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V-Tune Pro 4K AV Tuner Delivers Exceptional HD Tuning Solutions
V-Tune Pro 4K AV Tuner Delivers Exceptional HD Tuning Solutions Corporate • Hotels • Conference Centers • Higher Education 800.245.4964 | [email protected] | www.westpennwire.com Tune Into HDTV 4K Distribution AV Tuner Provides HDMI 2.0, 1G BaseT Port & 3-Year Warranty The V-Tune Pro 4K offers a 4K2K high definition solution for Video outputs are HDMI 2.0 to reflect the latest in integrated systems that conform to NTSC (North America) connectivity technology, and composite YPbPr video or PAL (Europe) standards, or QAM schemes, and feature: to accommodate legacy systems. > ATSC Receivers > DVB Devices Audio is provided through unbalanced stereo RCA connectors, as well as through S/PDIF and optical > IPTV Systems fiber connectors. The tuner is capable of decoding video in these formats with resolutions up to 4K@60Hz via RF & LAN: The V-Tune Pro 4K’s versatility enables it to fit with > H.264 almost any integrated system’s topology. It’s the only > H.265 tuner on the market which can support a wide range of standards, formats, controls and connectivity > MPEG2 technologies cost-effectively. > MPEG4 > VC-1 The V-Tune Pro-4K AV Tuner may be integrated with these types of controls: > IP-Based > IR > RS-232 More Features to Maximize Functionality The V-Tune Pro-4K AV Tuner has many characteristics that make it ideal for any environment requiring superior HD tuning solutions. FEATURE V-TUNEPRO-4K 232-ATSC-4 4k x 2k Resolution YES NO (1080P Max) PAL YES NO DVB-T YES NO ISDB-T YES NO IPTV YES (UDP/RTP/RTSP Multicast & Unicast) NO 1G LAN PORT -
8K Live Television Coverage of Global Sports Events in Brazil
8K Live Television Coverage of Global Sports Events in Brazil Michael Stanton1, Leandro Ciuffo1, Shinichi Sakaida2, Tatsuya Fujii3, Hiroyuki Kimiyama3, Junichi Nakagawa4, Hisao Uose5 1 Rede Nacional de Ensino e Pesquisa (RNP), Brazil 2 Science and Technology Research Laboratories, Japan Broadcasting Corporation (NHK), Japan 3 Network Innovation Laboratories, Nippon Telegraph and Telephone Corporation (NTT), Japan 4 Service Evolution Laboratories, Nippon Telegraph and Telephone Corporation (NTT), Japan 5 NTT Advanced Technology Corporation (NTT-AT), Japan e-mails: [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] Paper type Case study Abstract R&E networks played an important role in helping Japanese television to transmit live 8K resolution TV images of the 2014 FIFA World CupTM to Japan. The huge distance between Brazil and Japan, half a world apart, set new challenges for streaming digital video spanning multiple domains over long-distance networks. The project to stream the FIFA World CupTM in 8K was a joint collaboration between NHK (Japanese Public Broadcasting Corporation), TV Globo (Brazilian TV broadcaster), NTT (Japanese Telecommunications Corporation) and RNP (Brazilian NREN), in cooperation with FIFA and CBPF (Brazilian Centre for Physics Research). The paper describes the audio and video technologies used in 2014, as well as the extensive preparations for efficient and effectively lossless media transmission over the intermediate networks. The high-compression H.264 codec developed by NHK required 280 Mbps for compressed SHV media transmission. In addition, the transmitted media were encrypted (for security), and then protected against packet loss by use of FireFort-LDGM FEC, a new forward error correction (FEC) code based on low- density generator matrix (LDGM), developed by NTT. -
Automobile Industry in India 30 Automobile Industry in India
