Downbeat.Com August 2015 U.K. £4.00

Total Page:16

File Type:pdf, Size:1020Kb

Downbeat.Com August 2015 U.K. £4.00 AUGUST 2015 U.K. £4.00 DOWNBEAT.COM DOWNBEAT 63RD ANNUAL CRITICS POLL • VIJAY IYER • B.B. KING • LEE KONITZ • MARIA SCHNEIDER AUGUST 2015 DB1509.indd 2 7/17/15 11:34 AM August 2015 VOLUME 82 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. Jack Maher, President 1970-2003 John Maher, President 1950-1969 SUBSCRIPTION INFORMATION: Send orders and address changes to: DOWNBEAT, P.O. Box 11688, St. Paul, MN 55111–0688. Inquiries: U.S.A. and Canada (877) 904-5299; Foreign (651) 251-9682. CHANGE OF ADDRESS: Please allow six weeks for your change to become effective. When notifying us of your new address, include current DOWN- BEAT label showing old address. DOWNBEAT (issn 0012-5768) Volume 82, Number 8 is published monthly by Maher Publications, 102 N. Haven, Elmhurst, IL 60126-2970. Copyright 2015 Maher Publica- tions. All rights reserved. Trademark registered U.S. Patent Office. Great Britain regis- tered trademark No. 719.407. Periodicals postage paid at Elmhurst, IL and at additional mailing offices. Subscription rates: $34.95 for one year, $59.95 for two years. Foreign subscriptions rates: $56.95 for one year, $103.95 for two years. Publisher assumes no responsibility for return of unsolicited manuscripts, photos, or artwork. Nothing may be reprinted in whole or in part without written permission from publisher. MAHER PUBLICATIONS: DOWNBEAT magazine, MUSIC INC. maga- zine, UpBeat Daily. POSTMASTER: Send change of address to: DownBeat, P.O. Box 11688, St. Paul, MN 55111–0688. CABLE ADDRESS: DownBeat (on sale July 14, 2015) Magazine Pub- lishers Association. Á AUGUST 2015 ON THE COVER 22 Vijay Iyer Jazz Artist, Jazz Group BY PHILLIP LUTZ Few pianists can claim Iyer’s drive and intellect, fewer still the acclaim he and his trio have received for his marshalling of those gifts. FEATURES 18 B.B. King The Undisputed King 40 BY AARON COHEN 28 Top Jazz Albums Rudresh Mahanthappa topped three categories in the DownBeat Critics Poll, including Jazz Album of the Year. JIMMY KATZ 30 Lee Konitz Cover photo of Vijay Iyer shot by Jimmy and Dena Katz in New York City on May 7. Hall of Fame BY TED PANKEN 34 Muddy Waters Veterans Committee Hall of Fame BY FRANK-JOHN HADLEY 38 Top Historical Albums 76 Kenny Werner 79 Matthew Stevens 84 Dan Brubeck Quartet 85 Keith Jarrett 40 Rudresh Mahanthappa Jazz Album, Alto Saxophone, Rising Star Alto DEPARTMENTS Rising Star Composer Saxophone BY ALLEN MORRISON BY BILL MILKOWSKI 8 First Take 96 Transcription Ron Miles 42 Maria Schneider 50 Ben Williams 10 Chords & Discords Cornet Solo Composer, Arranger Rising Star Bass BY THOMAS STAUDTER BY KEN MICALLEF 13 The Beat 98 Toolshed 73 Reviews 102 Jazz On 46 The Cookers 52 Tyshawn Sorey Campus Rising Star Drums 94 Master Class Rising Star Jazz Group BY KENNY WERNER BY TED PANKEN BY DAN OUELLETTE 106 Blindfold Test Jaleel Shaw 48 Steve Lehman 54 Complete Rising Star Jazz Artist, Critics Poll Results 6 DOWNBEAT AUGUST 2015 First Take BY BILL MILKOWSKI Ornette Coleman at the 2011 Moers Festival in Germany HYOU VIELZ True Revolutionary ORNETTE COLEMAN WAS ONE OF THE MOST IMPORTANT ARTISTS THAT the United States has ever produced. The avant-garde icon, who changed the course of jazz and made profound contributions to the music for six decades, died of cardiac arrest in Manhattan on June 11. He was 85. More than almost any other jazz musician of his generation, he was as revered for his philosophy and ideas as he was for his groundbreaking music. “I have always wanted to do as many things as I could learn to do,” he told associate editor Dan Morgenstern in the April 8, 1965, issue of DownBeat. “The reason why I am mostly concerned with music is because music has a tendency to let everybody see your own convictions; music tends to reveal more of the kind of person you are