Preliminary Notes on Two Seasons of Research at Oplontis B (2014-2015)
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The Rough Guide to Naples & the Amalfi Coast
HEK=> =K?:;I J>;HEK=>=K?:;je CVeaZh i]Z6bVaÒ8dVhi D7FB;IJ>;7C7B<?9E7IJ 7ZcZkZcid BdcYgV\dcZ 8{ejV HVc<^dg\^d 8VhZgiV HVciÉ6\ViV YZaHVcc^d YZ^<di^ HVciVBVg^V 8{ejVKiZgZ 8VhiZaKdaijgcd 8VhVaY^ Eg^cX^eZ 6g^Zcod / AV\dY^EVig^V BVg^\a^Vcd 6kZaa^cd 9WfeZ_Y^_de CdaV 8jbV CVeaZh AV\dY^;jhVgd Edoojda^ BiKZhjk^jh BZgXVidHVcHZkZg^cd EgX^YV :gXdaVcd Fecf[__ >hX]^V EdbeZ^ >hX]^V IdggZ6ccjco^ViV 8VhiZaaVbbVgZY^HiVW^V 7Vnd[CVeaZh GVkZaad HdggZcid Edh^iVcd HVaZgcd 6bVa[^ 8{eg^ <ja[d[HVaZgcd 6cVX{eg^ 8{eg^ CVeaZh I]Z8Vbe^;aZ\gZ^ Hdji]d[CVeaZh I]Z6bVa[^8dVhi I]Z^haVcYh LN Cdgi]d[CVeaZh FW[ijkc About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections, and you should be able to find whatever you need in one of them. The introductory colour section is designed to give you a feel for Naples and the Amalfi Coast, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The guide chapters cover the region in depth, each starting with a highlights panel, introduction and a map to help you plan your route. Contexts fills you in on history, books and film while individual colour sections introduce Neapolitan cuisine and performance. Language gives you an extensive menu reader and enough Italian to get by. 9 781843 537144 ISBN 978-1-84353-714-4 The book concludes with all the small print, including details of how to send in updates and corrections, and a comprehensive index. -
Journal Pre-Proof
Journal Pre-proof From Historical Seismology to seismogenic source models, 20 years on: Excerpts from the Italian experience Gianluca Valensise, Paola Vannoli, Pierfrancesco Burrato, Umberto Fracassi PII: S0040-1951(19)30296-3 DOI: https://doi.org/10.1016/j.tecto.2019.228189 Reference: TECTO 228189 To appear in: Tectonophysics Received date: 1 April 2019 Revised date: 20 July 2019 Accepted date: 5 September 2019 Please cite this article as: G. Valensise, P. Vannoli, P. Burrato, et al., From Historical Seismology to seismogenic source models, 20 years on: Excerpts from the Italian experience, Tectonophysics(2019), https://doi.org/10.1016/j.tecto.2019.228189 This is a PDF file of an article that has undergone enhancements after acceptance, such as the addition of a cover page and metadata, and formatting for readability, but it is not yet the definitive version of record. This version will undergo additional copyediting, typesetting and review before it is published in its final form, but we are providing this version to give early visibility of the article. Please note that, during the production process, errors may be discovered which could affect the content, and all legal disclaimers that apply to the journal pertain. © 2019 Published by Elsevier. Journal Pre-proof From Historical Seismology to seismogenic source models, 20 years on: excerpts from the Italian experience Gianluca Valensise, Paola Vannoli, Pierfrancesco Burrato & Umberto Fracassi Istituto Nazionale di Geofisica e Vulcanologia, Rome, Italy Contents 1. Introduction 1.1. Why Historical Seismology 1.2. A brief history of Historical Seismology 1.3. Representing and exploiting Historical Seismology data 2. -
Robert Harris • Enigma
LITERARY BITS Module 2 WORKING IN DIGITAL ROBERT HARRIS • ENIGMA ABOUT THE AUTHOR ROBERT HARRIS Robert Harris was born in Nottingham, UK, in 1957. After graduating at Cambridge, he worked as a journalist for the BBC and assisted on shows that covered important current events. He became a political commentator, was the editor of The Observer, a UK political paper, and wrote articles on politics in many other newspapers. He started his writing career in the 1980s and since then he has written a number of fictional thrillers, often related to political events, and eight novels have become bestsellers. He wrote novels related to World War Two such as ‘Fatherland’ (1992), his first bestseller, and ‘Enigma’ (1995), but also stories set in other historical periods like ‘Pompeii’ (2003). R. Harris ABOUT THE NOVEL ENIGMA The novel is a blend between a historical novel and a mystery novel which mixes up reality and fiction. The story is set in 1943 when much of Nazi Enigma Code has already been cracked. However, Shark, the impenetrable cipher used to hide the movements of the U-boats, the German submarines, to the Allies, is still a mystery. A top secret team of British cryptographers led by the brilliant mathematician Tom Jericho has the task of deciphering it. They succeed in breaking the code, but unfortunately the Germans change it. As an Allied convoy crosses the North Atlantic Ocean full of U-boats, Jericho has to solve three mysteries with the help of his girlfriend’s roommate who is on the convoy: the code, whether his girlfriend Claire is a spy and if she has been murdered. -