Automobile industry in India 30 Automobile industry in India The Indian Automobile industry is the seventh largest in the world with an annual production of over 2.6 million units in 2009.[1] In 2009, India emerged as Asia's fourth largest exporter of automobiles, behind Japan, South Korea and Thailand.[2] By 2050, the country is expected to top the world in car volumes with approximately 611 million vehicles on the nation's roads.[3] History Following economic liberalization in India in 1991, the Indian A concept vehicle by Tata Motors. automotive industry has demonstrated sustained growth as a result of increased competitiveness and relaxed restrictions. Several Indian automobile manufacturers such as Tata Motors, Maruti Suzuki and Mahindra and Mahindra, expanded their domestic and international operations. India's robust economic growth led to the further expansion of its domestic automobile market which attracted significant India-specific investment by multinational automobile manufacturers.[4] In February 2009, monthly sales of passenger cars in India exceeded 100,000 units.[5] Embryonic automotive industry emerged in India in the 1940s. Following the independence, in 1947, the Government of India and the private sector launched efforts to create an automotive component manufacturing industry to supply to the automobile industry. However, the growth was relatively slow in the 1950s and 1960s due to nationalisation and the license raj which hampered the Indian private sector. After 1970, the automotive industry started to grow, but the growth was mainly driven by tractors, commercial vehicles and scooters. Cars were still a major luxury. Japanese manufacturers entered the Indian market ultimately leading to the establishment of Maruti Udyog. -
POST PRODUCTION 373 800-947-1175 | 212-444-6675 Video Editing Software
POST PRODUCTION 373 800-947-1175 | 212-444-6675 Video Editing Software After Effects CS6 Premiere Elements 12 Premiere Pro CS6 2D/3D Compositing and Animation Software Video Editing Software • Import/export from other NLEs • Native 64-bit support • Drag & Drop HD/SD video editing • Script-to-screen workflow • Motion graphics and visual effects • InstantMovie auto-editing • Tapeless camera support • 2D/3Dcompositing & animation • Color-correction pesets & fine-tuning • Native DSLR support • Fast rotoscoping with rotobrush • Burn HD content to standard DVDs • Improved Metadata • Work with HD, 2K, & 4Kprojects • Automated sharing to YouTube & Facebook • Ultra Keyer • 64-bit compatibility • AVC-Intra & enhanced RED support • Photo Pan & Zoom • Hundreds of effects & transitions For Windows (ADPPCS6WW) ..................................Call or Log-on • Color LUT support #ADPE12WM (Mac/Windows) ...................................................89.99 For Mac (ADPPCS6MW) .........................................Call or Log-on For Mac (ADAECS6MW) ...........Log-on Production Premium Media Composer 7 Davinci Resolve 9 • Premiere Pro with Expanded Multicam For Mac and PC Color Correction Software • After Effects with 3D Camera Tracker The industry-standard, provides The name behind more feature • SpeedGrade Color Grading 64-bit performance, easy-to-use films, TV commercials and • Photoshop Extended / Illustrator video editing tools, built-in effects, episodes,documentaries, and • Prelude / Audition / Encore / Bridge transitions, and streamlined -
BRAVIA 8K Professional Displays, Available in 85” – 98” Screen Sizes
85” – 98” BRAVIA 8K ZG9-series FWD-85Z9G/T Professional Displays FWD-98Z9G/T Displays designed for business 8K HDR picture quality Bring the incredible depth and quality of 8K HDR resolution to your organisation with BRAVIA 8K Professional Displays, available in 85” – 98” screen sizes. Superior displays designed for business Advanced control, professional mode, optional interactive compatibility, an embedded HTML5 platform for easy digital signage creation; our BRAVIA 8K Displays are designed to suit all your professional needs so you always present a clear image. Professional design Our line-up offers all the technological performance and style you’d expect from BRAVIA, powered by the latest X1 enhanced processor. The 8K LCD panel produces sixteen times the pixels of Full HD for outstanding picture quality, while the ultra-slim design enhances any corporate or retail environment. Do more with our BRAVIA built-in solutions Look no further with BRAVIA. Our new range features a number of fantastic built-in solutions to customise your BRAVIA exactly the way you want. From meeting room solutions, TEOS Manage, TEOS Connect, TDM Digital Signage, Smart Automation System to the Applications Store, there’s no need for any external devices or players. Key Features Recapture hidden details in 8K Unique to Sony, 8K X-Reality™ PRO upscales images closer to true 8K quality using our exclusive database. Pictures are sharpened and refined in real time to reveal hard-to-see details. 8K image resolution (7680 × 4320 pixels) 8K offers sixteen times the pixels of Full HD, with an extraordinary resolution of over 33 million pixels bringing extra clarity to corporate display, education and digital signage applications. -
