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The​​Villas​​Of​​Oplontis​​Near​​P ISSN 2378-6159 ​ ​ Volume 4, Issue 1 (Fall 2017) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ www.bu.edu/sequitur EXHIBITION REVIEW ​ ​ Leisure and Luxury in the Age of Nero: ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ The Villas of Oplontis Near Pompeii ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Smith College Museum of Art, Northampton, MA ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ February 3 – August 13, 2017 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Bailey Benson ​ ​ The Smith College Museum of Art serves as the third and final venue for the exhibition Leisure and ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ Luxury in the Age of Nero: The Villas of Oplontis Near Pompeii.1 Housed in a single, large gallery on the ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ museum’s ground floor, the exhibition hosts a rich collection of over two hundred objects, many of which ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ have never been displayed outside of Italy. The display effectively exhibits the opulent lifestyle of the ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ wealthiest Roman citizens through a collection of rich jewelry, sumptuous marble sculptures, and ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ reconstructions of lavish domestic wall painting. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ The objects that comprise the exhibition come from two complexes at Oplontis near Pompeii that were ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ buried during the eruption of Mount Vesuvius in 79 CE. Oplontis A was once an elite Roman residence, ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ likely belonging to the Empress Poppaea Sabina, while Oplontis B functioned as a neighboring ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ commercial complex. When read together, the material from these two archaeological sites demonstrates ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ how the Roman elite built, maintained, and displayed their wealth, political power, and social prestige. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ One of the most visually impressive aspects of Oplontis A is the villa’s trompe l’oeil wall paintings. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ Fragments of painted plaster and molded stucco hang on digitally engineered backdrops that reconstruct ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ some of the villa’s walls and spaces. Paired with the reconstructions, the fragments of painted fresco ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ reveal a rich iconographic program. Arguably the most striking frescoes on display come from the villa’s ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ atrium and one of the interior garden rooms, which the exhibition has reconstructed to allow visitors to ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ experience how the frescoes were originally displayed within the villa proper. A touch-screen console ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ situated in front of the space further heightens the experience for visitors by allowing them to digitally ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ explore a 3-D reconstruction of the space. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ In the display of jewelry and coinage, visitors encounter a rich assembly. As volcanic debris rained down ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ around them, the occupants of Oplontis B sought shelter within one of the complex’s storerooms. When ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ the bodies were discovered centuries later, the excavators also found among their remains portable ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ 1 The exhibition was organized and circulated by The University of Michigan Kelsey Museum of ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Archaeology in cooperation with the Ministero dei Beni e delle Attività Culturali e del Turismo and the ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Soprintendenza Speciale per i Beni Archeologici di Pompei, Ercolano e Stabia. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ www.bu.edu/sequitur 1 ISSN 2378-6159 ​ ​ Volume 4, Issue 1 (Fall 2017) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ www.bu.edu/sequitur containers holding coins and jewelry. In a touching display, the exhibition provides a map detailing the ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ locations of the fifty-four skeletons and matches the exhibited coins and jewelry to the bodies where they ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ were discovered. One of the dead was that of a young, pregnant woman who was carrying over three ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ hundred coins at the time of her death. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Leisure and Luxury in the Age of Nero provides remarkable examples of the ostentatious wealth of the ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Roman elite. While the luxurious wall paintings overwhelm visitors with their overt projections of wealth ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ and opulence, the pairings of individual pieces of jewelry and coinage with the bodies that once held them ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ personalizes the exhibition. The display effectively demonstrates the highly stratified nature of ancient ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Roman society and the great disparities of wealth, social class, and consumption of its inhabitants. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Bailey Benson is a doctoral student at Boston University, where she studies the art and architecture of ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ancient Rome. Her research interests include the role of women in ancient Greece and Rome, the ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ articulation of identity and memory in the ancient world, and the archaeology of the Roman East. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Exhibition view of the objects from Oplontis A. Photography by Stephen Petegorsky for Smith College ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Museum of Art. ​ ​ ​ ​ www.bu.edu/sequitur 2 ISSN 2378-6159 ​ ​ Volume 4, Issue 1 (Fall 2017) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ www.bu.edu/sequitur Reconstruction of a cubiculum at Oplontis A. The installation included an audio track of trickling water and ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ voices speaking Latin. Photography by Stephen Petegorsky for Smith College Museum of Art. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Jewelry and plan of the skeletal remains found in a storage room at Oplontis B. Photography by Stephen ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Petegorsky for Smith College Museum of Art. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ www.bu.edu/sequitur 3 .
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