Life and Death in the Shadow of Vesuvius
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The Rough Guide to Naples & the Amalfi Coast
HEK=> =K?:;I J>;HEK=>=K?:;je CVeaZh i]Z6bVaÒ8dVhi D7FB;IJ>;7C7B<?9E7IJ 7ZcZkZcid BdcYgV\dcZ 8{ejV HVc<^dg\^d 8VhZgiV HVciÉ6\ViV YZaHVcc^d YZ^<di^ HVciVBVg^V 8{ejVKiZgZ 8VhiZaKdaijgcd 8VhVaY^ Eg^cX^eZ 6g^Zcod / AV\dY^EVig^V BVg^\a^Vcd 6kZaa^cd 9WfeZ_Y^_de CdaV 8jbV CVeaZh AV\dY^;jhVgd Edoojda^ BiKZhjk^jh BZgXVidHVcHZkZg^cd EgX^YV :gXdaVcd Fecf[__ >hX]^V EdbeZ^ >hX]^V IdggZ6ccjco^ViV 8VhiZaaVbbVgZY^HiVW^V 7Vnd[CVeaZh GVkZaad HdggZcid Edh^iVcd HVaZgcd 6bVa[^ 8{eg^ <ja[d[HVaZgcd 6cVX{eg^ 8{eg^ CVeaZh I]Z8Vbe^;aZ\gZ^ Hdji]d[CVeaZh I]Z6bVa[^8dVhi I]Z^haVcYh LN Cdgi]d[CVeaZh FW[ijkc About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections, and you should be able to find whatever you need in one of them. The introductory colour section is designed to give you a feel for Naples and the Amalfi Coast, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The guide chapters cover the region in depth, each starting with a highlights panel, introduction and a map to help you plan your route. Contexts fills you in on history, books and film while individual colour sections introduce Neapolitan cuisine and performance. Language gives you an extensive menu reader and enough Italian to get by. 9 781843 537144 ISBN 978-1-84353-714-4 The book concludes with all the small print, including details of how to send in updates and corrections, and a comprehensive index. -
Stories of Ancient Rome Unit 4 Reader Skills Strand Grade 3
Grade 3 Core Knowledge Language Arts® • Skills Strand Ancient Rome Ancient Stories of of Stories Unit 4 Reader 4 Unit Stories of Ancient Rome Unit 4 Reader Skills Strand GraDE 3 Core Knowledge Language Arts® Creative Commons Licensing This work is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. You are free: to Share — to copy, distribute and transmit the work to Remix — to adapt the work Under the following conditions: Attribution — You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation made available through licensing under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial — You may not use this work for commercial purposes. Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: http://creativecommons.org/licenses/by-nc-sa/3.0/ Copyright © 2013 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge Language Arts, Listening & Learning, and Tell It Again! are trademarks of the Core Knowledge Foundation. Trademarks and trade names are shown in this book strictly for illustrative and educational purposes and are the property of their respective owners. -
Date of Revelation – AD 62
Date of Revelation – AD 62 Ed Stevens – Blue Point Conference – March 2017 INTRODUCTION: There are a significant number of traditions and opinions from the patristic writers, which have been used on both sides of this debate about the date of the book of Revelation. But very little of that uninspired patristic testimony carries any weight, simply because most of it can not be confirmed at the mouth of two or more reliable first century eyewitnesses. Most of it is merely external hearsay evidence and opinion, and some of it even tends to contradict scripture. Over 130 authors, most of whom are futurists, have advocated a pre-AD 70 date for the book of Revelation. And almost all of them place it during the reign of Nero (AD 54-68). But such a long list of writers is not a strong argument for the early date. Truth is never determined by majority vote or a popularity contest. It does not matter how many names we can stack up on either side of this debate. What does matter, however, are the reasons that these writers give to support the early date, and especially the evidence inside the book of Revelation which points most clearly and forcefully to a pre-70 date. The only kind of evidence that can decide this issue is biblical evidence, and especially that evidence which comes from inside the book of Revelation itself. So we will be focusing a lot of our attention on the internal evidence for a pre-70 date of the book of Revelation. As we all know, the interpretation of most Biblical books is not significantly affected by differences of opinion about its date of composition. -
Cassini RADAR Images at Hotei Arcus and Western Xanadu, Titan: Evidence for Geologically Recent Cryovolcanic Activity S
