DOCSLIB.ORG

Terra Et Aqua

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Terra Et Aqua Number 148 | September 2017 POLLUTED HARBOUR MAKES A COMEBACK extracting three decades of toxic build-up POLYMERS BOOST TREATMENT EFFORTS using aggregates to upgrade sediment quality PORTS PREPARE FOR MEGA-VESSELS new software assesses required channel depth INNOVATIONS INCREASE SAFETY AWARENESS award aims to highlight industry initiatives ET Maritime Solutions for a Changing WorldTERRA AQUA TERRA ET Editor AQUA Lauren Grieco Guidelines for Authors Editorial Advisory Committee Terra et Aqua is a quarterly publication of the International Association of Dredging Companies, Robert de Bruin, Chair emphasising “maritime solutions for a changing world”. It covers the fields of civil, hydraulic René Kolman and mechanical engineering including the technical, economic and environmental aspects Heleen Schellinck of dredging. Developments in the state of the art of the industry and other topics from the Arno Schikker industry with actual news value will be highlighted. Vicky Cosemans • As Terra et Aqua is an English language journal, articles must be submitted in English. IADC Board of Directors • Contributions will be considered primarily from authors who represent the various disciplines F. A. Verhoeven, President of the dredging industry or professions, which are associated with dredging. A. Togo, Vice President • Students and young professionals are encouraged to submit articles based on their research. E. Verbraecken, Treasurer • Articles should be approximately 10-12 A4s (4000 to 6000 words). Photographs, graphics Th. Baartmans and illustrations are encouraged. High quality, original photographs are acceptable. Digital P. Catteau photographs should be of the highest resolution (300 dpi and at least 1 Mb, preferably M. Fordeyn more). N. Haworth • Articles should be original and should not have appeared in other magazines or publications. P. Verheul An exception is made for the proceedings of conferences which have a limited reading public. • In the case of articles that have previously appeared in conference proceedings, permission IADC Secretariat to reprint in Terra et Aqua will be requested by the editor. René Kolman, Secretary General Alexanderveld 84 • Authors are requested to provide in the “Introduction” an insight into the economic, 2585 DB The Hague social and/or environmental drivers behind the dredging project to the editor. • An emphasis is placed on articles which highlight innovative techniques and applications. Mailing address: • By submitting an article, authors grant the IADC permission to publish said article in both P.O. Box 80521 the printed and digital versions of Terra et Aqua without limitations and remuneration. 2508 GM The Hague • Authors are requested to provide extra material such as additional photos, links to reports The Netherlands from which articles have been excerpted or short videos. • In case the author does not agree, please inform IADC ([email protected]). T +31 (0)70 352 3334 • All articles will be reviewed by the Editorial Advisory Committee (EAC). Publication of an E [email protected] article is subject to approval by the EAC and no article will be published without approval I www.iadc-dredging.com of the EAC. I www.terra-et-aqua.com www.facebook.com/IADCDredging bit.ly/1Ue2SpH For more information or to subscribe free of charge, twitter.com/iadcdredging visit our website at www.terra-et-aqua.com. Please address enquiries to the editor. E [email protected] Articles in Terra et Aqua do not necessarily reflect the opinion of the IADC Board or of individual members. COVER An overview of an improved modelling methodology is validated with recent channel optimisation studies demonstrating its successful application for Australia’s Port of Brisbane on page 17. Photo Peter Budd Photography, courtesy of Port of Brisbane Contents 3 CONTENTS EDITORIAL 4 RANDLE REEF SEDIMENT REMEDIATION: 5 CURRENT STATUS OF CONSTRUCTION AND NEXT STEPS R. SANTIAGO, R. JOYNER, E. HARTMAN, M. GRAHAM AND K. KIM Randle Reef at Hamilton Harbour, an Area of Concern (AOC), is the largest site in Canada contaminated with Polycyclic Aromatic Hydrocarbons (PAHs). A collaboration of municipal and federal entities is working on remediation measures. PROVEN BENEFITS OF POLYMER USE IN THE TREATMENT 10 OF SEDIMENTS IN DREDGING PROJECTS A. BOISSON AND F. COUTURIER To show the success of polymer use in highly contaminated areas, two recent projects are presented: at Port-La-Forêt harbour in La Forêt-Fouesnant, France and at the Kishon River seven kilometres downstream from Haifa, Israel. AN IMPROVED INTEGRATED APPROACH FOR OPTIMISING 17 SHIPPING CHANNEL CAPACITY FOR AUSTRALIAN PORTS S. MORTENSEN, B. JENSEN, A. HARKIN, M. TREE, T. WOMERSLEY AND R. NAVE The continuing surge in vessel sizes is putting increased pressure on port authorities worldwide. Experts recount the implementation of innovative modelling for maintaining channel depths at the ports of Brisbane and Geelong, Australia. 