DOCSLIB.ORG

Wavelength (May 1986)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wavelength (May 1986) University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 5-1986 Wavelength (May 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (May 1986) 67 https://scholarworks.uno.edu/wavelength/59 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. , . - .. .. .. - .. ..._ ... .. 1685 C0550 EARL K. LONG LIBRARY ACQUISITIONS DEPARTMENT UNIVERSITY OF NEW ORLEANS NEW ORLEANS LA 70148 STARTING TIMES: MAY 9:30 - Mon. thru Thurs. 10:30 - Fri. and Sat. Sunday Monday Tuesday Wednesday Thursday Friday Saturday DIRTY DOZEN 1 2 3 JOHNNY ADAMS BRASS BAND and NEVILLE PIANO NIGHT RHYTHM & BLUES RAMSEY McLEAN'S JAMES COTTON'S CLIFTON CHENIER BROTHERS featuring REVUE SURVIVORS featuring BIG BAND BLUES and his with special guest King Kleary, Tom featuring WALTER Charles Neville, with special guest RED HOT THE COUPE de VIllE McDermott, Amasa WASHINGTON, Channaine Neville, JOHN MOONEY'S LOUISIANA BAND Reggie Houston, Harry RADIATORS Miller, Diz Watson and TOMOTHEA, BLUESIANA BAND with special guest others and SNOOKS Connick Jr., and Herlin Riley AND a special SPENCER BOHREN EAGLIN' BAND third set jam! 4 5 6 7 8 10 KOKOTAYLOR Tipltlna's and Her Blues 1st Annual PIANO ROOMFUL ROOMFUL CROWBAR Machine, TIP'S TEE OFF NIGHT TBA OF OF featuring MARCIA BAll, at City Park BLUES BLUES KING BISCUIT BOY UL' QUEENIE with 9 a.m., dosed in p.m. and KEllY JAY JOHN MAGNIE Call Tips for details 11 12 3 14 15 16 17 GREEN BARRENCE ON FRANKIE FORD'S THE PIANO WOODENHEAD WHITEFIELD and the RED IRMA THOMAS All. STAR SO's SOOW BEAT FARMERS NIGHT and SAVAGES and and the featuring: Joe Barty, with special guest featuring THE with special guest THE PROFESSIONALS Bobby Marchand. Skip DASH RIP ROCK KING KLEARY NEW ORLEANS JOHNNY J. and GEORGIA Easterling. Tommy STICK BAND theHITMEN SATEUTES Warren, and the louisiana Coumy 18 19 20 1 22 23 24 Benefit for the New Orleans Free School PIANO EDU featuring John Mooney's CLOSED NIGHT and the Bluesiana Band, DAllOL THE THE featuring SOUNDS OF Snakebite and the Ninth (Ethiopian Reggae) OTIS CLAY RADIATORS KING KLEARY BRAZIL Ward M.illionaires, (tentative) REVIEW members of the Radiators, and others 25 26 28 29 30 31 ANSON THEN.O. An Evening of FUNDERBURGH SONNY LANDRETH'S MUSIC AWARDS a..osED Acoustic Music THE and the ROCKETS BAYOU RHYTHM Membership Drive Private Party featuring: RNR, TBA BLUE RIDDUM featuring SAM MEYERS featuring with special guests THE ROYAL ST. BAND IWh special guest C. J. CHENIER to be announced FLYERS and others OMARandthe HOwu:RS $1 valet parking available Fridays and Saturdays Happy hour 2 p.m.-8 p.m. 50(: drafts, $11ongnecks, $1.50 biballs Tip's is available for private parties Sunday: Ladies Night; 3 Free Drinks (Hiballs, Wine. Draft) - Monday: 50<: Draft, $1 L.ongnecks. $2 Pitchers - Lil Fat Tuesdays: $1 Red Stripe, $1.50 Rum Boogie - Wednesday: 2 for I Shooters - Thursday: Longhair Coolers - Friday: 75¢ Hiballs 2-8 p.m. For Bookings 891-8477 • Business 895-8477 • Concert Line 897-3943 ISSUE NO. 67 • tVIAY 1986 "I'm not sure. but I'm almost positive. that all music came from New Orleans." Ernie K-Doe, 1979 Features Jazz Fest 86 . _ .... _..... -- __ ... -- 21 Bunny Matthews __ .... __ .. - ... ---- 22 Poppa Stoppa . ... _... ___ ... __ ... - .27 Cyril Neville . ... _... _..... - __ .. - - - 29 Departments May News .. __ .... .. ____ ... __ ... -4 Chomp Report ... _.. ___ .. - ___ ..... 