Eurovision Song Contest 2020 As a Catalyst for Urban Renewal
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The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
19.05.21 Notable Industry Recognition Awards List • ADC Advertising
19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Jaarverslag 2017
JAARVERSLAG 2017 POPPODIUM BAROEG SPINOZAWEG 300 3076 ET ROTTERDAM www.baroeg.nl Inhoudsopgave Hoofdstuk Pagina Inhoudsopgave 1 Inleiding en colofon 2 1. Toelichting op het prestatieraster en de kengetallen bezoek 3 1.1 Prestatieraster: aantal presentaties (en producties) 1.2 Kengetallen bezoek 2. Toelichting op de jaarrekening 4 2.1 Algemeen 2.2 Mogelijke financiële risico’s 3. Toelichting op de beleidsthema’s talentontwikkeling, samenwerking en vernieuwing 5 3.1 Talentontwikkeling 3.2 Samenwerking 3.3 Vernieuwing 4. Toelichting op het beleidsthema vergroting en verbreding van het publieksbereik 7 4.1 Jaarlijks instellingsbeleid publieksonderzoek 4.2 Jaarlijkse beleidsinformatie over het totale publieksbereik 5. Overig beleid 8 5.1 Baroeg XL 5.2 Vrienden van Baroeg 5.3 Kernpodium 5.4 Kernwaarden 5.5 Maatschappelijk Verantwoord Ondernemen 5.6 Erkend leerbedrijf 5.7 Veiligheid 6 Toelichting op bedrijfsvoering en marketing 10 6.1 Organisatie 6.2 Bestuur 6.3 Directie / Staf 6.4 Medewerkers Management Team (MMT) 6.5 Overlegstructuren 6.6 Marketing en Communicatie 7 Toelichting op governance 12 7.1 Besturingsmodel 7.2 Bezoldigingsbeleid en bezoldiging directie en leden bestuur 7.3 Rechtsgeldigheid Jaarrekening 7.4 Verslag 7.5 Accountant 7.6 Tegenstrijdige belangen 7.7 Nevenfuncties Bijlage 1: Prestatieraster 2017 14 Bijlage 2: Kengetallen bezoek 2017 JAARVERSLAG 2017 1 Inleiding Stichting Poppodium Baroeg speelt ruim 37 jaar een belangrijke rol in de culturele sector van Rotterdam. Poppodium Baroeg is met een capaciteit van 350 bezoekers een middelgroot podium met nationale en zelfs internationale uitstraling. Baroeg is uniek in Nederland met een structureel aanbod van harde en alternatieve muziek, de programmering richt zich op stijlen als rock, metal, hardcore, punk, psychobilly, electro en industrial. -
Graduação Em Letras – Linguagem E Identidade Curso De Mestrado Em Letras – Linguagem E Identidade
UNIVERSIDADE FEDERAL DO ACRE PRÓ-REITORIA DE PESQUISA E PÓS-GRADUAÇÃO PROGRAMA DE PÓS- GRADUAÇÃO EM LETRAS – LINGUAGEM E IDENTIDADE CURSO DE MESTRADO EM LETRAS – LINGUAGEM E IDENTIDADE TERESA DI SOMMA REPRESENTAÇÕES SOBRE RAÇA, GÊNERO E “DEFICIÊNCIA” NO FESTIVAL DA CANÇÃO ITALIANA DE SANREMO RIO BRANCO - ACRE 2019 TERESA DI SOMMA REPRESENTAÇÕES SOBRE RAÇA, GÊNERO E “DEFICIÊNCIA” NO FESTIVAL DA CANÇÃO ITALIANA DE SANREMO Dissertação apresentada ao programa de pós- graduação em Letras: Linguagem e Identidade da Universidade Federal do Acre, como requisito parcial para a obtenção do título de Mestre em Letras: Linguagem e Identidade. Área de concentração: Linguagem e Cultura. Linha de Pesquisa: Culturas, Narrativas e Identidades. Orientador: Prof. Dr. Miguel Nenevé RIO BRANCO - ACRE 2019 Ficha catalográfica elaborada pela Biblioteca Central da UFAC D536r Di Somma, Teresa, 1983 - Representações sobre raça, gênero e “deficiência” no festival da canção italiana de Sanremo / Teresa Di Somma; orientador: Prof. Dr. Miguel Nenevé. – 2019. 105p. f. : il. ; 30 cm. Dissertação (Mestrado) – Universidade Federal do Acre, Programa de Pós- Graduação em Letras: Linguagem e Identidade, Rio Branco, 2019. Inclui referências bibliográficas. 1. Sanremo – Festival da canção. 2. Festival da canção italiana. 3. “Deficiência”. I. Nenevé, Miguel (orientador). II. Título. CDD: 418 Bibliotecária: Irene de Lima Jorge CRB-11º/465 TERESA DI SOMMA REPRESENTAÇÕES SOBRE RAÇA, GÊNERO E “DEFICIÊNCIA” NO FESTIVAL DA CANÇÃO ITALIANA DE SANREMO Dissertação apresentada ao Programa de Pós-Graduação Stricto Sensu da Universidade Federal do Acre – UFAC, como pré-requisito para obtenção do grau de Mestre em Letras: Linguagem e Identidade. Aprovada em 29 de agosto de 2019. BANCA EXAMINADORA _________________________________________________ Prof. -