13 NOMINATIONS IN THE RUNNING FOR IADC'S SAFETY AWARD 2017 25 Van der Meer Safety is the number one priority during dredging operations and IADC’s Safety Award Modern design of berm breakwaters began about thirty years ago. However, to date, there Sigurdarson Advanced Series on Ocean Engineering — Volume ？？ has been a lack of a well-established, formal design methodology on berm breakwaters. The authors Dr Jentsje van der Meer and Sigurdur Sigurdarson combine over 40 years of aims to promote awareness through innovation. Thirteen nominations are in the running collective experience working with breakwaters to put forwarded a design framework in Design and Construction of Berm Breakwaters; covering the science and design practices of berm breakwater structures. The original design consisted of mass armoured berms to receive the 2017 Award. that reshaped into statically stable S-shaped slopes. The design was adopted in Iceland DESIGN AND and eventually led to a development with more stable structures by using available rock sizes, large rock, and more rock gradings than just “small rock (core)” and “large rock DESIGN AND CONSTRUCTION (berm)”. This more stable and only partly reshaping structure is called the Icelandic-type CONSTRUCTION OF berm breakwater. OF BERM BREAKWATERS Written for researchers and practitioners, the volume consists of chapters on geometrical designs of the berm breakwater cross-section, including berm reshaping and wave BERM BREAKWATERS overtopping, quarry and project management, as well as blasting and sorting techniques, designs for various wave conditions and available rock classes, and case studies of already constructed berm breakwaters. About the Authors BOOKS/PERIODICALS REVIEWED 32 Dr Jentsje van der Meer is a well-known expert in appraisal, design, and testing of breakwaters and coastal structures; including levees, dikes, embankments, seawalls, breakwaters, groynes, revetments, shingle beaches and river dikes. His work on rubble mound structures has been included in all manuals all over the world. He has worked at Delft Hydraulics, now Deltares, a well-known institute on specialised consulting and research of Design and Construction of Berm Breakwaters fuses scientific knowledge water related issues, for 16 years. For ten years he had a position at Infram International, a private consultant for infrastructure appraisal and management, where he exploited his accrued during 30 projects around the world, while a new report from PIANC experience in specialized consultancy and research. In 2007 he started his own company, Van der Meer Consulting BV, on Coastal Engineering Consultancy & Research. In 2014, he became a part time professor of Coastal Structures and Ports at UNESCO-IHE, Delft, The facilitates the selection of breakwater types and safety features by designers. Netherlands, with also a 0-fte position at Delft University of Technology. Sigurdur Sigurdarson has over 30 years of experience as a coastal and harbour engineer, both in Iceland, as well as internationally, working on breakwater projects in four continents. His main emphasis has been on coastal structures, including breakwaters, revetments and groynes. He has been involved in all aspects from planning of structures, establishment of environmental load and design criteria, design, model testing and armourstone quarry evaluation, through to tendering, construction management, supervision of construction and quarrying, as well as performance monitoring. Through a number of breakwater Jentsje van der Meer Meer projects, he has developed and introduced the Icelandic-type berm breakwater. Sigurdarson Sigurdarson established the IceBreak Consulting Engineers, which specialises in breakwaters and armourstone quarrying, in 2010. Sigurdur Sigurdarson SEMINARS/CONFERENCES/EVENTS 34 World Scientific ISBN 978-981-4749-60-2 www.worldscientific.com World Scientific 9936 hc ISSN 1793-074X Attend the first annual Dredging Today Conference, IADC’s Seminar on Dredging and Reclamation in October and the biennial CEDA Dredging Days in November. 