8 Caribbean . _.... ____ . .. -- ... - .. -- 10 Rhythmatic . .... .... .. ____ . _ .__ . _ 12 Film . _ .... ___ . ....... ..... __ _... 14 New Bands ..... -._ .. .... - .. -- .. 17 U.S. indies .. ..... _.... ____ .. - ___ . 18 Reissues .... __ _. _____ . - - - . - . - - - - 19 May Listings .. ... __ _.... _..... _. 31 Classifieds .... _ . __ .... _____ - - ___ . 41 Last Page . ___ ........ _... ____ . .. 42 COVER ART BY SKIP BOLEN A1eml:>erof NeiWCSik Publlslwr, NJum.ln S S.:••• FAilor. Conn~e Zcanah Atkon<011 AWI<ial• F.dllor. Gene: S..:aramuno ()fllH Mana~r . Dt01na Rn...cnbe~ Art Director. ... m: Gcmh.au-.cr. T)'pottraphy. IX'VInliWc:n~r A'.\UCIOIIC!\. Ad\'u1islnK. Ell­ /.lht.:th htnlatoc. bken Scmcntclh. K;~.tc Rtc:dl Contributors. Ivan Bndlc:y. St G..._W'l!C Of)'.an. Btlb CatJhulll. RKk Cnlem.m. Caml Gnaady. Gtna Gucctclf\C. Nu.:l M.tnnclk•. Mclut.ly Mmt.'1~ . Rtd. Oh ... tcr. Dtana Ro~nbcfJ. Gene Scar amuuu. Ho~mnl(lnd S..:ucc 0..-rc: Stl\.~1. Dt-.cy Webb Wmo·lrt~~th "ruhlo.J>c~ munthly on New Orlean' Tclephunc 15041895-2:142 M.ul -.ul'N:npctnrh. Okklrc" ~.:ho~n~c' 1u M-'m·rlt'nxth. P.O . Box 15667. New OrlcJn,_ LA 701 7~ Sul>o.:nptoun Die S1 2 per year. Fm:o~n S20 per yur (...urfol4.:cl. h'"'l \:l.l'' 'uNnpi14Wt' S2M per year (dome,ltc and Canada) AO .unn.ul ~tc .. , S4t) J'IC'f )''-'" (U\CI"ta\). ~ cnh~ cootenl' of Wun•lrnxth a.re U'fl)'Ol!hlc..'\1 tl l~ Wu,,.t.·nt:th. 8.-:l. '''Uh are 4ntliib&c by'*"''"~ 1\l B....,;l I"""'· P 0 a.,. 1~7 . Nev. <>rttill"· LA 7011~ llccau...,o(ahmuw,upply. Rf.CORD ~Q\1~ h.a:ll"lk'' ~.a\oOIII.tbk fvr S4 Cikh Pka-.c allow a f~wwcek' ftlf~\.IRJand HOII.£ Of LE-81iNJWl.Y M.L5r. 6Aff,AINS 365 PAYS A ~M~ \kh\C:t') df nnk" Nc:w Suh...,:nbc" Pka.•.,c •llow up to"~ wed;' for rccc•pc: of hN '"uc tf~ to uur '"'"'II, "''"'omputtn7C\J ,uNflpc:k-m dqtranment hln:li!R ~o:u,tome" M.l)' p;i)' b) I M 0 ~w cha:l dr.t~n on a U.S. bank B«au~ 1129 ~U.f~ S!,II£W0~5,1A. ~04-~.Z4.9~ tlf C:'-'wbu.anl h..nL pnll~''"l c:tuq!e,, "-C: unnuc lk"ttpt dlC'('L' 1n Canad1an 01'91 ~PAYS 11A.A\ • ;p~ • WJ"O~ fR.EDtr ~S AC££P'fa> dl.tlf<~" or nlhcr fc~lfR c:umnr.:y. tW ch«h dtawn tln a fore11n bank Sutr-.c.:nbc" mu't ""'"''>' u' tmmcdt•lc:ly c,f ut)' chan,e of~' If nc.lttfKallt.1t1 '' n..-c J'C'l'CI'-C\1. n~~u•nc' ...cnt to 1nc.:tWTeel old ~~o;.c' Will noc be replole'Cd U.S CU"t'fl'l(r'\ ffiU\1 IOCIP.kk "P (tide: • IC ENTERTAINMENT AGENCY PRESENTS RAY FRANSEN·s THE MURMURS JIMMY MAXWELL ORCHESTRA EXUMA ORIGINAL CAMELLIA JAll. BAND DRUM CENTER THE PETRIES THE PRODUCERS STARZ ORIGINAL CRESCENT CITY JAll. BAND ..... ~ THE CRUISERS RUMBOOGIE EXIT 209 JAVA SALES... SERVICE •.• INSTRUCTION ALL MAJOR BRANDS e COMPETITIVE PRICES For bookings and 528 Wilkinson Row COMPLETE TEACHING FACILITIES further information contact: New Orleans, La. 70130 e (504) 581-2661 2013 WILLIAMS BLVD. 466-8484 MAY 198&WAVEI..ENGTH 3 -. - -- - - In the early 1970s, while holding the Charles Eliot Norton Chair of Sun. 4 Butch Thompson Ragtime Piano Poetry at Harvard, Leonard Be­ Sun. 25 West End Jazz Band rnstein delivered a series of lectures entitled The Unanswered Question. In these highly eclectic, synthetic, Mondays and provocative discussions, Be­ Live Classical Music rnstein asks the question "whither Tuesdays goes Western music?" According to Bernstein, tonality Jon "king" Cleary met its death with the Ninth Symphony of Gustav Wednesdays Mahler. As the Twentieth Century J. Monque'd Blues Band dawned, music, as with all other Thursdays arts, sciences, and