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OMJlAAVJHCKE 16
Monday Night Screenings Spring 1983 MIT Film/Video
MIT Film/Video Section, Bldg N51-100, 275 Massachusetts Avenue, Cambridge MA 02139 (617)253-1606 Screenings begin at 7 pm and are free . Sponsored by the Louis B . Mayer Foundation .
February 7 April 4 Dusan Makavejev Land of Silence and Darkness Yugoslav film director Dusan Makavejev will present WR-Mysteries of Directed by Werner Herzog, Germany, 1971 the Organism (1971). 'A weird and hilarious Yugoslav fantasy that mocks 'The heroine of this documentary is a 56-year old blind and deaf woman with ferocious humor both the Marxist state and the American way, whose job is to help others similarly afflicted. The subject may sound blending politics with pornography.. .' New York Times. depressing, but what comes out of this tender film is not her difference from us but, despite her handicaps, her similarity . And in some scenes-like February 14 the one in which she introduces some blind people to an elephant-it is Woody and Steina Vasulka positively delightful . The film speaks up for life, and poses the question: Internationally recognized video artists Woody and Steina Vasulka will what is the nature of loneliness and of human communication?' New screen two works-in-progress: South-Western Landscapes and The Yorker Films. Commission . 'The potential of video technology for personal expression and discovery-in broadcast and in the art gallery-is a great, largely April 11 unexplored terrain across which the Vasulkas are travelling.' Robert A. N!ai, The Story of a !Kung Woman Haller, American Film, December 1981 . John Marshall's film N!ai, The Story of a !Kung Woman presents 'a broad overview of !Kung life (in South Africa) both past and present, and an February 28 intimate portrait of N!ai, a !Kung woman in her mid-thirties in 1978. N!ai John Gianvito tells her own story, and in so doing the story of change in (Kung life John Gianvito has lectured on film history at MIT. He describes his first during the past thiry years.' Documentary Educational Resources. Grand feature film, The Flower of Pain (1983), as 'a film about an adolescent Prize, Cinema du Reel, 1981 . relationship, about emotional illiterates of a very particular age and milieu, a psychological mystery story, a memory-emetic, a blood poem ; quite April 25 simply, a film about people who do not know how to love one another.' The 8th Annual Ithaca Video Festival John will also screen his short, The Direct Approach (1978). An evening of video art selected by the Ithaca Video Projects, including works by: Bill Viola; Max Almy; Norie Sato; William A. Brown; Daniel M. March 7 Reeves; Jon J . Hilton; Jim Whiteaker; Scott Rankin; Steina Vasulka; Five Independent Films of Memory and Fantasy John Arvanites ; Edin Velez; Karen Peterson; Peter Trivelas ; Ardele Breaking and Entering (1980) by Ann Schaetzel ; Delivery Man (1982) by Lister; Jan Peacock; Barbara Buckner; Eugenia Balcells; Peter Van Emily Hubley ; Gently Down the Stream (1981) by Su Friedrich; Adynata Riper. (1983) by Leslie Thornton (New England Premiere) ; Mom (1978) by Mark Rance. Presented by Ann Schaetzel and Mark Rance, graduates of May 2 the MIT Film/Video Section, Master of Science in Visual Studies Terence Macartney-Filgate program. At the National Film Board of Canada in the late 1950s, the impulse to ,catch life as it was' with newly developed, lightweight, synchronous March 14 sound 16mm equipment resulted in the formation of the 'Candid Eye' Bill Viola team of filmmakers . Terence Macartney-Filgate, an original member of Bill Viola, considered one of the major contributors to contemporary the Candid Eye team, and now a producer at the Canadian Broadcasting video art, will screen selections from The Reflecting Pool (1977-80) and Corporation, will screen Back Breaking Leaf (1959, NFB), Up Against Chott EI-Djerid (A Portrait in Light and Heat) (1979). 