DOCSLIB.ORG

Blues from Chicken Shack CHICKEN SHACK Tears in the Wind; the Things You Put Me Through (Cbsblue Horizon 3160)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

RECORD MIRROR, Week ending August 23, 1969 9 reviewed by peter Jones new singles reviewed by Peter Jones new singles reviewed by Peter Jo Moody and compulsive DJ blues from Chicken Shack CHICKEN SHACK Tears In The Wind; The Things You Put Me Through (CBSBlue Horizon 3160). Firstfromthe team since Christine Perfect left- after a moodily-relaxed opening, they get a somehow heavier sound than before.Stan Webb, who wrote MARK JASON 12 thetopdeck,handlesvocallead Love Is The Name Of The Game: well but a big emphasis in on new For The First Time In My Life man Paul Raymond's piano power. (Fontana TF 1050).A Ken Howard this week-dave symonds Thisiscompulsive listening,build- and Alan Blaikley song, which Isn't ingwell and emphatically bluesY- a bad kick-offforahighly -touted A hit, Flip:Notavailableat new singer.Actually Mark is well This week we have David Symonds as the guest disc Presstime. above average in style and person- CHART CERTAINTY. ality and thisisa punchy, brisk, jockey. David ofthedeepvoiceand bearded business -likesort ofproductionall countenance, plus being a sportsman extraordinaire. round. Couldmissout,butit's As usual the selection is six of the best of the oldies, SPANISH musicwiththeusual commendedanddeservestoget through. Flip: A slower -moving six favourites of the current crop and also the all time flair and fire:"Maria Isabel", romantic ballad. favourite LP. by LOS PAYOS (Ilispa Vox 307). CHART POSSIBILITY Frontthe FRANCO-LONDON OR- David, who has very definite tastes in music, started CHESTRA: "MainTheme Front BRIAN KEITH Robinson Crusoe" off with "Alone Again Or" by Love. "I've picked this (Philips BF Till We Meet Again; Lady Butter- 1806), musicfromthetelevision because I thinkit'sa very pretty number," he said. series.A highly -commended treat- fly(Page One POF 152). Thisis mentoftheBeatlesong"Here, either goingtobe a biggie or a "Possibly it was a bit ahead of it's time and I think There And Everywhere" (MCA MU dead loss.It'sa hymnal sortof there is going to be a return to pretty melodic records thing,with ex -Plastic Penny Brian 1095), by theMIKE LEANDER -I forecast this. I think the very hairy, freaky, feed- ORCHESTRA - areally imagina- singingextremelywell. Butit's tivereadingandscoring. More also a bit maudlin and sort of end - backfuzz -boxsortofthing isgoingtogoand telly -thememusic:"Theme From of -the -war and that kind of bit.It's acoustic guitars and woodwinds will come back. DepartmentS"(Pye 17807). by certainlynottoalltastes,but I "Vanilla Fudge and'You Keep Me HangingOn'. CYRIL STAPLETON and his massed founditcompulsivelistening-and orchestra,prettylavisharrange- thechoraleffectsarevery good. Having just said things about freaky music, I suppose ment. "Come On Home", by the Flip:A gentleballadwithsome the Fudge are about the hairiest and loudest group in extremely good lyrics. irrepressible DANDY (Down Town the world. Butitwas such an original arrangement 437)issica-type material, sungin CHART POSSIBILITY an interesting way. andsoexciting withthat50 -secondintroduction before they come in with the vocal . building all the A prettystraightish singalong Cowboy" (CBS4468),afinefilm Stan Webb of the Chicken Shack fromSEAN DUNPHYandthe and some pretty expressive music way. HOEDOWNERS:"When the Fields allround - tonalcolourshere. "The Beatles and 'Strawberry Fields' because there LON SATTON: Destiny;BlowingIn The Wind (Mercury MF 1117). A very Are White With Daisies"(Dolphin DEENA WEBSTERisa young nice performance this - a continental song dressed up with English lyrics, 4466), but thisisthe sort of thing talent worthencouraging - her has to be Beatles in everyone's collection. This one is and sung with a "feel" for the romanticism of the piece. * * * * that so often clicks big.JANUARY "Joey" (Parlophone R 5798)isan so artistic. LES REED: Rain Of Love; Well I Did (Chapter One Ch 108). Songwriter, aretwoladsandtheygetfine okay song,but she'll surelyhitit producer and all-rounder - and thisisa sensitive performance at a very vocalscenesgoingon"ItSings withsomethingelse. Allsortof good song (by Les and Geoff Stephens), and isin fact a Record Of The For Me"(CBS4465),withsome Russki: "Casatschok", by DIMITRI STEREO SINGLE Week. Builds beautifully and is sort of anguished. * * very good highlights.Movie music DOURAKINE (Columbia DB 8526). ROBIN SCOTT: The Sailor;The SoundOf Rain(Head HDS 4003). from JOHNBARRY: "Midnight a jack -booted bit of music. "Merrilee Rush didn't have a hit here with 'Reach Piano - introed bit and a lad who can change his style several times in Out' but I playeditalot.Like the Fudgeitwas a one record.Not potentiallyahit,but thereislifehere. * * * * JUNIORS EYES: Star Child; Sink Or Swim (Regal Zonophone R 3023). tremendously good arrangement of a number that had THE 4 O'BRIENS: Sunflower Eyes; Francois (Philips BF 1803). Rather Promising group but this doesn't seem to have that hit potential.A bit amazing harmonic work here - and certainlya Record of The Week. dirgey and soporoficinparts,butthebasic musicianshipofthis team been heard before.It was released as a stereo single Group goes fora harmonic approach, but thereis more.Produced by shows through.