intellectual life, Faire Band faced a great abyss. The old things simply no longer seemed to bear validity. From out of this lacuna Fri. 2 Marcia Ball rose two distinct movements: the Sat. j Femes! ind the atonality, then twelve-tone system Thunders-Zydeco Band of Arnold Schonberg and the resur­ Coast Symphony Orchestra under arranged it in a blues, jazz setting. Fri. 9 The bdiators rected, transformed tonality of the the direction of Jim Shannon per­ Continuing in this arrangement of Sat. 10 The File Cajun ~nd Stravinsky of the Firebird and the formed the piece Sebastian with lib­ other composers' work for new Fri. 16 Angeb St~lie Rite of Spring. Hovering above this reno by Mary Jane Redmon; on media, Harbor Music will be con­ "Stranger Blues" foray lay the work The Unanswered February 6, Weigel's Dancing on tributing a five minute synthesis of Sat. 17 Dewey Balla Question of Charles lves. Indeed, Glass was performed at the Mem­ the Italian composer Nino Rota's "et ses arnis acadiens" where would music and all art go? phis State University conducted by Casanova film score for a tribute Fri. 23 Tony Brown Band Native New Orleanian composer, Professor John Bauer; as part of the album based on his work. Jazz Reggae Rock fusion teacher, and music coordinator Jay contemporary music festival at the guitarist John Scofield will appear Sat. 24 Tony Brown Band Weigel possesses his own, highly CAC, Change is Seldom, poetry by on this collaboration. Finally, Rep Rock Fusion Bing­ creative responses to this almost Kim Backalanick, was performed ham and Weigel will make contri­ Rockin' Oopsie ind Fri. 30 the portentious question. A graduate of by the Contemporary Arts Ensemble butions to a forthcoming Charlie Cajun Twisters De La Salle High School, Weigel conducted by the composer. Mingus tribute. Sat. 31 Ansun FunderburP ind earned a B.A. in music from In addition to his the Rockets w/Biind Sam continous com­ Most importantly for those who Tulane in 1981 and an M.M.
Load more

Recommended publications
  • Neil Foster Spiritualises Carole Lateman Lets Us Into Her Life John
    October 2014 October 81 ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Cosimo Matassa & Senator Jones, Sea Saint Studios, New Orleans, 04-05-79 © Paul Harris Dominique, our man in la belle France, wishes to write an extensive biography of Cosimo to be published in future issues so here is Paul’s picture to confirm we aren’t ignoring Cosimo’s passing. Neil Foster spiritualises Carole Lateman lets us into her life John Howard rocks it up in Las Vegas Keith gets to know more about Iain Terry Soul Kitchen, Jazz Junction, Blues Rambling And more... 1 The recent piece by Tony Papard has spurred me to write a little about the paranormal and the arguments both for and against it. First, an experience (concerning a communication from the dead) that my mother had. She once told me that she often used to wake up in the middle of the night to see her late father standing by the bed, not as a vague shape, but as real-looking as if he were still alive. I asked her if she was frightened by the apparition and she replied, “Well, I didn't like it but I knew he wasn't real, so I pulled the clothes over my head and went back to sleep.” So, did she really see her dead father standing by the bed or...? Obviously, she could never “prove” that it happened as she described and no one else could prove that it didn't. However, there is a way around this logical impasse.
