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Al Di Meola: Morocco Fantasia (Blu-Ray)
DVD Verdict Review - Al Di Meola: Morocco Fantasia (Blu -ray) Page 1 of 3 Blu Upcoming Home About - DVDs VOD Contest Podcast Releases ray Case Number 23186: Small Claims Court Al Di Meola: Morocco Fantasia (Blu-ray) MVD Visual // 2011 // 71 Minutes // Not Rated Reviewed by Judge Russell Engebretson // January 24th, 2012 • View Judge Engebretson's Dossier • E-mail Judge Engebretson • Printer Friendly Review Like Send 4 All Rise... Judge Russell Engebretson has almost mastered his handcranked Mickey Mouse guitar. The Charge Al Di Meola and his band play a rousing and warmly received set of jazz fusion tunes at the Mawazine Festival in The Case Al Di Meola is best known for his mid-Seventies electric guitar pyrotechnics in Chick Corea's jazz-rock fusion band Forever , and his acoustic collaboration with Paco De Lucia and John McLaughlin that led to the 1981 release of in San Francisco—Live . The latest release, Al Di Meola: Morocco Fantasia (Blu-ray) , is a showcase of tunes and arranged by Di Meola. The concert was recorded live in Rabat, Morocco, at the Mawazine Musique du Monde Festival and filmed by Cabras and Roberto Molinari. Al Di Meola was joined by fellow band mates Fausto Beccalossi (accordion), Pio Alfonsi (guitar), Gumbi Ortiz (percussion), Peter Kazas (drums), and Victor Miranda (bass), as well as guests Said Chraibi (oud), Abdellah Meri (violin), and Tarik Ben Ali (percussion). 59 Online Translate Link Menu Recent Reviews Videos Subscribe http://www.dvdverdict.com/reviews/moroccofantasybluray.php 3/23/2012 DVD Verdict Review - Al Di Meola: Morocco Fantasia (Blu -ray) Page 2 of 3 The song set: Recommended • "Misterio" • "Siberiana" • "Double Concerto" • "Michaelangelo's 7th Child" • "Gumbiero" • "Turquoise" • "Encore" • "Egyptian Danza" All the songs, with the exception of "Double Concerto," are original Di Meola compositions. -
Mesia Austin, Percussion Received Much of the Recognition Due a Venerable Jazz Icon
and Blo win' The Blues Away (1959), which includes his famous, "Sister Sadie." He also combined jazz with a sassy take on pop through the 1961 hit, "Filthy McNasty." As social and cultural upheavals shook the nation during the late 1960s and early 1970s, Silver responded to these changes through music. He commented directly on the new scene through a trio of records called United States of Mind (1970-1972) that featured the spirited vocals of Andy Bey. The composer got deeper into cosmic philosophy as his group, Silver 'N Strings, recorded Silver 'N Strings School of Music Play The Music of the Spheres (1979). After Silver's long tenure with Blue Note ended, he continued to presents create vital music. The 1985 album, Continuity of Spirit (Silveto), features his unique orchestral collaborations. In the 1990s, Silver directly answered the urban popular music that had been largely built from his influence on It's Got To Be Funky (Columbia, 1993). On Jazz Has A Sense of Humor (Verve, 1998), he shows his younger SENIOR RECITAL group of sidemen the true meaning of the music. Now living surrounded by a devoted family in California, Silver has Mesia Austin, percussion received much of the recognition due a venerable jazz icon. In 2005, the National Academy of Recording Arts and Sciences (NARAS) gave him its President's Merit Award. Silver is also anxious to tell the Theresa Stephens, clarinet Brian Palat, percussion world his life story in his own words as he just released his autobiography, Let's Get To The Nitty Gritty. -