than any other medium of expression.” While his iconoclastic approach to alto saxophone was grating to many listeners in the 1950s, Coleman found kindred spirits in pianist Paul Bley, trum- peter Don Cherry, bassist Charlie Haden and drummers Ed Blackwell and Billy Higgins, with whom he began forging a new collective improv vernacular in Los Angeles (where he had moved in 1953 from his native Texas). A triumverate of his now-classic albums—Something Else!!!!: The Music Of Ornette Coleman (1958) along with Tomorrow Is The Question! and the pro- phetically titled The Shape Of Jazz To Come (both released in 1959)—ushered in the free-jazz movement and introduced Coleman’s “harmolodic theory,” whereby harmony, movement of sound and melody all share the same value. After moving to New York City in November 1959, Coleman gained notoriety from a 10-week residency at the Five Spot with his quartet of Cherry, Haden and Higgins. For a second four-month residency at the Five Spot in 1960, Blackwell re- placed Higgins on drums. Three important Coleman albums were released around this time, extending his influence in the music world—his double quartet project Free Jazz: A Collective Improvisation and two potent quartet recordings, Change Of The Century and This Is Our Music. Coleman’s boundless imaginative powers as a composer were illustrated on 1972’s Skies In America, which was a single lengthy piece performed by the Lon- don Symphony Orchestra. Other noteworthy albums in his diverse oeuvre include 1986’s Song X, a collaboration with guitarist Pat Metheny, and 1988’s Virgin Beau- ty, which featured Grateful Dead guitarist Jerry Garcia on three tracks. Throughout his lengthy, prolific career, no matter how far “out” Ornette took his music, that plaintive alto sax cry and deep blue Texas feel remained at the heart of his soaring improvisations. Coleman, a 1969 inductee into the DownBeat Hall of Fame, was also honored with an NEA Jazz Masters fellowship in 1984, a Grammy Lifetime Achievement Award in 2007 and a Pulitzer Prize in music the same year, for Sound Grammar. There are artists who amaze us with their musical talent, and there are artists who impress us with their tremendous intellect and acumen. There are those who move us with their humanity and sincerity. And then there’s Ornette Coleman, who did all that and more—a titan who was a category unto himself. How many artists can say they transformed a genre? Coleman passed away on the day this issue went to press. There is so much more to say about him. Our September issue will include an extensive tribute. DB 8 DOWNBEAT AUGUST 2015 Chords Discords Source of Inspiration Harold Mabern I enjoyed Ted Panken’s excellent profile of Harold Mabern in your July issue. I was par- ticularly struck by Mabern’s observation that after many decades of work, he gets “a million dollars’ worth of experience” from even modestly paying, low-profile gigs. That someone of his vast talent and experience still feels this way was very thought-provok- ing (and helpful) to this reader. I can recall the thrill of hearing Mabern’s work for the first time on Lee Morgan’s The Gigolo, and later on his fine composition “Mr. Johnson” (also covered by Morgan) and on the pianist’s excellent LP Greasy Kid Stuff! Bravo to Mr. Mabern and DownBeat for an uplifting, inspiring read. RICHARD FREEMAN [email protected] © JACK VARTOOGIAN/FRONTROWPHOTOS Hooray for Harold the minor pentatonic triad pairs and the mi- It’s about time that the great Harold Mabern nor-major scale patterns in Herring’s work, as was recognized with a feature in DownBeat (“A he takes the torch from Trane and Brecker and Million Dollars’ Worth of Experience,” July). I moves it up a notch. had the privilege of working with him in mas- The problem is simple: Vincent Herring ter classes for several years at the Stanford Jazz plays alto saxophone, so all the comments will Workshop.