* * * and I think all singles should be in stereo. the excellent Marty Wilde.* * * * SAMANTHA SANG: The Love Of A Woman; Don't Let It Happen Again "TheRollingStones and'Satisfaction'.WellI've WILD SILK: Help Me; Crimson and Gold (Columbia DB 8611).Quite (Parlophone R 5799). A breathy girl,a husky girl,a dynamic girl-this good - butnotreallysufficientlydifferenttoregister. But thevocal is a Record of the Week. This girl really sounds like being a tremendous mentioned the Beatles and the Stones have contributed sounds are fine.* * talent. This record may flop; Samantha must be big. * * * * * so much over the years to pop music. They're leading PRINCIPAL EDWARDS MAGIC THEATRE: Ballad Of Tne nig Girl Now artistes and marvellous entertainers and probably the And A Mere Boy; Lament For The Earth (Dandelion 4405),Lovely. All sortof light and airy and really super -music - a Record of the Week, best exponents of white rhythmn and blues. 'Satisfac- incidentally. Fine lyrics and fine voice. * * * tion' has got to be one of the all-time greats. THE GUN: Hobo; Don't Look Back (CBS 4443), Country blues this time - not too sure whether it can restore the boys to the charts, but there I've got Scott 'IGGINBOTTOM is an air of dynamism about it which could click. * * * McKenzie's 'San Francisco'. This was justa one-off thing, wasn't it?It was a number one record inthat nice summer of 1967 and I had happy memories of 'Igginbottom's Wrench that summer. I liked flower power andit was a hot summer too. Flower power was just a gentle harmless 0 SML 1051 CI DML 1051 fad, and from thatthinking pop has become more AMERICA AWAKES gentle. 'San Francisco' was the start of something and it was a nice record. After putting down one of the big rock names, we BY JAMES HAMILTON come onto the six current singles. tGGI "I'm a tremendous fanof Simon and Garfunkle. I NICKIE LEE: And BlackIsBeautiful;Faith Within(Deep Soul WRENCH DS 9013). Dave Godin and fellow freaksat "Soul City" have finally thought 'Mrs. Robinson' was one of the best records gotittogether and areallsettorelease a lotof sizzling wax over oflast year, and I've chosen their recording of 'The thenextfewweeks(includingabudget -priceOldiesalbum!).To kickoff,they've only released one of the best Soul records ofthe year,that'sall.Actually a U.S. R&B hitabout the time of James Brown's "Say It Loud", this slowie takes that most Black music of all,Gospel,asa framework forits message . a logical choice. AschicksrepeatedlychantthetitlestatementNickieinterweaves his rallying advice, so that the whole isa powerfully insinuous slab ofthebesttypeofSoulthereis.Naturally I am prejudiced,as Gospel Soul (along with those Oldies -But -Goodies Soul Vocal Groups!) is my favouritevariety,and there hasn't been enough ofitduring thelast four years!(Deep Soul got this beauty from Bell Records. who again haveleta small label winasixstar review.Sure,it won't be a hit, but then neither was "Soul Deep" by the Box Tops- which has most merit.Bell have got the goodsinplenty,so why can'tthey giveusatastemore often?).* * * * * * JOHNNY ADAMS: Reconsider Me;IfICould See You One More Time (Polydor 567775). Exactly five years after the late Joe Hinton scoredsomassivelyinAmerica withhisSouled-up versionofthe C&W "Funny (How Time Slips Away)", Johnny Adams isenjoying a similar success with his not dis-similar treatment of another C&W song. His voice soars toa high and beautiful falsetto in a way that will delight True Soul Freaks, who should hear this. Great. Incident- ally,hislasthitwas "Release Me"!(Modesty Corner:duetoa lamentable lapse of my normally reliableI.B.M.-like brain, crammed full with unimportant facts,Iforgot in the recent Aretha review that Vanilla Fudge ofcourse both"Pledging My Love" and "The Clock" were Johnny Ace songs).* * * THE WATTS 103rdSTREET RHYTHM BAND: Till YouGet Boxer'. This has everything you could wish forina Enough; Light My Fire (Warner Bros. WB 7298). The Band's latest single. They're a marvellous song writingtalent. Art U.S.hitstartswithatraceofIsaacHayes'"Hyperbolicsyllabicse- Garfunkel has an incredibly pure voice and loads of quedalymistic" sound (it'sa track off his smash "Hot Buttered Soul" album),before they getintotheir own jungle rhythm groove. Not work wentintothe makingof thisrecord. Ittook every Soul fan's groove maybe, but for "Cue Club" -goers and other over a hundred hours to make anditwas reduced funky dancersthisisamesmeric gas!It'ssureallgot rhythm! down from 32 tracks and it sounds likeit. A beautiful Dig the quietfliptoo - ifyOU think atfirst thatit'snothing new, 'Igginbottom's Wrench havepatience. * * song and the production is perfect. THE PERSUASIONS: PartyIn The Woods;It'sBetter To Have "Next isthe Procul Harum's 'A Salty Dog'. There Loved AndLost(Than Never LovedAtAll)(Minit MLF 11017). was an album of the same title and this dropped just Soul Group Freaks - ignore the very ordinary beater on top, and short of the top thirty mainly because it didn't receive is what you've been dig the slow flip(which I think was the U.S.
Recommended publications
  • Gigs for Good Causes – a Very Charitable Bunch

