The Value of Public Service Media
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The Tasmanian ABC Production Unit Is an Invaluable Part of Media in Tasmania
The Tasmanian ABC Production Unit is an invaluable part of media in Tasmania. The following is an excerpt of the ABC Strategic Plan pertinent to the issue: ABC STRATEGIC PLAN 2010–13 page 9 Providing content and services of the highest quality lies at the heart of the ABC’s public purpose. Audiences expect the Corporation to offer experiences that are engaging, entertaining, informative and trustworthy; the ABC will meet these expectations. In particular, it remains committed to the creation and delivery of Australian content, services to local communities, the highest levels of editorial standards and multi-platform delivery of content. The Corporation’s ability to sustain and transform itself depends fundamentally on its processes and people. As a public service, it must constantly seek to maximise the efficiency and effectiveness of its operations, converting savings into its programs and services. At the same time, it is crucial that the ABC maintain and support a creative and adaptable workforce that is capable of meeting the demands of the future, and actively engage with the wider Australian creative community. The Production Unit in Tasmania fulfils all these criteria. Creation of local content that tells the unique stories of Tasmania. These stories can be made without the need to seek development funding. The ABC Production Unit is a highly qualified and experienced team – able to create quality content in a timely way that matches or betters private production. The ABC has long been an employer of emerging media people both in front of camera and in production. Camera/sound/editing. This is invaluable to support of media community in Tasmania. -
Migrant Settlement Outcomes SBS Response to Inquiry by the Joint Standing Committee on Migration February 2017
Migrant Settlement Outcomes SBS response to Inquiry by the Joint Standing Committee on Migration February 2017 Key Points • Assisting migrants to settle in Australia is at the heart of what SBS does, and is central to fulfilling SBS’s Charter obligations and purpose of inspiring greater understanding between diverse communities and contributing to the health of our vibrant and cohesive multicultural society. • SBS provides a broad range of programs and services to support migrant settlement in Australia, including through its many in-language radio programs, and particularly its practical in-language Settlement Guides. • SBS provides access to international and national news and current affairs on television and online in English as well as 35 other languages, helping migrants keep in touch with news directly from their country of origin. • SBS engages directly with migrant communities through partnerships with organisations and projects for young people, and is constantly looking for ways to strengthen these relationships. • SBS stands ready to play an even greater role in migrant settlement should funding permit – for example, by expanding the number of languages in which Settlement Guides are provided, and by further integrating our services with Government settlement programs. Introduction SBS welcomes the opportunity to submit to the Inquiry by the Joint Standing Committee on Migration into Migrant Settlement Outcomes (the Inquiry). Page 1 of 7 SBS is unique in the Australian media environment. Its function is to provide multilingual, multicultural and Indigenous radio, television and digital media services that inform, educate and entertain all Australians and, in doing so, reflect Australia’s multicultural society. In carrying out its function, SBS is strongly supportive of, and provides services, to migrants coming to Australia, with the aim of encouraging participation in Australian civic and economic life. -
Why Journalism Matters a Media Standards Trust Series
Why Journalism Matters A Media Standards Trust series Lionel Barber, editor of the Financial Times The British Academy, Wednesday 15 th July These are the best of times and the worst of times if you happen to be a journalist, especially if you are a business journalist. The best, because our profession has a once-in-a-lifetime opportunity to report, analyse and comment on the most serious financial crisis since the Great Crash of 1929. The worst of times, because the news business is suffering from the cyclical shock of a deep recession and the structural change driven by the internet revolution. This twin shock has led to a loss of nerve in some quarters, particularly in the newspaper industry. Last week, during a trip to Colorado and Silicon Valley, I was peppered with questions about the health of the Financial Times . The FT was in the pink, I replied, to some surprise. A distinguished New York Times reporter remained unconvinced. “We’re all in the same boat,” he said,”but at least we’re all going down together.” My task tonight is not to preside over a wake, but to make the case for journalism, to explain why a free press and media have a vital role to play in an open democratic society. I would also like to offer some pointers for the future, highlighting the challenges facing what we now call the mainstream media and making some modest suggestions on how good journalism can not only survive but thrive in the digital age. Let me begin on a personal note. -
The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
CRA Canberradigitalregionaltr