El Paso and the Twelve Travelers
Monumental Discourses: Sculpting Juan de Oñate from the Collected Memories of the American Southwest Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV – Sprach- und Literaturwissenschaften – der Universität Regensburg wieder vorgelegt von Juliane Schwarz-Bierschenk aus Freudenstadt Freiburg, Juni 2014 Erstgutachter: Prof. Dr. Udo Hebel Zweitgutachter: Prof. Dr. Volker Depkat CONTENTS PROLOGUE I PROSPECT 2 II CONCEPTS FOR READING THE SOUTHWEST: MEMORY, SPATIALITY, SIGNIFICATION 7 II.1 CULTURE: TIME (MEMORY) 8 II.1.1 MEMORY IN AMERICAN STUDIES 9 II.2 CULTURE: SPATIALITY (LANDSCAPE) 13 II.2.1 SPATIALITY IN AMERICAN STUDIES 14 II.3 CULTURE: SIGNIFICATION (LANDSCAPE AS TEXT) 16 II.4 CONCEPTUAL CONVERGENCE: THE SPATIAL TURN 18 III.1 UNITS OF INVESTIGATION: PLACE – SPACE – LANDSCAPE III.1.1 PLACE 21 III.1.2 SPACE 22 III.1.3 LANDSCAPE 23 III.2 EMPLACEMENT AND EMPLOTMENT 25 III.3 UNITS OF INVESTIGATION: SITE – MONUMENT – LANDSCAPE III.3.1 SITES OF MEMORY 27 III.3.2 MONUMENTS 30 III.3.3 LANDSCAPES OF MEMORY 32 IV SPATIALIZING AMERICAN MEMORIES: FRONTIERS, BORDERS, BORDERLANDS 34 IV.1 LANDSCAPES OF MEMORY I: THE LAND OF ENCHANTMENT 39 IV.1.1 THE TRI-ETHNIC MYTH 41 IV.2 LANDSCAPES OF MEMORY II: HOMELANDS 43 IV.2.1 HISPANO HOMELAND 44 IV.2.2 CHICANO AZTLÁN 46 IV.3 LANDSCAPES OF MEMORY III: BORDER-LANDS 48 V FROM THE SOUTHWEST TO THE BORDERLANDS: LANDSCAPES OF AMERICAN MEMORIES 52 MONOLOGUE: EL PASO AND THE TWELVE TRAVELERS 57 I COMING TO TERMS WITH EL PASO 60 I.1 PLANNING ‘THE CITY OF THE NEW OLD WEST’ 61 I.2 FOUNDATIONAL -
Jazzweek Jazz Album Chart Jan
airplay data JazzWeek Jazz Album Chart Jan. 28, 2008 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 1 1 Steve Nelson Sound-Effect HighNote 211 210 1 13 56 1 2 11 NR 2 Eliane Elias Something For You: Eliane Elias Sings & Blue Note 196 128 68 2 49 14 Plays Bill Evans 3 5 9 2 Deep Blue Organ Trio Folk Music Origin 194 169 25 15 52 1 4 2 NR 2 Hendrik Meurkens Sambatropolis Zoho Music 166 185 -19 2 54 13 5 4 2 2 Jim Snidero Tippin’ Savant 154 172 -18 11 53 1 6 6 33 6 Monterey Jazz Festival 50th Aniversary Live At The 2007 Monterey Jazz Festival Monterey Jazz Fest 145 154 -9 3 43 8 All-Stars 7 7 7 6 Bob DeVos Playing For Keeps Savant 142 145 -3 11 47 0 8 3 5 3 Andy Bey Ain’t Necessarily So 12th Street Records 137 182 -45 10 49 0 9 20 34 9 Ron Blake Shayari Mack Avenue 136 94 42 3 46 11 10 7 14 7 Joe Locke Sticks And Strings Jazz Eyes 132 145 -13 7 37 5 11 14 11 2 Herbie Hancock River: The Joni Letters Verve Music Group 125 114 11 17 50 0 12 12 8 8 John Brown Terms Of Art Self Released 123 127 -4 11 32 0 13 28 NR 13 Pamela Hines Return Spice Rack 117 84 33 2 43 14 14 10 3 3 Houston Person Thinking Of You HighNote 115 139 -24 13 38 2 15 18 38 15 Brad Goode Nature Boy Delmark 112 97 15 3 29 6 16 22 21 3 Cyrus Chestnut Cyrus Plays Elvis Koch 110 93 17 16 37 1 17 16 6 6 Stacey Kent Breakfast On The Morning Tram Blue Note 101 101 0 16 33 0 18 NR NR 18 Frank Kimbrough Air Palmetto 100 NR 100 1 36 31 19 24 11 1 Eric Alexander Temple Of Olympic Zeus HighNote 94 90 4 18 39 0 20 15 4 2 Gerald Wilson Orchestra Monterey -