'As well as being the System (1969, NFB), and Henry David Thoreau-Beat to a Different powerful canvases (Viola's) tapes are layered with strata of cultural and Drummer (with Pete Seeger, 1971, CBC). spiritual thought. They are state-of-the-art achievements which go beyond being showcases for the techniques used in their production.' Marita May 9 Sturken, Afterimage, Summer 1982. New England Premiere Danny Lyon March 28 Danny Lyon will premiere Born to Film (1983), and will screen Little Boy Bruce Baillie (1977). 'What sets filmmaker Danny Lyon apart from most other Bruce Baillie, whose lyric, experimental films are known for their lushness documentarians is a confidence so complete in the power of the camera of texture and color, will screen Quick Billy, Castro Street, and All My to communicate that he questions his subjects scarcely at all and does Life. Bruce Baillie 'rides through the wide spaces of the country, through not otherwise bombard us with data. Since his skill in creating a flow of the wide spaces of his memories, dreams, childhood, friendships, and superbly composed images is great enough to bring to mind Antonioni, we who correspond sometimes with him, we do not even always know his work is remarkably effective in making its point.' Kevin Thomas, Los where he is. He seems to be always on the road . But in the images of Angeles Times, January 13, 1976. his films, he seems to be very stable and very sure and always going after some definite and, probably, always the same image. With each film one feels maybe he found it. But no, the image, the dream is not yet caught, still somewhere else-so he makes another film, trying to come closer to it, from some other angle.' Jonas Mekas, Movie Journal.
WOODY & STEINA VASULKA WILL BE SHOWING AND DISCUSSING
THEIR VIDEO TAPES ON FRIDAY NOVEMBER 23 AT 7 pm IN THE
STEWART BUILDING ,
ROOM 307, VIDEO AREA October 28,1976 November 18,1976 March 17,1977 Peter Davis Monica Freeman Richard Brick will present his films: This Bloody will present her film Valerie o-i the will present his film Last Stand The New Yo Blundering Business on the U .S. artist Valerie Maynard . Farmer, a portrait of an elderly pacification of the Phillipines, and William Greaves Vermont hill farmer . presents a se Film Counterpoint, the U-2 Story a will present his film From These Nina Schulman documentary on the spy activities Roots on the Harlem Renaissance will presentand discuss her film where leading vide( which led to the downing of Francis of the twenties . Farming on three women neighbors a Gary Power's U-2 over Russia . March 3,1977 on Rural Route Aurora, Iowa. appear in person Jonathan Reinis March 31,1975 will present his documentary Diane Li Dineh: The People, A Portrait of will present her film The Barefoot the Navajo . Doctors of Rural China, filmed in the People's Republic of China. I
0
Meet 41'r
Admission free " 5: Donnell Library Center 20 V
lxo- Im n ii,io?~; Io,ivE~ hEe'tl i11aElE~ ;,;~1~1!~ lay 1r~cj flw N(,wY()[},, `->?,th~C-j October 21,1976 December 2,1976 March 24,1977 Nam June Paik Ed Emshwiller Louise and Bill Etra Public Library will present selected works of will present and discuss two will present "Explorations in the video art. experimental videotapes, Crossings Future and Perfect Tense", explora- fes and tions in of programs November 4,1976 Meetings, and Family Focus. thought time-manipulation of Steina and Woody Vasulka March image, computer generated images and filmmakers will 10, 1977 used in video art. Also eight will present selected works of Hermine Freed short .nd show their works video art. will presentArt Herstory, Family works ofGothic horror . Album, and additional new works of video art including New Reel.
e Makers
30 p.m . 'est 53rd street
r Special 3 Day Session May 22-24 (Wed.-Fri .) All Day
Generated Image Workshop with the Vasulkas
An intensive 3-day workshop in generated television image creation through techniques such as oscillators, feedback, colorization and keying . Tuition is $20 and enrollment is limited to 15. Registration deadline is Monday, May 14.
8 Week Session Beginning May 6
Beginning Documentary Video Workshop with Marc Miller Tuesday 1-4
A course in the use of '/2" video as a documentary medium. The workshop will stress acquisition of portapak skills with an introduction to editing. Participants will form small production groups, as well as bring their video skills back to their own organizations .