Unearth the Essence of the Amalfi Coast with Our Extraordinary Experiences Contents
UNEARTH THE ESSENCE OF THE AMALFI COAST WITH OUR EXTRAORDINARY EXPERIENCES CONTENTS SIGNATURE EXPERIENCES 3 COASTAL LIVING 12 WINING AND DINING 23 TREASURES OF THE LAND 38 ART AND CULTURE 49 – SIGNATURE EXPERIENCES 3 MYSTERIES OF NAPLES Italian writer and journalist Curzio Malaparte once wrote: “Naples is the most mysterious city in Europe. It is the only city in the ancient world that has not perished like Ilium, like Nineveh, like Babylon. It is the only city in the world that has not sunk in the immense shipwreck of ancient civilisation. Naples is a Pompeii that has never been buried.” In the company of an expert storyteller, embark on a journey through the vibrant heart of this mysterious southern capital, discovering decorated catacombs, richly encoded chapels and aged rituals. Customise your tour, choosing from: – Farmacia degli Incurabili: This pharmaceutical laboratory was a meeting point for the Neapolitan Enlightened elite. Discover the intriguing anecdotes of a place where art and science collided. – Biblioteca dei Girolamini: Home to a vast archive of books and opera music since 1586, this is the oldest public library in Naples. – San Gaudioso Catacombs: Concealed beneath the Basilica di Santa Maria della Santità lies one of the most important early Christian cemeteries in Naples. Head underground to unearth the mysterious crypt’s secrets. – Sansevero Chapel: Preserving the Veiled Christ, one of the greatest masterpieces ever carved in marble, this chapel is an iconic example of 18th-century creativity. The statues appear so fluid and soft, you may be tempted to reach out and touch them. Visits may vary according to availability. -
Herculaneum Archaeology
Defining Beauty - Alistair Thorley A First Hand Experience of the Apolline Project - Iona Hampson The Ancient Graffiti Project - Rebecca Benefiel & Jacqueline DiBiasie 2014 Southeastern College Art Conference - Lisa Gastrell The First Herculaneum Summer School - Sarah Hendriks Bronze sculpture from the Villa of the Papyri , Museo Archeologico Nazionale Napoli herculaneum archaeology herculaneum Society - Issue 19 Summer 2015 of the Friends Herculaneum the newsletter Defining beauty - the body in Ancient Greek art A Review of the recent exhibition at the British Museum by Alistair Thorley Head of Classics, Stockport Grammar School Defining beauty is about as easy as raising children or trusting politicians and so the latest superstar British Museum exhibition is ambitious in its scope. The first darkened room showcases five of Classical Greece’s best attempts to define the indefinable, all dramatically spotlit. Ilissos, the river god whose turbulent course has flowed from Athens to London and then, most recently, to St. Petersburg and back, has a beauty where flesh, drapery and water coalesce across his body. Apoxyomenos radiates a self-confidence in his muscular body. Doryphoros (via Georg Römer’s stunning bronze copy) finds beauty in mathematical perfection. The beauty of the Townley Diskobolos lies in the grace he achieves despite his clenched crouch. However, newspaper coverage of the exhibition has focused on the one female statue amidst the buff young males. The opening of the exhibition is Aphrodite’s bottom. The statue is turned 180 degrees from the angle at which she is normally first encountered on the way to the Duveen Gallery. It is easy to see why we start this way. -
Bibliographical Index
Bibliographical Index BIBLIOGRAPHICAL ACCESS TO THIS VOLUME Bacon, Roger. Opus Majus. 305, 322, 345 Basil, Saint. Homilies. 328 Three modes of access to bibliographical information are used Bede, the Venerable. De natura rerum. 137 in this volume: the footnotes; the bibliographies; and the Bib ---. De temporum ratione. 321 liographical Index. The footnotes provide the full form of a reference the first Cassiodorus. Institutiones divinarum et saecularium time it is cited in each chapter with short-title versions in litterarum. 172, 255, 259, 261 subsequent citations. In each of the short-title references, the Cato the Elder. Origines. 205 note number of the fully cited work is given in parentheses. Censorinus. De die natalie 255 The bibliographies following each chapter provide a selec Chaucer, Geoffrey. Prologue to the Canterbury Tales. 387 tive list of major books and articles relevant to its subject Cicero. Arataea (translation of Aratus's versification of matter. Eudoxus's Phaenomena). 143 The Bibliographical Index comprises a complete list, ar ---. Letters to Atticus. 255 ranged alphabetically by author's name, of all works cited in ---. De natura deorum. 160,168 the footnotes. Numbers in bold type indicate the pages on --. The Republic. 159, 160, 255 which references to these works can be found. This index is ---. Tusculan Disputations. 160 divided into two parts. The first part identifies the texts of Cleomedes. De motu circulari. 152, 154, 169 classical and medieval authors. The second part lists the mod Cosmas Indicopleustes. Christian Topography. 143, 144, ern literature. 261 Ctesias of Cnidus. Indica. 149 TEXTS OF CLASSICAL AND MEDIEVAL ---. Persica. 149 AUTHORS Dicuil. -