4 Terra et Aqua | Number 148 | September 2017 EDITORIAL Terra et Aqua’s third edition of 2017 spotlights four unsinkable issues facing today’s dredging industry: contaminated site remediation, sediment treatment, port channel optimisation and workplace safety. Whether engaged in the activities of environmental entities or port authorities, professionals confront these challenges daily. Straddling the boundary between Canada and the United States, Lake Ontario is the most eastern of the Great Lakes and is filled with water
Load more

Recommended publications
  • Jaarverslag 2017
    JAARVERSLAG 2017 POPPODIUM BAROEG SPINOZAWEG 300 3076 ET ROTTERDAM www.baroeg.nl Inhoudsopgave Hoofdstuk Pagina Inhoudsopgave 1 Inleiding en colofon 2 1. Toelichting op het prestatieraster en de kengetallen bezoek 3 1.1 Prestatieraster: aantal presentaties (en producties) 1.2 Kengetallen bezoek 2. Toelichting op de jaarrekening 4 2.1 Algemeen 2.2 Mogelijke financiële risico’s 3. Toelichting op de beleidsthema’s talentontwikkeling, samenwerking en vernieuwing 5 3.1 Talentontwikkeling 3.2 Samenwerking 3.3 Vernieuwing 4. Toelichting op het beleidsthema vergroting en verbreding van het publieksbereik 7 4.1 Jaarlijks instellingsbeleid publieksonderzoek 4.2 Jaarlijkse beleidsinformatie over het totale publieksbereik 5. Overig beleid 8 5.1 Baroeg XL 5.2 Vrienden van Baroeg 5.3 Kernpodium 5.4 Kernwaarden 5.5 Maatschappelijk Verantwoord Ondernemen 5.6 Erkend leerbedrijf 5.7 Veiligheid 6 Toelichting op bedrijfsvoering en marketing 10 6.1 Organisatie 6.2 Bestuur 6.3 Directie / Staf 6.4 Medewerkers Management Team (MMT) 6.5 Overlegstructuren 6.6 Marketing en Communicatie 7 Toelichting op governance 12 7.1 Besturingsmodel 7.2 Bezoldigingsbeleid en bezoldiging directie en leden bestuur 7.3 Rechtsgeldigheid Jaarrekening 7.4 Verslag 7.5 Accountant 7.6 Tegenstrijdige belangen 7.7 Nevenfuncties Bijlage 1: Prestatieraster 2017 14 Bijlage 2: Kengetallen bezoek 2017 JAARVERSLAG 2017 1 Inleiding Stichting Poppodium Baroeg speelt ruim 37 jaar een belangrijke rol in de culturele sector van Rotterdam. Poppodium Baroeg is met een capaciteit van 350 bezoekers een middelgroot podium met nationale en zelfs internationale uitstraling. Baroeg is uniek in Nederland met een structureel aanbod van harde en alternatieve muziek, de programmering richt zich op stijlen als rock, metal, hardcore, punk, psychobilly, electro en industrial.
    [Show full text]
  • The Urban and Cultural Climate of Rotterdam Changed Radically Between 1970 and 2000. Opinions Differ About What the Most Importa
    The urban and cultural climate of Rotterdam changed radically between 1970 and 2000. Opinions differ about what the most important changes were, and when they occurred. Imagine a Metropolis shows that it was first and foremost a new perspective on Rotterdam that stimulated the development of the city during this period. If the Rotterdam of 1970 was still a city with an identity crisis that wanted to be small rather than large and cosy rather than commercial, by 2000 Rotterdam had the image of the most metropolitan of all Dutch cities. Artists and other cultural practitioners – a group these days termed the ‘creative class’ – were the first to advance this metropolitan vision, thereby paving the way for the New Rotterdam that would begin to take concrete shape at the end of the 1980s. Imagine a Metropolis goes on to show that this New Rotterdam is returning to its nineteenth-century identity and the developments of the inter-war years and the period of post-war reconstruction. For Nina and Maria IMAGINE A METROPOLIS ROTTERDAM’S CREATIVE CLASS, 1970-2000 PATRICIA VAN ULZEN 010 Publishers, Rotterdam 2007 This publication was produced in association with Stichting Kunstpublicaties Rotterdam. On February 2, 2007, it was defended as a Ph.D. thesis at the Erasmus University, Rotterdam. The thesis supervisor was Prof. Dr. Marlite Halbertsma. The research and this book were both made possible by the generous support of the Faculty of History and Arts at the Erasmus University Rotterdam, G.Ph. Verhagen-Stichting, Stichting Kunstpublicaties Rotterdam, J.E. Jurriaanse Stichting, Prins Bernhard Cultuurfonds Zuid-Holland and the Netherlands Architecture Fund.