GEOPHYSICAL RESEARCH LETTERS, VOL. 36, L04203, doi:10.1029/2008GL036415, 2009 Click Here for Full Article Cassini RADAR images at Hotei Arcus and western Xanadu, Titan: Evidence for geologically recent cryovolcanic activity S. D. Wall,1 R. M. Lopes,1 E. R. Stofan,2 C. A. Wood,3 J. L. Radebaugh,4 S. M. Ho¨rst,5 B. W. Stiles,1 R. M. Nelson,1 L. W. Kamp,1 M. A. Janssen,1 R. D. Lorenz,6 J. I. Lunine,5 T. G. Farr,1 G. Mitri,1 P. Paillou,7 F. Paganelli,2 and K. L. Mitchell1 Received 21 October 2008; revised 5 January 2009; accepted 8 January 2009; published 24 February 2009. [1] Images obtained by the Cassini Titan Radar Mapper retention age comparable with Earth or Venus (500 Myr) (RADAR) reveal lobate, flowlike features in the Hotei [Lorenz et al., 2007]). Arcus region that embay and cover surrounding terrains and [4] Most putative cryovolcanic features are located at mid channels. We conclude that they are cryovolcanic lava flows to high northern latitudes [Elachi et al., 2005; Lopes et al., younger than surrounding terrain, although we cannot reject 2007]. They are characterized by lobate boundaries and the sedimentary alternative. Their appearance is grossly relatively uniform radar properties, with flow features similar to another region in western Xanadu and unlike most brighter than their surroundings. Cryovolcanic flows are of the other volcanic regions on Titan. Both regions quite limited in area compared to the more extensive dune correspond to those identified by Cassini’s Visual and fields [Radebaugh et al., 2008] or lakes [Hayes et al., Infrared Mapping Spectrometer (VIMS) as having variable 2008]. -
Stromboli Mount Fuji Ojos Del Salado Mauna Loa Mount Vesuvius Mount
Volcanoes Top Cards Volcanoes Top Cards Volcanoes Top Cards Volcanoes Top Cards Stromboli Mount Fuji Ojos del Salado Mauna Loa Italy Japan Argentina-Chile Border Hawaii Height Height Height Height Eruption Cycle Eruption Cycle Eruption Cycle Eruption Cycle Erupting continuously Last Erupted Last Erupted Last Erupted Last Erupted for hundreds of thousands of years Fact: This volcano is the highest Fact: Nevados Ojos del Salado is the Fact: Mauna Loa is one of the five Fact: This volcano has been erupting volcano and highest peak in world’s highest active volcano. volcanoes that form the Island of for at least 2000 years. Japan and considered one of the 3 Hawaii in the U.S state of Hawaii in holy mountains. the Pacific Ocean. twinkl.com twinkl.com twinkl.com twinkl.com Volcanoes Top Cards Volcanoes Top Cards Volcanoes Top Cards Volcanoes Top Cards Mount Vesuvius Mount Pinatubo Krakatoa Mount St. Helens Italy Philippines Indonesia United States Height Height Height Height Eruption Cycle Eruption Cycle Eruption Cycle Eruption Cycle Last Erupted Last Erupted Last Erupted Last Erupted Fact: The most famous eruption Fact: Mount Pinatubo’s eruption Fact: The famous eruption of 1883 Fact: The deadliest volcanic eruption happened in 79 AD. Mount Vesuvius on 15th June 1991 was one of the generated the loudest sound ever caused by this volcano was on erupted continuously for over a day, largest volcanic eruptions of the reported in history. It was heard as May 18, 1980, destroying 250 completely burying the nearby city 20th Century. far away as Perth, Australia (around homes and 200 miles of highway. -
Journal Pre-Proof
Journal Pre-proof From Historical Seismology to seismogenic source models, 20 years on: Excerpts from the Italian experience Gianluca Valensise, Paola Vannoli, Pierfrancesco Burrato, Umberto Fracassi PII: S0040-1951(19)30296-3 DOI: https://doi.org/10.1016/j.tecto.2019.228189 Reference: TECTO 228189 To appear in: Tectonophysics Received date: 1 April 2019 Revised date: 20 July 2019 Accepted date: 5 September 2019 Please cite this article as: G. Valensise, P. Vannoli, P. Burrato, et al., From Historical Seismology to seismogenic source models, 20 years on: Excerpts from the Italian experience, Tectonophysics(2019), https://doi.org/10.1016/j.tecto.2019.228189 This is a PDF file of an article that has undergone enhancements after acceptance, such as the addition of a cover page and metadata, and formatting for readability, but it is not yet the definitive version of record. This version will undergo additional copyediting, typesetting and review before it is published in its final form, but we are providing this version to give early visibility of the article. Please note that, during the production process, errors may be discovered which could affect the content, and all legal disclaimers that apply to the journal pertain. © 2019 Published by Elsevier. Journal Pre-proof From Historical Seismology to seismogenic source models, 20 years on: excerpts from the Italian experience Gianluca Valensise, Paola Vannoli, Pierfrancesco Burrato & Umberto Fracassi Istituto Nazionale di Geofisica e Vulcanologia, Rome, Italy Contents 1. Introduction 1.1. Why Historical Seismology 1.2. A brief history of Historical Seismology 1.3. Representing and exploiting Historical Seismology data 2. -
