DOCSLIB.ORG

POST PRODUCTION 373 800-947-1175 | 212-444-6675 Video Editing Software

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
POST PRODUCTION 373 800-947-1175 | 212-444-6675 Video Editing Software POST PRODUCTION 373 800-947-1175 | 212-444-6675 Video Editing Software After Effects CS6 Premiere Elements 12 Premiere Pro CS6 2D/3D Compositing and Animation Software Video Editing Software • Import/export from other NLEs • Native 64-bit support • Drag & Drop HD/SD video editing • Script-to-screen workflow • Motion graphics and visual effects • InstantMovie auto-editing • Tapeless camera support • 2D/3Dcompositing & animation • Color-correction pesets & fine-tuning • Native DSLR support • Fast rotoscoping with rotobrush • Burn HD content to standard DVDs • Improved Metadata • Work with HD, 2K, & 4Kprojects • Automated sharing to YouTube & Facebook • Ultra Keyer • 64-bit compatibility • AVC-Intra & enhanced RED support • Photo Pan & Zoom • Hundreds of effects & transitions For Windows (ADPPCS6WW) ..................................Call or Log-on • Color LUT support #ADPE12WM (Mac/Windows) ...................................................89.99 For Mac (ADPPCS6MW) .........................................Call or Log-on For Mac (ADAECS6MW) ...........Log-on Production Premium Media Composer 7 Davinci Resolve 9 • Premiere Pro with Expanded Multicam For Mac and PC Color Correction Software • After Effects with 3D Camera Tracker The industry-standard, provides The name behind more feature • SpeedGrade Color Grading 64-bit performance, easy-to-use films, TV commercials and • Photoshop Extended / Illustrator video editing tools, built-in effects, episodes,documentaries, and • Prelude / Audition / Encore / Bridge transitions, and streamlined HD, music videos than any other • Flash Professional / Media Encoder file-based, and stereo 3D work- grading system. There are For Mac (ADPPCS6MWQ) or Windows flows. Also includes Avid FX; Avid thousands of colorists world- (ADPPCS6WWQ)...........................1589.00 DVD and Sorenson Squeeze wide who understand the performance, quality and workflow of For Student/Teacher in Mac (ADPPCS6MEST) ......................548.00 #AVMC7DEU (with dongle...................................................1159.95 DaVinci and love it as their trusted partner in creativity. For Student/Teacher in Windows (ADPPCS6WEST) ...............549.99 Wth Software Licensing (AVMC7SLWMEU)............................959.95 #BLDRCCS9.......................................................................945.25 Final Draft 8 EDIUS Pro 6.5 Script Writing Software Editing Software Studio • #1 selling program for writing movie • Real-time editing / effects / conversion Live Production Switcher scripts, TV episodes and stage plays. • 10-bit color correction • Combines powerful word processing • 3D Stereoscopic Editing Enables live streaming video to any Real with professional script formatting in • QuickTime codec for export to Win or Mac Time Messaging Protocol compatible one easy-to-use package. • Export sequence with Alpha Channel ervice, plus simultaneously output to • No need to learn about script formatting • Filmstrip view in timeline desktop browsers, iOS and Android rules – it automatically paginates and • Proxy and Hi-Res workflow modes devices. Transforms your PC into a live formats your script to industry standards as you write. • Multicamera editing of up to 16 sources production control room, with live video #FIFD8.............................................................................Log-on #GRE06.5RB .........................................................Call or Log-on switching for up to 5 HD inputs, full frame-rate multi-view, #FIFD8E (Academic Edition) .................................................129.00 #GREP6.5RBEDU (Educational Edition) .......................Call or Log-on graphic overlays and cut/fade transitions. (LILSSS)...............799.00 Vegas Pro 12 Squeeze 9 PluralEyes HD Video & Audio Editing/Blu-ray Disc Creation Video Encoding Software for Mac & Windows Imports your footage into its own timeline • GPU-accelerated effects & rendering • High quality codecs and profes- and automatically syncs the video from a • Stereoscopic 3D editing sional pre-processing creates single or multiple cameras to simultane- clearer and crisper videos. • Blu-Ray authoring w/DVD Architect Pro ously recorded audio. Automatic syncing • Unlimited audio tracks and 5.1 mixing • Compatible with 