    Gigs for Good Causes – a Very Charitable Bunch

    18 THE BUGLE WEDNESDAY, AUGUST 14, 2019 Gigs for good causes – a very charitable bunch IF there is one thing that by BRIAN musical fundraising. musicians from all walks NICHOLLS Les started to learn the of life have in common – guitar about eight years be they amateur or inter- ago when he was fifty national stars – it’s that “Our stock-in-trade is three, initially taking les- they’ll always be prepared predominately charity sons from Bob Key in to support your charity fundraising events for Wolverhampton, and even fundraising effort by which we have performed taking his guitar on holi- donating their musical loads of gigs throughout day to to maintain his services for a good cause. Shropshire over the past practice. A few weeks ago whilst three years,” says Les, chomping on a burger in “mainly at care homes First gigs Bridgnorth, I bumped into throughout the county, Blackheath lad Alan but also pubs and open air Four years ago he was Morley, former drummer festivals. We are now seek- collared by the Activities with Walsall’s 1960s ing to break out into the Manager at Bradeney Decca recording artists, Black Country circuit House bemoaning the fact The Redcaps and later, of starting with our first gig that she was having a ‘dis- Kidderminster’s Chicken in the area at Mary Ste- astrous time’ trying to Shack. vens Park, Stourbridge on raise money for the resi- Saturday 14 September. dents’ comfort fund, and Singer It’s for a charity called put it to Les: “It’s about The Little Princess Trust bloody time you played Alan enthused over his who support children with that guitar to raise some latest musical venture hair loss as a consequence money!” with Bridgnorth group of cancer treatment.” I This was a spur for Les, The Bradeney Bunch.
  • Wavelength (April 1981)

    Wavelength (April 1981)

    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson.
  • Wavelength Midlo Center for New Orleans Studies