This Sporting Life: Sports and Body Culture in Modern Japan William W
Yale University EliScholar – A Digital Platform for Scholarly Publishing at Yale CEAS Occasional Publication Series Council on East Asian Studies 2007 This Sporting Life: Sports and Body Culture in Modern Japan William W. Kelly Yale University Atsuo Sugimoto Kyoto University Follow this and additional works at: http://elischolar.library.yale.edu/ceas_publication_series Part of the Asian History Commons, Asian Studies Commons, Cultural History Commons, Japanese Studies Commons, Social and Cultural Anthropology Commons, and the Sports Studies Commons Recommended Citation Kelly, William W. and Sugimoto, Atsuo, "This Sporting Life: Sports and Body Culture in Modern Japan" (2007). CEAS Occasional Publication Series. Book 1. http://elischolar.library.yale.edu/ceas_publication_series/1 This Book is brought to you for free and open access by the Council on East Asian Studies at EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in CEAS Occasional Publication Series by an authorized administrator of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. This Sporting Life Sports and Body Culture in Modern Japan j u % g b Edited by William W. KELLY With SUGIMOTO Atsuo YALE CEAS OCCASIONAL PUBLICATIONS VOLUME 1 This Sporting Life Sports and Body Culture in Modern Japan yale ceas occasional publications volume 1 © 2007 Council on East Asian Studies, Yale University All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permis- sion. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. -
Metropolis-Autumn-2020
無料 PRICELESS Autumn 2020 Japan’s No.1 English Magazine www.metropolisjapan.com Scan this QR code to see the cover come alive! THANK YOU ALL! OUR OFFICIAL METROPOLIS SPONSORS e would like to thank all of Alex Iskounen Naoko Kinoshita our readers and friends for Andrew Peyton supporting us through this W extraordinary time. Andrew Smith Philippe Sauzedde Since 1994, Metropolis (formerly Tokyo Andrew Wheadon Classified) has been a free magazine at Sherwin Faden the heart of Japan’s international Bonson Lam community. In response to financial Brendan Ryan Reinhard Schu strains due to COVID-19, we launched a Bruce Corsino Richard Gruppetta crowdfunding campaign in August. We were amazed at how quickly people responded with donations, large Custom Media Robert Heldt or small. Your kind, supportive comments reaffirmed our mission, which David Clement Seth Sulkin has always been to serve the local David Richardson community through quality content, be David Swan Simon Farrell it about news, art, literature, film, music or advice for life in Japan. Frankie Hart Sunil Kulkarni Ian Newton Terrie Lloyd Joseph Lovullo Wolfgang Bierer Ken Kuroyanagi ...and many more Marc Fuoti Matthew Fawcett Melvin Dion Michael & Laycee Atkins Michael J For more information, visit gogetfunding.com/save-metropolis 6 CONTENT AUTUMN 2020 ABOUT TOWN Autumn Exhibitions 4 MUSIC Underground Japanese Musicians 6 FOCUS: UN/SEEN Living with a Stammer 10 Artist Goma 14 Photographer Paule Saviano 18 22 Kodomo Shokudo 22 COVER 14 READS A Family in PHOTO Hiroshima 26 Osaka Photographer & Video Director Headman_Tossy FILMMAKER Keishi Otomo 28 @headman_tossy MODEL Autumn Horoscope 33 Tokyo Vegan Girl Our Autumn Pick of Miyu Maemoto 10 28 18 Podcasts 34 @Meyou_Mae elcome to the Autumn 2020 and Japan. -
Standardization of Companion Device Architecture of Hybridcast