    [Show full text]
  • GUIDO VAN DER WERVE Born 1977, Papendrecht, the Netherlands Lives and Works in Hassi, Finland; Amsterdam, and Berlin
    GUIDO VAN DER WERVE Born 1977, Papendrecht, The Netherlands Lives and works in Hassi, Finland; Amsterdam, and Berlin EDUCATION 2008, International Studio and Curatorial Program, New York, NY 2006, Rijksakademie van Beeldende Kunsten, Amsterdam, The Netherlands 2001–2003, University of Amsterdam, Russian language, culture, and literature, Amsterdam, The Netherlands 1998–2003, Gerrit Rietveld Academy, audiovisual arts, Amsterdam, The Netherlands 1997–1998, University of Amsterdam, classical archaeology, Amsterdam, The Netherlands 1996–1997, Delft University of Technology, industrial design, Delft, The Netherlands AWARDS 2013 Gouden Kalf, Best Short Film, Nederlands Film Festival, Utrecht, The Netherlands 2012 Charlotte Köhler Prijz, Prins Bernhard Cultuurfonds, Amsterdam, The Netherlands 2010 Future Generation Art Prize, shortlisted, Victor Pinchuk Foundation, Kiev, Ukraine Prix de Rome, nomination, Amsterdam, The Netherlands Prix International d’Art Contemporain, La Fondation Prince Pierre de Monaco, Monaco 2009 Grants to Artists Award, Foundation for Contemporary Arts, New York, NY 2008 Gouden Kalf, nomination for Best Short Film, Nederlands Film Festival, Utrecht, The Netherlands ISCP New York Residency Grant, Fund BKVB, The Netherlands 2007 Peter Paul Peterich Fonds, Prins Bernhard Cultuurfonds, Amsterdam, The Netherlands Volkskrant Beeldende Kunst Prijs, Amsterdam, The Netherlands 2006 Best Experimental Film, Kerry Film Festival, Blennerville, Ireland 2005 Prix de Rome, nomination, Amsterdam, The Netherlands 2004 Diamond Award, ZEBRA
    [Show full text]
  • Eurovision Song Contest 2020 As a Catalyst for Urban Renewal
    Eurovision Song Contest 2020 as a catalyst for urban renewal A research about short-term cultural events to increase positive impacts for the city and local communities Fleur Huisman | Master thesis | July 2020 | Delft University of Technology1 II “It always seems impossible until it’s done” - Nelson Mandela III Colophon Eurovision Song Contest 2020 as a catalyst for urban renewal A research about the strategy design of short-term cultural events to increase positive impacts for the city and local communities Student Name: Fleur Huisman Studentnumber: 4787277 E-mail adress: [email protected] Phone number: Education University: Delft University of Technology Faculty: Architecture and the Built Environment Adress: Julianalaan 134, 2628 SL, Delft Master track: Management in the Built Environment Graduation lab: Urban Development Management (UDM) Document: P5 report Date: 9 July 2020 Supervisory team First mentor: Dr. A. (Aksel) Ersoy Second mentor: Drs. P.W. (Philip) Koppels Delegate of the board: Dr.ir. W.W.L.M. (Willemijn) Wilms Floet IV Preface at the faculty of Architecture and the Built Environment at Delft University of Technology of the faculty. This thesis I knew how important it is to choose a subject that has your interest and motivates you to work on it for almost a whole year. In September 2019 I was one hundred percent sure this topic would have something Therefore, my choice to graduate in the direction of Urban Development Management (UDM) was quickly made. think I must have had three potential subjects before I found the right one. All potential topics had something mentioned the Eurovision Song Contest that would take place in Rotterdam later that year.