Planilha Musical Setembro 2017 Empresa Brasil De
PLANILHA MUSICAL SETEMBRO 2017 EMPRESA BRASIL DE COMUNICAÇÃO S/A - EBC RAZÃO SOCIAL: CNPJ: NOME FANTASIA: RÁDIO NACIONAL FM DIAL: 96.1 CIDADE: BRASÍLIA UF: DF EXECUÇÃO DATA HORA DESCRIÇÃO INTÉRPRETE COMPOSITOR GRAVADORA MECÂ AO VIVO NICO 01/09/2017 00:09:50 MAD 002 - BLOCO 10 MADRUGADA 2017 X 01/09/2017 00:24:44 MAD 002 - BLOCO 11 MADRUGADA 2017 X 01/09/2017 00:40:50 MAD 002 - BLOCO 12 MADRUGADA 2017 X 01/09/2017 00:54:55 MAD 002 - BLOCO 13 MADRUGADA 2017 X 01/09/2017 01:09:54 CORAÇÃO BOBO ALCEU VALENÇA ALCEU VALENÇA X 01/09/2017 01:13:33 ULTRALEVE BADI ASSAD BADI ASSAD X 01/09/2017 01:17:09 APRENDENDO A MEXER PAULO PAULELLI PAULO PAULELLI X 01/09/2017 01:20:05 MIL RAZÕES /2016 TIAGO IORC TIAGO IORC / DANI BLACK X 01/09/2017 01:24:08 SOSSEGO TIM MAIA TIM MAIA X 01/09/2017 01:27:55 QUEREM ACABAR COMIGO TITÃS ROBERTO CARLOS X 01/09/2017 01:31:31 IRMÃOS CORAGEM SANDRA DUAILIBE NONATO BUZAR / PAULINHO TAPAJÓS X 01/09/2017 01:34:57 PRA QUE DISCUTIR COM MADAME? ARRANCO DE VARSÓVIA HAROLDO BARBOSA / JANET DE X ALMEIDA 01/09/2017 01:38:37 SONHO DE UM BANDOLIM CHORO LIVRE JUVENTINO MACIEL X 01/09/2017 01:42:45 NADA SERÁ COMO ANTES MILTON NASCIMENTO & BETO GUEDES MILTON NASCIMENTO / RONALDO X BASTOS 01/09/2017 01:46:10 MARESIA ADRIANA CALCANHOTTO PAULO MCHADO / ANTÔNIO CICERO X 01/09/2017 01:50:16 TERRA DO VERDE WILSON TEIXEIRA WILSON TEIXEIRA X 01/09/2017 01:53:58 SAMBA DA BÊNÇÃO MARIA BETHÂNIA BADEN POWELL / VINICIUS DE MORAES X 01/09/2017 01:57:00 EM PAZ 5 A SECO E MARIA GADÚ RAFAEL ALTÉRIO / PEDRO ALTÉRIO / X RITA ALTÉRIO 01/09/2017 02:00:47 -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
RETRATOS DA MÚSICA BRASILEIRA 14 Anos No Palco Do Programa Sr.Brasil Da TV Cultura FOTOGRAFIAS: PIERRE YVES REFALO TEXTOS: KATIA SANSON SUMÁRIO
RETRATOS DA MÚSICA BRASILEIRA 14 anos no palco do programa Sr.Brasil da TV Cultura FOTOGRAFIAS: PIERRE YVES REFALO TEXTOS: KATIA SANSON SUMÁRIO PREFÁCIO 5 JAMELÃO 37 NEY MATOGROSSO 63 MARQUINHO MENDONÇA 89 APRESENTAÇÃO 7 PEDRO MIRANDA 37 PAULINHO PEDRA AZUL 64 ANTONIO NÓBREGA 91 ARRIGO BARNABÉ 9 BILLY BLANCO 38 DIANA PEQUENO 64 GENÉSIO TOCANTINS 91 HAMILTON DE HOLANDA 10 LUIZ VIEIRA 39 CHAMBINHO 65 FREI CHICO 92 HERALDO DO MONTE 11 WAGNER TISO 41 LUCY ALVES 65 RUBINHO DO VALE 93 RAUL DE SOUZA 13 LÔ BORGES 41 LEILA PINHEIRO 66 CIDA MOREIRA 94 PAULO MOURA 14 FÁTIMA GUEDES 42 MARCOS SACRAMENTO 67 NANA CAYMMI 95 PAULINHO DA VIOLA 15 LULA BARBOSA 42 CLAUDETTE SOARES 68 PERY RIBEIRO 96 MARIANA BALTAR 16 LUIZ MELODIA 43 JAIR RODRIGUES 69 EMÍLIO SANTIAGO 96 DAÍRA 16 SEBASTIÃO TAPAJÓS 44 MILTON NASCIMENTO 71 DORI CAYMMI 98 CHICO CÉSAR 17 BADI ASSAD 45 CARLINHOS VERGUEIRO 72 PAULO CÉSAR PINHEIRO 98 ZÉ RENATO 18 MARCEL POWELL 46 TOQUINHO 73 HERMÍNIO B. DE CARVALHO 99 CLAUDIO NUCCI 19 YAMANDU COSTA 47 ALMIR SATER 74 ÁUREA MARTINS 99 SAULO LARANJEIRA 20 RENATO BRAZ 48 RENATO TEIXEIRA 75 MILTINHO EDILBERTO 100 GERMANO MATHIAS 21 MÔNICA SALMASO 49 PAIXÃO CÔRTES 76 PAULO FREIRE 101 PAULO BELLINATI 22 CONSUELO DE PAULA 50 LUIZ CARLOS BORGES 76 ARTHUR NESTROVSKI 102 TONINHO FERRAGUTTI 23 DÉRCIO MARQUES 51 RENATO BORGHETTI 78 JÚLIO MEDAGLIA 103 CHICO MARANHÃO 24 SUZANA SALLES 52 TANGOS &TRAGEDIAS 78 SANTANNA, O Cantador 104 Dados Internacionais de Catalogação na Publicação (CIP) PAPETE 25 NÁ OZETTI 52 ROBSON MIGUEL 79 FAGNER 105 (Câmara Brasileira do Livro, SP, Brasil) ANASTÁCIA 26 ELZA SOARES 53 JORGE MAUTNER 80 OSWALDO MONTENEGRO 106 Refalo, Pierre Yves Retratos da música brasileira : 14 anos no palco AMELINHA 26 DELCIO CARVALHO 54 RICARDO HERZ 80 VÂNIA BASTOS 106 do programa Sr. -