Recommended publications
  • Soundstage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56
    SoundStage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56 February 2009 Mike Bloomfield, Al Kooper, Steve Stills - Super Session Speakers Corner/Columbia Records CS 9701 Format: LP Originally Released: 1968 Reissue Released: 2008 by Joseph Taylor [email protected] Musical Performance Recording Quality Overall Enjoyment In 1968, Al Kooper had just left Blood Sweat & Tears, the horn band he had started, and was an A&R man at Columbia Records. Guitarist Mike Bloomfield, whom Kooper had played with on Highway 61 Revisited, was also between bands, so Kooper called him up and suggested they jam in the recording studio. Two other musicians, bassist Harvey Brooks and drummer Eddie Hoh, joined them for a marathon nine-hour session (pianist Barry Goldberg sat in on a couple of tracks). The next day, Bloomfield was a no show and Kooper, in a panic, cast about for another guitarist. He was lucky enough to track down Steven Stills, whose band, Buffalo Springfield, had just split up. After another long session, Kooper had enough material to create an album. Super Session, co-credited to Bloomfield, Kooper, and Stills, cost $13,000 to record and became a gold record. Kooper had horn arrangements dubbed onto some of the tunes, but otherwise they were released as originally recorded, except for some editing on a version of Donovan’s "Season of the Witch." Bloomfield is the reason to own the record. His searing guitar work is astonishing, some of the best of his brief career. He plays with focused intensity and a powerful grasp of blues tradition.
    [Show full text]
  • Nickel Creek a Dotted Line Mp3, Flac, Wma
    Nickel Creek A Dotted Line mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: A Dotted Line Country: Europe Released: 2014 Style: Bluegrass MP3 version RAR size: 1513 mb FLAC version RAR size: 1105 mb WMA version RAR size: 1926 mb Rating: 4.1 Votes: 282 Other Formats: DTS XM DMF FLAC TTA MP3 AUD Tracklist Hide Credits Rest Of My Life A1 3:40 Lyrics By – Chris ThileMusic By – Chris Thile, Sara Watkins, Sean Watkins Destination A2 3:51 Lyrics By – Sara WatkinsMusic By – Chris Thile, Sara Watkins, Sean Watkins Elsie A3 2:33 Written-By – Chris Thile Christmas Eve A4 4:23 Lyrics By – Sara WatkinsMusic By – Chris Thile, Sara Watkins, Sean Watkins Hayloft A5 3:18 Written-By – Ryan Guldemond 21st Of May B1 2:47 Written-By – Sean Watkins Love Of Mine B2 4:42 Lyrics By – Chris ThileMusic By – Chris Thile, Sara Watkins, Sean Watkins Elephant In The Corn B3 5:10 Written-By – Chris Thile, Sara Watkins, Sean Watkins You Don't Know What's Going On B4 2:50 Lyrics By – Chris ThileMusic By – Chris Thile, Sara Watkins, Sean Watkins Where Is Love Now B5 4:44 Written-By – Sam Phillips Credits Bass – Mark Schatz Bass [Bowed] – Edgar Meyer Design – Evan Gaffney Design Engineer – Cian Riordan, Eric Valentine Engineer [Assisted By] – Justin Long Fiddle – Sara Watkins Guitar – Sean Watkins Management – Q Prime South, Red Light Management Mandolin, Bouzouki – Chris Thile Mastered By – Eric Valentine Mixed By – Eric Valentine Percussion – Eric Valentine, Matt Chamberlain Photography [Cover] – Underwood Photography Archives Photography
    [Show full text]
  • El Paso and the Twelve Travelers
    Monumental Discourses: Sculpting Juan de Oñate from the Collected Memories of the American Southwest Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV – Sprach- und Literaturwissenschaften – der Universität Regensburg wieder vorgelegt von Juliane Schwarz-Bierschenk aus Freudenstadt Freiburg, Juni 2014 Erstgutachter: Prof. Dr. Udo Hebel Zweitgutachter: Prof. Dr. Volker Depkat CONTENTS PROLOGUE I PROSPECT 2 II CONCEPTS FOR READING THE SOUTHWEST: MEMORY, SPATIALITY, SIGNIFICATION 7 II.1 CULTURE: TIME (MEMORY) 8 II.1.1 MEMORY IN AMERICAN STUDIES 9 II.2 CULTURE: SPATIALITY (LANDSCAPE) 13 II.2.1 SPATIALITY IN AMERICAN STUDIES 14 II.3 CULTURE: SIGNIFICATION (LANDSCAPE AS TEXT) 16 II.4 CONCEPTUAL CONVERGENCE: THE SPATIAL TURN 18 III.1 UNITS OF INVESTIGATION: PLACE – SPACE – LANDSCAPE III.1.1 PLACE 21 III.1.2 SPACE 22 III.1.3 LANDSCAPE 23 III.2 EMPLACEMENT AND EMPLOTMENT 25 III.3 UNITS OF INVESTIGATION: SITE – MONUMENT – LANDSCAPE III.3.1 SITES OF MEMORY 27 III.3.2 MONUMENTS 30 III.3.3 LANDSCAPES OF MEMORY 32 IV SPATIALIZING AMERICAN MEMORIES: FRONTIERS, BORDERS, BORDERLANDS 34 IV.1 LANDSCAPES OF MEMORY I: THE LAND OF ENCHANTMENT 39 IV.1.1 THE TRI-ETHNIC MYTH 41 IV.2 LANDSCAPES OF MEMORY II: HOMELANDS 43 IV.2.1 HISPANO HOMELAND 44 IV.2.2 CHICANO AZTLÁN 46 IV.3 LANDSCAPES OF MEMORY III: BORDER-LANDS 48 V FROM THE SOUTHWEST TO THE BORDERLANDS: LANDSCAPES OF AMERICAN MEMORIES 52 MONOLOGUE: EL PASO AND THE TWELVE TRAVELERS 57 I COMING TO TERMS WITH EL PASO 60 I.1 PLANNING ‘THE CITY OF THE NEW OLD WEST’ 61 I.2 FOUNDATIONAL
    [Show full text]
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • Jazzweek with Airplay Data Powered by Jazzweek.Com • October 24, 2011 Volume 7, Number 46 • $7.95
    JazzWeek with airplay data powered by jazzweek.com • October 24, 2011 Volume 7, Number 46 • $7.95 Jazz Album No. 1: Poncho Sanchez and Smooth Album No. 1: Dave Koz, Hello Terence Blanchard, Chano y Dizzy (Concord Tomorrow (Concord) Jazz) World Music No. 1: Bill Frisell & Vinicius Smooth Single No. 1: Rick Braun, “Time Cantuaria, Lagrinas Mexicanas (eOne) after Time” (Artistry/Mack Avenue) Jazz Album Charts .................... 3 Jazz Add Dates ....................... 7 Smooth Jazz Album Charts .............4 Jazz Radio Currents ................... 8 Smooth Singles Charts ................. 5 Jazz Radio Panel .................... 11 World Music Album Charts .............. 6 Smooth Jazz Current Tracks............ 13 Smooth Jazz Station Panel............. 14 Jazz Birthdays October 24 November 1 November 10 Odeon Pope (1938) Lou Donaldson (1926) Paul Bley (1932) October 25 Gabe Baltazar (1929) Houston Person (1934) Eddie Lang (1902) Roger Kellaway (1939) Andrew Cyrille (1939) Jimmy Heath (1926) Lee Ritenour (1952) Hubert Laws (1939) Robin Eubanks (1955) November 2 November 11 October 26 Bunny Berigan (1908) Hoagy Carmichael (1899) Charlie Barnet (1913) Herb Geller (1928) Gunther Schuller (1925) Wayne Marsh (1927) Phil Woods (1931) Ernestine Anderson (1928) Eddie Henderson (1940) Frank Kimbrough (1956) Marvin Hannibal Peterson (1948) October 27 November 3 November 12 George Wallington (1924) Billy Mitchell (1926) Buck Clayton (1911) Philip Catherine (1942) Henry Grimes (1935) Charlie Mariano (1923) John McPhee (1939) November 13 October 28 Azar
    [Show full text]
  • Blood Sweat Tears and When I Die Download Free Blood Sweat Tears and When I Die Download Free
    blood sweat tears and when i die download free Blood sweat tears and when i die download free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67addf555e0b7b6b • Your IP : 188.246.226.140 • Performance & security by Cloudflare. BLOOD SWEAT AND TEARS AND WHEN I DIE lyric. Now troubles are many there as deep as a well I can swear there ain't no Heaven but I pray there ain't no hell Swear there ain't no Heaven and I'll pray there ain't no hell but I'll never know by livin' only my dyin' will tell, yes only my dyin' will tell, oh yeah, Only my dyin' will tell. And when I die, and when I'm gone there'll be, one child born, in this world to carry on, to carry on yeah yeah. Give me my freedom for as long as I be All I ask of livin' is to have no chains on me All I ask of livin' is to have no chains on me And all I ask of dyin' is to go natrually, only wanna go naturally Here I go! hey hey Here come the devil right behind look out children, here he come here he come, heyyy.
    [Show full text]
  • ELLINGTON '2000 - by Roger Boyes
    TH THE INTERNATIONAL BULLETIN22 year of publication OEMSDUKE ELLINGTON MUSIC SOCIETY | FOUNDER: BENNY AASLAND HONORARY MEMBER: FATHER JOHN GARCIA GENSEL As a DEMS member you'll get access from time to time to / jj£*V:Y WL uni < jue Duke material. Please bear in mind that such _ 2000_ 2 material is to be \ handled with care and common sense.lt " AUQUSl ^^ jj# nust: under no circumstances be used for commercial JUriG w «• ; j y i j p u r p o s e s . As a DEMS member please help see to that this Editor : Sjef Hoefsmit ; simple rule is we \&! : T NSSESgf followed. Thus will be able to continue Assisted by: Roger Boyes ^ fueur special offers lil^ W * - DEMS is a non-profit organization, depending on ' J voluntary offered assistance in time and material. ALL FOR THE L O V E D U K E !* O F Sponsors are welcomed. Address: Voort 18b, Meerle. Belgium - Telephone and Fax: +32 3 315 75 83 - E-mail: [email protected] LOS ANGELES ELLINGTON '2000 - By Roger Boyes The eighteenth international conference of the Kenny struck something of a sombre note, observing that Duke Ellington Study Group took place in the we’re all getting older, and urging on us the need for active effort Roosevelt Hotel, 7000 Hollywood Boulevard, Los to attract the younger recruits who will come after us. Angeles, from Wednesday to Sunday, 24-28 May This report isn't the place for pondering the future of either 2000. The Duke Ellington Society of Southern conferences or the wider activities of the Ellington Study Groups California were our hosts, and congratulations are due around the world.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • Joshua Redman Bio
    JOSHUA REDMAN BIO Joshua Redman is one of the most acclaimed and charismatic jazz artists to have emerged in the decade of the 1990s. Born in Berkeley, California, he is the son of legendary saxophonist Dewey Redman and dancer Renee Shedroff. He was exposed at an early age to a variety of musics (jazz, classical, rock, soul, Indian, Indonesian, Middle-Eastern, African) and instruments (recorder, piano, guitar, gatham, gamelan), and began playing clarinet at age nine before switching to what became his primary instrument, the tenor saxophone, one year later. The early influences of John Coltrane, Ornette Coleman, Cannonball Adderley and his father, Dewey Redman, as well as The Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, The Police and Led Zeppelin drew Joshua more deeply into music. But although Joshua loved playing the saxophone and was a dedicated member of the award-winning Berkeley High School Jazz Ensemble and Combo from 1983-86, academics were always his first priority, and he never seriously considered becoming a professional musician. In 1991 Redman graduated from Harvard College summa cum laude, Phi Beta Kappa with a B.A. in Social Studies. He had already been accepted by Yale Law School, but deferred entrance for what he believed was only going to be one year. Some of his friends (former students at the Berklee College of Music whom Joshua had met while in Boston) had recently relocated to Brooklyn, and they were looking for another housemate to help with the rent. Redman accepted their invitation to move in, and almost immediately he found himself immersed in the New York jazz scene.