Standardization of Companion Device Architecture of Hybridcast Japan BroadcastingHisayuki Corporation Ohmata (NHK) 1. Introduction standards were established by IPTV Forum Japan and ARIB. With the recent growth in popularity of the internet and Section 2 of this paper introduces the current status and issues smartphones, it is now easy for information and services to be of collaboration between broadcasting and internet services, and accessed by anyone, anywhere. On the other hand, television section 3 introduces the standard technologies that are used in broadcasting has been the principal source of media in current integrated broadcast-broadband services and companion people’s living-rooms for about the last sixty years. However, screen services. Section 4 then summarizes the newly standardized if broadcasting is to retain its position as a reliable, topical and companion device architecture of Hybridcast, section 5 presents familiar communication medium, then we believe that it will have some examples of services that use this architecture, and section to become capable of cooperating with a wide variety of other 6 describes the trends in Japanese domestic and international services in the future in order to keep up with remarkable changes standardization. Finally, section 7 discusses the future prospects of in people’s lifestyles [1]. this technology, and concludes with a summary. In 2013, as a means of facilitating cooperation between 2. Current status and issues of collaboration broadcasting and internet services, an integrated broadcast- between broadcasting and internet services broadband system called Hybridcast[2] was standardized by the IPTV Forum Japan and the Association of Radio Industries and Since the start of broadcasting in 1953, television has spawned Businesses (ARIB). -
THC005 Proceedings of ICALEPCS2009, Kobe, Japan
THC005 Proceedings of ICALEPCS2009, Kobe, Japan THE IMPLEMENTATION OF THE SOFTWARE FRAMEWORK IN J-PARC/MLF T. Nakatani, Y. Inamura, T. Ito, S. Harjo, R. Kajimoto, M. Arai, JAEA/J-PARC, Tokai, Ibaraki, Japan T. Ohhara, H. Nakagawa, JAEA, Tokai, Ibaraki, Japan T. Aoyagi, JAEA, Taito-ku, Tokyo, Japan T. Otomo, J. Suzuki, T. Morishima, S. Muto, R. Kadono, S. Torii, Y. Yasu, KEK, Tsukuba, Ibaraki, Japan T. Hosoya, M. Yonemura, Ibaraki university, Hitachi, Ibaraki, Japan Abstract the computing environment of the instrument are limited. To perform neutron scattering experiments efficiently, it Therefore, we have decided to construct the software on a is necessary to use many kinds of software components common and flexible software framework. such as data acquisition (DAQ), equipment control, The whole information of the instruments should be analysis and visualization with ease-of-use and high recorded for maintenance. The parameters of the throughput environments. At accelerator-driven neutron measurement under various scanning conditions and the facilities with MW-class proton power, such as J-PARC analysis results associated with the measured raw data are (Japan Proton Accelerator Research Complex) and SNS also recorded as experimental meta-data in a database. (Spallation Neutron Source), data sizes are varied from The results of the simulation such as a first-principle several hundred MB to several ten GB per hour, calculation are also recorded in it. The experimental users depending on beamlines. Therefore, the software is can make use of this information before their experiments. necessarily scalable and flexible for the various The number of experimental users who visit J- experiments and the enormous data. -
Broadcast Technology
Trends in Digital Terrestrial Broadcasting Countermeasures for analog channel adjustments that will be necessary to accommodate the upcoming launch of digital terrestrial television broadcasting began in the three largest metropolitan areas on February 9 of this year. The basic policy of the National Promotion Committee for Digital Terrestrial Broadcasting was determined in July for the other areas of the country, where work will advance on establishing a nationwide system. This article provides an overview of the schedule for analog channel adjustment countermeasures, broadcasts in Tokyo/Nagoya/Osaka, digital broadcasting standardization, and work being conducted by related organizations toward digitalization of terrestrial broadcasts. It also explains broadcast-wave relay technology, which will play an important role in the future nationwide service. 