    [Show full text]
  • The Eurovision Song Contest 2020 Media Manual. Index
    OPEN UP TO ROTTERDAM. MAKE IT HAPPEN. THE EUROVISION SONG CONTEST 2020 MEDIA MANUAL. INDEX. WELCOME. 3 TOURIST INFORMATION. 38 By mayor Ahmed Aboutaleb TRANSPORT TO ROTTERDAM. 49 ROTTERDAM. 4 TRANSPORT IN ROTTERDAM. 52 Host City ESC 2020 TRAVEL INFORMATION. 55 OPEN UP. 5 A perfect fit THE PROVINCE OF SOUTH HOLLAND. 57 OPEN UP TO CELEBRATE TOGETHER. 6 CONTACT - PRESS & MEDIA REQUESTS. 58 A FESTIVE CITY PROGRAM. 7 EUROVISION VILLAGE. 9 Euroclub. - Opening Ceremony. A CIRCULAR ESC2020. 10 ARTISTIC CITYDRESSING. 11 THE VENUE. 14 Rotterdam Ahoy. OPEN UP TO ROTTERDAM. 26 ESC Host City 2020. The brand story of rotterdam. DOUZE POINTS. ROTTERDAM. 29 12 must sees. THE CITY OF ROTTERDAM. 33 2 WELCOME. BY MAYOR AHMED ABOUTALEB. Rotterdam is a city with a special story and a vibrant energy. A city renowned for its international, liberal-minded character and its courage to do things differently. A home to people from all over the world. A place where unlimited ambitions become reality. And we will give everything we’ve got to make the Eurovision Song Contest 2020 a mind-blowing celebration. Our citizens and entrepreneurs are the best business cards of Rotterdam. First class venue Ahoy is eager to give all artists, their staff and press representatives a warm welcome and guarantees spectacular shows. Hospitality companies ensure that all delegations and visitors will feel at home. Hundreds of volunteers will proudly show the highlights and hidden treasures of Rotterdam and help our guests to find their way. As mayor of this unique city, I stand for an Eurovision Song Contest 2020 where everyone can celebrate freely and safely.
    [Show full text]
  • As COVID Ebbs, Tourists Make Their Comeback to US Capital
    Established 1961 13 Lifestyle Features Monday, May 17, 2021 Barbara Pravi, candidate from France with the song “Voila”, performs on stage during her sec- ond rehearsal for the Eurovision Song Contest 2021 at the Rotterdam Ahoy in the Netherlands Italian rock band Maneskin perform the song Zitti E Buoni on Russian-Tajik singer and songwriter Manizha sings on May 12, Daoi & Gagnamagnio from Iceland perform on stage with the on Saturday. — AFP photos Saturday. 2021. song “10 Years” on May 13, 2021. he kitschy glamour of Eurovision is On Saturday, organizers announced pants of the rules last week after photos singing “Je Me Casse” (French for “I’m back, with the Dutch hosting a that one of the members of the Polish del- and videos showed artists embracing jour- outta here”), has attracted attention - as Tscaled-down, coronavirus-safe ver- egation had tested positive for COVID-19 nalists, while Ukraine’s entrant tested neg- well as body-shaming trolls - for her bold sion this week after the song contest was and that the whole delegation - including ative after a scare. They also said they wardrobe choices, including a bubblegum- cancelled last year. Around 3,500 COVID- singer Rafal Brzozowski - has gone into expected “very few” fans would travel from pink fringed number. “This is a dream tested fans will be allowed to attend the quarantine. This means they will not be abroad due to Dutch travel restrictions come true and a testament that I am on May 22 final in Rotterdam as the return of able to perform live at Thursday’s second including a 10-day quarantine and PCR the right track and that hard work pays the pageant injects some glitz into semifinal when a recording of their last test requirement.