    [Show full text]
  • Neil Foster Carries on Hating Keith Listens To
    April 2017 April 96 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Chuck Berry, Capital Radio Jazzfest, Alexandra Palace, London, 21-07-79, © Paul Harris Neil Foster carries on hating Keith listens to John Broven The Frogman's Surprise Birthday Party We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 An unidentified man spotted by Bill Haynes stuffing a pie into his face outside Wilton’s Music Hall mumbles: “ HOLD THE THIRD PAGE! ” Hi Gang, Trust you are all well and as fluffy as little bunnies for our spring edition of Tales From The Woods Magazine. WOW, what a night!! I'm talking about Sunday 19th March at Soho's Spice Of Life venue. Charlie Gracie and the TFTW Band put on a show to remember, Yes, another triumph for us, just take a look at the photo of Charlie on stage at the Spice, you can see he was having a ball, enjoying the appreciation of the audience as much as they were enjoying him. You can read a review elsewhere within these pages, so I won’t labour the point here, except to offer gratitude to Charlie and the Tales From The Woods Band for making the evening so special, in no small part made possible by David the excellent sound engineer whom we request by name for our shows. As many of you have experienced at Rock’n’Roll shows, many a potentially brilliant set has been ruined by poor © Paul Harris sound, or literally having little idea how to sound up a vintage Rock’n’Roll gig.
    [Show full text]
  • Wavelength (December 1981)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ----­ Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson.
    [Show full text]
  • Southeast Texas: Reviews Gregg Andrews Hothouse of Zydeco Gary Hartman Roger Wood
    et al.: Contents Letter from the Director As the Institute for riety of other great Texas musicians. Proceeds from the CD have the History of Texas been vital in helping fund our ongoing educational projects. Music celebrates its We are very grateful to the musicians and to everyone else who second anniversary, we has supported us during the past two years. can look back on a very The Institute continues to add important new collections to productive first two the Texas Music Archives at SWT, including the Mike Crowley years. Our graduate and Collection and the Roger Polson and Cash Edwards Collection. undergraduate courses We also are working closely with the Texas Heritage Music Foun- on the history of Texas dation, the Center for American History, the Texas Music Mu- music continue to grow seum, the New Braunfels Museum of Art and Music, the Mu- in popularity. The seum of American Music History-Texas, the Mexico-North con- Handbook of Texas sortium, and other organizations to help preserve the musical Music, the definitive history of the region and to educate the public about the impor- encyclopedia of Texas tant role music has played in the development of our society. music history, which we At the request of several prominent people in the Texas music are publishing jointly industry, we are considering the possibility of establishing a music with the Texas State Historical Association and the Texas Music industry degree at SWT. This program would allow students Office, will be available in summer 2002. The online interested in working in any aspect of the music industry to bibliography of books, articles, and other publications relating earn a college degree with specialized training in museum work, to the history of Texas music, which we developed in cooperation musical performance, sound recording technology, business, with the Texas Music Office, has proven to be a very useful tool marketing, promotions, journalism, or a variety of other sub- for researchers.
    [Show full text]
  • Neville Brothers -- the first Family of New Orleans Music -- Has Vowed Not to Return to New Orleans
    Dec. 15, 2005-- Cyril Neville boarded Amtrak's City of New Orleans train with a full head of steam. He joined singer-songwriter Arlo Guthrie earlier this month for the first leg of a 12-day journey from Chicago to New Orleans, playing concerts along the way to raise funds for victims of Hurricane Katrina. Neville, however, won't be on the train when it rolls into his old hometown. He won't be going home at all. Neville, 56, percussionist-vocalist and youngest member of the Neville Brothers -- the first family of New Orleans music -- has vowed not to return to New Orleans. During a heartfelt conversation before embarking on the train journey, Neville explained he and his wife, Gaynielle, have bought a home in Austin, Texas. Cyril Neville joins his nephew Ivan Neville, as well as the Radiators and the Iguanas as popular New Orleans acts who have settled in Austin. Some even perform in an ad hoc band known as the Texiles. They sing a different song about the promised recovery of New Orleans. "Would I go back to live?" Neville asked. "There's nothing there. And the situation for musicians was a joke. People thought there was a New Orleans music scene -- there wasn't. You worked two times a year: Mardi Gras and Jazz Fest. The only musicians I knew who made a living playing music in New Orleans were Kermit Ruffins and Pete Fountain. Everyone else had to have a day job or go on tour. I have worked more in two months in Austin than I worked in two years in New Orleans.