The Urban and Cultural Climate of Rotterdam Changed Radically Between 1970 and 2000. Opinions Differ About What the Most Importa
The urban and cultural climate of Rotterdam changed radically between 1970 and 2000. Opinions differ about what the most important changes were, and when they occurred. Imagine a Metropolis shows that it was first and foremost a new perspective on Rotterdam that stimulated the development of the city during this period. If the Rotterdam of 1970 was still a city with an identity crisis that wanted to be small rather than large and cosy rather than commercial, by 2000 Rotterdam had the image of the most metropolitan of all Dutch cities. Artists and other cultural practitioners – a group these days termed the ‘creative class’ – were the first to advance this metropolitan vision, thereby paving the way for the New Rotterdam that would begin to take concrete shape at the end of the 1980s. Imagine a Metropolis goes on to show that this New Rotterdam is returning to its nineteenth-century identity and the developments of the inter-war years and the period of post-war reconstruction. For Nina and Maria IMAGINE A METROPOLIS ROTTERDAM’S CREATIVE CLASS, 1970-2000 PATRICIA VAN ULZEN 010 Publishers, Rotterdam 2007 This publication was produced in association with Stichting Kunstpublicaties Rotterdam. On February 2, 2007, it was defended as a Ph.D. thesis at the Erasmus University, Rotterdam. The thesis supervisor was Prof. Dr. Marlite Halbertsma. The research and this book were both made possible by the generous support of the Faculty of History and Arts at the Erasmus University Rotterdam, G.Ph. Verhagen-Stichting, Stichting Kunstpublicaties Rotterdam, J.E. Jurriaanse Stichting, Prins Bernhard Cultuurfonds Zuid-Holland and the Netherlands Architecture Fund. -
A Review of Famous Songs of the Past 'Fascinating Facts' July 2020
A Review of Famous Songs of the Past ‘Fascinating Facts’ July 2020 Track 1 It’s Now Or Never A song recorded by Elvis Presley in 1960. The melody of the song is adapted from the Italian 'O Sole Mio", but the inspiration for it came from the song, "There's No Tomorrow" recorded by U.S. singer, Tony Martin, in 1949. In the late 1950s, while stationed in Germany with the U.S. Army, Presley heard Martin's recording. He told his music publisher about the song. He found songwriters, Schroeder and Gold, who wrote the lyrics in half an hour. Selling more than 20 million records, the song became number one in countries all around the world and was Presley's best selling single ever and it was written in half an hour! Elvis Aaron Presley (January 8, 1935 – August 16, 1977) was one of the most popular American singers of the 20th century. A cultural icon, he is commonly known by the single name Elvis. He is often referred to as the "King of Rock and Roll" or simply "the King". Born in Tupelo, Mississippi, Presley moved to Memphis, Tennessee, with his family at the age of 13. He began his career there in 1954, working with Sun Records owner Sam Phillips, who wanted to bring the sound of African American music to a wider audience. His energized interpretations of songs, many from African American sources, and his uninhibited performance style made him enormously popular—and controversial. In November 1956, he made his film debut in Love Me Tender. -
GUIDO VAN DER WERVE Born 1977, Papendrecht, the Netherlands Lives and Works in Hassi, Finland; Amsterdam, and Berlin