Brochure Istituto Vesuviano INGLESE.Indd
The Vesuvian International Institute for Archaeology and the Humanities The fi rst major international academic base for study, research, and cultural exchange in the Bay of Naples The Vesuvian Institute, which is located only fi ve minutes from the city center of Castellammare di Stabia, the commuter train station from Naples, Sorrento and Pompeii, and the archaeological sites of ancient Roman Stabiae, accom- modates a wide range of visitors: • Students from Italian and international high schools on cultural tours • University student and professor travel groups from US and international institutions • Universities with study abroad programs in Italy • Researchers from advanced research institutes in Italy (such as The British School in Rome, the American Academy, etc.) • Independent students, researchers, professors, and scholars specializing in diverse humanities fi elds in the area of Stabiae, Pompeii and other major archeological areas in Campania • International cultural travelers A multi-functional research and study facility immersed in the spectacular scenery and vistas of the Bay of Naples. Main Entrance Hall and reception area View from the gardens Conference hall Classroom Computer and Internet lab View of the mountains behind A perfect location for international study and research in a region still as yet little studied The Naples region and southern Italy are among the richest cultural and historic areas in Europe, but also the least studied. The Gulf of Naples has always been a passageway for diverse cul- tures and people throughout history and the inception of many civilizations took place here, leaving an incredible wealth of art and culture. While Rome, Florence and Venice are home to multiple in- ternational study and cultural centers well-equipped with facilities incorporated into the urban fabric of these Italian cities, there are no equivalent facilities in southern Italy, making the Vesuvian Insti- tute a one-of-a kind cultural and research center in the heart of the historically signifi cant Campania region. -
Pompeii and Herculaneum: a Sourcebook Allows Readers to Form a Richer and More Diverse Picture of Urban Life on the Bay of Naples
POMPEII AND HERCULANEUM The original edition of Pompeii: A Sourcebook was a crucial resource for students of the site. Now updated to include material from Herculaneum, the neighbouring town also buried in the eruption of Vesuvius, Pompeii and Herculaneum: A Sourcebook allows readers to form a richer and more diverse picture of urban life on the Bay of Naples. Focusing upon inscriptions and ancient texts, it translates and sets into context a representative sample of the huge range of source material uncovered in these towns. From the labels on wine jars to scribbled insults, and from advertisements for gladiatorial contests to love poetry, the individual chapters explore the early history of Pompeii and Herculaneum, their destruction, leisure pursuits, politics, commerce, religion, the family and society. Information about Pompeii and Herculaneum from authors based in Rome is included, but the great majority of sources come from the cities themselves, written by their ordinary inhabitants – men and women, citizens and slaves. Incorporating the latest research and finds from the two cities and enhanced with more photographs, maps and plans, Pompeii and Herculaneum: A Sourcebook offers an invaluable resource for anyone studying or visiting the sites. Alison E. Cooley is Reader in Classics and Ancient History at the University of Warwick. Her recent publications include Pompeii. An Archaeological Site History (2003), a translation, edition and commentary of the Res Gestae Divi Augusti (2009), and The Cambridge Manual of Latin Epigraphy (2012). M.G.L. Cooley teaches Classics and is Head of Scholars at Warwick School. He is Chairman and General Editor of the LACTOR sourcebooks, and has edited three volumes in the series: The Age of Augustus (2003), Cicero’s Consulship Campaign (2009) and Tiberius to Nero (2011). -
Ancient Carved Ambers in the J. Paul Getty Museum
Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication. -
Following Paul from Shipwreck on Malta to Martyrdom in Rome MALTA • SICILY • ITALY Led by Dr