1. Digital Terrestrial Television Broadcasting been covered in the initial plan, such as subscribers who Analog channel adjustment countermeasures receive broadcasts from transmitters other than the nearest The Joint Committee Concerning Digital Terrestrial ones (Table 1). Broadcasting, established in September 1999 by the The document detailing amendments to the basic plan Ministry of Public Management, Home Affairs, Posts and for promoting broadcasting and the frequency use plan Telecommunications (MPHPT), prepared the initial plan was released on September 27, 2002. It describes how the regarding the number of broadcasting stations and digitalization of terrestrial services would advance in households to be affected by the analog adjustment phases: first, the Tokyo / Osaka / Nagoya areas would be countermeasures and an estimate of the cost for the digitalized; then, other regions would be digitalized. It took changeover. Its report was released in April 2000. -
A Subjective Study for the Design of Multi-Resolution ABR Video Streams with the VP9 Codec
©2016 Society for Imaging Science and Technology DOI: 10.2352/ISSN.2470-1173.2016.2.VIPC-235 A Subjective Study for the Design of Multi-resolution ABR Video Streams with the VP9 Codec Chao Chen, Sasi Inguva, Andrew Rankin and Anil Kokaram, YouTube, Google Incorporated, 1600 Amphitheatre Parkway, Mountain View, California, United States Abstract Another important advantage of multi-resolution ABR Adaptive bit rate (ABR) streaming is one enabling technol- streaming is its rate-quality performance. In general, high res- ogy for video streaming over modern throughput-varying com- olution videos have better visual quality at high bit rates and low munication networks. A widely used ABR streaming method is resolution videos have better quality at low bit rate (see next to adapt the video bit rate to channel throughput by dynamically section for explanations). As shown in Figure 1, with multi- changing the video resolution. Since videos have different rate- resolution ABR streaming, users could always switch to the reso- quality performances at different resolutions, such ABR strategy lution with the best visual quality according to their available data can achieve better rate-quality trade-off than single resolution throughput[4]. ABR streaming. The key problem for resolution switched ABR is to work out the bit rate appropriate at each resolution. In this paper, we investigate optimal strategies to estimate this bit rate using Multi-resolution ABR both quantitative and subjective quality assessment. We use the Single-resolution ABR design of bitrates for 2K and 4K resolutions as an example of the Quality performance of this strategy. We introduce strategies for selecting an appropriate corpus for subjective assessment and find that at this high resolution there is good agreement between quantitative 4K and subjective analysis. -
Expert Voices on Japan Security, Economic, Social, and Foreign Policy Recommendations
Expert Voices on Japan Security, Economic, Social, and Foreign Policy Recommendations U.S.-Japan Network for the Future Cohort IV Expert Voices on Japan Security, Economic, Social, and Foreign Policy Recommendations U.S.-Japan Network for the Future Cohort IV Arthur Alexander, Editor www.mansfieldfdn.org The Maureen and Mike Mansfield Foundation, Washington, D.C. ©2018 by The Maureen and Mike Mansfield Foundation All rights reserved. Published in the United States of America Library of Congress Control Number: 2018942756 The views expressed in this publication are solely those of the authors and do not necessarily reflect the views of the Maureen and Mike Mansfield Foundation or its funders. Contributors Amy Catalinac, Assistant Professor, New York University Yulia Frumer, Assistant Professor, Johns Hopkins University Robert Hoppens, Associate Professor, University of Texas Rio Grande Valley Nori Katagiri, Assistant Professor, Saint Louis University Adam P. Liff, Assistant Professor, Indiana University Ko Maeda, Associate Professor, University of North Texas Reo Matsuzaki, Assistant Professor, Trinity College Matthew Poggi Michael Orlando Sharpe, Associate Professor, City University of New York Jolyon Thomas, Assistant Professor, University of Pennsylvania Kristin Vekasi, Assistant Professor, University of Maine Joshua W. Walker, Managing Director for Japan and Head of Global Strategic Initiatives, Office of the President, Eurasia Group U.S.-Japan Network for the Future Advisory Committee Dr. Susan J. Pharr, Edwin O. Reischauer Professor