Walter “Wolfman”Washington Walter
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Wavelength (April 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson. -
Wavelength Midlo Center for New Orleans Studies
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1986 Wavelength (February 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1986) 64 https://scholarworks.uno.edu/wavelength/56 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UNIVERSI COS50 12/31199 BULK RATE EARL KLON6 LIBRARY tnL U. S. POSTAGE UNIV OF N.O. PAID ACQUISITIONS DEPT I N.O., LA 70148 ·VV39 Lt} COL. VIITDANS AT DAVID MON. -THUR. 1o-1 0 FRI. & SAT. 10-11 SUN. NOON-9 885-4200 Movies, Music & More! METAIRIE NEWORLEANS ¢1NEW LOCATIONJ VETmiANS ..,.~ sT. AT ocTAVIA formerly Leisure Landing 1 BL EAST OF CAUSEMY MON.-SAT. 1o-10 • MON.-SAT. 1o-10 SUN. NOON-8 SUN. NOON-9 88t-4028 834-8550 f) I ISSUE NO. 64 • FEBRUARY 1986 w/m not sure. but I'm almost positive. thai all music came from New Orleans.·· Ernie K-Doe. 1979 Features Flambeaux! ...................... 18 Slidell Blues . ......... ............ 20 James Booker . .................... 23 Departments February News . 4 Caribbean . 6 New Bands ....................... 8 U.S. Indies . ...................... 10 Rock ............................ 12 16-track Master Recorder: Movies .......................... 15 Reviews ........ ................ 17 Fostex B-16 February Listings ................. 25 Classifieds ....................... 29 Last Page . ....................... 30 COVER ART BY SKIP BOLEN Two #l hits in October. Member of NetWOfk Next? Puhlhhu. 'aun1an S S.ullt f..ditc•r . -
Trade Moving to Same Col Tops Hot 100 Chart
OCTOBER 25, 1969 $1.00 SEVENTY-FIFTH YEAR The International Music -Record Tape Newsweekly COIN MACHINE Bi oa PAGES 41 TO 48 Trade Moving to Same Col Tops Hot 100 Chart 8 -Track, Cassette Price By BRUCE WEBUR Report; Keeps LP Lead LOS ANGELES - Industry The tape duplicator joins By FRED KIRBY trends point to a $6.98 stand- Columbia, RCA and Capitol, NEW YORK - Columbia Columbia also led for the Seven Arts complex, which also ard for both 8 -track and cas- among the major record manu- maintained its leading position third quarter on the Top LP's includes that label, which was by 1 sette, and Jan. an indus- facturers to establish a cassette in percentage of spots on Bill- Chart, but the top quarter Hot ninth with 23 titles for 3.6 per- try -wide price is ex- posture standard equal to that of its board's Top LP's Chart for the 100 scorer was RCA with 16 cent. Columbia's leading posi- pected. 8 -track cartridge product. first nine months of the year titles and 8.4 percent of the tion for last year's first three today's markups Many of in If traditional record labels, and gained the top position on chart, compared to Columbia's quarters was only supported by price tags as an come after- (Continued on page 14) Hot 100 percentage. 16 titles for 6.9 percent. 65 titles. math to rising costs at the man- ufacturing and distribution The nine -month Top's LP's RCA rose from its sixth spot leaders were points. -
Blues from Chicken Shack CHICKEN SHACK Tears in the Wind; the Things You Put Me Through (Cbsblue Horizon 3160)
RECORD MIRROR, Week ending August 23, 1969 9 reviewed by peter Jones new singles reviewed by Peter Jones new singles reviewed by Peter Jo Moody and compulsive DJ blues from Chicken Shack CHICKEN SHACK Tears In The Wind; The Things You Put Me Through (CBSBlue Horizon 3160). Firstfromthe team since Christine Perfect left- after a moodily-relaxed opening, they get a somehow heavier sound than before.Stan Webb, who wrote MARK JASON 12 thetopdeck,handlesvocallead Love Is The Name Of The Game: well but a big emphasis in on new For The First Time In My Life man Paul Raymond's piano power. (Fontana TF 1050).A Ken Howard this week-dave symonds Thisiscompulsive listening,build- and Alan Blaikley song, which Isn't ingwell and emphatically bluesY- a bad kick-offforahighly -touted A hit, Flip:Notavailableat new singer.Actually Mark is well This week we have David Symonds as the guest disc Presstime. above average in style and person- CHART