    [Show full text]
  • Arabs Threaten to Blow up Where
    V" A > A O E FORTY WEDNESDAY, JU N E 10/ 1970 ilanrljpatifr Ettaninn il|fralii Most Manchester Stores Open Until 9 O ’clock About Town Average Daily Net Preee Ron On Sunday 14 people becanje Weiss To Pursue mamben of Omter Oon8:re- Q1 For The Week Ended gntlonal CSnirch. They are Mrs. K V ^ June 6, 1070 The Weather NelUe F, Allinaon, 114 Orcep Case Mt. Purchase Moatly fair, mild tosUght with ^I'ectors last night instructed Town 1 5 ,9 0 3 lows 60 to 60. Tomorrow partly Albert J. IMachene HI. 87 Sum- Kobeii; Weiss to meet with owners of Case sunny, humid; ohande o< thun- /} V-»V\ A mar St.; Peter Raymond Mo- ^loimtain and other interested agencies to decide wheth- lUancheoter— A City of Village Charm ■WnrtMwons fate In the day. High quln, 87 Foater St.; Mr. and er the town should apply for'a new federal oiien-spaces about 90. Mra. Kenneth R. Mnness, 262 grant to acquii"e the land. ------ — ------------ --- - VOL. LXXXIX, NO. 214 (TWENTY-FOUR PAGES—^TWO SECinONS) Kue Ridge Dr.; Mrs. Sara K. Last nights’ vote on a motion priority, the town’s share of the MANCHESTER. CONN., THURSDAY, JUNE 11, 1970 Robinson. 181A Downey Dr.; by Director William FitzGerald r„st was estimated at $128,000. h (ClMstfled Adverttslng on Boge St) PRICE TEN CENTS Mrs. Alice Scagel, 170 Charter who strongly supported the ac- The federal government also Oak St.; Mrs. Harriet C. Sliney, qulsition. came after the direc- requires that there be an ” lndl- 851 Summit St.; Mr.
    [Show full text]
  • Still Ripping and Rocking
    Dash Rip Rock Dec. 20 STILL RIPPING AND ROCKING Mud and Water 9:30 p.m. With the release of their 17th Album, Dash Rip Rock keeps it interesting dashriprock.net ash Rip Rock has been rocking out for nearly three de- With Dash Rip Rock’s 17th album, Black Liquor, released in D cades and continues to produce new material for fans. November, the band showcases its local roots. The band’s new album, Black Liquor, was released last month “This new record brings us back to what we originally on San Francisco’s Alternative Tentacles Records, and has started as. It has a little bit of everything,” Davis said. “This new been praised as one of Dash Rip Rock’s best works yet. one is sort of getting back to square one. It’s full circle.” Bill “Diamond” Davis is Dash Rip Rock’s founder, front- The band worked with one of its biggest fans on its new man, guitarist, singer and main songwriter. album: respected Louisiana producer Ben Mumphrey, who As a DJ at KLSU while he attended LSU, Davis fell in love used to play Dash Rip Rock songs on his guitar when he was with roots rock and rockabilly – a mix of old country and roots 12 years old. rock. This sub-culture inspired Davis to form his own local ver- “I was really blown away at how great they still sounded,” sion of roots rock’s greats. Mumphrey said about seeing the band play in New Orleans The product, Dash Rip Rock, was born in the summer in 2006.
    [Show full text]
  • Son Sealsseals 1942-2004
    January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page.
    [Show full text]
  • Add Leak at Plant Forces Evacuations Stepped Forward at the Democratic About Bolton Politics to Caucus Upl Photo Caucus in Bolton Wednesday Night, Members
    2(1 _ MANCHFSTER h e r a l d . Thursday. J;in. '24. 1985 MANCHESTER FOCUS SPORTS WEATHER Pearson resignation Snow ends early; r> Test scores rise Hamlet Hill winery ^ Area towns for ninth-graders is fine winter fare not totally voluntary windy on Saturday ... pape 151 ... page 2 Andovei page ^ ... page 111 Bolton /Coventry UAW agent commences bid iiaurteslrr MrralJi for Bolton selectman’s seat Manchester, Conn. — A City of Village. Charm.r-ki * PriHav/Friday, .Ian Jan. 25, 1985 — Singie copy: 25<t the company in 1979 to work lor By Sarah Passell Local 376. where he now serves Herald Reporter both as a paid business agent and its elected recording secretary. BOLTON — A surprise candi­ After he was nominated, Madore date for the Board of Selectmen explained his change of heart Add leak at plant forces evacuations stepped forward at the Democratic about Bolton politics to caucus UPl photo caucus in Bolton Wednesday night, members. adding a political veteran whose Feeling the heat By Alex GIrelli influence has previously been felt “ WHAT CONCERNS ME Is the Herald Reporter more in Manchester than in Bolton participation that we have, not U-shaped copper tubes are bundled III. When a shell and head are added.the to the party ticket for town Two thousand gallons of a 2 only with the elderly, but with the into a heat exchanger by Wha Soon completed unit will heat or cool liquids 2 elections next May. younger people and the middle Kang at ITT Fluid Handling Division’s and gases in industrial process systems.