    Wavelength Midlo Center for New Orleans Studies

    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1986 Wavelength (February 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1986) 64 https://scholarworks.uno.edu/wavelength/56 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UNIVERSI COS50 12/31199 BULK RATE EARL KLON6 LIBRARY tnL U. S. POSTAGE UNIV OF N.O. PAID ACQUISITIONS DEPT I N.O., LA 70148 ·VV39 Lt} COL. VIITDANS AT DAVID MON. -THUR. 1o-1 0 FRI. & SAT. 10-11 SUN. NOON-9 885-4200 Movies, Music & More! METAIRIE NEWORLEANS ¢1NEW LOCATIONJ VETmiANS ..,.~ sT. AT ocTAVIA formerly Leisure Landing 1 BL EAST OF CAUSEMY MON.-SAT. 1o-10 • MON.-SAT. 1o-10 SUN. NOON-8 SUN. NOON-9 88t-4028 834-8550 f) I ISSUE NO. 64 • FEBRUARY 1986 w/m not sure. but I'm almost positive. thai all music came from New Orleans.·· Ernie K-Doe. 1979 Features Flambeaux! ...................... 18 Slidell Blues . ......... ............ 20 James Booker . .................... 23 Departments February News . 4 Caribbean . 6 New Bands ....................... 8 U.S. Indies . ...................... 10 Rock ............................ 12 16-track Master Recorder: Movies .......................... 15 Reviews ........ ................ 17 Fostex B-16 February Listings ................. 25 Classifieds ....................... 29 Last Page . ....................... 30 COVER ART BY SKIP BOLEN Two #l hits in October. Member of NetWOfk Next? Puhlhhu. 'aun1an S S.ullt f..ditc•r .
  • Trade Moving to Same Col Tops Hot 100 Chart

    Trade Moving to Same Col Tops Hot 100 Chart

    OCTOBER 25, 1969 $1.00 SEVENTY-FIFTH YEAR The International Music -Record Tape Newsweekly COIN MACHINE Bi oa PAGES 41 TO 48 Trade Moving to Same Col Tops Hot 100 Chart 8 -Track, Cassette Price By BRUCE WEBUR Report; Keeps LP Lead LOS ANGELES - Industry The tape duplicator joins By FRED KIRBY trends point to a $6.98 stand- Columbia, RCA and Capitol, NEW YORK - Columbia Columbia also led for the Seven Arts complex, which also ard for both 8 -track and cas- among the major record manu- maintained its leading position third quarter on the Top LP's includes that label, which was by 1 sette, and Jan. an indus- facturers to establish a cassette in percentage of spots on Bill- Chart, but the top quarter Hot ninth with 23 titles for 3.6 per- try -wide price is ex- posture standard equal to that of its board's Top LP's Chart for the 100 scorer was RCA with 16 cent. Columbia's leading posi- pected. 8 -track cartridge product. first nine months of the year titles and 8.4 percent of the tion for last year's first three today's markups Many of in If traditional record labels, and gained the top position on chart, compared to Columbia's quarters was only supported by price tags as an come after- (Continued on page 14) Hot 100 percentage. 16 titles for 6.9 percent. 65 titles. math to rising costs at the man- ufacturing and distribution The nine -month Top's LP's RCA rose from its sixth spot leaders were points.
  • Sommer-Open-Airs

    Sommer-Open-Airs

    KultourZeit Das Eventmagazin für Zwickau Nr. 02/2019 S. 02 Rock Legenden erobern 2020 die Stadthalle S. 06 summer swing feiert 15-jähriges Jubiläum 15. Helge Schneider S. 07 Katrin Weber und Von Comedy bis Rock auf der Freilichtbühne: CCR Gunther Emmerlich mit neuem Programm Sommer-Open-Airs ine gefühlte halbe Ewigkeit Tournee und kehrt nun aufgrund der großen haben wir auf den Sommer Nachfrage am 19,07. nochmal zurück – dieses Annett Louisan HEIMAT INKLUSIVE E gewartet. Und damit ist es Mal unter freiem Himmel am Schwanenteich. SÄCHSISCHES BRAUHANDWERK SEIT 1857 auch endlich Zeit, die Saison Sie ist DIE Stimme des deutschsprachigen Genießen Sie jetzt ein Stück Heimat – unter freiem Himmel einzuläuten: Sei es Mit einem lachenden und einem weinen- Chansons. Zahlreiche Gold- und Platin-Alben genießen Sie Ihr Sternquell im neuen, mit einem tollen Grillabend unter Freunden, den Auge schauen wir auf „1000 Jahre EAV“ stehen für sich. Bis heute hat sie weit mehr heimatlichen Gewand. einem schönen Nachmittag in Familie am 26.07. – freudig, dass die Band uns in als eine Million Tonträger verkauft. Ebenso im heimischen Garten oder einfach eine Zwickau beehrt, aber trotzdem auch etwas viele Menschen haben ihr auf ihren Tourneen mitreißende Veranstaltung Open-Air ge- traurig, denn es handelt sich um den Ab- zugehört. Im Frühjahr veröffentlichte die nießen. Welche romantisch gelegene Frei- schied der Verunsicherung von ihrem Bühn- Künstlerin ihr langerwartetes neues Album luftperle kommt da mehr in Frage als die enleben. Aber wer die Musiker kennt, weiß, „Kleine große Liebe“ und wird mit der gleich- Freilichtbühne Zwickau? Und diese trumpft dass das mit Sicherheit in einer großen namigen Tournee endlich wieder unterwegs mit einem abwechslungsreich gefüllten Fete endet.
  • What's on at the Hall.Pdf