CERTAINTY. ality and thisisa punchy, brisk, jockey. David ofthedeepvoiceand bearded business -likesort ofproductionall countenance, plus being a sportsman extraordinaire. round. Couldmissout,butit's As usual the selection is six of the best of the oldies, SPANISH musicwiththeusual commendedanddeservestoget through. Flip: A slower -moving six favourites of the current crop and also the all time flair and fire:"Maria Isabel", romantic ballad. favourite LP. by LOS PAYOS (Ilispa Vox 307). CHART POSSIBILITY Frontthe FRANCO-LONDON OR- David, who has very definite tastes in music, started CHESTRA: "MainTheme Front BRIAN KEITH Robinson Crusoe" off with "Alone Again Or" by Love. "I've picked this (Philips BF Till We Meet Again; Lady Butter- 1806), musicfromthetelevision because I thinkit'sa very pretty number," he said. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
21S NOLA Syllabus Part I Graphicsa
HISTORY OF NEW ORLEANS MUSIC 2021S History of New Orleans Music 21S- MUGN-O246-W01 Spring 2021 16-Week Session 1/19/2021 - 5/7/2021 Instructor Information Name: Sanford Hinderlie Phone: (504) 865 2773 (Not to be used with Online course) Email: [email protected] (Preferred contact method. I usually reply to emails within 1-12 hours.) Office Location: World Wide Web Office Hours: By email appointment Terms of Use A student's continued enrollment in this course signifies acknowledgment of agreement with the statements, disclaimers, policies, and procedures outlined within this syllabus and elsewhere in the Canvas environment. This Syllabus is a dynamic document. Elements of the course structure (e.g., dates and topics covered, but not policies) may be changed at the discretion of the professor. Sanford Hinderlie, jazz piano Course Information Prerequisite Courses: ENGL T122 or Equivalent Course Location: Online in Canvas (NOTE: This is an asynchronous online course. However, it is NOT self-paced. Readings as well as all learning activities must be completed according to the weekly schedule provided in this syllabus.) Credit Hours: 3 Credit hours Weeks and Dates of the Course: 16 weeks (full semester), from Wednesday, Jan. 20, 2021 to Friday, May 5, 2021 Class Meeting Time: Each week begins on Monday at 12:00 am and ends on Sunday at 11:59 pm in Canvas Expectations of Workload: e.g. According to the Loyola University Credit Hour Policy http://academicaffairs.loyno.edu/credit-hour-policy, you are supposed to spend at least 6300 minutes (that is 105 hours including 35 hours of classwork and 70 hours of out-of-class work) for the whole semester regardless of how many weeks it is offered. -
Black Country Music(S) and The
Jost Hendrik Cornelius Burfeind Wilhelmplatz 6 24116 Kiel E-Mail: [email protected] Telefon: 01520–2667189 Matrikelnummer: 1014350 “THAT BLACK SPECK SOUND JUST LIKE A REDNECK”: BLACK COUNTRY MUSIC(S) AND THE (RE-)MAKING OF RACE AND GENRE MASTERARBEIT im Fach „English and American Literatures, Cultures, and Media” mit dem Abschlussziel Master of Arts der Philosophischen Fakultät der Christian-Albrechts-Universität zu Kiel vorgelegt von Hendrik Burfeind Erstgutachter: Prof. Dr. Christian Huck Zweitgutachter: Dr. Dennis Büscher-Ulbrich Kiel im April 2020 TABLE OF CONTENTS 1. Introduction 1 2. Theoretical Framework 2.1 Race, Racialization, and Ideology 8 2.2 Genre and Crossover 10 2.3 Articulation and Genre 15 2.4 On Hijacks, Covers, and Versions 16 3. “Just Out of Reach”: Locating the Soul/Country Binary 3.1 The South and the Geography of Genre(s) 19 3.2 Richard Nixon, “Okie from Muskogee,” and the Politics of Country Music 22 3.3 The ‘Segregation of Sound’ and the ‘Common Stock’ 25 3.4 Charting Success; Or, the Segregation of Sound, Continued 28 4. Analysis, Pt. 1: Rhythm and Country 4.1 “I’ve Always Been Country”: The Making of an Alternative Tradition 31 4.2 Country Music and the Birth of Soul 35 4.3 The Impossibility of Black Country 37 4.4 Modern Sounds and the Same Old Song 39 4.5 Interlude: Race and Genre in the Early 1960s 44 4.6 Country-Soul Flourishes 46 5. Analysis, Pt. 2: Country-Soul 5.1 “Country Music Now Interracial” 48 5.2 Crossover at the Outskirts of Town 50 5.3 Introducing Soul Country 53 5.4 “The Chokin’ Kind” Explores New Territory 57 5.5 “Blacks Sing Country Music” 60 5.6 “Wherever You Go, It’s Simon Country” 64 6. -
