Elvis Costello Began Writing Songs at the Age of Thirteen. 2017 Marked the 40Th Anniversary of the Release of His First Record Album, My Aim Is True
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Doubles and Doubling in Tarchetti, Capuana, and De Marchi By
Uncanny Resemblances: Doubles and Doubling in Tarchetti, Capuana, and De Marchi by Christina A. Petraglia A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Italian) At the University of Wisconsin-Madison 2012 Date of oral examination: December 12, 2012 Oral examination committee: Professor Stefania Buccini, Italian Professor Ernesto Livorni (advisor), Italian Professor Grazia Menechella, Italian Professor Mario Ortiz-Robles, English Professor Patrick Rumble, Italian i Table of Contents Introduction – The (Super)natural Double in the Fantastic Fin de Siècle…………………….1 Chapter 1 – Fantastic Phantoms and Gothic Guys: Super-natural Doubles in Iginio Ugo Tarchetti’s Racconti fantastici e Fosca………………………………………………………35 Chapter 2 – Oneiric Others and Pathological (Dis)pleasures: Luigi Capuana’s Clinical Doubles in “Un caso di sonnambulismo,” “Il sogno di un musicista,” and Profumo……………………………………………………………………………………..117 Chapter 3 – “There’s someone in my head and it’s not me:” The Double Inside-out in Emilio De Marchi’s Early Novels…………………..……………………………………………...222 Conclusion – Three’s a Fantastic Crowd……………………...……………………………322 1 The (Super)natural Double in the Fantastic Fin de Siècle: The disintegration of the subject is most often underlined as a predominant trope in Italian literature of the Twentieth Century; the so-called “crisi del Novecento” surfaces in anthologies and literary histories in reference to writers such as Pascoli, D’Annunzio, Pirandello, and Svevo.1 The divided or multifarious identity stretches across the Twentieth Century from Luigi Pirandello’s unforgettable Mattia Pascal / Adriano Meis, to Ignazio Silone’s Pietro Spina / Paolo Spada, to Italo Calvino’s il visconte dimezzato; however, its precursor may be found decades before in such diverse representations of subject fissure and fusion as embodied in Iginio Ugo Tarchetti’s Giorgio, Luigi Capuana’s detective Van-Spengel, and Emilio De Marchi’s Marcello Marcelli. -
Popular Repertoire (1960’S – Present Day)
! " Popular repertoire (1960’s – present day) 9 To 5 – Dolly Parton Billie Jean – Michael Jackson 500 Miles – The Proclaimers Bittersweet Symphony - The Verve Adventure Of A Lifetime - Coldplay Blackbird – The Beatles Agadoo – Black Lace Blowers Daughter – Damien Rice Ain’t No Mountain High Enough – Ashford/ Simpson Bohemian Rhapsody - Queen All About That Bass – Meghan Trainor Brown Eyed Girl – Van Morrison All About You - McFly Budapest – George Ezra All I Want Is You – U2 Build Me Up Buttercup – The Foundations All Of Me – John Legend Burn – Ellie Goulding All The Small Things – Blink 182 Can’t Help Falling In Love – Elvis Presley All You Need Is Love – The Beatles Can’t Stop The Feeling – Justin Timberlake Always a Woman – Billy Joel Can’t Take My Eyes Off You – Bob Crewe/Bob Gaudio Always On My Mind – Elvis Presley Chasing Cars – Snow Patrol Amazing (Just The Way You Are) – Bruno Mars Cheerleader - OMI Amazed - Lonestar Close To You - America – Razorlight Burt Bacharach Apologize – One Republic Come On Eileen – Dexy’s Midnight Runners At Last – Etta James Common People – Pulp Back for Good - Take That Copacabana – Barry Manilow Bad Romance – Lady Gaga Crazy In Love – Beyonce Beat It – Michael Jackson Crazy Little Thing Called Love - Queen Beautiful Day – U2 Dancing Queen - Abba Beautiful In White - Westlife Despacito – Justin Bieber/Luis Fonsi Ben – Michael Jackson Don’t Stop Believing - Journey Beneath Your Beautiful – Emeli Sande/ Labyrinth Don't Stop Me Now - Queen Best Day Of My Life – American Authors Don’t Stop Movin’ – S Club -
Coexistence of Mythological and Historical Elements