    What's on at the Hall.Pdf

    What’s On at Witham’s Home of Entertainment September – December 2021 www.withampublichall.co.uk Wednesday 1 September DANCE Aegon/Witham Public Hall Trust Aegon Afternoon Tea Dance WELCOME We are once again hosting the Aegon AfternoonTea The closure of venues for most of the last 18 months Dance with music provided by the ever-popular Jeff has resulted in a very full programme for late 2021 as Short and his musicians. we try to catch up on all the postponed or cancelled Afternoon tea is included in the very reasonable events.This is something that looks like continuing into admission price of just £5 and you are guaranteed a 2022 – towards the back of this guide you will find a list great time whether you are an accomplished dancer of just some of the great shows coming up next year or just prefer to sit and listen to the music. that are already booking. Performance starts at 2.00pm (Doors open 1.30pm) Musically we’ve got everything from crooners to prog Tickets £5. Available from Witham Town Hall rock and rock‘n’roll to Britpop.We’ve also got the Online from withampublichall.co.uk, Tel: 0345 017 8717 annual panto, the return of WrestleForce, a few shows Friday 3 September MUSIC and, of course, our very popular Real Ale & International Lee Root Gin Festival. Shoasis - The Oasis Tribute As has become the norm recently, we have to include a Experience the magic of the 90s when Brit Pop ruled proviso that all the listed events are subject to the the world and Oasis were at their best.
  • A Band Together. but Who Knew We'd Find As Durable an Application Of

    A Band Together. but Who Knew We'd Find As Durable an Application Of

    o R M D EVERY MUSICIAN KNOWS IT’s THE RHYTHM SECTION THAT HOLDS a band together. But who knew we’d find as durable an application of that maxim as the one exemplified by the history of Fleetwood Mac? & Over the last thirty years, Fleetwood Mac has comprised fifteen musicians shuffled through six major lineups, resulting in endless tin- kerings with tone and genre. Yet the two members to survive it all rarely write tunes and never front the recordings. They’re the beat- keepers - drummer Mick Fleetwood and bassist John Me Vie. The fact that a rhythm section could sustain a band through thirty years seems all the more amazing considering the traumatic histories of the band’s shifting array o f stage-front stars. Together, their personal lives have given rock one of its most elaborate and juicy plotlines. (L Religious conversions, spells o f madness, “incestuous” liaisons within the band, drug freak-outs, alleged brainwashings, imperson- Mick ^ stevie ations, everything short of murder have spun Nicks, John McVie, Christine McVie, Lindsey Fleetwood Mac’s legacy into a story worthy of Buckingham (from left) Scheherazade. & Musically the band has endured just as many twists, moving from blues to rockabilly to laid-back California folk rock - finally to bloom into purveyors of some of the most popular and endur- ing music of the Seventies. (L It all began humbly enough. In 1967, the B Y J I M FÄRBER The band in '69: Peter original foursome convened as arch Fame entrant, Santana). If that wasn’t enough, Rose also saw the Green, Fleetwood, Jeremy devotees of the blues, arriving in the band adding nineteen-year-old Danny Kirwan (who’d played in Spencer, Danny Kirwan, second wave of U.K.
  • ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod

    ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod

    DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors.
  • Black Sabbath the Complete Guide

    Black Sabbath the Complete Guide

    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
  • Walter “Wolfman”Washington Walter