And a Letter to My Customers ===
--- == ROOTS & RHYTHM - SALE 01/12/2014 - AND A LETTER TO MY CUSTOMERS === --- Dear Friends Happy New Year! We hope you all had a wonderful holiday season. NOTE: Regrettably our holiday season was the slowest we've ever seen and it may mean that we will not be able to continue operating our business for very much longer. I am no longer a young man (not by a long shot!) and don't have the energy to pursue ways in which we may be able to promote the business. I would love to be able to settle down and listen to all the music I have gathered over the years in a relaxed setting and with critical reviewing faculties turned off. I would love to see Roots & Rhythm continue and thrive and even if we make it through the current crisis I would still like to get away from the stress of running a business so I am open to having someone else take over and move the company forward. If you are such a person or know such a person please contact me and we can discuss it. This list consists of a sale which we hope will raise enough money to help us get caught up with our suppliers and our taxes as well as some other pressing expenses. This list features 600 titles in all covering all the genres of music we specialize in and featuring books, DVDs and compact discs. This list includes manufacturer?s overstocks and deletions, our own excess inventory and a lot of titles that have been sitting on our shelves that have never been listed before. -
New Orleans Love Songs
New Orleans Love Songs As Valentine’s Day approaches, it is an appropriate time to take stock of the love songs recorded by New Orleans artists, as well as other tunes romantically connected with this great metropolis. In no particular order, here are just a few of the Crescent City’s great love songs. NECCO style Valentine candy hearts by Lakeview couple Cherie Melancon Franz and her husband Arthur – photo by Thinkerella Do You Know What It Means To Miss New Orleans One of the great love songs to New Orleans, Do You Know What It Means To Miss New Orleans, was written by two Yankees. The song’s lyricist, Eddie DeLange, was from Long Island, New York, and composer Louis Alter was born in Haverhill, Massachusetts. “Do you know what it means to miss New Orleans And miss it each night and day? I know I’m not wrong, the feeling’s getting stronger The longer I stay away. Miss the moss-covered vines, the tall sugar pines, Where mockingbirds used to sing. And I’d like to see the lazy Mississippi A-hurryin’ into Spring. Oh, the Mardi Gras, the memories Of Creole tunes that fill the air. I dream of oleanders in June, And soon I’m wishin’ that I were there. Do you know what it means to miss New Orleans When that’s where you left your heart? And there’s something more: I miss the one I care for More than I miss New Orleans.” Louis Armstrong truly owned the song (he and Billie Holiday introduced it in the 1947 film New Orleans), but some of the lyrics (albeit evocative and beautiful) just don’t make any sense. -
Rhythm & Blues
RHYTHM & BLUES 65 RHYTHM & BLUES JOHNNY ACE BIG MAYBELLE THE CHRO NO LOG I CAL CD CLASS 5138 € 15.50 THE COMPLETE OKEH & (2005/CLASSICS) 22 tracks 1951-54 8 SESSIONS 1952-55 CD EK 53417 € 11.25 ARTHUR ALEXANDER & (1952-55 ‘OKeh Records’) (73:46/26) Klasse! / superb € Rhythm’n’Soul vocals. THE GREAT EST CD CHD 922 17.75 HALF HEAVEN, HALF Anna- You’re The Reason- Soldier Of Love- I Hang My Head And HEART ACHE CD WESM 589 € 14.90 Cry- You Don’t Care- Dream Girl- Call Me Lone some- After You- & (1962-68 ‘Brunswick’) (68:17/24) Where Have You Been- A Shot Of Rhythm And Blues- Don’t You Know It- You Better Move On- All I Need Is You- Detroit City- Keep OTIS BLACKWELL Her Guess ing- Go Home Girl- In The Middle Of It All- Whole Lot Of THE CHRO NO LOG I CAL VOL.1 CD CLASS 5140 € 15.50 Trou ble- With out A Song- I Wonder Where You Are Tonight- Black TINY BRADSHAW Night THE CHRO NO LOG I CAL CD CLASS 5011 € 15.50 & -The Greatest (1962-65 ‘Dot’) (54:09/21) THE