Students Arrested
4II& 0 / 4 - j , , 1 Vol. ix.No. #Theus ▼ university of nofre domeObserver - sf. many’s college MMonday, onday, >April 21, 1975 At local bar Students arrested CAME by Maureen Flynn “when this cop came over and I asked him Staff Reporter 'What’s going on?’ The next thing I knew he Six Notre Dame students were among nine ordered me to put my hands on the car and he persons arrested Friday night outside Bridget kicked my legs back. Then I was handcuffed and taken to the jail,” Herenda stated. NOTRE DAME McGuire’s Filling Station, a local tavern. Five of the six were charged with disobeying a "The only order he gave me was to put my COLLECTION public safety order to disperse after a hands on the car,” the student continued, “and I disturbance inside the tavern resulted in the did it right away.” Herenda voiced concern that arrest of a tenth person. The sixth was charged the incident might affect his chances for em with disorderly conduct. ployment. “I’m looking for a job right now,” he The students were released from the South said. “Now when they ask, Have you ever been Bend jail the next morning upon payment of $50 arrested?’ I’m going to have to answer yes. ‘For bond. what?’ Nothing.” Vice officers were initially called to Bridget Notre Dame junior John Cooper expressed McGuire’s at 1:45 a.m. to answer of a complaint consternation over the charge of disorderly of minors drinking in the building. According to conduct lodged against him. -
Love Songs Press Release
1 THE MOST ROMANTIC SONGS RECORDED BY THE ACCLAIMED AARON NEVILLE, INCLUDING TRACKS WITH LINDA RONSTADT AND THE NEVILLE BROTHERS, COLLECTED ON NEW COMPILATION AARON NEVILLE: LOVE SONGS “With an angelic voice capable of reconciling spiritual opposites-–wisdom and innocence, masculinity and femininity, the sacred and the profane--(Aaron) Neville can pretty much find the soul of any song...(using) that famous catch in his throat to convey the exuberance of unbridled passion.” --Rolling Stone (1995) The sweet soulful voice of Aaron Neville--the most familiar figure of New Orleans’ first family of music--has been brought to bear on love songs since the late ‘60s. Now 14 of those love songs from his most successful period, the ‘80s and ‘90s, have been collected on Aaron Neville: Love Songs (A&M/UME), released January 14, 2003. With the album co-compiled by Neville himself, each digitally remastered track was selected for its power of romance rather than its chart position. As a result, Aaron Neville: Love Songs brings most of these songs, spanning the years 1981 to 1997, together for the first time on any compilation. The album is the latest in the artist-driven, genre-crossing yet thematic Love Songs series which has previously included collections from Etta James, Elton John, and Stephanie Mills and is scheduled to release albums from Diana Ross, Marvin Gaye, the Moody Blues, Peggy Lee and more. Two recordings heard on Aaron Neville: Love Songs are actually from The Neville Brothers (Aaron, Art, Charles and Cyril): their Nawlins renditions of the doo-wop classic “The Ten Commandments Of Love” and ballad standard “Mona Lisa,” both from the siblings’ 1981 Joel Dorn-produced album Fiyo On The Bayou. -