30 input and is accomplished by the software lining up output video and audio formats the audio waveforms of the audio and • Dolby Digital Professional Encoder • Dozens of quality filters video files, so for PluralEyes to work you must record an audio • DSLR video XDCAM, NXCAM, AVCHD, scratch track with your video footage. RED & 4K Support #SOS9S ............................................................................799.00 #RESHOPLUEYED...............................................................179.00 #SOVP12 ..............................................................Call or Log-on Squeeze 9 Lite Video Encoder (SOS9LS)..............................299.00 Episode 6 Encoding Software for Mac Dfx v3 Action Essentials • Encodes for DVD, Web, Broadcast & Mobile Digital Filter Suite 2K Resolution Action Stock Footage • Extensive collection of professionally Offers a palette of over 2,000 • 20 categories of FX designed workflows and encoder presets definitive digital filters with effects • 500 pre-keyed high definition elements • 10-Bit Encoding Engine that simulate Tiffen’s world- • 2.5x more resolution in each element • Automated Workflows reknown optical filters, plus much • Built-in alpha channels • Inputs/outputs many professional formats more! Provide unmatched perform- • Surround Sound Encoding for 5.1 & 7.1 • 20 action sound effects ance, flexibility, and control. Episode 6 for Mac (TEE6MESD) ..........469.00 • Detailed video thumbnails Complete standalone for Avid, FCP, Episode Pro 6 for Mac (TEEP6MESD) ..895.00 • Over 90% live action footage After Effects and Premiere. Wirecast Studio 4 for Mac (TEWCS4M)................................469.00 • Includes 60-min. Training Video Wirecast Pro 4 for Mac (TEWCP4M) ....................................857.95 #TIDFXFCV3..........................................................Call or Log-on #VIAE22.......................................229.00 POST PRODUCTION 374 Video Editing Hardware www.BandH.com SD & HD Mini-Converters KONA LHe PLUS • Industry standard stand-alone converters HD-SDI / Analog Video Capture & Playback PCI Card • Complete range of HD and SDI solutions Broadcast-quality PCI card for Mac and Windows systems, the LHe PLUS offers HD/SD-SDI • Bullet-proof reliability and world-class support input, dual SDI outputs, and a full complement of analog video and audio inputs/outputs via included breakout cable. The card features genlock input and performs 10-bit down conversion from HD to SD. Because conversion is hardware-based, its available upon both capture and playback. BNCs for analog component, composite, and S-Video input and output to support an extremely wide variety of video systems. (AJKONALHEP) .........................................................................Call or Log-on KONA LHi SD/HD Capture Card for Macintosh Allows analog cameras and VCRs alongside 3G SDI and HDMI v1.3a enabled products to interface to Mac OS X hardware, with integrated support for Final Cut and other QuickTime applications. Steps-up from the KONA LHe with 3G HD/SD SDI I/O, HDMI v1.3a I/O, LTC input (on reference input), and realtime SD to HD up-conversion, HD to HD cross-conversion and HD to SD down-conversion. #AJKONALHI...................................................................Log-on #AJKLHIBOX (Breakout Box for KONA LHi) ...........................Log-on ADA4: 4-Channel Audio A/D & D/A Converter (AJADA4Q) ..Log-on D4E: SDI to NTSC/PAL encoder (AJD4EQ)...........................Log-on KONA 3G Capture Card for Uncompressed SD, HD, Dual Link HD, 2K and 3G D5DA: SD-SDI DA (AJD5DAQ)...........................................Log-on Steps up from the Kona LHi with 2 SD/HD/3G SDI inputs/outputs, HDMI 1.4a support for 3D workflows, 16-channel SDI embedded audio D5D: Composite / S-Video to SDI Converter (AJD5DQ).........Log-on I/O, and up to 16-channel AES digital audio I/O (8 with breakout cable or 16 with optional K3G-Box). Also features separate LTC input and output ports, master or slave configurable RS-422 control port, internal hardware keyer and 2K video format support. D5CE: SDI to component converter (AJD5CEQ) ...................Log-on D10AD: Component or composite to SDI (AJD10ADQ)..........Log-on #AJKONA3G.........................................................Call or Log-on K3G Breakout Box (AJK3GBOX) .............................Call or Log-on HA5: HDMI to SDI/HD-SDI converter. Provides 2 SDI/HD-SDI outputs and supports long HDMI cables on the input. (AJHA5Q) .......Log-on ioExpress Portable Video Audio I/O Interface HDP2: HD-SDI/SDI to DVI-D & Audio Converter (AJHDP2Q) ..Log-on Interface for mastering and inexpensive monitoring when working with Apple ProRes 422 and 422 HQ, XDCAM HD, DVCPRO HD, and more. Features HD/SD-SDI I/O, HD/SD component output, HD5DA: 1x4 HD-SDI Distribution Amplifier (AJHD5DAQ).......Log-on LTC I/O, 2-channel RCA audio, and RS-422 in a durable and portable device. HI5: HD-SDI/SDI to HDMI video and audio converter for driving ioExpress (AJIOEXPRESSE)....Log-on Io Express Desktop Video Audio I/O Interface (AJIOE) ......Log-on HDMI monitors. Provides 2-channel RCA audio outputs for separate ExpressCard34 PCIe to PCIe Cable Interface Adapter (AJIOXPRESSCA)................................................................................................Log-on
Load more

Recommended publications
  • V-Tune Pro 4K AV Tuner Delivers Exceptional HD Tuning Solutions
    V-Tune Pro 4K AV Tuner Delivers Exceptional HD Tuning Solutions Corporate • Hotels • Conference Centers • Higher Education 800.245.4964 | [email protected] | www.westpennwire.com Tune Into HDTV 4K Distribution AV Tuner Provides HDMI 2.0, 1G BaseT Port & 3-Year Warranty The V-Tune Pro 4K offers a 4K2K high definition solution for Video outputs are HDMI 2.0 to reflect the latest in integrated systems that conform to NTSC (North America) connectivity technology, and composite YPbPr video or PAL (Europe) standards, or QAM schemes, and feature: to accommodate legacy systems. > ATSC Receivers > DVB Devices Audio is provided through unbalanced stereo RCA connectors, as well as through S/PDIF and optical > IPTV Systems fiber connectors. The tuner is capable of decoding video in these formats with resolutions up to 4K@60Hz via RF & LAN: The V-Tune Pro 4K’s versatility enables it to fit with > H.264 almost any integrated system’s topology. It’s the only > H.265 tuner on the market which can support a wide range of standards, formats, controls and connectivity > MPEG2 technologies cost-effectively. > MPEG4 > VC-1 The V-Tune Pro-4K AV Tuner may be integrated with these types of controls: > IP-Based > IR > RS-232 More Features to Maximize Functionality The V-Tune Pro-4K AV Tuner has many characteristics that make it ideal for any environment requiring superior HD tuning solutions. FEATURE V-TUNEPRO-4K 232-ATSC-4 4k x 2k Resolution YES NO (1080P Max) PAL YES NO DVB-T YES NO ISDB-T YES NO IPTV YES (UDP/RTP/RTSP Multicast & Unicast) NO 1G LAN PORT
    [Show full text]
  • A Subjective Study for the Design of Multi-Resolution ABR Video Streams with the VP9 Codec
    ©2016 Society for Imaging Science and Technology DOI: 10.2352/ISSN.2470-1173.2016.2.VIPC-235 A Subjective Study for the Design of Multi-resolution ABR Video Streams with the VP9 Codec Chao Chen, Sasi Inguva, Andrew Rankin and Anil Kokaram, YouTube, Google Incorporated, 1600 Amphitheatre Parkway, Mountain View, California, United States Abstract Another important advantage of multi-resolution ABR Adaptive bit rate (ABR) streaming is one enabling technol- streaming is its rate-quality performance. In general, high res- ogy for video streaming over modern throughput-varying com- olution videos have better visual quality at high bit rates and low munication networks. A widely used ABR streaming method is resolution videos have better quality at low bit rate (see next to adapt the video bit rate to channel throughput by dynamically section for explanations). As shown in Figure 1, with multi- changing the video resolution. Since videos have different rate- resolution ABR streaming, users could always switch to the reso- quality performances at different resolutions, such ABR strategy lution with the best visual quality according to their available data can achieve better rate-quality trade-off than single resolution throughput[4]. ABR streaming. The key problem for resolution switched ABR is to work out the bit rate appropriate at each resolution. In this paper, we investigate optimal strategies to estimate this bit rate using Multi-resolution ABR both quantitative and subjective quality assessment. We use the Single-resolution ABR design of bitrates for 2K and 4K resolutions as an example of the Quality performance of this strategy. We introduce strategies for selecting an appropriate corpus for subjective assessment and find that at this high resolution there is good agreement between quantitative 4K and subjective analysis.
    [Show full text]
  • Post Production FINAL Layout 1 3/25/14 9:53 AM Page 375
    375-381 Post Production FINAL_Layout 1 3/25/14 9:53 AM Page 375 POST PRODUCTION 375 800-947-1186 | 212-444-6686 Video Editing Software Photoshop & Premiere Media Composer 7 Premiere Elements 12 Elements 12 For Mac and PC Video Editing Software Software bundle that combines all the The industry-standard, provides 64-bit performance, easy-to-use • Drag & Drop HD/SD video editing tools you need to organize, edit, video editing tools, built-in effects, • InstantMovie auto-editing enhance, and share videos and photos with the world. The Elements versions transitions, and streamlined HD, • Color-correction pesets & fine-tuning file-based, and stereo 3D work- borrow many of the best features from • Burn HD content to standard DVDs flows. Also includes Avid FX; Avid Adobe’s industry-leading professional • Automated sharing to YouTube & Facebook DVD and Sorenson Squeeze software, while adding automated tools. • Photo Pan & Zoom • Hundreds of effects & transitions #AVMC7DEU (with dongle...................................................1149.00 #ADPE12WM (Mac/Windows) ...................................................82.99 #ADPSPEO12MW .......................120.65 Wth Software Licensing (AVMC7SLWMEU)............................874.95 Final Draft 9 Director Suite 2 Davinci Resolve 9 Script Writing Software Video, Audio, Photo, Color Editing Suite ) Color Correction Software • #1 selling program for writing movie Combines the PowerDirector 12 video The name behind more feature scripts, TV episodes and stage plays. editing system with ColorDirector 2, films, TV commercials and AudioDirector 4, and PhotoDirector 5 episodes,documentaries, and • Combines powerful word processing into a complete video/audio/photo music videos than any other with professional script formatting in editing and color grading solution. grading system. There are one easy-to-use package.
    [Show full text]
  • Installation and Operation Guide
    www.aja.com Published: 10/31/11 Installation and Operation Guide 1 Because it matters. 1 ii Trademarks AJA®, KONA®, Ki Pro®, KUMO®, and XENA® and are registered trademarks of AJA Video, Inc, Io Express™, Io HD™, Io™, and Because It Matters™ are trademarks of AJA Video, Inc. Apple, the Apple logo, AppleShare, AppleTalk, FireWire, iPod, iPod Touch, Mac, and Macintosh are registered trademarks of Apple Computer, Inc. Final Cut Pro, QuickTime and the QuickTime Logo are trademarks of Apple Computer, Inc. All other trademarks are the property of their respective holders. Notice Copyright © 2011 AJA Video, Inc. All rights reserved. All information in this manual is subject to change without notice. No part of the document may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopying or recording, without the express written permission of AJA Inc. Contacting Support To contact AJA Video for sales or support, use any of the following methods: Telephone: 800.251.4224 or 530.271.3190 Fax: 530.274.9442 Web: http://www.aja.com Support Email: [email protected] Sales Email: [email protected] FCC Emission Information This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications.
    [Show full text]
  • B R. O O Graphics and Imaging Products/Application Literature Cross Reference List
    B R. o o Graphics and Imaging Products/Application Literature Cross Reference List Product Number . Application Note Number Btl0l ...................................................... 1,2,3,6, 10, II, 12 BtlOI/883 .................................................. 1,2,3,6, 10, 11, 12 Btl02 ...................................................... 1,2,3,6, 10, II, 12 Btl02/883 .................................................. 1,2,3,6, 10, 11, 12 Btl03 ...................................................... 1,2,3,6, 10, 11, 12 Btl06 ...................................................... 1,2,3,6, 10, 11, 12 Btl07 ........................................................ 1,2, 3, 10, 11, 12 Btl09 ........................................................ 1,2, 3, 10, 11, 12 Bt208 ............................................................... 3, 10, 13 Bt251 ....................... ........................................ 3, 10, 14 Bt253 ............................................................... 3, 10, 15 Bt281 .................................................................... 19 Bt424 ................... ........................................ 4, 11, 12 Bt431 ............................................................... 4, 11, 12 Bt438 .................................................................. 11, 12 Bt438/883 .............................................................. II, 12 Bt439 ................................................................. II, 12 Bt450 .................................................. 1,2,3,4,6,7, 10,
    [Show full text]
  • 2K Overview Understanding 2K Workflows in Today’S Post-Production Evironments
    Whitepaper Author: Jon Thorn, Product Manager, Mac Desktop Products Thad Huston, Product Manager, Windows Desktop Products —AJA Video Systems 2K Overview Understanding 2K Workflows in Today’s Post-production Evironments The Image Size of 2K: Traditional Cinema and Digital Cinema 2K is a term, like SD and HD, used in today’s post-production environment to describe a particular image size and quality of data. 2K data ex- ceeds our pre-existing television broadcast standards for both SD and HD and is therefore most commonly associated with traditional cinema and the emerging digital cinema initiative. When working with data for eventual cinematic projection, FX work or digital intermediate purposes, 2K is usually defined as 2048x1556 pixels. This size represents the “full” size of the 35mm film between the sprockets. Therefore the result, 2048x1556 pixels, appears as a 4x3 image when compared to an HD image which is typically 16x9. In 2K, other image sizes can be derived from this 2048x1556 source by taking a cropped por- tion of the image for use. For a traditional cinematic projection scenario, the final delivery of this 2048x1556 data is onto 35mm film. The film undergoes photochemical and mechanical processes before the image reaches the screen. The other common size attributed to 2K is 2048x1080; this is the standard to which digital cinema currently adheres. Most digital cinema projec- tors have this 2048x1080 image size as a supported resolution and in many cases, as a maximum resolution. Here the data at 2048x1080 need not undergo a photochemical process; it can stay data for its path to projection.
    [Show full text]
  • Design Guide Switchers
    System Planning & Design Resource Design Guide Switchers Video Walls Multiviewers Codecs KVM SPECTRUM To Our Valued Customers and Partners, We’re here to help you select the finest equipment that solves your challenges, in an elegant, intuitive, and purpose-built manner. Since 1987, we have been designing and manufacturing innovative solutions for the display, recording and transmission of computer and video signals. With advanced capabilities, proven reliability, and flexible user interfaces, our products are preferred by discriminating customers in commercial, military, industrial, medical, security, energy, and educational markets. In creating this guide, our primary goal is to help simplify the process of choosing the right product for each system. The introductory section includes an overview of current and emerging audiovisual technologies, followed by primers on Networked AV and 4K video technologies, a directory of RGB Spectrum products, case studies, and specifications for all RGB Spectrum products, sample system diagrams, and finally, a glossary of key terms and concepts. RGB Spectrum’s products work together to provide a key part of a system solution — the AV core around which the rest is designed. The case studies illustrate methods to configure both simple and advanced systems. You can expand upon these to meet the requirements of your customers. We are happy to assist our readers to develop better, more effective, and more profitable AV solutions. If you need more assistance, our Design Services team is at the ready to help guide you through the process of determining the optimal RGB Spectrum equipment for your project. Sincerely, Bob Marcus Founder and CEO RGB Spectrum TABLE OF CONTENTS Technology Tutorial .
    [Show full text]
  • 4K/2K Resolution 4X2 HDMI Matrix Switch
    HDR 4x2-Pro 4K/2K Resolution 4X2 HDMI Matrix Switch 4 Port full HD multiviewer real-time USB/KVM switch The HDR 4x2-Pro delivers 4K/2K resolution while switching four signals between two displays FEATURES APPLICATIONS • Supports 4K/2K Input/Output • Wall Displays • 4x2 non-blocking, single-link HDMI matrix • Digital Media switch • Airports • Distributes any of the four inputs to any • Dealer Rooms combination of the two HDMI output displays • Control Rooms • Includes IR remote • Audio/Visual Presentations • HDCP and HDMI 1.4 Compliant • Shopping Centers • Security • Point-of-Sale • Hotels/Resort 4K/2K OVERVIEW To distribute and switch the latest in 4K/2K HDMI video signals, the HDR 4x2-Pro allows users to switch four HDMI inputs with two high-definition displays. Two outputs give users flexibility while routing HD audio and video signals with two displays. The HDR 4x2-Pro eliminates the need to disconnect and reconnect HDMI sources to a single display. The device is compatible with computer sources, live HD television feeds, Blu-ray players, gaming consoles, video cameras and more. Controlling the matrix switch is simple thanks to the front tactile buttons and the included infrared remote control. APPLICATION DIAGRAM HDR 4x2-Pro Includes IR Remote Control Blu-ray Player SPECIFICATIONS HDR 4x2-Pro Front HDR 4x2-Pro Rear VIDEO CONTROL Format HDMI 4K/2K Front Panel Tact Switch DVI Compliance Single-link DVI-D 1.1 with Adapter IR Via Remote Control with IR Type 3 HDCP Compliance 1.0/1.1 OTHER Video Bandwidth Single-link 340MHz [10.2Gbps] Power External 100-240 VAC/5VDC2A @10W Resolution 480i,480p,720i,720p,1080i,1080p Dimensions 7.75W x .75H x 3.625D in Input Interface (4) HDMI[7.1ch audio & video] Weight 0.8 lbs.
    [Show full text]
  • A Subjective Study for the Design of Multi-Resolution ABR Video Streams with the VP9 Codec
    ©2016 Society for Imaging Science and Technology DOI: 10.2352/ISSN.2470-1173.2016.2.VIPC-235 A Subjective Study for the Design of Multi-resolution ABR Video Streams with the VP9 Codec Chao Chen, Sasi Inguva, Andrew Rankin and Anil Kokaram, YouTube, Google Incorporated, 1600 Amphitheatre Parkway, Mountain View, California, United States Abstract Another important advantage of multi-resolution ABR Adaptive bit rate (ABR) streaming is one enabling technol- streaming is its rate-quality performance. In general, high res- ogy for video streaming over modern throughput-varying com- olution videos have better visual quality at high bit rates and low munication networks. A widely used ABR streaming method is resolution videos have better quality at low bit rate (see next to adapt the video bit rate to channel throughput by dynamically section for explanations). As shown in Figure 1, with multi- changing the video resolution. Since videos have different rate- resolution ABR streaming, users could always switch to the reso- quality performances at different resolutions, such ABR strategy lution with the best visual quality according to their available data can achieve better rate-quality trade-off than single resolution throughput[4]. ABR streaming. The key problem for resolution switched ABR is to work out the bit rate appropriate at each resolution. In this paper, we investigate optimal strategies to estimate this bit rate using Multi-resolution ABR both quantitative and subjective quality assessment. We use the Single-resolution ABR design of bitrates for 2K and 4K resolutions as an example of the Quality performance of this strategy. We introduce strategies for selecting an appropriate corpus for subjective assessment and find that at this high resolution there is good agreement between quantitative 4K and subjective analysis.
    [Show full text]
  • THE NEW WAY to CAPTIVATE
    THE NEW WAY to CAPTIVATE. THE DIGITAL EXPERIENCE THEY CAN’T GET AT HOME. 4K is the new way of digital cinema. Sony’s SXRD™ projectors are the first on the market to achieve the pinnacle of digital cinema projection: 4K resolution. The resulting 4096 x 2160 pixels go far, far beyond the best that home theater has to offer. 4K is what you need to establish your theater as the ultimate entertainment experience — today and tomorrow! WWW.SONY.COM/SXRD ™ 4K MEANS MORE THAN 4 TIMES THE PIXELS OF THE HIGHEST HIGH DEFINITION. THE SRX-R110 AND SRX-R105 DIGITAL CINEMA PROJECTORS With Sony’s SRX-R110 and SRX-R105 SXRD projectors you get superb contrast, vivid color and the highest resolution now available. These projectors are destined to go into an incredible range of applications where picture quality is the paramount concern. The SRX-110 is specified at 10,000 ANSI Lumens* and is generally appropriate for screens up to 40 feet (12 meters) wide. The sibling SRX-R105 produces 5,000 ANSI Lumens for screens up to 25 feet (7.6 meters) wide. Sony 4K Digital Cinema THE 4K DIFFERENCE. 4096 H x 2160 V Sony’s SRX-R110 and SRX-R105 achieve 4K resolution: 4096 8,847,360 pixels pixels horizontal x 2160 pixels vertical. That’s exactly four times the pixels of 2K resolution, and slightly more than four times the pixels of the highest consumer high definition video (1920 x 1080). The result is incredibly fine picture detail with Consumer High Definition 2K Digital Cinema pixels so small, and with such small interpixel gaps, they 1920 H x 1080 V 2048 H x 1080 V merge together seamlessly to the viewer at normal viewing 2,073,600 pixels 2,211,840 pixels distances.