GUIDO VAN DER WERVE Born 1977, Papendrecht, The Netherlands Lives and works in Hassi, Finland; Amsterdam, and Berlin EDUCATION 2008, International Studio and Curatorial Program, New York, NY 2006, Rijksakademie van Beeldende Kunsten, Amsterdam, The Netherlands 2001–2003, University of Amsterdam, Russian language, culture, and literature, Amsterdam, The Netherlands 1998–2003, Gerrit Rietveld Academy, audiovisual arts, Amsterdam, The Netherlands 1997–1998, University of Amsterdam, classical archaeology, Amsterdam, The Netherlands 1996–1997, Delft University of Technology, industrial design, Delft, The Netherlands AWARDS 2013 Gouden Kalf, Best Short Film, Nederlands Film Festival, Utrecht, The Netherlands 2012 Charlotte Köhler Prijz, Prins Bernhard Cultuurfonds, Amsterdam, The Netherlands 2010 Future Generation Art Prize, shortlisted, Victor Pinchuk Foundation, Kiev, Ukraine Prix de Rome, nomination, Amsterdam, The Netherlands Prix International d’Art Contemporain, La Fondation Prince Pierre de Monaco, Monaco 2009 Grants to Artists Award, Foundation for Contemporary Arts, New York, NY 2008 Gouden Kalf, nomination for Best Short Film, Nederlands Film Festival, Utrecht, The Netherlands ISCP New York Residency Grant, Fund BKVB, The Netherlands 2007 Peter Paul Peterich Fonds, Prins Bernhard Cultuurfonds, Amsterdam, The Netherlands Volkskrant Beeldende Kunst Prijs, Amsterdam, The Netherlands 2006 Best Experimental Film, Kerry Film Festival, Blennerville, Ireland 2005 Prix de Rome, nomination, Amsterdam, The Netherlands 2004 Diamond Award, ZEBRA -
The Eurovision Song Contest 2020 Media Manual. Index
OPEN UP TO ROTTERDAM. MAKE IT HAPPEN. THE EUROVISION SONG CONTEST 2020 MEDIA MANUAL. INDEX. WELCOME. 3 TOURIST INFORMATION. 38 By mayor Ahmed Aboutaleb TRANSPORT TO ROTTERDAM. 49 ROTTERDAM. 4 TRANSPORT IN ROTTERDAM. 52 Host City ESC 2020 TRAVEL INFORMATION. 55 OPEN UP. 5 A perfect fit THE PROVINCE OF SOUTH HOLLAND. 57 OPEN UP TO CELEBRATE TOGETHER. 6 CONTACT - PRESS & MEDIA REQUESTS. 58 A FESTIVE CITY PROGRAM. 7 EUROVISION VILLAGE. 9 Euroclub. - Opening Ceremony. A CIRCULAR ESC2020. 10 ARTISTIC CITYDRESSING. 11 THE VENUE. 14 Rotterdam Ahoy. OPEN UP TO ROTTERDAM. 26 ESC Host City 2020. The brand story of rotterdam. DOUZE POINTS. ROTTERDAM. 29 12 must sees. THE CITY OF ROTTERDAM. 33 2 WELCOME. BY MAYOR AHMED ABOUTALEB. Rotterdam is a city with a special story and a vibrant energy. A city renowned for its international, liberal-minded character and its courage to do things differently. A home to people from all over the world. A place where unlimited ambitions become reality. And we will give everything we’ve got to make the Eurovision Song Contest 2020 a mind-blowing celebration. Our citizens and entrepreneurs are the best business cards of Rotterdam. First class venue Ahoy is eager to give all artists, their staff and press representatives a warm welcome and guarantees spectacular shows. Hospitality companies ensure that all delegations and visitors will feel at home. Hundreds of volunteers will proudly show the highlights and hidden treasures of Rotterdam and help our guests to find their way. As mayor of this unique city, I stand for an Eurovision Song Contest 2020 where everyone can celebrate freely and safely. -
As COVID Ebbs, Tourists Make Their Comeback to US Capital
Established 1961 13 Lifestyle Features Monday, May 17, 2021 Barbara Pravi, candidate from France with the song “Voila”, performs on stage during her sec- ond rehearsal for the Eurovision Song Contest 2021 at the Rotterdam Ahoy in the Netherlands Italian rock band Maneskin perform the song Zitti E Buoni on Russian-Tajik singer and songwriter Manizha sings on May 12, Daoi & Gagnamagnio from Iceland perform on stage with the on Saturday. — AFP photos Saturday. 2021. song “10 Years” on May 13, 2021. he kitschy glamour of Eurovision is On Saturday, organizers announced pants of the rules last week after photos singing “Je Me Casse” (French for “I’m back, with the Dutch hosting a that one of the members of the Polish del- and videos showed artists embracing jour- outta here”), has attracted attention - as Tscaled-down, coronavirus-safe ver- egation had tested positive for COVID-19 nalists, while Ukraine’s entrant tested neg- well as body-shaming trolls - for her bold sion this week after the song contest was and that the whole delegation - including ative after a scare. They also said they wardrobe choices, including a bubblegum- cancelled last year. Around 3,500 COVID- singer Rafal Brzozowski - has gone into expected “very few” fans would travel from pink fringed number. “This is a dream tested fans will be allowed to attend the quarantine. This means they will not be abroad due to Dutch travel restrictions come true and a testament that I am on May 22 final in Rotterdam as the return of able to perform live at Thursday’s second including a 10-day quarantine and PCR the right track and that hard work pays the pageant injects some glitz into semifinal when a recording of their last test requirement. -