    [Show full text]
  • June 2020 Volume 87 / Number 6
    JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Review of Barre Phillips and Motoharu Yoshizawa, Oh My, Those Boys
    which issued a string of quality recordings in the ‘90s dialogue between saxophone and trumpet, in stop- and returned in more recent years, notably for a series time, provides the envoi to this album. Backing the of co-productions with Universal Japan in 2015 titled co-leaders is a muscular, hard-driving rhythm section “Free Jazz Japan in Zepp”. Lately, Chap Chap has been anchored by drummer Billy Drummond, who worked collaborating with NoBusiness, helping to cement the with Nat Adderley, bassist Nat Reeves and pianist Lithuanian label as a premier destination for archival David Hazeltine. avant garde material. Along with “Work Song”, this quintet also essays Oh My, Those Boys! adds to an early Chap Chap Cannonball’s “Sack O’Woe”, another soul jazz down- CD, Motaharu Yoshizawa’s Live “Okidoki”, which home classic with a fat backbeat, notable here for Pelt’s Laid Black contained 40 minutes of the bass duet with Barre driving solo and Hazeltine’s interaction with Marcus Miller (Blue Note) Phillips featured here, recorded in 1994 at Café Amores Drummond during the pianist’s solo turn. Soul jazz by Anna Steegmann in the Southwest Japan city of Hōfu. The release birthed various rhythms, among them the boogaloo contains two long free improvisations, the first one shuffle. Rather than reprise one of Cannonball’s Laid Black, bassist Marcus Miller’s 23rd album, is as abridged to 30 minutes on the LP version, which would boogaloos, Pelt has written his own, “Party Time”, an laid-back as it gets—the perfect soundtrack for an therefore be recommended only to hardened vinyl original that opens this CD and introduces us to easygoing summer.
    [Show full text]
  • PRESS RELEASE July 24, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 Or [email protected]
    PRESS RELEASE July 24, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] High-resolution images of the artists listed are available on Wolf Trap’s website: wolftrap.org/Media_and_Newsroom/Photos_for_Publication.aspx Wolf Trap Presents Noche Flamenca, Nickel Creek and Josh Ritter, Boney James and Eric Benet, YANNI, and ABBA—The Concert All Shows at the Filene Center at Wolf Trap National Park for the Performing Arts, 1551 Trap Road, Vienna, Virginia 22182 Noche Flamenca Tuesday, August 12, 2014 at 8:30 pm The passionate flair of traditional Spanish dance and music strikes a pose onstage at the Filene Center with Noche Flamenca. The group, founded in Madrid in 1993, is highly decorated, having been honored with the Lucille Lortel Award for Special Theatrical Experience in 2003 and awards from the National Dance Project in 2006 and 2009. Additionally, lead dancer and co-founder Soledad Barrio won a New York Dance and Performance Award for her acclaimed style. Her husband Martín Santangelo co- founded the group with her and serves as the artistic director, stylizing shows that are performed throughout the world, including full annual seasons in Buenos Aires and New York City. Dance Magazine says Barrio is “a gift to flamenco and the troupe a testament to the art’s underlying relevance.” Video: Noche Flamenca – Promotional Video Nickel Creek Josh Ritter Wednesday, August 13, 2014 at 7:30 pm “Newgrass” band Nickel Creek partners with acoustic artist Josh Ritter to create an evening of homey folk at the Filene Center. Nickel Creek brings their unique blend of progressive bluegrass and acoustic folk to their Wolf Trap debut.
    [Show full text]