Introduction
INTRODUCTION Background The present study concerns materials used for Pompeian wall paintings.1 In focus are plasters of the early period, related to the Samnite period and the so called First style. My earlier experiences the field of ancient materials were studies of Roman plasters at the Villa of Livia at Prima Porta and fragments of wall decorations from the demolished buildings underneath the church San Lorenzo in Lucina in Rome. These studies led to the hypothesis that technology reflects not only the natural (geographical) resources available but also the ambitions within a society, a moment in time, and the economic potential of the commissioner.2 Later, during two years within the Swedish archaeological project at Pompeii, it was my task to study the plasters used in one of the houses of insula V 1, an experience that led to the perception that specific characteristics are linked to plasters used over time. In the period 2003-2005, funding by the Swedish Research Council made possible to test the hypotheses. The present method was developed at insula I 9 and the Forum of Pompeii with the approval of the Soprintendenza archeological di Pompei and in collaboration with the directors of two international archaeological teams.3 It became evident that plaster’s composition changes over time, and eight groups of chronologically pertinent plasters were identified and defined A-H. Based on these results, I assume there is a connection between the typology and the relative chronology in which the plasters appear on the walls. I also believe these factors are related not only in single buildings or quarters but over the site and that, hypothetically, the variations observed are related to technology, craftsmanship and fashion. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Continuity of Culture: Romans in Pompeii Lesson Overview
Continuity of Culture: Romans in Pompeii Lesson Overview Unit: Lessons: 1. Grades 3 – 6 Continuity of Culture: Lesson One: Map study of 2. 5 -7 Class Periods Romans in Pompeii Italy. 3. Authors: Lori Howell, Lesson Two: History of Melody Nishinaga, Sarah Pompeii. Poku & Warren Soper Lesson Three: Pliny the 4. Social Sciences, Younger. English and History Lesson Four: Comparison of “Then and Now.” Lesson Five: Literature review. Lesson Six: Graphic Organizes. Lesson Seven: Writing Overview “A typical day in this town means going shopping, stopping by the laundry, catching a sporting event at the amphitheater, or maybe taking in a play – and that was 2000 years ago. “Can you guess where this is? Not where you might expect: You’re in ancient Pompeii, an Italian village where life came to a fiery halt when Mt. Vesuvius erupted in AD 79. “ -Discover Kids Pompeii Magazine 1 | Page The eruption of Vesuvius on August 24, 79 A.D. froze a moment in time under thick layers of ash and molten mud. It preserved elements of Roman culture that demonstrate the remarkable continuity of human life and history, proving that life in the past, even the far distant past, was remarkably similar to our own. In this lesson, by taking a closer look at the remains of Pompeii, students will gain a broad appreciation of people in the past. They will study Roman culture by locating Pompeii on a map, identifying important elements of its geography, and examining the remains of Pompeii to explain how the Ancient Romans in Pompeii are similar to people today. -
Source to Surface Model of Monogenetic Volcanism: a Critical Review