MEDIA RELEASE 5 May 2010 Digital radio trial to begin in Canberra The number of commercial and SBS radio stations available to listeners in Canberra is set to increase with the announcement today by Commercial Radio Australia (CRA) and multicultural and multilingual broadcaster SBS that a regional trial of DAB+ digital radio would begin in Canberra in early July 2010. Commercial Radio Australia chief executive, Joan Warner said the first regional trial of DAB+ is the next step in making digital radio services available to all Australians. “The radio industry is committed to ensuring all Australians are able to access free to air radio broadcasting via digital technology. People living in regional Australia must have the same rights of access to digital radio as do those living in the five big cities. We do not want to see a nation of metropolitan digital 'haves ' and regional digital ' have nots' ." Ms Warner said. Through a digital radio trial many Canberra radio listeners will be able to experience digital quality audio, robust transmission and significantly improved functionality as part of digital broadcasting including more audio services, text and graphics on screen, plus pause and rewind on some receivers. “The Canberra trial will provide valuable firsthand experience for regional radio broadcasters in working with the DAB+ signal and increased functionality, while we continue to work to get the Federal Government to commit to allocating spectrum so that regional Australians will have the same right to digital radio as Australians living in metropolitan areas. The trial will also allow us to test how to ensure a signal can be received in a building such as Parliament House, a structure with both man-made and natural barriers,” said Ms Warner. -
Press Release Potsdam Declaration
Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background. -
Wales Published 3 August 2017 Wales Millennium Centre Wales Millennium Centre
Communications Market Report Wales Published 3 August 2017 Wales Millennium Centre Wales Millennium Centre Communications Market Report Main Contents Introduction 1 Setting the scene 2 1 Wales’ communications market 4 2 Television and audiovisual content 14 3 Radio and audio content 41 4 Telecoms and networks 54 5 Internet and online content 72 6 Post 79 Introduction Communications Market Report 2017 - Wales Introduction The report gives an overview of While there is no difference by Welcome to the nation’s communications location in 2017 for take-up of Ofcom’s annual markets, examining availability, Freeview in Wales, take-up of take-up and consumption of satellite TV in Wales is higher in Communications telecommunications, broadcasting, rural areas (59% compared with Market Report internet and postal services, and 43% in urban areas) and take-up comparing the findings with the of cable services is higher in urban for Wales. other nations and the UK as a whole. areas (12% compared to 0% in rural). Compared to the UK overall, The availability of faster internet penetration of satellite TV is higher connectivity continues to grow, in Wales, although households in primarily as a result of the Welsh Wales are less likely than in the UK Government’s Superfast Cymru overall to have cable TV (10% in programme which is being Wales compared to 15% in the UK). implemented by BT. To date, more than 647,487 homes and Fifty-eight per cent of adults businesses in Wales that would not in Wales own a DAB radio set, otherwise have been covered by more than in either Scotland or commercially-driven roll-outs, now Northern Ireland. -
Local TV Summary of Responses to the Local Media Action Plan
Local TV Summary of responses to the Local Media Action Plan June 2011 1 Our aim is to improve the quality of life for all through cultural and sporting activities, support the pursuit of excellence, and champion the tourism, creative and leisure industries. 2 Local TV Introduction 1. In January 2011, DCMS published a Local Media Action Plan1 setting out options for the creation of a new network of local television services. This plan followed the Shott Review published in December 20102 which looked at the conditions necessary for commercially viable local TV to emerge in the UK. 2. The Local Media Action Plan invited expressions of interest from groups and organisations that had an interest in providing a network channel that would carry and support local services. In addition, DCMS invited comments and views on a range of other questions around provision of local TV. 3. In total, DCMS received 140 responses to the action plan. This was made up of 21 expressions of interest in operating some form of network channel (ranging from centralised models to not-for-profit models to locally owned models); 43 expressions of interest in providing a range of local services; 5 expressions of interest in providing nations-based (i.e. Scotland, Wales, Northern Ireland specific) services; and 71 responses offering comments on the local TV policy proposition more generally. 4. A summary of the responses are set out at Annex A. A list of those who responded is set out at Annex B. Key considerations in determining the Local TV model 5. The Secretary of State’s objectives for local TV are a key part of the Government’s localism agenda. -
Laissez-Faire Regulation, the Public Spending Squeeze and the Drive to Digital Guy Starkey*
Cultural Trends, 2015 http://dx.doi.org/10.1080/09548963.2014.1000591 COMMENTARY 5 Cultural policy in the coalition years: Laissez-faire regulation, the public spending squeeze and the drive to digital Guy Starkey* 10 Centre for Research in Media & Cultural Studies, University of Sunderland, Sunderland, UK Introduction Radio, so often described by academics as the “invisible” (Lewis & Booth, 1989), “Cinder- ” – “ ” 15 ella (Halesworth, 1971, pp. 189 191) or even forgotten medium (Pease & Dennis, 1994), has enjoyed a relatively settled period under the coalition government. There has been no crisis of confidence over ethical and legal issues, as exposed in the press by Leveson and the police operations, Elveden, Tuleta and Weeting. There have been few head- line-grabbing (if difficult-to-evaluate) initiatives like local television, as exemplified by London Live or Made in Tyne & Wear, and no government-rocking conflicts of interest as 20 spectacular as that over the ownership of BSkyB. Nor indeed has there been any game-chan- ging reorganisation of public funding, similar to the Arts Council’s lists of winners and losers. Yet, as is so often the case, radio remains a significant, but largely, ignored medium. In terms of government policy, it has suffered mixed fortunes under the five years of the coalition. Official listening figures continue to confirm recent trends in radio’s fortunes. If radio grabs 25 little of the media limelight, it remains a medium with an enviable ubiquity. It may have been slow to win audiences among younger people as large as when it broke new music and pro- vided the kind of escapism sought by youth in the 1960s and 1970s. -
2014-2015 Impact Report
IMPACT REPORT 2014-2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION ABOUT THE IWMF Our mission is to unleash the potential of women journalists as champions of press freedom to transform the global news media. Our vision is for women journalists worldwide to be fully supported, protected, recognized and rewarded for their vital contributions at all levels of the news media. As a result, consumers will increase their demand for news with a diversity of voices, stories and perspectives as a cornerstone of democracy and free expression. Photo: IWMF Fellow Sonia Paul Reporting in Uganda 2 IWMF IMPACT REPORT 2014/2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION IWMF BOARD OF DIRECTORS Linda Mason, Co-Chair CBS News (retired) Dear Friends, Alexandra Trower, Co-Chair We are honored to lead the IWMF Board of Directors during this amazing period of growth and renewal for our The Estée Lauder Companies, Inc. Cindi Leive, Co-Vice Chair organization. This expansion is occurring at a time when journalists, under fire and threats in many parts of the Glamour world, need us most. We’re helping in myriad ways, including providing security training for reporting in conflict Bryan Monroe, Co-Vice Chair zones, conducting multifaceted initiatives in Africa and Latin America, and funding individual reporting projects Temple University that are being communicated through the full spectrum of media. Eric Harris, Treasurer Cheddar We couldn’t be more proud of how the IWMF has prioritized smart and strategic growth to maximize our award George A. Lehner, Legal Counsel and fellowship opportunities for women journalists. Through training, support, and opportunities like the Courage Pepper Hamilton LLP in Journalism Awards, the IWMF celebrates the perseverance and commitment of female journalists worldwide. -
Power, Communication, and Politics in the Nordic Countries
POWER, COMMUNICATION, AND POLITICS IN THE NORDIC COUNTRIES POWER, COMMUNICATION, POWER, COMMUNICATION, AND POLITICS IN THE NORDIC COUNTRIES The Nordic countries are stable democracies with solid infrastructures for political dia- logue and negotiations. However, both the “Nordic model” and Nordic media systems are under pressure as the conditions for political communication change – not least due to weakened political parties and the widespread use of digital communication media. In this anthology, the similarities and differences in political communication across the Nordic countries are studied. Traditional corporatist mechanisms in the Nordic countries are increasingly challenged by professionals, such as lobbyists, a development that has consequences for the processes and forms of political communication. Populist polit- ical parties have increased their media presence and political influence, whereas the news media have lost readers, viewers, listeners, and advertisers. These developments influence societal power relations and restructure the ways in which political actors • Edited by: Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard Kristensen, & Lars Nord • Edited by: Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard communicate about political issues. This book is a key reference for all who are interested in current trends and develop- ments in the Nordic countries. The editors, Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard Kristensen, and Lars Nord, have published extensively on political communication, and the authors are all scholars based in the Nordic countries with specialist knowledge in their fields. Power, Communication, and Politics in the Nordic Nordicom is a centre for Nordic media research at the University of Gothenburg, Nordicomsupported is a bycentre the Nordic for CouncilNordic of mediaMinisters. research at the University of Gothenburg, supported by the Nordic Council of Ministers. -
Annual Report 2016–2017 National Library of Australia Annual Report 2016–2017
ANNUAL REPORT 2016–2017 REPORT ANNUAL NATIONAL LIBRARY OF AUSTRALIA OF AUSTRALIA LIBRARY NATIONAL ANNUAL REPORT 2016–2017 NATIONAL LIBRARY OF AUSTRALIA ANNUAL REPORT 2016–2017 NATIONAL LIBRARY OF AUSTRALIA NATIONAL LIBRARY OF AUSTRALIA 4 August 2017 Senator the Hon. Mitch Fifield Minister for the Arts Parliament House CANBERRA ACT 2600 Dear Minister National Library of Australia Annual Report 2016–2017 The Council, as the accountable authority of the National Library of Australia, has pleasure in submitting to you for presentation to each House of Parliament its annual report covering the period 1 July 2016 to 30 June 2017. Published by the National Library of Australia The Council approved this report at its meeting in Canberra on 4 August 2017. Parkes Place Canberra ACT 2600 The report is submitted to you in accordance with section 46 of the Public T 02 6262 1111 Governance and Performance and Accountability Act 2013. F 02 6257 1703 National Relay Service 133 677 We commend the Annual Report to you. nla.gov.au/policy/annual.html Yours sincerely ABN 28 346 858 075 © National Library of Australia 2017 ISSN 0313-1971 (print) 1443-2269 (online) National Library of Australia Mr Ryan Stokes Dr Marie-Louise Ayres Annual report / National Library of Australia.–8th (1967/68)– Chair of Council Director-General Canberra: NLA, 1968––v.; 25 cm. Annual. Continues: National Library of Australia. Council. Annual report of the Council = ISSN 0069-0082. Report year ends 30 June. ISSN 0313-1971 = Annual report–National Library of Australia. 1. National Library of Australia–Periodicals. 027.594 Canberra ACT 2600 Prepared by the Executive and Public Programs Division T +61 2 6262 1111 F +61 2 6257 1703 Printed by Union Offset Hearing or speech impaired-call us via the National Relay Service on 133 677 nla.gov.au ABN 28 346 858 075 Cover image: M.H.