    [Show full text]
  • Live Music & Comedy Calendar
    NIGHTLIFE WHAt’s HAPPENING FRIDAY, APR. 8 ANGOLA SAVANNAH OPEN CLUB PARADISE, LAKE JAMES SATURDAY, APR. 9 Fun, Food, Spirits • 3861 N. Bayview Rd., Angola • 260-833-7082 FOR LUNCH Expect: Northern Indiana’s hottest club. American Idol Karaoke every Wed. & Fri. Live bands every Saturday at 10 p.m. Thursday night is hip-hop MAD, JR. night. Thirsty Flamingo room available for private party rental. Outdoor TUESDAY, APR. 12 DAILY patio, 5 pool tables & video games. Visit our website at www.clubpara- diseangola.com. Eats: Lunch & dinner with 15 wing sauces, burgers and Sharkeys pizza. Kitchen open until last call. Getting There: I-69 north from HUBIE ASHCRAFT AT 11AM Ft. Wayne, left at exit 150, 2.9 miles on left. Hours: Open daily at 11 a.m. 6282 W. JEFFERSON BLVD • COVINGTON PLAZA Alcohol: Full Service Pmt.: MC, Visa. Disc. Amex fort wayne • 260-459-1352 AUBURN MAD ANTHONY TAPROOM Music/Rock • 114 N. Main St., Auburn • 260-927-0500 EXP E CT : The eclectic madness of the original combined with hand- crafted Mad Anthony ales and lagers. EATS : The same 4-1/2 star menu, ---------------- Calendar • Live Music & Comedy ---------------- including one of the best pizzas in America and a large vegetarian menu. GE TTIN G TH E R E : Take I-69 to State Rd. 8 (Auburn exit); down- APRIL ’S ALIBI — Rock variety at the DRO W NING POOL W/POP EV IL , TRU S T Thursday, April 7 Alley Sports Bar, Pro Bowl West, COMP A NY , ST A TIC CYCLE A ND ANE W OURS town, just north of courthouse.
    [Show full text]
  • The Taste of New Orleans
    Lighting The Road To The Future Zulu Ball Highlights Data Zone Page 4 “The People’s Paper” February 16 - February 22, 2013 47th Year Volume 40 www.ladatanews.com Digital Edition The Taste of New Orleans The History of African-American Businesses Part 3 Page 2 Home Styles Data Zone Pipeline After Gras to the Throw Down People Page 7 Page 6 Chef Austin Leslie Chef Armand Olivier, Jr and Armand Olivier, III Leah Chase Willie Mae Seaton Cecil Kaigler & Curtis Moore (Praline Connection) Page 2 February 16 - February 22, 2013 Cover Story www.ladatanews.com The History of African-American Businesses Part 3 The Taste of New Orleans African-American Restaurants in New Orleans New Orleans is famous for our delicious food. From around the world, visitors come, to sample the dishes prepared here in a way that cannot be duplicated. Something about the seasonings, the fresh seafood, the love and care and expertise, make New Orleans Chef’s the best in the world. In the Black community, food has always been the thing which gathered people together. There is the music with its discordant sounds that ists in the City comes from its people of African-De- Written and Edited by Elise Schenck plays in the background creating the sweet harmo- scent . Many great restaurants that both locals and and Edwin Buggage nies of the offbeat character that is New Orleans . In tourist come to enjoy are some of those eateries are addition to great music and the architectural splen- owned by African-Americans, who serve up heap- A City with a Flavorful History dor of New Orleans is it is a gastronomic paradise ing helpings of some of the best food in the world .
    [Show full text]
  • Publicacion7135.Pdf
    BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca.
    [Show full text]