Ann Hampton Callaway
ANN HAMPTON CALLAWAY Ann Hampton Callaway is one of the leading champions of the great American Songbook, having made her mark as a singer, pianist, composer, lyricist, arranger, actress, educator, TV host and producer. A born entertainer, her unique singing style blends jazz and traditional pop, making her a mainstay in concert halls, theaters and jazz clubs as well as in the recording studio, on television, and in film. She is best known for Tony-nominated performance in the hit Broadway musical Swing! and for writing and singing the theme song to the hit TV series The Nanny. Callaway is a Platinum award-winning writer whose songs are featured on seven of Barbra Streisand's recent CD's. The only composer to have collaborated with Cole Porter, she has also written songs with Carole King, Rolf Lovland and Barbara Carroll to name a few. Callaway's live performances showcase her warmth, spontaneous wit and passionate delivery of standards, jazz classics and originals. She is one of America's most gifted improvisers, taking words and phrases from her audiences and creating songs on the spot, whether alone at a piano or with a symphony orchestra. Ann has been a special guest performer with Wynton Marsalis and the Lincoln Center Jazz Orchestra, with Keith Lockhart and the Boston Pops at Symphony Hall and Tanglewood and is featured at many of the Carnegie Hall tributes. She has sung with more than thirty of the world's top orchestras and big bands, and has performed for President Clinton in Washington, D.C. and at President Gorbachev's Youth Peace Summit in Moscow. -
The PLU Percussion and Steel Pan Ensembles Friday, May 1, 2015 At
Studio Series: The PLU Percussion and Steel Pan Ensembles Friday, May 1, 2015 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music present Studio Series: The PLU Percussion and Steel Pan Ensembles Dr. Miho Takekawa, Director Friday, May 1, 2015 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches, pagers and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. Program PLU Steel Pan Ensemble Shaker ......................................................................................................................................... Tracy Thornton, edit. Steve Popernack Mambo In Miami ........................................................................................................................... Armando Peraza, arr. Matt Duback Air On The G String ................................................................................................................................ J.S. Bach, arr. Franz Grissom Baja ....................................................................................................................................................... Trinidad Traditional, arr. Shores Jeilymar Brady, Shayla Chaykin, Kaela Shoe, Adam Smith, Christine Smith, Tim Hager, drummer; Obe Quarless, community member PLU Percussion Ensemble Layers ..................................................................................................................................................................................... -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach.