DOCSLIB.ORG

Wavelength (April 1981)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wavelength (April 1981) University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson. Contra<! Adnrtbin& Sales, Steve Gifford, Lyle Mauhews. Conlr1butlna Alllll, Skip Boi<n, Bunny Mauhews, Julia Nead, Kathl..:n Perry. Db lr1bulion, Laverne Kelly, Star Irvine. Co•lrlbutors, c.tos Boll, Jerry Brock, Bill Cat, Yorke Corbin, Ron Cuccia, Steve Cunningham, Zeke Fishhead, Steve Graves, Gilberl Holilawic:k, Coni Joseph, Andy Kaslow, Tim Lyman, Bunny Mauhews, Hammond Scou, Jim Scheurich, Almost Slim, Rhodes Spcdak, Kellh Twichell. lt'IYtltrlrrh 11 published monthly in New Orleans. Telephone (S04) $29-$962. Mail Subscriptions, address chanses to W-/engtlr, Saenger Theatre 8 p.m. llolll667, New Orleans, La. 7017$. Subscription rate, S8 per year. Foreisn, Sl$ per year. The entire contents or Wavelength are ..,...ttt 1981 Wa>"tltntllr. Sat.~ April 25 VIDEO MUSIC John Experience both the VISUAL and McLau8hl~n, the audio intensity of your D~Meola, favorite artist on videotape. AI Buy or Trade for only $5.00 Paco deLuc~a McAlister Auditorium • Fleetwood Mac • Rod Stewart Tulane University Campus • Gary Numan • Paul Simon 8p.m. • ELO • Barbra Streisand • james Taylor • Olivia Newton-john The Clash "Thousands of Titles Available" (Ask About Our Wed.~ April 29 VIdeo Tape Trade Club) AIR SUPPLY ~ AVAILABLE AT: VIDEO SPECTRUM Saenger Theatre 8 p .m. METAIRIE HOURS: N.O. EAST Tickets on sale at all 6601 Veterans Blvd. Mon.-Fri.: 11-8 7166 Crowder Blvd. TicketMaster locations 885-6527 Sat.: 1~8 241-9072 WAVELENGTH/ APRIL 1981 3 April Musicians for Music Elsewhere in this issue, various local musicians comment on the obstacles to pursuing their art in New Orleans. One group of New Orleans musicians has organized to overcome some of those obstacles-Musicians for Music, which is holding a benefit at Tipitina's on Sunday, AprilS. Proceeds from the performance will help further the organization's work in promoting in­ novative music on the local level; "OYSTER DAY" previous projects have included put­ LIMITED EDITION OF 1 000 ting together local concert series in SIGNED AND NUMBERED conjunction with the public radio and SIX-COLOR SILK SCREEN BY television stations. TERRY BAHM AND SUSAN PATENOTTE The benefit at Tipitina's will feature IMAGE SIZE: 24" x 33" PRICE: $30.00 Jasmine, with Patrice Fisher and Sun Kim; Woodenhead, with Jimmy fR~MING Robinson; and soloist Judith Grazaffi. SCHE:URICH- G~LLE:RV & Further information about Musicians 1022 LOW€RLIN€ <iTR€€T N.O ..L~ . 70118 for Music will be available at the per­ (504) 861-8319 formance or by contacting Patrice Fisher at 242-2323. Jazz Excursion WYES-TV expands its commitment to local music programming in April THE with the beginning of its Jazz Excur­ sion series, which will feature five local jazz artists on ten programs. The series premieres on Tuesday, Aprill4, at 9 p.m., with a one hour special featuring all five muscians: Lloyd Ellis, Ellis Marsalis, AI Belleto, Pete Fountain and Luther Kent. Lloyd Ellis will appear on a half hour show on April 21, followed by Ellis Marsalis at TUES. the same time on April 28. The series is 25c DRAFT produced by Emmy Award winner WED. John Beyer, who considers himself a SOc HI BALLS CORNER jazz specialist. THURS. BROADWAY LADIES NIGHT & & ZIMPLE Women In Jazz DOUBLE SHOTS 866·9008 Concert In April The "Women In Jazz/ Nighttime APRIL SCHEDULE Concerts" is a new series beginning Thurs. 2nd Johnny Allen Thurs. 9th Radiators this April designed to bring to New Fri. 3rd The Meters Fri. 10th L'il Queenie Orleans nationally known top women Sun. 5th Godot Sun. 12th BLOCK PARTY jazz artists, and to showcase locally Tues. 7th James Rivers Thurs. 23rd Wyldabeats involved women in jazz here in New Thurs. 30th Night Riders Orleans. *BLOCK PARTY (Meters, Radiators, James Rivers) Opening up the series on Friday, April 17, will be local jazz vocalist Lady BJ and her band Spectrum, and 4 WAVELENGTH/ APRIL 1981 in from Berkeley, California, will be recording artist Mary Watkins, an ex­ quisitely intricate jazz pianist, singer,and composer, who will be ap­ pearing with her trio. On Friday, April 24, the New Orleans group Jasmine, featuring Patrice Fisher and Sun Wha Kim, and topping this con­ temporary jazz bill will be the jazz THE quintet, Alive!, also recording artists from Berkeley. Other concerts in the works are Flora Purim, Phoebe Snow and pianist Joanne Brackeen. All shows will be held at the Con­ temporary Arts Center, 900 Camp. Admission is $6, $5 for CAC members. Lois Dejean vs. the Jazz Fest According to a report in the Loui­ siana Weekly, Lois Dejean, leader of the Youth Inspirational Choir and associate director of the Gospel Tent at the New Orleans Jazz and Heritage Festival, is threatening the festival with a discrimination suit and a boycott by 20 gospel groups. Dejean maintains that she was summarily dismissed from her position as Jazz Fest office manager and demoted to secretary, with a cut in pay. Her replacement is a white woman, and Dejean alleges discriminatory prac­ tises, noting that although the over­ DO-IT-YOURSELF whelming majority of musicians play­ ing in the festival are black, most of FRAMING the festival staff is white. Her case is PICTURE now pending before the Equal Employment Opportunity Commis­ IS CHEAPER THAN sion, and no one is inclined to com­ ment further at this point. Dejean is FRAMING. not revealing the names of any groups CUSTOM that might be involved in the boycott. RIGHT? Club News We at the FRAMEHOUSE wanted to make a graphiC example of how we make fram1n g affordable So we went and did some do-it-yourself The Boot, uptown, is featuring live frames ( 16 X 20 II 11 silver frame . reg glass and mount1ng) and here music these days. The Percolators, 1S what we diSCovered when our custom pnce 1S compared to the1r Radiators, et al, have made ap­ dO·It·yourself pnce. pearances already. BUSINESS PRICE DIFFERENCE Victor's, in the Quarter, home of • Do·lt·Yourself Creole cooking and the band of the Frame Shop $32 07 COSTS YOU 36°o MORE same name, has become a hangout Gen Persh1ng for musicians after hours. Rumor has • Do·lt·Yourself Frame Shop 30 64 COSTS YOU 30 ~o MORE it that Cooking's pianist, Antoine Adams St. Domino Jr., had a visit from his dad Do·lt·Yourselt recently for a little jam session. Frame Shop 28 85 COSTS YOU 23°o MORE The Dunn Inn is opened and book­ Veterans Blvd ing hot reggae and jazz acts. The pro­ FRAMEHOUSE 23 50 WE MAKE FRAMING AFFORDABLE prietors are calling it "The late night FRAMEHOUSE/1130 St. Charles Ave./566-0949/M-S, 10-6 place for debauchery." They said it; we didn 't. WRONG. WAVELENGTH/ APRIL 1981 5 n By Nancy Weldon and Bunny Matthews I;;HAPS you've wondered-if all these New Orleans to be original, and take the time to create, rather than try­ musicians are as incredible as they seem to be, why don't ing to sound like Earth, Wind and Fire or somebody that's more of them (or any of them) have heated guitar-shaped already made it. .. I think that's his biggest obstacle." Also, swimming pools in their backyards, matched sets of "It's easier for, cheaper for a bar owner or nightclub Mercedes coupes in their garages and diamonds on their owner to spin records or put a tape on." pinkies a bit smaller than your average golfball? We've wondered ourselves and failing to come up with any sound J RMA THOMAS, vocalist. conclusion, we decided to ask a selection of New Orleans "I would daresay, yes, a musician is his own obstacle to music business notables for their thoughts on the matter. success ... because a lot of them are never prompt. .. They Their astute replies follow: don't have any dedication. They like the money, but they don't like to be dedicated to anything .. .Instead of treating it like a job, they treat it like--in fact they don't treat it as Q. What would you say is the biggest obstacle to suc­ good as a hobby 'cause most of 'em treat their hobbies bet­ cess to a working musician in New Orleans? ter than some people treat their jobs .
Load more

Recommended publications
  • Public Diplomacy 1981 (March 1981-June 1981)
    Ronald Reagan Presidential Library Digital Library Collections This is a PDF of a folder from our textual collections. Collection: Blair, Dennis: Files Folder Title: Public Diplomacy 1981 (March 1981 – June 1981) Box: RAC Box 4 To see more digitized collections visit: https://reaganlibrary.gov/archives/digital-library To see all Ronald Reagan Presidential Library inventories visit: https://reaganlibrary.gov/document-collection Contact a reference archivist at: [email protected] Citation Guidelines: https://reaganlibrary.gov/citing National Archives Catalogue: https://catalog.archives.gov/ WITHDRAWAL SHEET Ronald Reagan Library Collection Name BLAIR, DENNIS: FILES Withdrawer CAS 5/16/2012 File Folder PUBLIC DIPLOMACY 1981 (MARCH 1981 - JUNE 1981) FOIA Ml 1-442 Box Number 4 HAENNI I ID Doc Type Document Description No of Doc Date Restrictions Pages 136901 CABLE RE TACTICS 3 3/17/1981 Bl D 3/21/2017 M442/1 136903 CABLE STATE 098311 2 4/17/1981 Bl R 8/23/2016 M442/1 136904 CABLE STA TE 098311 4 4/17/1981 Bl R 8/23/2016 M442/1 136906 NOTES RE INTERAGENCY MEETING RE SHAPING 8 ND Bl EUROPEAN ATTITUDES R 8/23/2016 M442/1 136919 MEMO BLAIR TO ALLEN RE INTERAGENCY GROUP 2 5/8/1981 Bl MEETING R 8/23/2016 M442/1 136922 CABLE BONN 10462 3 5/27/1981 Bl R 8/23/2016 M442/1 136947 MEMO RICHARD GILBERT TO INTERAGENCY 6/ 15/1981 Bl PUBLIC AFF ARIS WORKING GROUP RE MATERIALS FOR JUNE MEETING PAR 9/22/2017 M442/1 136927 CABLE BONN 11170 4 6/9/1981 Bl R 8/23/2016 M442/1 Freedom of Information Act• (5 U.S.C.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
    [Show full text]
  • Love Songs Press Release
    1 THE MOST ROMANTIC SONGS RECORDED BY THE ACCLAIMED AARON NEVILLE, INCLUDING TRACKS WITH LINDA RONSTADT AND THE NEVILLE BROTHERS, COLLECTED ON NEW COMPILATION AARON NEVILLE: LOVE SONGS “With an angelic voice capable of reconciling spiritual opposites-–wisdom and innocence, masculinity and femininity, the sacred and the profane--(Aaron) Neville can pretty much find the soul of any song...(using) that famous catch in his throat to convey the exuberance of unbridled passion.” --Rolling Stone (1995) The sweet soulful voice of Aaron Neville--the most familiar figure of New Orleans’ first family of music--has been brought to bear on love songs since the late ‘60s. Now 14 of those love songs from his most successful period, the ‘80s and ‘90s, have been collected on Aaron Neville: Love Songs (A&M/UME), released January 14, 2003. With the album co-compiled by Neville himself, each digitally remastered track was selected for its power of romance rather than its chart position. As a result, Aaron Neville: Love Songs brings most of these songs, spanning the years 1981 to 1997, together for the first time on any compilation. The album is the latest in the artist-driven, genre-crossing yet thematic Love Songs series which has previously included collections from Etta James, Elton John, and Stephanie Mills and is scheduled to release albums from Diana Ross, Marvin Gaye, the Moody Blues, Peggy Lee and more. Two recordings heard on Aaron Neville: Love Songs are actually from The Neville Brothers (Aaron, Art, Charles and Cyril): their Nawlins renditions of the doo-wop classic “The Ten Commandments Of Love” and ballad standard “Mona Lisa,” both from the siblings’ 1981 Joel Dorn-produced album Fiyo On The Bayou.
    [Show full text]
  • ENROLLED 2021 Regular Session HOUSE BILL NO. 351 by REPRESENTATIVES PIERRE, AMEDEE, BRYANT, ROBBY CARTER, WILFORD CARTER, COX, D
    ENROLLED 2021 Regular Session HOUSE BILL NO. 351 BY REPRESENTATIVES PIERRE, AMEDEE, BRYANT, ROBBY CARTER, WILFORD CARTER, COX, DUPLESSIS, FREEMAN, GREEN, HARRIS, HUGHES, TRAVIS JOHNSON, JONES, GREGORY MILLER, NEWELL, SEABAUGH, SELDERS, STAGNI, WHITE, AND WILLARD 1 AN ACT 2 To amend and reenact R.S. 49:155(A) and (B), relative to state symbols; to designate 3 "Southern Nights" by Allen Toussaint as the official state cultural song; and to 4 provide for related matters. 5 Be it enacted by the Legislature of Louisiana: 6 Section 1. R.S. 49:155(A) and (B) are hereby amended and reenacted to read as 7 follows: 8 §155. State song 9 A. The official state song for the State of Louisiana shall be a musical 10 composition, with words and music by Doralice Fontane, entitled: "Give Me 11 Louisiana"; the words and music1 reading as follows: 12 Give me Louisiana, 13 The state where I was born 14 The state of snowy cotton, 15 The best I've ever known; 16 A state of sweet magnolias 17 And creole melodies 18 Oh give me Louisiana, 19 The state where I was born 20 Oh what sweet old mem'ries 21 The mossy old oaks bring Page 1 of 6 CODING: Words in struck through type are deletions from existing law; words underscored are additions. HB NO. 351 ENROLLED 1 It brings us the story of our Evangeline 2 A state of old tradition, 3 Of old plantation days 4 Makes good old Louisiana 5 The sweetest of all states. 6 Give me Louisiana, 7 A state prepared to share 8 That good old southern custom, 9 Hospitality so rare; 10 A state of fruit and flowers, 11 Of sunshine and spring showers 12 Oh give me Louisiana, 13 The state where I was born 14 Its woodlands, Its marshes 15 Where humble trappers live 16 Its rivers, Its valleys, 17 A place to always give 18 A state where work is pleasure, 19 With blessings in full measure 20 Makes good old Louisiana 21 The dearest of all states.
    [Show full text]
  • Marlon Roudette New Age Mp3, Flac, Wma
    Marlon Roudette New Age mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: New Age Country: France Released: 2012 MP3 version RAR size: 1732 mb FLAC version RAR size: 1309 mb WMA version RAR size: 1877 mb Rating: 4.8 Votes: 198 Other Formats: XM MPC MP1 FLAC AC3 AA WAV Tracklist Hide Credits 1 New Age (Radio Edit) 3:11 New Age (Moto Blanco Radio Remix) 2 3:19 Remix [Additional], Producer [Additional], Programmed By [Additional] – Moto Blanco Companies, etc. Record Company – Universal Music GmbH Record Company – Universal Music Group Phonographic Copyright (p) – Matter Fixed Limited Copyright (c) – Matter Fixed Limited Licensed To – Universal Music Domestic Rock/Urban Manufactured By – Arvato – 54996207 Recorded At – Sleeper Sounds Published By – EMI Music Publishing Published By – Stage Three Music Publishing Ltd. Credits Artwork – Felix Schlueter* Copyist – Rosie Rose Sharp Drums – Marlon Roudette Drums [Additional] – Grippa Laybourne* Keyboards [Additional Keys], Programmed By [Additional Programming] – Antti Uusimaki Keyboards [Keys], Bass Guitar [Bass] – Guy Chambers Management, Executive-Producer – Alfe Hollingsworth Photography By – Katja Kuhl Photography By [Additional] – Marlon Roudette Producer – Guy Chambers, Mattafix Producer [Additional], Mixed By – Grippa Laybourne* Programmed By [Original Programming] – Paul Stanborough Written-By – Guy Chambers, Marlon Roudette Notes Cardboard sleeve. Barcode and Other Identifiers Barcode (Text): 6 02527 96937 4 Barcode (String): 602527969374 Mastering SID Code: IFPI LB47
    [Show full text]
  • Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
    AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black ..................................
    [Show full text]
  • Complete Band and Panel Listings Inside!
    THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple.
    [Show full text]
  • Wavelength Midlo Center for New Orleans Studies
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1986 Wavelength (February 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1986) 64 https://scholarworks.uno.edu/wavelength/56 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UNIVERSI COS50 12/31199 BULK RATE EARL KLON6 LIBRARY tnL U. S. POSTAGE UNIV OF N.O. PAID ACQUISITIONS DEPT I N.O., LA 70148 ·VV39 Lt} COL. VIITDANS AT DAVID MON. -THUR. 1o-1 0 FRI. & SAT. 10-11 SUN. NOON-9 885-4200 Movies, Music & More! METAIRIE NEWORLEANS ¢1NEW LOCATIONJ VETmiANS ..,.~ sT. AT ocTAVIA formerly Leisure Landing 1 BL EAST OF CAUSEMY MON.-SAT. 1o-10 • MON.-SAT. 1o-10 SUN. NOON-8 SUN. NOON-9 88t-4028 834-8550 f) I ISSUE NO. 64 • FEBRUARY 1986 w/m not sure. but I'm almost positive. thai all music came from New Orleans.·· Ernie K-Doe. 1979 Features Flambeaux! ...................... 18 Slidell Blues . ......... ............ 20 James Booker . .................... 23 Departments February News . 4 Caribbean . 6 New Bands ....................... 8 U.S. Indies . ...................... 10 Rock ............................ 12 16-track Master Recorder: Movies .......................... 15 Reviews ........ ................ 17 Fostex B-16 February Listings ................. 25 Classifieds ....................... 29 Last Page . ....................... 30 COVER ART BY SKIP BOLEN Two #l hits in October. Member of NetWOfk Next? Puhlhhu. 'aun1an S S.ullt f..ditc•r .
    [Show full text]
  • Trade Moving to Same Col Tops Hot 100 Chart
    OCTOBER 25, 1969 $1.00 SEVENTY-FIFTH YEAR The International Music -Record Tape Newsweekly COIN MACHINE Bi oa PAGES 41 TO 48 Trade Moving to Same Col Tops Hot 100 Chart 8 -Track, Cassette Price By BRUCE WEBUR Report; Keeps LP Lead LOS ANGELES - Industry The tape duplicator joins By FRED KIRBY trends point to a $6.98 stand- Columbia, RCA and Capitol, NEW YORK - Columbia Columbia also led for the Seven Arts complex, which also ard for both 8 -track and cas- among the major record manu- maintained its leading position third quarter on the Top LP's includes that label, which was by 1 sette, and Jan. an indus- facturers to establish a cassette in percentage of spots on Bill- Chart, but the top quarter Hot ninth with 23 titles for 3.6 per- try -wide price is ex- posture standard equal to that of its board's Top LP's Chart for the 100 scorer was RCA with 16 cent. Columbia's leading posi- pected. 8 -track cartridge product. first nine months of the year titles and 8.4 percent of the tion for last year's first three today's markups Many of in If traditional record labels, and gained the top position on chart, compared to Columbia's quarters was only supported by price tags as an come after- (Continued on page 14) Hot 100 percentage. 16 titles for 6.9 percent. 65 titles. math to rising costs at the man- ufacturing and distribution The nine -month Top's LP's RCA rose from its sixth spot leaders were points.
    [Show full text]
  • Newsletternewsletter March 2015
    NEWSLETTERNEWSLETTER MARCH 2015 HOWARD ALDEN DIGITAL RELEASES NOT CURRENTLY AVAILABLE ON CD PCD-7053-DR PCD-7155-DR PCD-7025-DR BILL WATROUS BILL WATROUS DON FRIEDMAN CORONARY TROMBOSSA! ROARING BACK INTO JAZZ DANCING NEW YORK ACD-345-DR BCD-121-DR BCD-102-DR CASSANDRA WILSON ARMAND HUG & HIS JOHNNY WIGGS MOONGLOW NEW ORLEANS DIXIELANDERS PCD-7159-DR ACD-346-DR DANNY STILES & BILL WATROUS CLIFFF “UKELELE IKE” EDWARDS IN TANDEM INTO THE ’80s HOME ON THE RANGE AVAilable ON AMAZON, iTUNES, SPOTIFY... GHB JAZZ FOUNDATION 1206 Decatur Street New Orleans, LA 70116 phone: (504) 525-5000 fax: (504) 525-1776 email: [email protected] website: jazzology.com office manager: Lars Edegran assistant: Jamie Wight office hours: Mon-Fri 11am – 5pm entrance: 61 French Market Place newsletter editor: Paige VanVorst contributors: Jon Pult and Trevor Richards HOW TO ORDER Costs – U.S. and Foreign MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB JAZZ FOUNDATION. You will then receive your membership card by return mail or with your order. As a member of the Collector’s Club you will regularly receive our Jazzology Newsletter. Also you will be able to buy our products at a discounted price – CDs for $13.00, DVDs $24.95 and books $34.95. Membership continues as long as you order one selection per year. NON-MEMBERS For non-members our prices are – CDs $15.98, DVDs $29.95 and books $39.95. MAILING AND POSTAGE CHARGES DOMESTIC There is a flat rate of $3.00 regardless of the number of items ordered.
    [Show full text]
  • Eric Clapton
    ERIC CLAPTON ERIC TRACK LISTING Blues all day long “The Mississippi Delta” StandingStanding aroundaround cryingcrying “The giants” Forty-four It hurts me too “So much emotion” Early in the morning “Like breaking glass” Five long years THE BLUES BUT NOTHING Crossroads “The black James Dean” Malted milk “Chop the cotton” Motherless child How long “Shuffl es” Reconsider baby In late November 1994, movie director and blues music fan Martin Scorcese fi lmed a Sinner’s prayer documentary on guitarist Eric Clapton, who was touring the United States with his “Vibrato” “Nothing but the blues” show. Scorcese recorded interviews with the musician on why the blues genre had infl uenced him so much, as well as two complete shows from the tour Everyday I have the blues at The Fillmore in San Francisco. Someday after a while “Make it sing like a voice” The results of Scorcese’s work were aired once on PBS television stations in the United States, but have never been seen since. Until now. Now on DVD, with visuals taken from Have you ever loved a woman a rare Warner Music promotional video and remastered concert sound from the original Tore down pre-FM master tapes, this fi lm provides a lasting chronicle of one of Clapton’s most “A more vibrant tone” critically-acclaimed tours. Groaning the blues MARTIN SCORCESE PRESENTS A WARNER BROS MUSIC/REPRISE PRODUCTION “I always come back” ERIC CLAPTON “NOTHING BUT THE BLUES” Ain’t nobody’s business ERIC CLAPTON, ANDY FAIRWEATHER-LOW, CHRIS STAINTON, DAVE BRONZE, JERRY PORTNOY, ANDY NEWMARK, Driftin’ SIMON CLARKE, TIM SANDERS & RODDY LORIMER WITH JIMMY ROGERS, BUDDY GUY & BB KING LIVE RECORDING TOUR PRODUCTION TOUR GUITAR SUPERVISION RUSS TITELMAN MANAGER MICK DOUBLE CO -ORDINATION PETER JACKSON TECHNICIAN LEE DICKSON WRITING & EXECUTIVE PRODUC TION STEPHEN “SCOOTER” WEINTRAUB PRODUCER MARTIN SCORCESE DVD MENUS DOLBY 2.0 DVD COVER Running time 1h 46m & AUTHORING GEETARZ, BUTTON PRODUCTIONS REMASTER ING JOEY JAY ARTWORK BLACK MOUSE ERIC CLAPTON NOTHING BUT THE BLUES A FILM BY MARTIN SCORCESE.
    [Show full text]