COEXISTENCE OF MYTHOLOGICAL AND HISTORICAL ELEMENTS AND NARRATIVES: ART AT THE COURT OF THE MEDICI DUKES 1537-1609 Contents Introduction ........................................................................................................................................................ 3 Greek and Roman examples of coexisting themes ........................................................................ 6 1. Cosimo’s Triumphal Propaganda ..................................................................................................... 7 Franco’s Battle of Montemurlo and the Rape of Ganymede ........................................................ 8 Horatius Cocles Defending the Pons Subicius ................................................................................. 10 The Sacrificial Death of Marcus Curtius ........................................................................................... 13 2. Francesco’s parallel narratives in a personal space .............................................................. 16 The Studiolo ................................................................................................................................................ 16 Marsilli’s Race of Atalanta ..................................................................................................................... 18 Traballesi’s Danae .................................................................................................................................... 21 3. Ferdinando’s mythological dream ............................................................................................... -
Distinguished Artists Concert Series
Supervisor JOSEPH SALADINO presents 2018 - 2019 Distinguished Artists Concert Series Co-Sponsoring Libraries Bethpage • Farmingdale • Hicksville • Jericho • Locust Valley Massapequa • Plainview-Old Bethpage • Syosset A Message from Joseph Saladino Town Supervisor Dear Neighbor, The Town of Oyster Bay2018-2019 Distinguished Artists Concert series will, once again, offer a diverse season of musical programs, which will kick off in October. Whatever your musical taste, Opera, Pop, Jazz, Classical or anything in between, there is something for everyone. The concert season begins on Sunday, October 7, 2018 at the Locust Valley Library with Mambo Loco performing Old-School Latin & Latin Jazz and continues through Sunday, May 19, 2019 culminating with a performance by Just Sixties - a multi-media retrospective of the 1960’s. This season’s lineup also includes The Hambones - Country/Rockabilly, River of Dreams - a tribute to the music of Billy Joel, The Tribunes - authentic Street Corner Harmony, New Vintage Orchestra performing Swing & Jazz Hits of a Lifetime, and Sasha Papernik & Her Band - an homage to Burt Bacharach & Hal David, just to name a few. My fellow Town Board members and I are proud to provide residents with some of the very finest cultural and performing arts entertainment available. All concerts are free of charge and are held at conveniently-located local libraries throughout the Town. Please take a few moments to glance through the brochure and begin planning your entertainment schedule. We look forward to seeing you at the -
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
Elvis Costello and Blondie
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums). -
Love Songs Press Release
1 THE MOST ROMANTIC SONGS RECORDED BY THE ACCLAIMED AARON NEVILLE, INCLUDING TRACKS WITH LINDA RONSTADT AND THE NEVILLE BROTHERS, COLLECTED ON NEW COMPILATION AARON NEVILLE: LOVE SONGS “With an angelic voice capable of reconciling spiritual opposites-–wisdom and innocence, masculinity and femininity, the sacred and the profane--(Aaron) Neville can pretty much find the soul of any song...(using) that famous catch in his throat to convey the exuberance of unbridled passion.” --Rolling Stone (1995) The sweet soulful voice of Aaron Neville--the most familiar figure of New Orleans’ first family of music--has been brought to bear on love songs since the late ‘60s. Now 14 of those love songs from his most successful period, the ‘80s and ‘90s, have been collected on Aaron Neville: Love Songs (A&M/UME), released January 14, 2003. With the album co-compiled by Neville himself, each digitally remastered track was selected for its power of romance rather than its chart position. As a result, Aaron Neville: Love Songs brings most of these songs, spanning the years 1981 to 1997, together for the first time on any compilation. The album is the latest in the artist-driven, genre-crossing yet thematic Love Songs series which has previously included collections from Etta James, Elton John, and Stephanie Mills and is scheduled to release albums from Diana Ross, Marvin Gaye, the Moody Blues, Peggy Lee and more. Two recordings heard on Aaron Neville: Love Songs are actually from The Neville Brothers (Aaron, Art, Charles and Cyril): their Nawlins renditions of the doo-wop classic “The Ten Commandments Of Love” and ballad standard “Mona Lisa,” both from the siblings’ 1981 Joel Dorn-produced album Fiyo On The Bayou. -
ENROLLED 2021 Regular Session HOUSE BILL NO. 351 by REPRESENTATIVES PIERRE, AMEDEE, BRYANT, ROBBY CARTER, WILFORD CARTER, COX, D
ENROLLED 2021 Regular Session HOUSE BILL NO. 351 BY REPRESENTATIVES PIERRE, AMEDEE, BRYANT, ROBBY CARTER, WILFORD CARTER, COX, DUPLESSIS, FREEMAN, GREEN, HARRIS, HUGHES, TRAVIS JOHNSON, JONES, GREGORY MILLER, NEWELL, SEABAUGH, SELDERS, STAGNI, WHITE, AND WILLARD 1 AN ACT 2 To amend and reenact R.S. 49:155(A) and (B), relative to state symbols; to designate 3 "Southern Nights" by Allen Toussaint as the official state cultural song; and to 4 provide for related matters. 5 Be it enacted by the Legislature of Louisiana: 6 Section 1. R.S. 49:155(A) and (B) are hereby amended and reenacted to read as 7 follows: 8 §155. State song 9 A. The official state song for the State of Louisiana shall be a musical 10 composition, with words and music by Doralice Fontane, entitled: "Give Me 11 Louisiana"; the words and music1 reading as follows: 12 Give me Louisiana, 13 The state where I was born 14 The state of snowy cotton, 15 The best I've ever known; 16 A state of sweet magnolias 17 And creole melodies 18 Oh give me Louisiana, 19 The state where I was born 20 Oh what sweet old mem'ries 21 The mossy old oaks bring Page 1 of 6 CODING: Words in struck through type are deletions from existing law; words underscored are additions. HB NO. 351 ENROLLED 1 It brings us the story of our Evangeline 2 A state of old tradition, 3 Of old plantation days 4 Makes good old Louisiana 5 The sweetest of all states. 6 Give me Louisiana, 7 A state prepared to share 8 That good old southern custom, 9 Hospitality so rare; 10 A state of fruit and flowers, 11 Of sunshine and spring showers 12 Oh give me Louisiana, 13 The state where I was born 14 Its woodlands, Its marshes 15 Where humble trappers live 16 Its rivers, Its valleys, 17 A place to always give 18 A state where work is pleasure, 19 With blessings in full measure 20 Makes good old Louisiana 21 The dearest of all states. -
Verdi Otello
VERDI OTELLO RICCARDO MUTI CHICAGO SYMPHONY ORCHESTRA ALEKSANDRS ANTONENKO KRASSIMIRA STOYANOVA CARLO GUELFI CHICAGO SYMPHONY CHORUS / DUAIN WOLFE Giuseppe Verdi (1813-1901) OTELLO CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI 3 verdi OTELLO Riccardo Muti, conductor Chicago Symphony Orchestra Otello (1887) Opera in four acts Music BY Giuseppe Verdi LIBretto Based on Shakespeare’S tragedy Othello, BY Arrigo Boito Othello, a Moor, general of the Venetian forces .........................Aleksandrs Antonenko Tenor Iago, his ensign .........................................................................Carlo Guelfi Baritone Cassio, a captain .......................................................................Juan Francisco Gatell Tenor Roderigo, a Venetian gentleman ................................................Michael Spyres Tenor Lodovico, ambassador of the Venetian Republic .......................Eric Owens Bass-baritone Montano, Otello’s predecessor as governor of Cyprus ..............Paolo Battaglia Bass A Herald ....................................................................................David Govertsen Bass Desdemona, wife of Otello ........................................................Krassimira Stoyanova Soprano Emilia, wife of Iago ....................................................................BarBara DI Castri Mezzo-soprano Soldiers and sailors of the Venetian Republic; Venetian ladies and gentlemen; Cypriot men, women, and children; men of the Greek, Dalmatian, and Albanian armies; an innkeeper and his four servers; -
2019-07-07 Edition