    [Show full text]
  • 4Kx2k HDMI Quad Screen Splitter Multiviewer Display Video 1080P
    4K HDMI Quad Screen Splitter/Multiviewer 4K HDMI Quad Screen Splitter/Multiviewer SPLITMUX® Display real-time video from four HDMI sources simultaneously on a single display – supports 4Kx2K, 1080p, and 2560x1600 output resolutions Quad, Picture in Picture, Full Screen, and Custom display modes. • Custom Display Mode: the size, position and selection of any or all windows are customizable. 2- and 3-source viewing is possible with this method. Maintain input aspect ratio if desired-no stretching necessary. Layer display windows and adjust transparency of each video source display. Supported resolutions: • Inputs: 2K resolution 2048x1080, HDTV resolutions to 1080p and computer resolutions to 1920x1200. • Output: Quad and Full mode: Ultra-HD 4Kx2K resolutions to SPLITMUX-4K-4RT (Front & Back) 3840x2160 (60Hz) and 4096x2160 (60Hz), 2K resolution 2048x1080, HDTV resolutions to 1080p, and computer resolutions to 2560x1600. • Quad & full screen display modes with 4K, 2K, 1080p, & PiP and Custom mode: 2K resolution 2048x1080, HDTV 2560x1600 output resolutions. resolutions to 1080p and computer resolutions to 1920x1200. • Picture-in-picture & custom display modes with 2K, • Independent video in to video out resolution. 1080p, & 1920x1200 output resolutions. HDMI features supported: • Inputs: 24-, 30-, and 36-bit xvYCC, sRGB, and YCbCr. The SPLITMUX® 4K HDMI Quad Screen Multiviewer allows you to • Outputs: 24- and 30-bit sRGB. simultaneously display real-time video from four different sources on a • Four-channel mixing stereo with 16-, 20-, or 24-bit uncompressed single HDMI Ultra-HD 4Kx2K monitor. It is capable of displaying the video PCM audio. signals in quad, PiP, full, or custom mode. In quad and full screen display • Bandwidth up to 594 MHz modes, the multiviewer supports 4K, 2K, 1080p, and 2560x1600 output Inputs: 2.25 Gbps resolutions.
    [Show full text]
  • Enova DGX HDMI Input Board
    DATA SHEET Enova® DGX HDMI Input Board AVS-ENOVADGX32-VI-HDMI (FG1058-540) Overview The AVS-ENOVADGX32-VI-HDMI is a HDCP compliant HDMI input board for the Enova DGX 8, Enova DGX 16, Enova DGX 32 and Enova DGX 64. It has four connections and supports HDMI with embedded audio, DisplayPort++ or DVI signals. Common Applications The Enova DGX HDMI Input Board is ideal for applications where source devices are located within 15 meters of the Enova DGX Digital Media Switcher, allowing direct digital inputs into the system and eliminating the need for external transmitters. Features InstaGate Pro® Technology – Easily integrate HDMI/HDCP into system designs and enjoy hassle-free matrix switching to all compliant displays. No tools, no delays, and no key constraints – it just works Hot Swappable – Easily add or replace I/O boards at any time after deployment - the system automatically recognizes the new configuration and activates the boards 3D Support – Pass through latest video formats including 3D and Deep Color Surround Sound Support – Pass through high definition surround sound including Dolby TrueHD, Dolby Digital, DTS-HD Master Audio, DTS, and 2-channel through 8-channel L-PCM Specifications HDMI w/HDCP Compatible Formats HDMI, HDCP, DVI Signal Type Support HDMI DVI-D (Single Link With HDMI Cable Adapter) DisplayPort ++ (Input Only, With HDMI Cable Adapter) © 2013 AMX. All rights reserved. Video Data Rate (Max) 4.95 Gbps / 6.75 Gbps 6.75 Gbps supported when the HDMI Output Board Scaler or DXLink HDMI RX Scaler is in Bypass mode and format is 1080p60 or less Video Pixel Clock (Max) 165 MHz / 225 MHz 225 MHz supported when the HDMI Output Board Scaler or DXLink HDMI RX Scaler is in Bypass mode and format is 1080p60 or less Progressive Resolution Support 480p up to 1920x1200 @ 60 Hz Interlaced Resolution Support 480i, 576i, 1080i If input is interlaced, all scaled outputs will deinterlace video to a progressive resolution format.
    [Show full text]