Studies in Arabic Literary Papyri, 3 Vols.Vols
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Arabic Alphabet - Wikipedia, the Free Encyclopedia Arabic Alphabet from Wikipedia, the Free Encyclopedia
2/14/13 Arabic alphabet - Wikipedia, the free encyclopedia Arabic alphabet From Wikipedia, the free encyclopedia َأﺑْ َﺠ ِﺪﯾﱠﺔ َﻋ َﺮﺑِﯿﱠﺔ :The Arabic alphabet (Arabic ’abjadiyyah ‘arabiyyah) or Arabic abjad is Arabic abjad the Arabic script as it is codified for writing the Arabic language. It is written from right to left, in a cursive style, and includes 28 letters. Because letters usually[1] stand for consonants, it is classified as an abjad. Type Abjad Languages Arabic Time 400 to the present period Parent Proto-Sinaitic systems Phoenician Aramaic Syriac Nabataean Arabic abjad Child N'Ko alphabet systems ISO 15924 Arab, 160 Direction Right-to-left Unicode Arabic alias Unicode U+0600 to U+06FF range (http://www.unicode.org/charts/PDF/U0600.pdf) U+0750 to U+077F (http://www.unicode.org/charts/PDF/U0750.pdf) U+08A0 to U+08FF (http://www.unicode.org/charts/PDF/U08A0.pdf) U+FB50 to U+FDFF (http://www.unicode.org/charts/PDF/UFB50.pdf) U+FE70 to U+FEFF (http://www.unicode.org/charts/PDF/UFE70.pdf) U+1EE00 to U+1EEFF (http://www.unicode.org/charts/PDF/U1EE00.pdf) Note: This page may contain IPA phonetic symbols. Arabic alphabet ا ب ت ث ج ح خ د ذ ر ز س ش ص ض ط ظ ع en.wikipedia.org/wiki/Arabic_alphabet 1/20 2/14/13 Arabic alphabet - Wikipedia, the free encyclopedia غ ف ق ك ل م ن ه و ي History · Transliteration ء Diacritics · Hamza Numerals · Numeration V · T · E (//en.wikipedia.org/w/index.php?title=Template:Arabic_alphabet&action=edit) Contents 1 Consonants 1.1 Alphabetical order 1.2 Letter forms 1.2.1 Table of basic letters 1.2.2 Further notes -
DRAFT Arabtex a System for Typesetting Arabic User Manual Version 4.00
DRAFT ArabTEX a System for Typesetting Arabic User Manual Version 4.00 12 Klaus Lagally May 25, 1999 1Report Nr. 1998/09, Universit¨at Stuttgart, Fakult¨at Informatik, Breitwiesenstraße 20–22, 70565 Stuttgart, Germany 2This Report supersedes Reports Nr. 1992/06 and 1993/11 Overview ArabTEX is a package extending the capabilities of TEX/LATEX to generate the Perso-Arabic writing from an ASCII transliteration for texts in several languages using the Arabic script. It consists of a TEX macro package and an Arabic font in several sizes, presently only available in the Naskhi style. ArabTEX will run with Plain TEXandalsowithLATEX2e. It is compatible with Babel, CJK, the EDMAC package, and PicTEX (with some restrictions); other additions to TEX have not been tried. ArabTEX is primarily intended for generating the Arabic writing, but the stan- dard scientific transliteration can also be easily produced. For languages other than Arabic that are customarily written in extensions of the Perso-Arabic script some limited support is available. ArabTEX defines its own input notation which is both machine, and human, readable, and suited for electronic transmission and E-Mail communication. However, texts in many of the Arabic standard encodings can also be processed. Starting with Version 3.02, ArabTEX also provides support for fully vowelized Hebrew, both in its private ASCII input notation and in several other popular encodings. ArabTEX is copyrighted, but free use for scientific, experimental and other strictly private, noncommercial purposes is granted. Offprints of scientific publi- cations using ArabTEX are welcome. Using ArabTEX otherwise requires a license agreement. There is no warranty of any kind, either expressed or implied. -
Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler a Dissertati
Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Sasha Su-Ling Welland, Chair Ann Anagnost Stevan Harrell Danny Hoffman Program Authorized to Offer Degree: Anthropology ©Copyright 2018 Darren T. Byler University of Washington Abstract Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler Chair of the Supervisory Committee: Sasha Su-Ling Welland, Department of Gender, Women, and Sexuality Studies This study argues that Uyghurs, a Turkic-Muslim group in contemporary Northwest China, and the city of Ürümchi have become the object of what the study names “terror capitalism.” This argument is supported by evidence of both the way state-directed economic investment and security infrastructures (pass-book systems, webs of technological surveillance, urban cleansing processes and mass internment camps) have shaped self-representation among Uyghur migrants and Han settlers in the city. It analyzes these human engineering and urban planning projects and the way their effects are contested in new media, film, television, photography and literature. It finds that this form of capitalist production utilizes the discourse of terror to justify state investment in a wide array of policing and social engineering systems that employs millions of state security workers. The project also presents a theoretical model for understanding how Uyghurs use cultural production to both build and refuse the development of this new economic formation and accompanying forms of gendered, ethno-racial violence. -
International Educative Research Foundation and Publisher (Ierfp)
INTERNATIONAL JOURNAL FOR INNOVATION EDUCATION AND RESEARCH ONLINE ISSN: 2411-2933 PRINT - ISSN: 2411-3123 INTERNATIONAL EDUCATIVE RESEARCH FOUNDATION AND PUBLISHER (IERFP) Volume- 4 Number- 8 August Edition International Journal for Innovation Education and Research www.ijier.net Vol:-4 No-8, 2016 About the Journal Name: International Journal for Innovation Education and Research Publisher: Shubash Biswas International Journal for Innovation Education and Research 44/1 Kallyanpur Main road Mirpur, Dhaka 1207 Bangladesh. Tel: +8801827488077 Copyright: The journal or any part thereof may be reproduced for academic and research purposes with an appropriate acknowledgment and a copy of the publication sent to the editor. Written permission of the editor is required when the intended reproduction is for commercial purposes. All opinions, information’s and data published in the articles are an overall responsibility to the author(s). The editorial board does not accept any responsibility for the views expressed in the paper. Edition: August 2016 Publication fee: $100 and overseas. International Educative Research Foundation and Publisher ©2016 Online-ISSN 2411-2933, Print-ISSN 2411-3123 August 2016 Editorial Dear authors, reviewers, and readers It has been a month since I was given the privilege to serve as the Chief Editor of the International Journal for Innovation Education and Research (IJIER). It is a great pleasure for me to shoulder this duty and to welcome you to THE VOL-4, ISSUE-8 of IJIER which is scheduled to be published on 31st August 2016. International Journal for Innovation Education and Research (IJIER) is an open access, peer-reviewed and refereed multidisciplinary journal which is published by the International Educative Research Foundation and Publisher (IERFP). -
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“I put my trust in God” (“Tawakkaltu ‘ala ’illah”) Word 2012 —Arabic calligraphy in nasta’liq script on an ivy leaf 42976araD1R1.indd 1 11/1/11 11:37 PM Geometry of the Spirit WRITTEN BY DAVID JAMES alligraphy is without doubt the most original con- As well, there were regional varieties. From Kufic, Islamic few are the buildings that lack Hijazi tribution of Islam to the visual arts. For Muslim cal- Spain and North Africa developed andalusi and maghribi, calligraphy as ornament. Usu- Cligraphers, the act of writing—particularly the act of respectively. Iran and Ottoman Turkey both produced varie- ally these inscriptions were writing the Qur’an—is primarily a religious experience. Most ties of scripts, and these gained acceptance far beyond their first written on paper and then western non-Muslims, on the other hand, appreciate the line, places of origin. Perhaps the most important was nasta‘liq, transferred to ceramic tiles for Kufic form, flow and shape of the Arabic words. Many recognize which was developed in 15th-century Iran and reached a firing and glazing, or they were that what they see is more than a display of skill: Calligraphy zenith of perfection in the 16th century. Unlike