CHRO NO LOG I CAL VOL.2 CD CLASS 5031 € 15.50 LAVERN BAKER THE GREAT COMPOSER CD KING 653 € 15.50 THE CHRO NO LOG I CAL CD CLASS 5126 € 15.50 EP-COLLEC TION...PLUS CD SEE 703 € 18.90 Easy Baby- I Wonder, Baby- Take Out Some Time- I’ll Try (I’ve Tried)- HADDA BROOKS How Long- I want To Rock- Good Daddy- I Want A Laven der Cadil - THAT’S WERE I CAME IN CD CHD 1046 € 17.75 lac- Make It Good- Trying- Pig Latin Blues- Lost Child- Must I Cry Again- You’ll Be Crying- How Can You Leave A Man Like This- Soul BUSTER BROWN On Fire- I’m Living My Life For You- I’m In A Crying Mood- I Can’t RAISE A RUCKUS TONIGHT CD REL 7064 € 15.50 & (1959-62 ‘Fire Records’) (58:15/21) Die kompletteste Hold Out Any Longer- Of Course I Do- Tomor row Night- You Better Zusammenstellung der ‘Fire’-Aufnahmen diese Sängers und Stop- Tweedle Dee Harmonicaspielers, der bestens für sein “Fannie Mae” bekannt & (1949-54) (64:26/23) ist. -
Dr. John and the Nite Trippers Perform at Tacoma’S Historic Pantages Theater October 7
FOR IMMEDIATE RELEASE: August 30, 2016 MEDIA CONTACT: Mariesa Bus, Marketing Assistant Manager Phone: 253.573.2507 | Email: [email protected] | Web: BroadwayCenter.org RIGHT PLACE, RIGHT TIME: DR. JOHN AND THE NITE TRIPPERS PERFORM AT TACOMA’S HISTORIC PANTAGES THEATER OCTOBER 7 Sponsor: DaVita |Partner: Immanuel Presbyterian Church Blues Vespers |Media: KNKX 88.5 Tacoma, Wash. – Six-time Grammy-winner and Rock Hall inductee Dr. John is on a career high, headlining a string of shows with his band The Nite Trippers; receiving the prestigious Louie Award from Louis Armstrong House Museum; and starring as himself and performing “Right Place, Wrong Time” on the season premiere of hit CBS series “NCIS: New Orleans.” On October 7 at 7:30 p.m., Dr. John and The Nite Trippers will perform at Tacoma’s historic Pantages Theater; tickets are on sale now. As a special fundraising effort for victims of recent floods in Dr. John’s home state of Louisiana, Broadway Center will donate $5 to Red Cross relief efforts for each ticket purchased with code LAFLOOD. Known throughout the world as the embodiment of New Orleans music, Dr. John is an international cultural icon. His career began in the 1950s when he wrote and played on some of the greatest records to come out of his home town, including recordings by Professor Longhair, Art Neville, Joe Tex and Frankie Ford. Dr. John headed to Los Angeles in the 1960s as a session musician, playing on albums by Sonny and Cher, Van Morrison, Aretha Franklin and The Rolling Stones. His album “Sun, Moon and Herbs” included cameos from Eric Clapton and Mick Jagger, and “In The Right Place” contained the chart hits “Right Place Wrong Time” and “Such A Night.” Dr. -
Johnny Adams-Songbird
Feb. 17, 1989--- One brilliant bird is migrating north this winter. In the early 1970s, a New Orleans disc jockey hung the name "Tan Canary" on soul singer Johnny Adams in an effort to describe his candied vocal versatility. Adams rings up high and low registers with a warble and throws in a whistle for a tip. He is the eighth wonder of the world. "I guess I do so much with one voice," Adams said in an interview before hitting the golf course near his Baton Rouge home. "Some people call me the `Tan Canary,' others call me `The Songbird of the South.' I take whatever it is." After 42 years of singing spirituals and soul music, Adams finally will make his Chicago area debut tonight and tomorrow at FitzGerald's in Berwyn. He'll be supported by his five-piece New Orleans band, featuring former Bobby "Blue" Bland guitarist Eugene Ross. Chicago's numero uno soul singer, Otis Clay, will share the spotlight with Adams, making for an unforgettable rhythm and blues twin bill. Adams will open the show, followed by a long set from Clay and a set closer with Adams. A high-five to club owner Bill FitzGerald, who salvaged the Adams gig after the rest of the singer's tour fell apart. "About three years ago I came through Chicago on Mother's Day and we jammed at B.L.U.E.S.," Adams said. "That's the only place I've performed. Even when the Burning Spear was open, we just passed through. I'm looking forward to it.