    [Show full text]
  • Rotterdam Festivals Jaarverslag 2020
    Pleinbioscoop Rotterdam | Jan de Groen | Jan Rotterdam Pleinbioscoop ROTTERDAM FESTIVALS JAARVERSLAG 2020 INCLUDING ENGLISH SUMMARY INHOUDSOPGAVE WAAROM WE DOEN WAT WE DOEN WAAROM WE DOEN WAT WE DOEN 3 Bij Rotterdam Festivals willen we dat iedereen geniet van de festivals, VOORWOORD 5 kunst en cultuur van de stad. Wij geloven dat dit het leven mooier maakt en Samen komen we door de crisis Rotterdammers dichter bij elkaar brengt. FESTIVALS 6 Elk jaar maken wij de meest interessante evenementenkalender van het • Er meer dan ooit voor de sector zijn 6 land, waarin voor iedereen iets te doen is en waardoor je voelt: ja, dít is • Themaperiodes versterken 8 Rotterdam. Ook doen we onderzoek naar de wensen van ons publiek en • Verrassen en vernieuwen met coronaproof festivals 13 zorgen we ervoor dat zo veel mogelijk verschillende mensen weten wat er CULTUURPARTICIPATIE 21 op cultureel gebied in de stad te beleven is. Afgelopen jaar ging dit allemaal • Cultuuraanbod presenteren en promoten 21 anders dan gepland. Veel kon vanwege de coronacrisis niet doorgaan, maar • Onderzoek doen en kennis delen 23 wij hebben gekeken naar wat er wél kon en vormden meer dan ooit een steunpilaar voor de sector. BEDRIJFSVOERING 28 VERSLAG RAAD VAN TOEZICHT 29 Samen maken we Rotterdam mooier en sterker, óók in tijden van corona. Met elkaar. Voor iedereen. ENGLISH SUMMARY 30 BIJLAGEN 32 • Bijdrage festivals 32 • Leden en profiel raad van toezicht 33 COLOFON 35 xx Sinfonia Maritiem Concert Maritiem | Fleur Beerthuis Sinfonia 2 Rotterdam Festivals - Jaarverslag 2020 3 VOORWOORD SAMEN KOMEN WE DOOR DE CRISIS Voordat ik naar 2020 ga, wil ik terug naar de kerstva- Met veel doorzettingsvermogen, creativiteit en maat- kantie van 2019.
    [Show full text]
  • Jaarverslag 2018
    JAARVERSLAG 2018 POPPODIUM BAROEG SPINOZAWEG 300 3076 ET ROTTERDAM www.baroeg.nl Inhoudsopgave Hoofdstuk Pagina Inhoudsopgave 1 Inleiding en colofon 2 1. Toelichting op het prestatieraster en de kengetallen bezoek 3 1.1 Prestatieraster: aantal presentaties (en producties) 1.2 Kengetallen bezoek 2. Toelichting op de jaarrekening 4 2.1 Algemeen 2.2 Mogelijke financiële risico’s 3. Toelichting op de beleidsthema’s talentontwikkeling, samenwerking en vernieuwing 5 3.1 Talentontwikkeling 3.2 Samenwerking 3.3 Vernieuwing 4. Toelichting op het beleidsthema vergroting en verbreding van het publieksbereik 7 4.1 Jaarlijks instellingsbeleid publieksonderzoek 4.2 Jaarlijkse beleidsinformatie over het totale publieksbereik 5. Overig beleid 8 5.1 Baroeg XL 5.2 Vrienden van Baroeg 5.3 Kernpodium 5.4 Kernwaarden 5.5 Maatschappelijk Verantwoord Ondernemen 5.6 Erkend leerbedrijf 5.7 Veiligheid 6 Toelichting op bedrijfsvoering en marketing 10 6.1 Organisatie 6.2 Bestuur 6.3 Directie / Staf 6.4 Medewerkers Management Team (MMT) 6.5 Vrijwilligers 6.6 Overlegstructuren 6.7 Marketing en Communicatie 7 Toelichting op governance 12 7.1 Besturingsmodel 7.2 Bezoldigingsbeleid en bezoldiging directie en leden bestuur 7.3 Rechtsgeldigheid Jaarrekening 7.4 Verslag 7.5 Accountant 7.6 Tegenstrijdige belangen 7.7 Nevenfuncties Bijlage 1: Prestatieraster 2018 14 Bijlage 2: Kengetallen bezoek 2018 JAARVERSLAG 2018 1 Inleiding Binnen de Nederlandse popsector is poppodium Baroeg (hierna te noemen Baroeg) een middelgroot podium met een capaciteit van 350 betalende zoekers. Ondanks deze beperkte capaciteit heeft het podium nationale en zelfs internationale uitstraling opgebouwd en krijgt het daar ook steeds meer erkenning voor. Baroeg is uniek in Nederland doordat het podium een structureel aanbod biedt binnen de harde en alternatieve popmuziek.