all earlier copied onto stone and carved is a geometry of the spirit. hands, nasta‘liq was devised to write Persian, not Arabic. by masons. In Turkey and Per- The sacred nature of the Qur’an as the revealed word of In the 19th century, during the Qajar Dynasty, Iranian sia they were often signed by Maghribıi God gave initial impetus to the great creative outburst of cal- calligraphers developed from nasta‘liq the highly ornamental the master, but in most other ligraphy that began at the start of the Islamic era in the sev- shikastah, in which the script became incredibly complex, con- places we rarely know who enth century CE and has continued to the present. -
The Millennium of Ar-Razi (Rhazes)* (850-932 A
THE MILLENNIUM OF AR-RAZI (RHAZES)* (850-932 A. D.?) By L. M. SADI, M.D. DETROIT, MICH. Truth and certainty in medicine is an aim I once asked an old man of the town of difficult to attain and the healing art as it is Ray about Ar-Razi’s clinic. He said that described in books is far inferior to the prac Ar-Razi was a serious old man with a tical experience of a skillful and thoughtful large, drooping head who seated his physician. [Ar-Razi.] pupils in rows according to their grades fr ^HE exact date of Abu Bakr and attainments. It was Ar-Razi’s custom Muhammad ibn Zakariyya to call first upon the lower class to ex Ar-Razi’s birth is not known, amine a patient when he reported to the —IL but it is believed to have clinic. If this class failed to diagnose the occurred in the second half of the patient’s ailment he was handed over to the next higher class, and only after the ninth century at Ray of Iraq Ajemi. malady had eluded the knowledge of all The date of his death is generally the disciples did it come to the master’s accepted as 320 a.h. which cor attention.1 responds to 932 a.d. Hence this year is his Millennium. In his early life This system of clinical teaching was he was a student of music, a physicist probably an innovation of Ar-Razi’s and an alchemist. Not until the age and presents a striking similarity of forty did he undertake the study to the grading system used today of medicine. -
Circassian Mamluk Historians and Their Quantitative Economic Data
Circassian Mamluk Historians and their Quantitative Economic Data Jere L. Bacharach Quantitative data has become an increasingly important tool for students of economic and monetary history as scholars seek to determine, whenever possible, rates of exchange. Numerical data for the pre-Ottoman Arabic speaking areas of the Near East can be found in papyri, Geniza fragments, waqf documents, administrative handbooks, travel literature, European merchant accounts, and chronicles. For the years a.h. 784-878/A.D. 1382-1479 the Arab chronicles are the most important source for price and monetary data for Egypt and Syria, especially the Mamluk capital of Cairo. The data include references to wheat, barley, beans, flour, bread, meat, rice, straw as well as coins of gold, silver and copper for periods when prices are high and low. The quantity and quality of the Cairenedata were noted in 1949 by Professor Eliyahu Ashtor in his pioneering article on Mamluk prices and salaries.1Since then numerous scholars2have consulted these chronicles for their data but almost none has made more than the most general remarks about the relative value of the chronicles.3 The more complex problem of the interdependency of the Circassiansources is also unexplored.4What follows is not an analysis of the data but a series of comments on the historians and the quality and quantity of their numerical data for economic and monetary history. The essay seeks to show the critical role played by an author's attitude toward collecting economic data while his occupation is not important. The permanent absence of data for some years and the major lines of transmission of data among these historians will be demon- strated in the study. -
Classifying Arabic Fonts Based on Design Characteristics: PANOSE-A