Beginning Women's Video Workshop with Judy DeSisti Wednesday 1-4 or 7:30-10 (depending on participants' wishes)
A beginning course for women interested in using video for personal expression and to produce information about women's concerns. The workshop will cover portapak skills, an introduction to editing, and the aesthetics of documentary video.
Editing Workshop with Sanford Rockowitz Monday 7:30 - 9:30 pm. plus editing times to be arranged
A workshop in '/2" editing for persons with prior video experience. Included will be setup and operation of various editing systems, use of auxiliary equipment, fine editing, organization of the editing process, and styles of editing. Enrollment is limited to eight people.
The Documentary, Women's and Editing Workshops will begin the week of May 6 and run for eight weeks. Tuition is $85 for individuals, $125 for persons whose tuition is paid by a non-profit institution, and $175 for those whose tuition is paid for by a commercial organization . Dead- line for registration is Monday, April 29, and a deposit of $25 is required. A limited number of work scholarships are available .
8 Prince Street Rochester, New York 14607 (716) 244 1259 Master Artist and 1999 DIANE Di PRIMA/Poet JUN MAEDA/Set Designer LESLIE BASSETT/Corn poser JACK GELBER/Playwright ELLEN STEWART/Director Associate Artist News MICHAEL DIRDA/Literary Journalist LOUIS AN DRIESSEN/Composer ELIZABETH SWADOS/Composer The Chamber Music Society of Lincoln Center JOHN TORREANO/Visual Artist ROBERT CREELEY/Poet DIANE ACKERMAN/Poet BUGLISI/FOREMAN DANCE,/Dancers & ED PASCHKE/Visual Artist PAULINE OLIVEROS/Composer and its former artistic director, cellist Fred Sherry, Choreographers CAROLEE SCHNEEMANNNideo Artist recently named 52 of New York's most distinguished ALISON SAAR/Sculptor 1993 KATHRYN CLARK/Paper Artist JUDITH LANG ZAIMONT/Composer MARK CONIGLIO/Composer DONALD GLAISTER/Fine Binder composers, and 10 of them are Atlantic Center JOHN CASEY/Fiction Writer JOAN LaBARBARA/Vocalist & Composer SUZANNE MOORE/Lettering Artist Master Artists. A portrait of the 52 esteemed ARTHUR KOPIT/Playwright MORTON SOBOTNICK/Composer PHILIP WHALEN/Poet composers by photographer Bruce Davidson MARY JO SALTER/Poet STEINA & WOODY VASULKA/Video Artists appeared in The New York Times. TADASHI KAWAMATA/Sculptor & 1987 The Master Artists Installation Artist MEL CHIN/Sculptor TERRY ALLEN/Multi-media included Aaron Jay Kernis, Mario Davidovsky, DAN WELCHER/Composer FRED HO/Composer RONALD BAYES/Poet Joan Tower, Lukas Foss, Tania Leon, Milton Babbitt, GARRETT HONGO/Poet JOHN YAU/Poet EDWARD MAYER/Sculptor BEBE MILLER/Choreographer ALFRED LESLIE/Visual Artist JEAN-PIERRE George Perle, Ned Rorem, John Corigliano, and CHEN YUComposer TERRY RILEY/Composer BON NEFOUX/Choreographer Chen Yi. Congratulations to the cream of New JONATHAN WILLIAMS/Poet & Editor DAVID PETERSON/Stage Designer York's composers! ITALY/US INTERNATIONAL DORE ASHTON/Critic TINA RAMIREZ/Ballet Dancer & Artistic Composers Lukas EXCHANGE .DARDEN CELEBRATION LEROY JENKINS/Composer Director Foss and Ned Rorem recently OF CULTURES WILLIAM WEGMANNisual Artist LUISA VALENZUELA/Novelist were included in the New York Philharmonic's GIUSEPPE GAUDINO/Filmmaker & JANETTE CARTER/Singer & Songwriter latest CD compilation of archival recordings, An Director 1992 JAMES DICKEY/Poet & Author AMY CLAMPITT/Poet HOWARD FINSTER/Painter American Celebration. ADRIANO GUARNIERI/Composer GIO POMODORO/Sculptor JANET FISH/Painter STUART OMANS/Director Several Associate Artists who studied under ZYGMUNT KRAUZE/Composer MICHAEL REESE/Technical Director jazz composer Dr. Frederick Tillis at the Darden 1998 DAVID BRADLEY/Writer SANDRIA