    Walter “Wolfman”Washington Walter

    Biografia from California Walter “Wolfman” Washin- gton è stato un icona nella scena musicale di New Or- leans per decadi. La sua bruciante chitarra e, le sue vocalità soulful, hanno determinato lo stile ibrido musicale del R&B, del Funk e Blues nella crescente città da quando ha formato la sua prima band negli anni ’70. Washington inizia la sua carriera du- rante i fertili anni ’50, periodo Rhythm & Blues che depone dozzine di gran- di successi e rende New Orleans la destinazione prescelta per la regi- strazione di grandi hit come quelle di Ray Charles e Little Richard. Nato nel 1943, Walter è già in tour durante il suo tardo periodo adole- & The Roadmasters scenziale, trascorrendo più di due anni come supporto alle formidali hits della grande cantante Lee Dorsey. Prima di apparire sulle scene con la sua Solar System band, appare con l’acclamata cantante Irma Thomas così come con il leggendario Jazz- man David Lastie e la sua band. Durante gli anni ’70 inizia una collaborazione di 20 anni con uno dei più importanti ed acclamati vocalist della Louisiana, il grande Johnny Adams. Soppranominato “The Tan Canary” per il suo stile vocale ineguagliabile, Adams è la guida per Walter che sviluppa il suo stile canoro durante la collaborazione con lui ai club più rinomati, incluso una lunga apparizione al celebre Dorothy’s Medallion. Quando Washington forma la sua prima band viene spesso generalizzato nel blues, ma parlando delle sue battute iniziali con Dorsey, Thomas, Adams e Lastie, il suo sound riflette un intero genere musicale. Certamente può cantare blues, da qui il suo nickname, ma il suo talento musicale ha sempre definito un puro Soul.
  • Blue Horizon Records Discography 7700 Series

    Blue Horizon Records Discography 7700 Series

    Blue Horizon Records Discography 7700 series BH 7701 - Smiling Like I’m Happy - DUSTER BENNETT [1968] Country Jam/40 Minutes From Town/Got A Tongue In Your Head/Jumping At Shadows/Life Is A Dirty Deal/My Love Is Your Love/My Lucky Day/Shady Little Baby/Shame Shame Shame/Times Like These/Trying To Paint It In The Sky/Worries Mind [*] BH 7702 - When You Feel The Feeling You Was Feeling - CHAMPION JACK DUPREE [1969] A Racehorse Called Mae/Gutbucket Blues/I’ve Been Mistreated/Income Tax/Mister Dupree Blues/My Home’s In Hell/Roll On/See My Milk Cow/Street Walking Woman/Ugly Woman/Yellow Pocahontas [*] BH 7703 - Now Resident In Europe - CURTIS JONES [1969] Born In Naples, Texas/Cherie/Dryburgh Drive/Gee Pretty Baby/I Want To Be Your Slave/Jane/Let Your Hair Down/Maggie Campbell Blues/Morocco Blues/Please Believe Me/Soul Brother Blues/You Don’t Have To Go [*] BH 7704 - Presenting The Country Blues - ROOSEVELT HOLTS [1969] Another Mule Kickin’/Big Road Blues/Feelin’ Sad And Blue/I’m Going To Build Right On/Lead Pencil Blues/Let’s Talk It All Over Again/Little Bitty Woman/Prison Bound Blues/Red River Blues/She Puts Me Outdoors/The Good Book Teach You [*] BH 7705 - O.K. Ken? - CHICKEN SHACK [1969] A Woman Is The Blues/Baby’s Got Me Crying/Fishing In Your River/Get Like You Used To Be/I Wanna See My Baby/Mean Old World/Pony And Trap/Remington Ride/Sweet Sixteen/Tell Me/The Right Way Is My Way [*] BH 7706 - 100 Ton Chicken - CHICKEN SHACK [1969] Anji/Evelyn/Horse And Cart/Look Ma, I’m Crying/Midnight Hour/Reconsider Baby/Still Worried About My Woman/Tears
  • Light Shows at the Youth Centre

    Light Shows at the Youth Centre

    Light shows at the Youth Centre Transcription of excerpts from interviews with Stuart Davis and Richard Jones Stuart: I went to what was then Malvern School of Art, but at the time the Youth Centre, which was next door, now Malvern Cube, we used to go there in lunch times. And we got friendly with all the people that were the youth, what do they call them, the youth--, the person that was in charge of the youth centre anyway. And they started putting on bands in the evenings, and we started this light show. A light show then was what they used to call a psychedelic light show, it was projections basically. We got a load of bed sheets, which we got sewn together by someone, we used to hang that up at the back of the stage. We would set up on tables at the back of the hall, and we’d have what were called Aldis Projectors, and they were a slide projector with a bowl. And we used to muck around, we’d upgrade them and put Meccano motors on the lenses with flicker wheels. And then in between the lens and the lamp house you would have various effects you could project, whether they were liquid or oils, so you get all these moving effects on the band and on the back. And when I think back it's quite amazing 'cause you had the likes of Jethro Tull, Family, Chicken Shack, who was a very small band with a singer called Christine Perfect, who actually became Christine McVie of Fleetwood Mac, you know, one of the biggest bands in the world really.