Greening the Tube: Paddling Toward Comprehensive Surf Break Protection
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Te Runanga 0 Ngai Tahu Traditional Role of the Rona!Sa
:I: Mouru Pasco Maaka, who told him he was the last Maaka. In reply ::I: William told Aritaku that he had an unmerried sister Ani, m (nee Haberfield, also Metzger) in Murihiku. Ani and Aritaku met and went on to marry. m They established themselves in the area of Waimarama -0 and went on to have many children. -a o Mouru attended Greenhills Primary School and o ::D then moved on to Southland Girls' High School. She ::D showed academic ability and wanted to be a journalist, o but eventually ended up developing photographs. The o -a advantage of that was that today we have heaps of -a beautiful photos of our tlpuna which we regard as o priceless taolsa. o ::D Mouru went on to marry Nicholas James Metzger ::D in 1932. Nick's grandfather was German but was o educated in England before coming to New Zealand. o » Their first son, Nicholas Graham "Tiny" was born the year » they were married. Another child did not follow until 1943. -I , around home and relished the responsibility. She Mouru had had her hopes pinned on a dainty little girl 2S attended Raetihi School and later was a boarder at but instead she gave birth to a 13lb 40z boy called Gary " James. Turakina Maori Girls' College in Marton. She learnt the teachings of both the Ratana and Methodist churches. Mouru went to her family's tlU island Pikomamaku In 1944 Ruruhira took up a position at Te Rahui nui almost every season of her life. She excelled at Wahine Methodist Hostel for Maori girls in Hamilton cooking - the priest at her funeral remarked that "she founded by Princess Te Puea Herangi. -
Regionally Significant Surf Breaks in the Greater Wellington Region
Regionally Significant Surf breaks in the Greater Wellington Region Prepared for: eCoast Marine Consulting and Research Po Box 151 Raglan New Zealand +64 7 825 0087 [email protected] GWRC Significant Surf Breaks Regionally Significant Surf breaks in the Greater Wellington Region Report Status Version Date Status Approved By: V 1 4 Dec ember 201 4 Final Draft STM V 2 5 February 2015 Rev 1 STM V 3 22 May 2015 Rev 2 EAA It is the responsibility of the reader to verify the currency of the version number of this report. Ed Atkin HND, MSc (Hons) Michael Gunson Shaw Mead BSc, MSc (Hons), PhD Cover page: Surfers entering the water at Lyall Bay, Wellington’s best known and most frequently surfed beach. Photo Michael Gunson The information, including the intellectual property, contained in this report is confidential and proprietary to eCoast Limited. It may be used by the persons to whom it is provided for the stated purpose for which it is provided, and must not be imparted to any third person without the prior written approval of eCoast. eCoast Limited reserves all legal rights and remedies in relation to any infringement of its rights in respect of its confidential information. © eCoast Limited 2015 GWRC Significant Surf Breaks Contents CONTENTS ........................................................................................................................................................ I LIST OF FIGURES ............................................................................................................................................ -
Bigelow Masculinity
Networking Knowledge: Journal of the MeCCSA Postgraduate Network, Vol. 4, No. 1 (2011) Article TOUGH GUY IN DRAG? HOW THE EXTERNAL, CRITICAL DISCOURSES SURROUNDING KATHRYN BIGELOW DEMONSTRATE THE WIDER PROBLEMS OF THE GENDER QUESTION. RONA MURRAY, De Montford University ABSTRACT This article argues that the various approaches adopted towards Kathryn Bigelow’s work, and their tendency to focus on a gendered discourse, obscures the wider political discourses these texts contain. In particular, by analysing the representation of masculinity across the films, it is possible to see how the work of this director and her collaborators is equally representative of its cultural context and how it uses the trope of the male body as a site for a dialectical study of the uses and status of male strength within an imperialistically-minded western society. KEYWORDS Counter-cultural, feminism, feminist, gender, masculinity, western. ISSN 1755-9944 1 Networking Knowledge: Journal of the MeCCSA Postgraduate Network, Vol. 4, No. 1 (2011) Whether the director Kathryn Bigelow likes it or not, gender has been made to lie at the heart of her work, not simply as it figures in her texts but also as it is used to initiate discussion about her own function/place as an auteur? Her career illustrates how the personal becomes the political not via individual agency but in the way she has come to stand as a particular cultural symbol – as a woman directing men in male-orientated action genres. As this persona has become increasingly loaded with various significances, it has begun to alter the interpretations of her films. -