Classifying Arabic Fonts Based on Design Characteristics: PANOSE-A Jehan Janbi A Thesis In the Department of Computer Science & Software Engineering Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Computer Science) at Concordia University Montreal, Quebec, Canada July 2016 © Jehan Janbi, 2016 Abstract In desktop publishing, fonts are essential components in each document design. With the development of font design software and tools, there are thousands of digital fonts. Increasing the number of available fonts makes selecting an appropriate font, which best serves the objective of a design, not an intuitive issue. Designers can search for a font like any other file types by using general information such as name and file format. But for document design purposes, the design features or visual characteristics of fonts are more meaningful for designers than font file information. Therefore, representing fonts’ design features by searchable and comparable data would facilitate searching and selecting a desirable font. One solution is to represent a font’s design features by a code composed of several digits. This solution has been implemented as a computerized system called PANOSE-1 for Latin script fonts. PANOSE-1 is a system for classifying and matching typefaces based on design features. It is composed of 10 digits, where each digit represents a specific design feature. It is used within several font management tools as an option for ordering and searching fonts based on their design features. It is also used in font replacement processes when an application or an operating system detects a missing font in an immigrant document or website. -
The Secret of Letters: Chronograms in Urdu Literary Culture1
Edebiyˆat, 2003, Vol. 13, No. 2, pp. 147–158 The Secret of Letters: Chronograms in Urdu Literary Culture1 Mehr Afshan Farooqi University of Virginia Letters of the alphabet are more than symbols on a page. They provide an opening into new creative possibilities, new levels of understanding, and new worlds of experience. In mature literary traditions, the “literal meaning” of literal meaning can encompass a variety of arcane uses of letters, both in their mode as a graphemic entity and as a phonemic activity. Letters carry hidden meanings in literary languages at once assigned and intrinsic: the numeric and prophetic, the cryptic and esoteric, and the historic and commemoratory. In most literary traditions there appears to be at least a threefold value system assigned to letters: letters can be seen as phonetic signs, they have a semantic value, and they also have a numerical value. Each of the 28 letters of the Arabic alphabet can be used as a numeral. When used numerically, the letters of the alphabet have a special order, which is called the abjad or abujad. Abjad is an acronym referring to alif, be, j¯ım, d¯al, the first four letters in the numerical order which, in the system most widely used, runs from alif to ghain. The abjad order organizes the 28 characters of the Arabic alphabet into eight groups in a linear series: abjad, havvaz, hutt¯ı, kalaman, sa`fas, qarashat, sakhkha˙˙ z, zazzagh.2 In nearly every area where˙ ¨the¨ Arabic script ˙ was adopted, the abjad¨ ˙ ˙system gained popularity. Within the vast area in which the Arabic script was used, two abjad systems developed. -
The Bird-Shaped Finial on Islamic Royal Parasols: a Ghaznavid Or Fatimid Innovation?
[Vicino Oriente XXIII (2019), pp. 185-206] THE BIRD-SHAPED FINIAL ON ISLAMIC ROYAL PARASOLS: A GHAZNAVID OR FATIMID INNOVATION? Valentina Laviola - University of Naples “L‟Orientale” This paper aims at investigating when and why the bird-shaped finial made its appearance on Islamic parasols through the analysis of written sources and miniature paintings. Evidence attest to the trans-regional and diachronic use of the parasol as a royal insignia whose meaning and value grew wider to symbolise the seat of government, was it the royal tent, palace or throne. Keywords: parasol; Islamic royal insignia; Iran; Ghaznavids; Fatimids 1. THE LONG-LASTING TRADITION OF THE PARASOL The parasol, a device to provide shadow repairing from the sun (or snow), is alternatively referred to as miẓalla, shamsa1 or shamsiyya in the Arabic-speaking context,2 and chatr3 in the Persian-speaking