    [Show full text]
  • Addressing COVID-19 Requirements for Re-Opening Business Events
    GOOD PRACTICE GUIDANCE MARCH 2021 Addressing COVID-19 Requirements for Re-Opening Business Events VERSION 3 This guidance prepared by the International Association of Convention Centres (AIPC), the International Congress and Convention Association (ICCA) and the Global Association of the Exhibition Industry (UFI) aims to help convention and exhibition centres, event and congress organizers and meeting destinations prepare for a smooth, safe reopening of business following the initial outbreak of COVID-19. Introduction | 2 6 | GOOD PRACTICE: Implementing Crowd Control | 70 A Letter from the Presidents: How to Use This Guide | 4 7 | GOOD PRACTICE: Encouraging and Enforcing Measures | 72 We are entering a new phase of the pandemic and in parallel, we are entering into the true 1 | GOOD PRACTICE: Framework | 5 7.1 Displaying Measures and Cleaning Regimes | 72 next normal for organized events. 1.1 Reopening for Business COVID-19 Risk Management Framework | 5 7.2 Legal Framework Defining Duties and Responsibilities | 72 All of us, in our role of Presidents of global associations, see a very splintered market landscape, 1.2 COVID-19 Risk Management Framework Application | 8 7.3 Communication with Local Authorities | 72 whereby some fully embrace the changes which have come with the pandemic and other are 7.4 Medical Service Points | 74 2 | GOOD PRACTICE: Case Studies | Reopening Experiences | 11 still hoping a reality we knew not that long ago will come back – at least partially. However, in 7.5 Training on COVID-19 Prevention | 74 2.1 Embracing the Hybrid Business Model | 12 both cases, our members will need to be extremely agile in order to deal with the continuous 2.2 Extending the Hybrid Business Model | 14 7.6 Manage On-Site Concerns and Questions | 74 change in an efficient and effective way.
    [Show full text]
  • KISS Bootlegs
    Sten1972's KISS Live Recordings (updated 131209) DVD CD MP3 Audio NCB rating Comment Pre Album Shows 1973 6 16 Amityville, The Daisy X 1973 12 21 New York, Coventry X 1,5 tracks is filmed 1973 12 22 New York, Coventry X 4 Released on DVD 1973 12 31 New York, Academy Of Music X 2 Remastered version, missing a few seconds of "Deuce" "Kiss" Tour 1974 2 17 Long Beach, Civic Auditorium X 3 7- KISS Vision Remaster, not with original audio 1974 2 21 Los Angeles, Aquarius Theater X 5 Released on DVD The ABC In Concert, broadcasted 740329. Best version on Kissology 1974 3 25 Washington, Bayou Theater X 4 The 10.30 PM show. 2nd or 3rd gen upgrade (Tolvis) 1974 4 7 Detroit, Michigan Palace X 5 FM broadcast Master upgrade 1974 4 18 Memphis, La Fayette Music Hall X 4 FM broadcast Good recording but a lot of wobble. From silver CD + speed corrected 1974 4 29 Philadelphia, KYW-TV Studios X 5 Released on DVD The Mike Douglas show 1974 5 31 Long Beach, Civic Auditorium X X 4 FM broadcast My CD-version (vinyl transfer from 2010) doesn't include "Baby Let Me Go" 1974 7 16 Baton Rouge, Independence Hall X 4 Master upgrade 1974 8 4 South Bend, Morris Civic Auditorium X 3 Master upgrade, re-pitched "Hotter Than Hell" Tour 1974 10 18 Hammond, The Parthenon Theatre X 4 1974 10 21 East Lansing, The Brewery X 5 1974 10 25 Passaic, Capitol Theatre X PRO-shot This was filmed in B&W according to the owner of the club 1975 1 10 Portland, Paramount Theater X PRO-shot 1975 1 31 San Francisco, Winterland Ballroom X 5 10- Released on DVD Dodo's Upgrade from august 2006, better than the official release "Dressed To Kill" Tour 1975 3 21 New York, Beacon Theater X 2 Fasterpdiddy's cassette transfer from 2011, the 7.30 PM show 1975 3 24 Portland, Paramount Theater X PRO-shot 1975 4 1 California, NBC Studios X X 5 TV broadcast NBC Midnight Special 1975 4 19 Palatine, Fremd High School Gymnasium X 2 Tolvis version.
    [Show full text]
  • Besluit B/C-Evenementenoverzicht 2017
    Nr. 178003 16 december GEMEENTEBLAD 2016 Officiële uitgave van gemeente Rotterdam. Besluit B/C-evenementenoverzicht 2017 Het college van burgemeester en wethouders, gelezen het voorstel van de directeur Veiligheid en directeur MO van 6 december 2016; (16MO11028); gelet op de Gemeentewet en hoofdstuk 2, afdeling 7, van de APV Rotterdam 2012; overwegende dat: – Evenementen bijdragen aan een levendige en aantrekkelijke stad. – Het Rotterdamse evenementenbeleid, zoals vastgelegd in de nota Dieper in de Stad, Verder in de Wereld, gericht is op een karakteristiek en onderscheidend evenementenaanbod dat zoveel mo- gelijk Rotterdammers bereikt, de identiteit van de stad tot uitdrukking brengt, bezoekers naar de stad trekt en de internationale uitstraling van de stad versterkt. In deze nota zijn tevens de voor Rotterdam karakteristieke prioriteitsthema’s benoemd die worden gehanteerd bij het samenstellen van het evenementenaanbod: Maritieme stad, Architectuurstad, Multiculturele stad, Jonge stad, Internationale Cultuurstad en Internationale Sportstad. – Rotterdam zeer in trek is bij organisatoren en het evenementenaanbod groot is. – Het college ieder jaar een evenementenoverzicht met B- en C- evenementen die in een kalenderjaar plaatsvinden vaststelt. – Dit bijdraagt aan een goede spreiding van evenementen en het inzichtelijk maken van de hoeveel- heid evenementen, de locaties, beschikbare capaciteit van (hulp)diensten, data en tijdstippen van de evenementen. Een plek op het evenementenoverzicht voor de B- en C- categorie evenementen een voorwaarde is om in aanmerking te kunnen komen voor een evenementenvergunning. – Stichting Rotterdam Festivals – en Stichting Rotterdam Topsport voor sportevenementen - verant- woordelijk is voor de inhoudelijke beoordeling en de advisering aan het college van ingediende voorstellen voor evenementen aan de hand van de criteria: ∘ Aansluiting evenementenbeleid: De stad ∘ Inhoudelijke beoordeling evenement.
    [Show full text]
  • Health & Safety COVID-19 Protocol
    Health & Safety COVID-19 Protocol As accredited individual, openup to make sure you have read and understood this Protocol and agree with its staying healthy contents. 26 February 2021 — v1 voetbal Eurovision Song Contest — Rotterdam 2021 Health & Safety COVID-19 Protocol disclaimer more information This protocol is based on the Health & Safety Plan Eurovision Dutch government website Song Contest 2021. While this protocol has been drafted with https://government.nl great care, the organisers cannot be held responsible for any losses, injuries, damages or costs incurred resulting from Dutch government COVID-19 guidelines & regulations incompleteness or incorrectness of this protocol. The https://www.government.nl/topics/coronavirus-covid-19 organisers reserve the right to make amendments to this protocol at any time. Dutch government travel guidelines https://www.netherlandsworldwide.nl © NPO/NOS/AVROTROS/EBU 2020-2021. All rights reserved. National Institute for Public Health and the Environment (RIVM) https://rivm.nl Official coronavirus dashboard (daily) who this handbook is for https://coronadashboard.government.nl Official ESC websites https://eurovision.tv (English) A Officials https://songfestival.nl (Dutch) S Staff, crew and volunteers City of Rotterdam https://www.rotterdam.nl https://www.openuptorotterdam.eu D Delegates (incl. participants) Ahoy P Press https://ahoy.nl WHO list of COVID-19 symptoms https://www.who.int/health-topics/coronavirus#tab=tab_3 2 Eurovision Song Contest — Rotterdam 2021 Health & Safety COVID-19 Protocol table of contents Introduction 4 Our 4 scenarios 5 Governance and enforcement 6 01 Basic principles 7 02 Testing and tracing 11 03 Sanitation 17 04 Traveling to Rotterdam 19 05 People 22 06 Accommodation 30 07 Getting from A to B 34 08 Side Events 37 Annexes 39 3 Eurovision Song Contest — Rotterdam 2021 Health & Safety COVID-19 Protocol introduction For 65 years, the Eurovision Song Contest has captured the This protocol specifically outlines the broad range of measures imagination of hundreds of millions of people.
    [Show full text]