Zero Dark Thirty Error
Issue 7 | Movie: A Journal of Film Criticism | 23 troop carrier with no clear sense of destination, speaks again understated performances further serve to create what might as much to a national as a personal loss of purpose, afer the be described as a reality afect. quest is over. Te 9/11 sequence ofers an extreme version of the real- Te flm’s epilogue has received considerable critical atten- ist aesthetic and the rejection of spectacle. From the second tion1; the prologue less so. And where critics do mention it, plane hitting the tower, to the falling man, to the rubble details are ofen misremembered. In an interview with Kyle of ground zero, there are any number of iconic images the Buchanan, screenwriter Mark Boal refects on the difculties flmmakers might have selected to represent the destruction of writing the ‘opening scene’ of Zero Dark Tirty (2013). Te wrought by the attacks. However, what such images have in scene he is referring to in this discussion, however, is the infa- common, what potentially makes them efective as a form of mous torture scene that begins the narrative proper (to which cultural shorthand, also renders them problematic in terms I will return). It is as if he has momentarily forgotten the scene of eliciting a fresh response – and certainly in terms of the Intimacy, ‘truth’ and the gaze: that precedes it in the original shooting script as well as the slow-burn, reality afect. Teir very familiarity can render flm. Given this oversight by the writer himself, it is under- such images hackneyed and over-determined. -
Management Guidelines for Surfing Resources
Management Guidelines for Surfing Resources Version History Version Date Comment Approved for release by Beta version release of Beta 1st October 2018 first edition for initial feedback period Ed Atkin Version 1 following V1 31st August 2019 feedback period Ed Atkin Please consider the environment before printing this document Management Guidelines for Surfing Resources This document was developed as part of the Ministry for Businesses, Innovation and Employment funded research project: Remote Sensing, Classification and Management Guidelines for Surf Breaks of National and Regional Significance. Disclaimer These guidelines have been prepared by researchers from University of Waikato, eCoast Marine Consulting and Research, and Hume Consulting Ltd, under the guidance of a steering committee comprising representation from: Auckland Council; Department of Conservation; Landcare Research; Lincoln University; Waikato Regional Council; Surfbreak Protection Society; and, Surf Life Saving New Zealand. This document has been peer reviewed by leading surf break management and preservation practitioners, and experts in coastal processes, planning and policy. Many thanks to Professor Andrew Short, Graeme Silver, Dr Greg Borne, Associate Professor Hamish Rennie, James Carley, Matt McNeil, Michael Gunson, Rick Liefting, Dr Shaun Awatere, Shane Orchard and Dr Tony Butt. The authors have used the best available information in preparing this document. Nevertheless, none of the organisations involved in its preparation accept any liability, whether direct, indirect or consequential, arising out of the provision of information in this report. While every effort has been made to ensure that these guidelines are clear and accurate, none of the aforementioned contributors and involved parties will be held responsible for any action arising out of its use. -
Autahi Istory
autahi a moko ises the art form ce of istory "re Tau case. gUlng I ityof apapa Sarah Sylvia lorraine Koher 1917-May 19, 2001 Earlier this year while i ton I visited a remarkable son of Ngai Tahu - Mi aSM. Papaki mai nga hau ate ao ki rungaAoraki, ka rewa nga Mick- from the Picton ~y family - did not have huka hei roimata, ka tere at wa Ki ta Moana- a high profile yet his is a story of extraordinary talent, of nui-a-Kiwa. Tahuri ornata t tf fa bravery, adve uer~d and a life of service to THE NGAI TAHU MAGAZINE 6u Kawai kei te Waipounamu Ngal TOahurf MakaririlWinter 2001 others. Ngati Huirapa, ki a Kati Waewae, Ngai Tahu, If Mickhad aI', he would have EDITOR Gabrielle Huria Mamoe, Waitaha nui tonu. Te hunaonga 0 Rewati Been one of the s Zealand sporting Tuhorouta Kohere raua ko Keita Kaikiri Paratene. Haruru scene. ASSISTANT Adrienne Anderson ana hoki te hinganga 0 te kaitiaki a Rangiatea. Haehae EDITOR At the onset ana te ngakau. Aue taukuri e. editorial playing first-class r CONTRIBUTORS Emalene Belczacki many to be one of Helen Brown GABRIELLE HURIA Black Douglas Waipapa (Flutey) Ross Caiman And so he war, Where in both Egypt and Cook Donald Couch Italy ha Wills resent the New Zealand Army Suzanne Ellison Jane Huria Tana koutou katoa. Ka nui taku mihi ki a koutou i tanei wa a te makariri. team In no He panui tenei ki a koutou. I hinga Blade Jones Wr Ta moko has experienced a renaissance in recent times. -
Female Director Takes Hollywood by Storm: Is She a Beauty Or a Visionary?
Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship 6-1-2016 Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary? Courtney Richardson Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/honors_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Richardson, Courtney, "Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary?" (2016). Honors Senior Theses/Projects. 107. https://digitalcommons.wou.edu/honors_theses/107 This Undergraduate Honors Thesis/Project is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary? By Courtney Richardson An Honors Thesis Submitted in Partial Fulfillment of the Requirements for Graduation from the Western Oregon University Honors Program Dr. Shaun Huston, Thesis Advisor Dr. Gavin Keulks, Honors Program Director Western Oregon University June 2016 2 Acknowledgements First I would like to say a big thank you to my advisor Dr. Shaun Huston. He agreed to step in when my original advisor backed out suddenly and without telling me and really saved the day. Honestly, that was the most stressful part of the entire process and knowing that he was available if I needed his help was a great relief. Second, a thank you to my Honors advisor Dr. -
The “Genre Bender”: the Creative Leadership of Kathryn Bigelow
THE “GENRE BENDER”: THE CREATIVE LEADERSHIP OF KATHRYN BIGELOW Olga Epitropaki and Charalampos Mainemelis ABSTRACT In the present chapter, we present the case study of the only woman film director who has ever won an Academy Award for Best Director, Kathryn Bigelow. We analyzed 43 written interviews of Kathryn Bigelow that have appeared in the popular press in the period 1988 2013 and outlined eight main themes emerging regarding her exercise ofÀ leadership in the cinematic context. We utilize three theoretical frameworks: (a) paradoxical leadership theory (Lewis, Andriopoulos, & Smith, 2014; Smith & Lewis, 2012); (b) ambidextrous leadership theory (Rosing, Frese, & Bausch, 2011), and (c) role congruity theory (Eagley & Karau, 2002) and show how Bigelow, as a woman artist/leader working in a complex organizational system that emphasizes radical innovation, exercised paradoxical and ambidextrous leadership and challenged Downloaded by Doctor Charalampos Mainemelis At 07:19 09 March 2016 (PT) Leadership Lessons from Compelling Contexts Monographs in Leadership and Management, Volume 8, 275 300 À Copyright r 2016 by Emerald Group Publishing Limited All rights of reproduction in any form reserved ISSN: 1479-3571/doi:10.1108/S1479-357120160000008009 275 276 OLGA EPITROPAKI AND CHARALAMPOS MAINEMELIS existing conventions about genre, gender, and leadership. The case study implications for teaching and practice are discussed. Keywords: Creative leadership; ambidextrous leadership; paradoxical leadership; role congruity theory; director; film industry She’s acting out desires. She represents what people want to see, and it’s upsetting, because they don’t know exactly what to do with it. Cultural theorist Sylve´ re Lotringer INTRODUCTION Organizations are abounding with tensions and conflicting demands (e.g., flexibility vs. -
The Scarcity and Vulnerability of Surfing Resources
Master‘s thesis The Scarcity and Vulnerability of Surfing Resources An Analysis of the Value of Surfing from a Social Economic Perspective in Matosinhos, Portugal Jonathan Eberlein Advisor: Dr. Andreas Kannen University of Akureyri Faculty of Business and Science University Centre of the Westfjords Master of Resource Management: Coastal and Marine Management Ísafjör!ur, January 2011 Supervisory Committee Advisor: Andreas Kannen, Dr. External Reader: Ronald Wennersten, Prof., Dr. Program Director: Dagn! Arnarsdóttir, MSc. Jonathan Eberlein The Scarcity and Vulnerability of Surfing Resources – An Analysis of the Value of Surfing from a Social Economic Perspective in Matosinhos, Portugal 60 ECTS thesis submitted in partial fulfilment of a Master of Resource Management degree in Coastal and Marine Management at the University Centre of the Westfjords, Su"urgata 12, 400 Ísafjör"ur, Iceland Degree accredited by the University of Akureyri, Faculty of Business and Science, Borgir, 600 Akureyri, Iceland Copyright © 2011 Jonathan Eberlein All rights reserved Printing: Druck Center Uwe Mussack, Niebüll, Germany, January 2011 Declaration I hereby confirm that I am the sole author of this thesis and it is a product of my own academic research. __________________________________________ Student‘s name Abstract The master thesis “The Scarcity and Vulnerability of Surfing Recourses - An Analysis of the Value of Surfing from a Social Economic Perspective in Matosinhos, Portugal” investigates the potential socioeconomic value of surfing and improvement of recreational ocean water for the City of Matosinhos. For that reason a beach survey was developed and carried out in order to find out about beach users activities, perceptions and demands. Results showed that user activities were dominated by sunbathing/relaxation on the beach and surfing and body boarding in the water. -
Blurring the Boundaries: Auteurism & Kathryn Bigelow Brenda Wilson