Following Paul from Shipwreck on Malta to Martyrdom in Rome MALTA • SICILY • ITALY Led by Dr. Carl Rasmussen MAY 11-22, 2021 organized by Following Paul from Shipwreck on Malta to Martyrdom in Rome / May 11-22, 2021 Malta Following Paul from Shipwreck on Malta to Martyrdom in Rome MAY 11-22, 2021 Fri 14 May Ferry to POZZALLO (SICILY) - SYRACUSE – Ferry to REGGIO CALABRIA Early check out, pick up our box breakfasts, meet the English-speaking assistant at our hotel and transfer to the port of Malta. 06:30am Take a ferry VR-100 from Malta to Pozzallo (Sicily) 08:15am Drive to Syracuse (where Paul stayed for three days, Acts 28.12). Meet our guide and visit the archeological park of Syracuse. Drive to Messina (approx. 165km) and take the ferry to Reggio Calabria on the Italian mainland (= Rhegium; Acts 28:13, where Paul stopped). Meet our guide and visit the Museum of Magna Grecia. Check-in to our hotel in Reggio Calabria. Dr. Carl and Mary Rasmussen Dinner at our hotel and overnight. Greetings! Mary and I are excited to invite you to join our handcrafted adult “study” trip entitled Following Paul from Shipwreck on Malta to Sat 15 May PAESTUM - to POMPEII Martyrdom in Rome. We begin our tour on Malta where we will explore the Breakfast and checkout. Drive to Paestum (435km). Visit the archeological bays where the shipwreck of Paul may have occurred as well as the Island of area and the museum of Paestum. Paestum was a major ancient Greek city Malta. Mark Gatt, who discovered an anchor that may have been jettisoned on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). -
11 Amazing Day Trips You Can Take from Naples
22 JANUARY 2018 NEEN 3535 11 AMAZING DAY TRIPS YOU CAN TAKE FROM NAPLES One of the greatest benefits of visiting Naples is its close access to many nearby beaches, cathedrals, museums, and UNESCO World Heritage Sites. Italy’s central coastline offers stunning natural scenery which continues to draw millions of tourists from around the world who come to eat, drink, and be merry under the silhouette of Naples historic past. Whether you’ve come to Naples to taste the region’s famous pizza, explore the elongated coastline, enjoy a cultural performance, or learn more about Italy’s rich heritage—there’s never a dull moment in your adventure with Ciao Florence. Embrace the spirit of “dolce vita” or the “sweet life” as our expert guides take you on a perfectly curated journey around the region of Campania. Florence based Tour Operator offers 11 different day trips from Naples to choose from, allowing you to tailor your Italian experience to satisfy your wanderlust. Indulge in the beautiful tranquility of the Italian countryside as we travel by bus, train, and even boat to cities like Pompeii, Capri, Sorrento, and the Amalfi Coast. Along the way you will be given lots of time to explore these cities for a more intimate connection to this historic Italian landscape. Whichever route you choose, feel confident that you are getting the most out of your Italian experience when you travel with Ciao Florence. From Naples to Pompeii Visit the UNESCO World Heritage Site of Pompeii which was made infamous in the volcanic eruption of Mount Vesuvius in 79 A.D. -
Pompeii and the Roman Villa
Pompeii and the Roman Villa ART AND CULTURE AROUND THE BAY OF NAPLES __________________________________________________________________________________________________ HE ANCIENT GREEK PHILOSOPHER EPICURUS STATED: “PLEASURE IS THE BEGINNING and end of living happily.” This statement rang true for prominent Romans who spent their leisure time in luxurious villas and houses in the towns of TPompeii, Herculaneum, and other ancient Roman towns that were centers of activity along the Bay of Naples in the first century BC and the first century AD. Epicurus’s philosophy appealed to many Romans who retreated to their country homes in the spring and summer months to enjoy a respite from their working lives in Rome. Pompeii, in the region of Campania, retained its Greek culture and character after becoming a Roman colony in 80 BC. The Romans considered Greece a source of culture, beauty, and wisdom, and knowledge of Greek culture was a status symbol that signaled refinement and education. Greek influence pervaded the decor of Roman residences around the Bay of Naples and was reflected in the works of art both acquired and emulated by Roman patrons. Some Romans, when on vacation, even wore Greek dress—such as a chiton for men or a peplos for women—rather than the standard toga of the day. These curriculum materials explore the cultural and artistic life in Pompeii and other towns around the Bay of Naples in the centuries leading up to the eruption of Vesuvius in the year 79. Two works of art, the mosaic Plato’s Academy (1st century BC–1st century AD) and the fresco Garden Scene (1st century BC–1st century AD), are examples of the embellishments applied to the gardens and interiors of Pompeian villas.