musicological research/literature. Second, we conceptualize di- mensions of “subjective quality” because music preferences may be subjective and are not necessarily based on how experts’ define “good” music. We measure these subjective dimensions in an experi- mental setting with students from two German universities. -
Cologne Frankfurt: Opening of New, 175 Km Long Stretch of Trans European High Speed Railway Network
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REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Volvo to Be Delisted from Frankfurt, Düsseldorf and Hamburg Stock Exchange
AB Volvo Press Information Volvo to be delisted from Frankfurt, Düsseldorf and Hamburg stock exchange As announced earlier, Volvo has applied to be delisted from Frankfurt, Düsseldorf and Hamburg stock exchanges. This application has now been approved and the Volvo share will be delisted from Frankfurt and Düsseldorf stock exchanges on June 25, 2004 and from Hamburg stock exchange on September 30, 2004. In October 2003, Volvo announced that the Company’s Board had decided to apply to be delisted from Frankfurt, Düsseldorf and Hamburg stock exchanges. Volvo has been listed on the German exchanges in Frankfurt, Düsseldorf and Hamburg since 1974. This listing was a feature of the Board’s efforts to increase international ownership in Volvo. However, the deregulation of the international capital markets and the increased foreign ownership of shares on Stockholmsbörsen have meant that this special listing has outlived its usefulness. June 23, 2004 For further information, please contact Fredrik Brunell, Tel: +46 (0)31-66 11 91 The Volvo Group is one of the world’s leading manufacturers of trucks, buses and construction equipment, drive systems for marine and industrial applications, aerospace components and services. The Group also provides complete solutions for financing and service. The Volvo Group, which employs about 76,000 people, has production facilities in 25 countries and sells their products in more than 185 markets. Annual sales of the Volvo Group amount to 18 billion euro. The Volvo Group is a publicly-held company headquartered in Göteborg, Sweden. Volvo shares are listed on the stock exchanges in Stockholm, London and on NASDAQ in the US.