areas. It is attested as a royal insignia in almost every Islamic dynasty, but the Islamic period was not at all its starting point. In fact, the history of the parasol is far more ancient. The device has been in use throughout a very long period extending from Antiquity to the Modern Age, and in different cultural areas. Evidence come from Egypt,4 Assyria, Achaemenid and Sasanian Persia,5 where the parasol is usually held by an attendant standing behind the figure of the king as an attribute of royalty;6 a further spread concerned Asia from China7 to the west.8 Though it majorly spread in the Eastern lands, the parasol (ζκιάδειον) was known in Late Archaic and Classical Athens as well. -
ISLAMIC and INDIAN ART Tuesday 18 October 2016
ISLAMIC AND INDIAN ART Tuesday 18 October 2016 ISLAMIC AND INDIAN ART Tuesday 18 October 2016 at 11am 101 New Bond Street, London VIEWING Live online bidding is available CUSTOMER SERVICES ILLUSTRATIONS Sunday 16 October 11am to 3pm for this sale Monday to Friday Front cover: lot 11 (detail) Monday 17 October 9am to 4.30pm Please email [email protected] 8.30am to 6pm Back cover: lot 101 with ‘live bidding’ in the subject +44 (0) 20 7447 7447 Inside front cover: lot 302 (detail) Inside back cover: lot 128 (detail) SALE NUMBER line 48 hours before the auction 23437 to register for this service As a courtesy to intending bidders, Bonhams will provide a IMPORTANT INFORMATION CATALOGUE Please note: written Indication of the physical £30.00 Telephone bidding is available only condition of lots in this sale if a In February 2014 the United on lots where the lower end request is received up to 24 States Government estimate is at £1000 or above. hours before the auction starts. announced the intention to BIDS This written Indication is issued ban the import of any ivory +44 (0) 20 7447 7447 ENQUIRIES subject to Clause 3 of the Notice into the USA. Lots +44 (0) 20 7447 7401 fax Oliver White to Bidders. containing ivory are To bid via the internet please (Head of Department) indicated by the symbol Ф visit bonhams.com +44 207 468 8303 printed beside the Lot [email protected] number in this catalogue. Please note that bids should be submitted no later than 4pm on Matthew Thomas the day prior to the sale. -
Economic Philosophy of Al-Mawardi: Economic Behavior in Adab Al-Dunya Wa-Al-Din and Al-Ahkam Al-Sulthaniyah
Munich Personal RePEc Archive Economic Philosophy of al-Mawardi: Economic Behavior in Adab al-Dunya wa-al-Din and al-Ahkam al-Sulthaniyah Jaelani, Aan State Institute of Islamic Studies (IAIN) Syekh Nurjati Cirebon 25 March 2016 Online at https://mpra.ub.uni-muenchen.de/70339/ MPRA Paper No. 70339, posted 29 Mar 2016 15:49 UTC Economic Philosophy of al-Mawardi: Economic Behavior in Adab al-Dunya wa-al-Din and al-Ahkam al-Sulthaniyah Dr. Aan Jaelani, M.Ag Program Pascasarjana Ekonomi Islam, IAIN Syekh Nurjati Cirebon Jl. Perjuangan By Pass Sunyaragi Cirebon 45132 Website: https://www.mendeley.com/profiles/aan-jaelani/; http://econpapers.repec.org/RAS/pja475.htm Email: [email protected] Abstract Economic behavior in the study of Islamic economics is the basis for the government to portray political ethics and ethical economic functions of individuals in functioning as a member of society. Secular ethics and religious ethics, according to al-Mawardi, as the code of conduct in conducting economic practices by the government and every member of society to uphold the principle of mashlahah (goodness). By the middle or moderate principles, both ethical underpinning for anyone in private and institutional (government) in carrying out economic activities to realize the happiness of the world and the hereafter. Keywords: Philosophy of economics, behavioral economics, ethics, religion, Islamic Economic JEL Classification: B31, B41, D01, D6, H1, H5, N01, N25, N35, Z12 A. Introduction Moral teachings in the Qur’an about economic practice can be a source for the preparation of statutory legal. Transactions in the business, for example, is not allowed to proceed according to individual desires, after the Qur'an provides expressly rule on it (Mustaq Ahmad, 2001: 155).