TODAy’s WeaTHER SUNDAY, JULY 7, 2019 Today: Mostly to partly cloudy. Tonight: Partly cloudy. SHERIDAN | NOBLESVILLE | CICERO | ARCADIA IKE ATLANTA | WESTFIELD | CARMEL | FISHERS NEWS GATHERING L & PARTNER FOLLOW US! HIGH: 85 LOW: 66 As I struggle to rest … My calendar COLUMNIST So for a few had me meeting days I hit the myself coming pause button. and going. I kept Life slows down tripping over my and I allow my- feet as they tried self to rest. to go in several I admit I directions, all at struggle to do so. once. Chuck keeps tell- My "to do" JANET HART LEONARD ing me to GOI: list looked like From the Heart Get over it. Get it was for a crew over the guilt of of energetic 20-year-olds, doing nothing. He reminds not a 60+ year old grand- me I don't have to be doing mother. something, all the time, for My shadow was being everyone. dragged home nightly. It It is difficult for a care- Reporter photo Stu Clampitt was not happy with me. giving, people pleasing, While the threat of rain kept the number of car show entrants lower than last year, more car enthusiasts Ten- and 12-hour days agenda driven person like came to see the show than ever before. The Lions also raised over $3,000 for the Cystic Fibrosis Foundation. at work led to too many me to be okay with resting. nights of missing Jeopar- It always has been. dy. The answer was getting I have the "need to be th away and allowing my mind busy" syndrome. -
Etn1958 Vol04 21 Modesto IC4A
TRACK NEWSLETTER Vol. 4, No. 21, June 3, 1958 Box 296, Los Altos, OOif. Published by Track & Field News Bert & Cordner Nelson, Editors $6 per year Issued twice monthly NEWS CAROLINAS' AAU, Raleigh, May 17: Johnson, NCC, 48.0; Riley, NCC, ·48.1; Robinson, NCC, 9.,5 (Sime pulled muscle); Gilbert, Winston-Salem, 13. 7; Washington, W-S, 14. 3; Robinson 20. 8; Gilbert, 22.1, new world low hurdle record; Washington 22. 3; North Carolina College A. A. 3: 13. 3. · TEXAS AAU, Houston, May 17 (wet track): Sandoval, Lamar Tech, 4:11.0; Darley, Houston, 4: 13. 5; Reeves, ACC, 4: 15; HJ- Stewart, SMU, 61 8¾; 440R- East Texas 41.1; ACC Frosh 41. 2, Rice 41. 3; 440-Jeble, Houston frosh, 48. 0; 100-Weaver, North Texas, 9. 6; HH-Cooley, ACC frosh, 14. 3, from Fannon, Ellis & McKee; 880R-Houston frosh 1: 26. 2, equals national frosh record; 880-Edwards, ACC , 1: 52. 5; Lo adman, Houston, 1: 52., 8; · 2-mile- Macy, unat, 8:59. 2; Ahlberg, SMU frosh, 9:15. 7; 220LH-Cooley 23. 7; 220-Weaver, 21. o; Mile Realy-Houston, 3: 16. 5., AAU MARATHON Yonkers, N. Y., May 18: John Kelley 2: 21: oo.4, new record; 2, Alfred Confalone 2:32:06; 3, Ted Corbitt 2:35:44; 4, Lafferty 2:36:59; 5, Mendez 2:39:09; 6, Green 2:39:30; 7, Kahalani 2:39:42; 8, Scandura 2:43:08; 9, DiComandrea 2:44:28; 10, Scotto 2:45:18; 11, Dones, 2:49:17; 12, Kelley, 2:49:50; 13, Harris, 2:50:16; 14,Packard2:50 OKLAHOMAAAU, Stillwater, May 23: Erwin, O, 53'10¼; Lindsay, OU Frosh, 52'5¾; Givens 9. -
Show #1276 --- Week of 6/24/19-6/30/19
Show #1276 --- Week of 6/24/19-6/30/19 HOUR ONE--SEGMENTS 1-3 SONG ARTIST LENGTH ALBUM LABEL________________ SEGMENT ONE: "Million Dollar Intro" - Ani DiFranco :55 in-studio n/a "The Luckiest"-Ben Folds 4:20 Rockin’ The Suburbs Epic "Atlantic"-Kelsey Lu 3:10 Blood Columbia "Hard Way"-Jamestown Revival 3:15 San Isabel Thirty Tigers "Hardwired"-Hailey Knox (in-studio) 3:25 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** New West Records/Buddy & Julie Miller "Breakdown On 20th Ave. South" (:30) Outcue: " at NewWestRecords.com." TOTAL TRACK TIME: 16:52 ***PLAY CUSTOMIZED STATION ID INTO: SEGMENT TWO: "Turn Off The News (Build A Garden)"-Promise Of The Real 3:00 Turn Off The News (Build A Garden) Fantasy ***INTERVIEW & MUSIC: RODRIGO y GABRIELA ("Kratona Days," "Electric Soul") in-studio interview/performance n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** The Ark/"Monthly Schedule" (:30) Outcue: " TheArk.org." TOTAL TRACK TIME: 20:00 SEGMENT THREE: "Weak Wrists"-Elissa LeLeCoque (Song.Writer podcast) 3:30 Perspective self-released "Heavy On My Mind"-Mavis Staples 3:40 We Get By Anti- "Pull You Close"-JR JR 3:55 Invocations/Conversations Love Is EZ "Walter Reed"-Michael Penn (in-studio) 3:40 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Leon Speakers/"The Leon Loft" (:30) Outcue: " at LeonSpeakers.com." TOTAL TRACK TIME: 18:08 TOTAL TIME FOR HOUR ONE-55:00 acoustic café · p.o. box 7730 · ann arbor, mi 48107-7730 · 734/761-2043 · fax 734/761-4412 [email protected] ACOUSTIC CAFE, CONTINUED Page 2 Show