REESE/Costumer Celebration of Cultures International TAMA LEON/Composer FAITH RINGGOLD/Visual Artist STEVE ROSENBERG/Musician Exchange CARTER RATCLIFF/Writer & Art Critic ALVIN SINGLETON, Composer BLANCHE BOYD/Journalist Residency at Akiyoshidai International Art Village in PAT STEIR/Visual Artist PEPON OSORIONisual Artist HOODING CARTER/NewsAnalyst Japan last fall are still inspired by their experiences . RIKA LESSER/Poet & Translator CARL ROYCE/Composer ALEXANDER COCKBURN/Columnist Douglas Ovens, from Allentown, PA, DAVID NASH/Visual Artist MERIAN SOTO/Choreographer DORIS GRUMBACH/Critic & Novelist composed a BERNARD RANDS/Composer LOUIS W. BALLARD/Composer ROD MacLEISH/NPR Commentator piece in Japan that has been performed twice in the NICK CAVE/Visual Artist ELIZABETH COOK-LYNN/Poet & Novelist United States, and has been commissioned by the RALPH LEMON/Choreographer JAMES LUNA,'Visual Artist 1986 SEKOU SUNDIATA/Poet, Writer & VINNETTE CARROLL/Playwright & AUDREY FLACK/Painter Lehigh Valley Chamber Orchestra to turn it into a Performer Director MARILYN FRENCH/Author work for orchestra. The piece, Hiroshima's Children, MELVIN DAWSON/Composer LOU HARRISON/Composer will premiere March 10 and 11 in Allentown. The JAPAN/U.S . INTERNATIONAL EXCHANGE ULYSSES DOVE/Choreographer JOHN EHLE/Writer piece uses projections from photographer Hiromi AKIYOSHIDAI INTERNATIONAL ART JOHN EDGAR WIDEMAN/Writer JUNE HAVOC/Actress VILLAGE, YAMAGUCHI PREFECTURE . PAT WARD WILLIAMSNisual Artist ROBERT MORRIS/Sculptor Tsuchida, whom Ovens met in Japan . St. Paul, MN, JAPAN ALLEN DRURY/Writer jazz pianist Laura Caviani was especially impressed NAN GOLDIN/Photographer 1991 PHILIP PEARLSTEIN/Painter with the dancers studying under choreographer RALPH LEMON/Choreographer ELIZABETH COX/Writer JOSEPH SCHWANTNER/Composer FREDERICK TILLIS Composer LUKAS FOSS/Composer & Conductor H.B . BARNUM/Jaz z Musician & Ralph Lemon, and said, "Now, when I play the ALAN SONFIST/Environmental Sculptor Composer piano, I approach it as if I were a dancer. I'm more GUILLERMO GOMEZ PENA/Performance ICHI IKEDA/Scenographer TALLEY BEATTY/Choreographer conscious of my movement as I play." Artist DAVID MOSS/Composer & Performer VINNETTE CARROLL/Director SARA SHELTON MANN/Choreographer KEI TAKEI/Dancer & Choreographer FRANCINE du PLESSIX GRAY/Author Night Ascendsfrom the Ear like, A Butterfly, by composer ROBERTO SIFUENTES/Performance Artist YUKIO TSUJI/Composer & Musician GUNTHER SCHULLER/Composer Hideko Kawamoto, a solo electro-acoustic piece, was JANUSZ GLOWACKI/Playwright JERRY UELSMANN/Photographer selected for the Sonic Circuits VII - International 1997 OLDRICH KULHANEK/Graphic Artist HEIDE FASNACHT/Sculptor RODION SHCHEDRIN/Composer 1985 Festival Electronic Music and Arts, and will be pub- CAROLYN KIZER/Poet LEN JENKIN/Director & Playwright MORTON FELDMAN/Comp oser lished by Innova recording. DONALD MARTINO/Composer JIM RAGLUND/Composer & BEVERLY PEPPER/Sculptor Mimi Shapiro recently MICHAEL LUCFPO.Nisuai Artist Sound Designer BARBARA ROSE/Art Historicw & had an exhibition of her VALERIE MINERFiction/Writer MAC WELLMAN/Playwright Videographer works at the Bolivar Gallery in Kingston, Jamaica. GREGOR`i AMENOFF/Visual Artist HENRY BRANT/Composer Rosemary Gillett had a show at the Lindenberg DAVID LEH%°AN/Poet 1990 WILLIAM HARPER/Jeweler Gallery in New York City, sponsored ROBERT RODRIGUEZ/Composer JACK BEAL/Painter BOBBIE ANN MASON/Writer by Red Lobster MERCE CUNNINGHAM/Choreographer DORIS GRUMBACH/Critic & Novelist CHARLIE HADEN/Jazz Musician Restaurants, titled LImagineDella Mente: Visions ELLIOT CAPLAN/Videographer GEORGE PERLE/Composer ROMULUS LINNEY/Playwright of Tuscany. MEG HARPER/Choreographer & Dancer MARY LUCIERNideo Artist JAMES SURLS/Sculptor SAMUEL DELANY/Science Fiction Writer RON PADGETT/Poet FRANK FAULKNER/Painter JOYCE SCOTT/Visual Artist DANA REITZ/Dancer & Choreographer ALVIN LUCIER/Composer JOANNE BRACKEEN/Composer JONATHAN STONE/Director WILLIAM STAFFORD/Poet JOANNE AKALAITIS/Director 1996 ERIC OVER MYER/Playwright 1984 J05E°H CH/illilt:'Director KRISTI ZEA/Production Designer LAWRENCE FERLINGHETTI/Poet GILEEPT Playwright TINA GIROUARD/Visual Artist NED ROREM/Composer BILL HART/Dramaturg DEBORAH HAYiChoreographer & Dancer MIRIAM SHAPIRO/Painter W.P. KINSELLA/Write r DICKIE LANDRY/Composer ROBERT FRANK/Video Artist BERNAR VENET/Sculptor "La Napoule International Cultural ALLEN GINSBERG/Poet DAVID BAKER/Composer Exchange" ELVIN JONES/Jazz Musician NTOZAKE SHANGE/Writer BETSY JOLAS/Composer GEORGE GARRETT/Writer & Poet DONALD SULTAN/Visual Artist JEAN ECHENOZ/Novelist ROBERT WARD/Composer MOLiSSA FENLEY/Choreographer FUMIO YOSHIMURA/Sculptor JOY HARJO/Poet 1989 DON CHERRY/Jazz Musician AUGUSTA READ THOMAS/Composer LYNDA BENGLIS/Sculptor BOZA KOSAK/Designer of Textiles & ARATA ISOZAV;'A -chitect FRANK FAULKNER/Painter Fashions AIKO MIYAWAR;! sculptor CAROLYN FORCHE'Poet MAXINE KUMIN/Poet YUJI TAKAHASHI/Composer JOAN TOWER/Composer STEPHEN ANTONAKOS/Sculptor 1983 1995 EARLE BROWN/Composer HUBERT LAWS/Jazz Musiciar MARIO DAVIDOVSKY/Composer FRED CHAPPELL/Writer LOWELL NESBITT/Painter RACHEL HADAS/Poet TRISHA BROWN/Dancer & CHARLEEN SWANSEA/Po-t & Educator DAVID SALLE/Visual Artist Choreographer JOHN CORIGLIANO/Composer EIKO AND KOMA/Choreographers & DICKIE LANDRY/Composer AUDRE LORDE/Poet Dancers ROBEF'T RAUSCHENBERGNisual Artist JACK MITCHELL-, Photugrapher JUDO WEISBERG/Designer & Visual ALICE A`~'"GCK/Sculptor SAMUEL ADLER'Composer JACOB DRUCI:MAN/Composer RICHARD ANUSZKIEV011,Z,Painler Musicians at the Akiyoshidai International Ail Village include (back row, from left), Artist SONIA SANCHEZ/Poet HENRY TAYLOR/Poet TED TALLY, Playwright Dr. Frederick 74llis and Doug Ovens, and (/ronl, far right), L-.. a Cai.:w. _,i. CHINARY UNG/Composer RON JENKINS/Author & Dramaturg JAGODA BIIIC Fluei Arls`, KAY WALKINGSTICKiVisual Artist JOSHUA SOBOLiPlaywright THEN f;9U5GRAVE,'C~;npose.r WENDELL CASTLE,/Furniture Designer JIRI ZIZKA/Director MARY LEE .'SETTLE'V,/ricer DONAL C) ERE C(,,r,poser "La Napoule International SHE-B)' HEARO% Novelist Cultural Exchange" 1982 JOHN ASHBERY/Poet JAMES DICKEY'Poe,. & Author 1994 ROBERT ASHLEY/Composer & DUANE HANSON,iSnlptor MILTON BABBITT/Composer Video Artist DAVID DEL TREDICI,Cornposer ALE.- : I :ATZNisual Artist JOHN CHAMBERLAIN/Sculptor EDWARD ALBEE:'Pla_,wldght & Director PETER MAT,TH1ESSEP1!Author REYNOLDS PRICE'Writer'Durham RICHARD HO'c'JARDIPuat 1988 MIA WESTERLUND ROOSEWSculptor & KAREL HUSA Composer DAVID DiATOOND%Composer Painter BEBE NlUORE CAPAPBELL/Journalist & ROBERT NATKIN/Painter Author HOWARD NEMEROV/Poet The Luminous Visual Narratives Visual Narratives, paintings by Mifflin remembrance. "My current work explores Object Holiday Uhlfelder of Tallahassee and sculp- my Georgia roots and southern heritage. I The Luminous Object will be ture by Nellie Van Scoy of Melbourne, will am interested in personal and impersonal featured in the Harris House be in the Harris House Gallery, March 4 - objects and the significance of meaning as Gallery, February 5 - 29. An open- 28. An opening reception will be held on they are gathered and placed side by side . ing reception will take place on Saturday, March 4, from 4:00 to 7:00 PM . Often I discover meaningful associations Saturday, February 5, from 4:00 to Describing her whimsical paintings, through this process. My work is narrative 7:00 PM. The luminous colors and Uhlfelder says, "I have always painted driven, as a strong southern storytelling bold forms of painters Marlene pictures that illustrated ideas I have about voice has been hard to ignore," she says. London of Winter Park and intimacy. I am currently working on two Ginnie Ungewitter of Daytona series of pictures. One series uses images Beach will charm viewers in this of two dolls, Trevor and Harriet, based on exhibition featuring contempo- real people . The dolls find themselves in rary still life painting. circumstances that seem a little off. But Marlene London paints in the since they are dolls, their demeanor does style that is described as perpetual not change with the situation. The other realism. "When I stare at an series pictures a pair of dogs in similar object, there is really no point at places. I use a variety of materials in the which I stop learning things about making of the pictures: upholstery fabric, it. The longer I look, the more clothing, notions, broken furniture pieces, dimensions of colors I see," she toys, and other cast-offs. The pictures are says. "I am intensely fascinated by colorful and even pretty, but each has an the luminosity and physicality of edge, too." paint. The simple objects I use in As a storyteller, artist, and writer, Nellie my still lifes are brought into the Van Scoy has been telling tales since first viewer's emotional dimension through the use of thick, juicy Miffiu Uhlfi l,ln ; Harriet & Trevor Fly Like the Wind, 1998 colors, vibrant shadow and light interplay, and strategic crop- ping. I am looking to create a dramatic sense of a lurking human presence . "I identify with such artists as Spatial Metaphors Richard Diebenkorn, Edward Spatial Metaphors, paintings by Shirley Hopper, and Paul Reskia. These Frank of Seminole, Claudia Ryan of artists create the same sense of Bradenton, and sculpture by Chris Scala of singularity in their work using Orlando will be featured in the Harris House strong color interplay to create Gallery, January 8 - February 1 . An opening the intense "push-pull" between reception will be held on Saturday, January the object and the viewer that I 8, from 4:00 to 7:00 PM. The exhibition will try to achieve in my own work. explore space, form, and symbolism through "My newest exploration is excit- painting and sculpture. ing. . . I am creating collage, layer- Painter Shirley Frank says of her latest ing colors, thoughts and textiles works, "In 1987 I discovered that cemetery to paint a narrative. I am studying tombstones were intriguing for their varied the work of Squeak Carnwath, shapes and the curious way they related to Lynn Whipple, and Diane each other and to the landscape. Later, I Arvanites, all of whom have found that although they are earthbound, mastered the art of multi-faceted their ethereal symbolism implies immortality. artistic, spiritual storytelling." This duality is the impetus for the `stone' Ginnie Ungewitter says, "The series," says Frank. subject from which I paint is The paintings of Claudia Ryan explore the simple. . . oranges, still life objects, symbolism of everyday experiences . "In my room views. My canvas is cloth, Chris Scala, Summer Desk, 1996 work I try to create symbolic equivalents for glass or paper. My palette is based the sensations and objects I encounter on five colors - alizarin crimson, everyday, as they filter through my experience; in order to give them more reality, cerulean blue, cadmium red light, to capture their beauty, and to praise them," she says. cadmium yellow light, and ultra- Chris Scala explores space and form through the medium of sculpture . "Over the marine blue. Color, form, value, past few years I have worked in wire cloth," says Scala. "Visually it is extremely and texture are combined to dynamic when configured in a particular way or exposed to different conditions of create my painting. light. When two or more layers of cloth are fixed in parallel to one another a visual "The first few strokes on a new phenomenon known as the moray effect occurs. As the viewer moves past, one plane canvas are exciting. I know the fin- changes relative position to the other plane and as the openings in the cloth reori- ished painting will be dramatically ent a sort of shimmering path travels through the sculpture. The piece is vibrant and different from those first few seems to contain its own power source as if electrified. strokes. The color will change as "The squarish and gridlike character of this material lends itself to the spatial will form, design, and texture analysis of objects. The limits of occupied space are defined, yet you may observe it before I can present on the canvas is empty. By exploring these qualities I draw attention to the orderly, physical charac- what I first envisioned." teristic of the object and subject contained within to be analyzed. One sculpture contains the affirmation YOU ARE COMPLETELY SAFE. This phrase reflects how civilization requires order to function `safely' but in exchange constraints are imposed with measurable perimeters." I
Harris House Marlene Laidon, 1997
THE ELECTRONIC IMAGE AND VIRTUAL SPACE EA 365/465 DATE : JULY 24-28 TIME: 9:00 A.M . PLACE: DAVID HALL, DA107 CREDIT: 3 UNITS (For rate, consult the Registrar) NON CREDIT: $225 LAB FEE: None SKI I I I EVFI - No Restrirtinns Although the problems of representing space through media can hardly be called new, the range of the techno-artistic tools now available point to some emerging strategies in thinking about art and the pos- sible future of artistic practice. The dramatic space itself has become an area under the supervision and surveillance of electronic sensors, offering extensive opportunities, advantages and adventures in the exploration of such a space. Severalconcepts have emerged in recent years: computer generated space; the concept of an "extend- ed nervous system" connecting initiatives of a human protagonist to the organization and operation an electronic "stage"; some extensive software protocols mapping or re-assigning human linguistic and ges- tural sets to new dramatic assignments; and the remote communication networking that extends the practice of art to unforeseen territories, populating this artificial world with anewgeneration of spirits sim- ilar to those in ordinary nature. Participants in this workshop will examine all aspects of the electronic image and the development of electronic media. The nature of virtual space will be probed, particularly the conceptual involvement of humans connect- ed through an "extended nervous system", with the ability to pattern and organize dramatic space, thus defining the elements of new narrativity, genre and form in the electronic arts. STEINA &WOODY VASULKA For nearly a quarter of a century, Steina and Woody Vasulka have remained at the forefront of exploration into the formal and interactive possibilities of the electronic moving image. Founders of the Kitchen in New York in 1971, they were among the first to establish multiscreen video as an art form. As a concert violinist who was the first to integrate live interactive video into her musical performances, Steina has inspired a generation of high- tech performance artists. Woody is world renowned as a visionary pioneer of electronic image processing, and today, having moved into digital image synthesis and interactive multimedia, he remains on the leading edge.
