The Modern Chinese Orchestra Author(s): Han Kuo-Huang and Judith Gray Source: Asian Music, Vol. 11, No. 1 (1979), pp. 1-43 Published by: University of Texas Press Stable URL: http://www.jstor.org/stable/833965 . Accessed: 08/07/2014 18:39 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. University of Texas Press is collaborating with JSTOR to digitize, preserve and extend access to Asian Music. http://www.jstor.org This content downloaded from 130.216.224.242 on Tue, 8 Jul 2014 18:39:43 PM All use subject to JSTOR Terms and Conditions THE MODERNCHINESE ORCHESTRA By Han Kuo-Huang Introductory Notes This paper deals with the new Chinese ensemble featuring improved and standardized traditional instru- ments.1 The name of this ensemble varies according to geographical areas - in Mainland China: Minzu Yuetuan or Minzu Yuedui, in Hong Kong: Zhongyuetuan, in Taiwan: Guoyuetuan, all meaning "national or "Chinese" orchestra. In this paper I will use the generic name "Chinese Orchestra" to avoid confusion. In order to distinguish this orchestra from many historical orchestras and local ensembles, the adjective "modern" is attached. Names of instruments are given without explanation, except in their first appearances and in special cases.