Blurring the Boundaries: Auteurism & Kathryn Bigelow Brenda Wilson Born in California in 1952, Katherine Bigelow is one of group of outsiders living by different rules are presented the few women directors working in Hollywood today. She here as whole- heartedly cool. And the aesthetic style of is exceptional because she works primarily within the the film is indicative of Bigelow's increasingly idiosyncratic traditionally male- dominated genres of the action cinema. choices that create arresting images and innovative action Bigelow's films often reflect a different approach to these sequences. Strange Days (1995) is the film in Bigelow's genres as she consistently explores themes of violence, oeuvre that has received the most critical and theoretical voyeurism and sexual politics. Ultimately she seems to be attention, and so for the purposes of this analysis it will be concerned with calling the boundaries between particular referred to but not fully theorized. Strange Days is a neo- genres into question. Bigelow's visual style echoes this noir science fiction film that presents the future on the eve thematic complexity, often introducing elements of an art- of the new millennium, a dystopic Los Angeles which is on house aesthetic. Bigelow emerged from the New York art the verge of erupting into a race war. The film was a critical scene in the 1970s, having won a Whitney Scholarship to if not commercial success, building upon recognizable study painting. She later transferred to the Columbia Film Bigelow motifs. The film is a rich tapestry of narrative program. Critics such as Yvonne Tasker have commented threads, stunning visuals and soundtrack, all of which on the amalgamation of spectacle and adrenaline with compete for attention. -
Wainui Beach Management Strategy (WBMS)
Wainui Beach Management Strategy (WBMS) - Surf break Protection Dr Amber Dunn Coastal Scientist, eco-i 21st June 2013 Introduction A management strategy is being devised for Wainui Beach to address coastal erosion. Work to date has identified the key community values to be encapsulated in this strategy are: • Protection of surf breaks of national significance, • Property Protection, • Maintain natural beach processes (and natural character), • Protect the foredune, and • Maintain public access to the beach The management strategy will address and examine these values. In this report, the focus is surf break protection and required answers to three key questions or queries: 1. An explanation of how surf breaks are formed and the related beach processes; 2. What are the high level design considerations or factors to consider to protect surf breaks when developing [protection] options? and 3. Are current protection works and dune care work impacting on surf break and to what extent? The community values indicate the management strategy will need to satisfy multiply needs, and therefore, should follow the key "good design" principle of 'solving more than one problem at a time'. In this respect, the community wants a management strategy that will satisfy these values: surf break protection and property protection and maintain natural beach processess (and therefore natural character) and protect the foredune and maintain public access. Therefore, a holistic approach was taken so that connections between these values are identified and explanations provided alongside answering the 3 key questions. This report is provided in two parts: (a) a brief summary - a single paragraph answer to the specified questions; and (b) an expanded explanation (or context) to support the brief summary. -
Wind N Wave Surf Report
Wind N Wave Surf Report Is Lothar folding or antigenic when err some petiolule blackmails seditiously? How frictionless is Morry when inquisitorial and real Webster superstructs some kennel? Cressy and multiseptate Kyle intimates her rampart outglare or point dubiously. Required functionality from depricated options_selection. They break either left or right, not both ways as do beach and reef breaks. The result will equal the depth the waves begin to feel the ocean floor. View high and low tides as well as predicted currents for thousands of locations in an easy to use graph and tabular format. We are a full service surf shop located on the central Oregon Coast. Shop Online Or Visit Our San Diego, CA. Their customer service is next to none. For beginner and ripper alike, the best wind direction is almost always light offshore switching to no wind at all. Swell Net offers daily observed surf reports for dawn patrol along with an afternoon update. Find out how to read a surf report with our complete guide. Listen to their perspectives, ask questions, and who knows! Get news and updates! Some surfers may prefer waves, which are steeper, faster and break quicker. When it comes to sculpting the perfect wave, wind strength and direction are as crucial as the tides. By working together we achieve more than by working alone. When the swell travel a long distance, the time between the waves increase. Anyone, anywhere can quickly and easily provide a report of conditions. Baker Beach Tide Times, CA Baker Beach Tides updated daily. Although difference in wind speed is one easy way to classify storms, hurricanes have other unusual characteristics.