Eurovision Song Contest
Eurovision Song Contest The Eurovision Song Contest is an annual competition held among active member countries of the European Broadcasting Union (EBU). Each member country submits a song to be performed on live television and then casts votes for the other countries' songs to determine the most popular song in the competition. Each country participates via one of their national EBU-member television stations, whose task it is to select a singer and a song to represent their country in the international competition. The Contest has been broadcast every year since its inauguration in 1956 and is one of the longest-running television programmes in the world. It is also one of the most-watched non-sporting events in the world, with audience figures having been quoted in recent years as anything between 100 million and 600 million internationally. Eurovision has also been broadcast outside Europe to such places as Argentina, Australia, Canada, China, Egypt, India, Japan, Jordan, Mexico, New Zealand, the Philippines, South Korea, Taiwan, Thailand and Uruguay despite the fact that they do not compete. Since the year 2000, the Contest has also been broadcast over the Internet. Origins In the 1950s, as a war-torn Europe rebuilt itself, the European Broadcasting Union (EBU)—based in Switzerland—set up a committee to search for ways of bringing together the countries of the EBU around a "light entertainment programme".At a committee meeting held in Monaco in January 1955, director general of Swiss television and committee chairman Marcel Bezençon conceived the idea of an international song contest where countries would participate in one television programme, to be transmitted simultaneously to all countries of the union. -
Rotterdam Festivals Jaarverslag 2020
Pleinbioscoop Rotterdam | Jan de Groen | Jan Rotterdam Pleinbioscoop ROTTERDAM FESTIVALS JAARVERSLAG 2020 INCLUDING ENGLISH SUMMARY INHOUDSOPGAVE WAAROM WE DOEN WAT WE DOEN WAAROM WE DOEN WAT WE DOEN 3 Bij Rotterdam Festivals willen we dat iedereen geniet van de festivals, VOORWOORD 5 kunst en cultuur van de stad. Wij geloven dat dit het leven mooier maakt en Samen komen we door de crisis Rotterdammers dichter bij elkaar brengt. FESTIVALS 6 Elk jaar maken wij de meest interessante evenementenkalender van het • Er meer dan ooit voor de sector zijn 6 land, waarin voor iedereen iets te doen is en waardoor je voelt: ja, dít is • Themaperiodes versterken 8 Rotterdam. Ook doen we onderzoek naar de wensen van ons publiek en • Verrassen en vernieuwen met coronaproof festivals 13 zorgen we ervoor dat zo veel mogelijk verschillende mensen weten wat er CULTUURPARTICIPATIE 21 op cultureel gebied in de stad te beleven is. Afgelopen jaar ging dit allemaal • Cultuuraanbod presenteren en promoten 21 anders dan gepland. Veel kon vanwege de coronacrisis niet doorgaan, maar • Onderzoek doen en kennis delen 23 wij hebben gekeken naar wat er wél kon en vormden meer dan ooit een steunpilaar voor de sector. BEDRIJFSVOERING 28 VERSLAG RAAD VAN TOEZICHT 29 Samen maken we Rotterdam mooier en sterker, óók in tijden van corona. Met elkaar. Voor iedereen. ENGLISH SUMMARY 30 BIJLAGEN 32 • Bijdrage festivals 32 • Leden en profiel raad van toezicht 33 COLOFON 35 xx Sinfonia Maritiem Concert Maritiem | Fleur Beerthuis Sinfonia 2 Rotterdam Festivals - Jaarverslag 2020 3 VOORWOORD SAMEN KOMEN WE DOOR DE CRISIS Voordat ik naar 2020 ga, wil ik terug naar de kerstva- Met veel doorzettingsvermogen, creativiteit en maat- kantie van 2019.