Downloaded from http://sp.lyellcollection.org/ by guest on September 28, 2021 Source to surface model of monogenetic volcanism: a critical review I. E. M. SMITH1 &K.NE´ METH2* 1School of Environment, University of Auckland, Auckland, New Zealand 2Volcanic Risk Solutions, Massey University, Palmerston North 4442, New Zealand *Correspondence: [email protected] Abstract: Small-scale volcanic systems are the most widespread type of volcanism on Earth and occur in all of the main tectonic settings. Most commonly, these systems erupt basaltic magmas within a wide compositional range from strongly silica undersaturated to saturated and oversatu- rated; less commonly, the spectrum includes more siliceous compositions. Small-scale volcanic systems are commonly monogenetic in the sense that they are represented at the Earth’s surface by fields of small volcanoes, each the product of a temporally restricted eruption of a composition- ally distinct batch of magma, and this is in contrast to polygenetic systems characterized by rela- tively large edifices built by multiple eruptions over longer periods of time involving magmas with diverse origins. Eruption styles of small-scale volcanoes range from pyroclastic to effusive, and are strongly controlled by the relative influence of the characteristics of the magmatic system and the surface environment. Gold Open Access: This article is published under the terms of the CC-BY 3.0 license. Small-scale basaltic magmatic systems characteris- hazards associated with eruptions, and this is tically occur at the Earth’s surface as fields of small particularly true where volcanic fields are in close monogenetic volcanoes. These volcanoes are the proximity to population centres. -
Robert Harris • Enigma
LITERARY BITS Module 2 WORKING IN DIGITAL ROBERT HARRIS • ENIGMA ABOUT THE AUTHOR ROBERT HARRIS Robert Harris was born in Nottingham, UK, in 1957. After graduating at Cambridge, he worked as a journalist for the BBC and assisted on shows that covered important current events. He became a political commentator, was the editor of The Observer, a UK political paper, and wrote articles on politics in many other newspapers. He started his writing career in the 1980s and since then he has written a number of fictional thrillers, often related to political events, and eight novels have become bestsellers. He wrote novels related to World War Two such as ‘Fatherland’ (1992), his first bestseller, and ‘Enigma’ (1995), but also stories set in other historical periods like ‘Pompeii’ (2003). R. Harris ABOUT THE NOVEL ENIGMA The novel is a blend between a historical novel and a mystery novel which mixes up reality and fiction. The story is set in 1943 when much of Nazi Enigma Code has already been cracked. However, Shark, the impenetrable cipher used to hide the movements of the U-boats, the German submarines, to the Allies, is still a mystery. A top secret team of British cryptographers led by the brilliant mathematician Tom Jericho has the task of deciphering it. They succeed in breaking the code, but unfortunately the Germans change it. As an Allied convoy crosses the North Atlantic Ocean full of U-boats, Jericho has to solve three mysteries with the help of his girlfriend’s roommate who is on the convoy: the code, whether his girlfriend Claire is a spy and if she has been murdered. -
Mount Vesuvius Is Located on the Gulf of Naples, in Italy
Mount Vesuvius is located on the Gulf of Naples, in Italy. It is close to the coast and lies around 9km from the city of Naples. Despite being the only active volcano on mainland Europe, and one of the most dangerous volcanoes, almost 3 million people live in the immediate area. Did you know..? Mount Vesuvius last erupted in 1944. Photo courtesy of Ross Elliot(@flickr.com) - granted under creative commons licence – attribution Mount Vesuvius is one of a number of volcanoes that form the Campanian volcanic arc. This is a series of volcanoes that are active, dormant or extinct. Vesuvius Campi Flegrei Stromboli Mount Vesuvius is actually a Vulcano Panarea volcano within a volcano. Mount Etna Somma is the remain of a large Campi Flegrei del volcano, out of which Mount Mar di Sicilia Vesuvius has grown. Did you know..? Mount Vesuvius is 1,281m high. Mount Etna is another volcano in the Campanian arc. It is Europe’s most active volcano. Mount Vesuvius last erupted in 1944. This was during the Second World War and the eruption caused great problems for the newly arrived Allied forces. Aircraft were destroyed, an airbase was evacuated and 26 people died. Three villages were also destroyed. 1944 was the last recorded eruption but scientists continue to monitor activity as Mount Vesuvius is especially dangerous. Did you know..? During the 1944 eruption, the lava flow stopped at the steps of the local church in the village of San Giorgio a Cremano. The villagers call this a miracle! Photo courtesy of National Museum of the U.S.