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OPEN DIALOGUE III : ENSURING CULTURAL DIVERSITY IN THE ARTS It's not about color. It's about attitude and approach. In December of 1983, the first creates a clearinghouse of infor- of Hispanic Arts (AHA!). "This Eduardo Diaz and Nacho Acosta. Open Dialogue Conference was mation(2) and tools designed to assist turnout, and the incredible energy, If you would like to learn more held in Washington, D.C. A second all ethnic artists and their organiza- indicates that the work of TAAC about the concept of "cultural Open Dialogue Conference fol- tions to tap into the resources that continues to be relevant and diversity," you may want to attend lowed in May of 1985 in San An- are just now realizing the real and responsive to the struggle for the Texas Commission on the Arts' tonio. . .where over 400 artists and true importance of cultural diversi- cultural democracy. The level of Minority Involvement Committee arts administrators met to discuss ty in the arts. Anglo participation this year also meeting on September 15 (Thurs- issues impacting the future direc- This year, Open Dialogue III points to the fact that cultural day), 3:00-4:00 p.m., at the Westin tion of the arts in America. Out of returned to Washington, D.C., from diversity, especially within major Paso del Norte's Board Room. The these two conferences, the Associa- June 9-12. There was the usual set arts institutions and governmental TCA has made a strong commit- tion of American Cultures (TAAC) of workshops on fundraising, arts agencies, is an increasingly im- ment to cultural diversity. and The Open Dialogues were born. marketing and specific arts portant concern." If you would like to receive infor- The number of ethnic artists and disciplines. The principal focus was Mike Juarez, representing El mation from TAAC and be advised ethnic arts organizations are many. legislative. Open Dialoguers con- Paso's Juntos Art Association, at- of Open Dialogue IV, please note: Some in their infancy, some long verged on Capitol Hill for congres- tended open Dialogue III. "This established Yet, even those with sional forums, letting lawmakers was a real awakening for me. The The Association of American the finest foundations and strongest know their concerns regarding a level of networking was incredible, Cultures track-records are not yet on par national arts policy and funding and especially important for some- Stables Arts Center with what is frequently called the issues. one like me who labors in the rela- 410 8th Street, NW "mainstream." TAAC and Open "We registered 790 people this tive isolation of El Paso. I hope that Suite 605 Dialogue provide a vehicle that year, nearly twice the number of at the next gathering El Paso artists Washington, D.C. 20004 both (1) facilitates the sharing of in- Open Dialogue II participants," can be better represented. We have (202) 72711083 formation, thereby fostering those celebrates Jane Delgado, conference a lot to show the rest of the U.S." organizations that are struggling chair. Delgado is Executive Direc- Other El Paso attendees included desperately, to obtain equity, and tor of New York City's Association Cultural Planning Council staffers
ttttttttttttttttttt/ttninttltttttltttttttlttllttttt/tttttttttlttttttttttllltttttlllttttttttlttttttnnrttttttt 1///dttsesame tttttttsalesmollsttttttsell tlttttttttttlltttttt KCOS-TV & FRONTERA MEDIA ARTS "Out of the Mainstream:
Tuesday, October 11 7:30 p.m., 1010 Channel ][3 The first airing of this showcase of 1010 alternative film and video will feature
C10 the work of Woody and Steina Vasulka, two Santa Fe-based videomakers . The Vasulkas will be appearing in person on October 20, at 7:30 p .m . as part of the Frontera Media Arts' Visiting Artists series . The lec- ture/screening will be held at the Bridge Center for Contemporary Arts, 600-A N. Stanton. "Art of Memory," "Summer Salt" and other selections of recent work will be screened. Admission to this event will be $2. tSSSIV sS llt itttttttttttttt/tttttttttlttttttttttttttltttttttttttttttttlttttttttt~ttttttttttt
For additional information, please call 779-7207.