The Art of the Metropolitan Museum of New York

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The Art of the Metropolitan Museum of New York LIBRARY ANNEX Metropolitan n Museum! r mr Newark DAVID C PREYER %. ' .^ » -' .' ' ^'f.' OlnftteU Iniueraitg Jtliaca, mtm forlt COLLEGE OF ARCHITECTURE LIBRARY i/.^?^>i^...<SL.,.iJayrrt^:^^ N e^np«^'"'™"''"'™''*'*y Library The art of the Metropolitan Museum of Ne 3 1924 020 491 233 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924020491233 Zhc Htt of the Metropolitan Mueeum :!B^ tbc Same Butboc gR XEbe M ^ art of tbc metbcrIan^ S rt3 Being a History of the Dutch f^ m\f\ School of Painting Uluminated rvM tiv and Demonstrated by Critical cM Ki Descriptions of the Great JVJ rlN^ Paintings in the many Galleiies r^ C^ With 48 Illustrations. Price, $2.00 net 26 L. C. PAGE & COMPANY New England Building, Boston, Mass. GIBBS - CHANNING PORTRAIT OF GEORGE WASHINGTON. By Gilbert Stuart. (See page 287) iWuseum of ^ Giving a descriptive and critical account of its treasures, which represent the arts and crafts from remote antiquity to the present time, jfi By David C. ^eyer, M. A. Author of " The Art of the Netherland Galleries," etc. Illustrated Boston L. C. Page & Company MDCCCCI X Copyright, tgog By L. C. Page & Company (ihcorpokatbd) All rights reservea First Impression, November, 1909 Kltetretyfed and Printed at THE COLONIAL PRESS C.H. Simmds&'Co., Boslan, U.S.A. preface A VISIT to a museum with a guide book is not inspiring. Works of art when viewed should con- vey their own message, and leave their own im- pression. And yet, the deeper this impression, the more inspiring this message, the more anxious we will be for some further information than that conveyed by the attached- tablet, or the catalogue reference. The aim of this book is to gratify this desire, to enable us to have a better understanding of the works of art exhibited in the Metropolitan Museum, to point out their rorelation, and thus increase our appreciation of the treasures we have seen and admired. But this book is also intended for those who have never been able to visit the Museum. Even these may thus attain some fair idea of the aesthetic and instructive value of the countless objects displayed. By reading this book they may become better pre- pared to enjoy more fully and with clearer per- ception all that is to be seen within the walls of the Metropolitan. viii iPretace On occasion I have freely quoted from the de- scription given by the Museum Bulletin, of objects in different departments. These descriptions are furnished by the Museum's experts, and in most cases could not well be improved upon. Only in a few instances I have reserved the privilege of holding a differing- opinion. Acknowledgment should be made of valuable suggestions made by Mr. W. Stanton Howard, the well-known writer on art-subjects, who kindly consented to read the manuscript. The plan of the book is, I believe, a logical one. This is not a guide book, so it was not necessary to follow the walls — if this were practicable on account of the constant changes of location, necessitated by new accessions and in- creasing space. Since the arrangement in the Museum is ever tending towards systematic dis- play, it will be easy to find every work of art men- tioned here by the aid of the small " Circular of Information," to be had free at the Entrances, in which the location of all the departments is given. These works of art that have been lent to the Museum for a short time have in most instances been passed by, with the exception of a few of unusual interest. D. C. Preyer. New York, October i, igog. Contents PAGB Preface vii I. The Metropolitan Museum op Art — Its Aim and History . I II. The Antiquities . II III. The Plaster-casts and Models 35 IV. Sculpture .... 60 V. The Drawings 75 VI. The Italian Paintings 83 VII. The Flemish Paintings . 112 VIII. The Dutch Paintings 134 IX. The German Paintings 173 X. The Spanish Paintings 188 XI. The French Paintings 202 XII. The English Paintings . 251 XIII. The American Paintings . 282 XIV. Metalwork .... 307 XV. Wood Work . *. 329 XVI. Ceramics .... 336 XVII. Glass 355 XVIII. Gems and Articles de Vertu 362 XIX. Textiles — Laces 371 XX. Varije 392 Index 411 — Xi8t Of irilustratlons • —»— PAGE GiBBS - Channing Portrait of George Wash- ington (See page 287) .... Frontispiece By Gilbert Stuart Diagram of Museum Buildings, — First Floor 4 Portrait of President John Taylor Johnston. 8 By Bonnat Portrait of President Henry G. Marquand . 8 By Sargent Diagram of Museum Buildings, — Second Floor . , 10 Athenian Lekythos, Herakles and Pholos . 21 Athenian Oinochoe, The ReturS of Hephaistos 21 White Attic Lekythos, Perseus and Medusa . 21 Etruscan Bronze Chariot of the 6th Century B.C. ; . 23 Bronze Statuette of a Diskos - Thrower . 26 Statuette of a Greek Athlete, 5TH Century b. c. 26 Poseidon, Bronze Statuette 26 View of the Hall of Casts 35 Model of the PantSeon 35 The Mares of Diomedes 67 By Gutzon Berghun L'Age d'Airain 71 By Rodin Mother . 74 By Arthur Lewin-Funcke xii xtst Of Vllusttattons FACE The Sldggabd 74 By Lord Frederick Leighton Tabernacle of the Muranese School . 90 The Nativity 90 By Fiorenzo di Lorenzo 'Madonna and Child 93 By Giovanni Bellini Portrait of Cosimo I, Grand Duke of Tuscany 102 By Angelo Bronzino Portrait of a Young Man 102 By Lorenzo Lotto The Story of the Life of a Saint (?) . 116 By Henricus Blesius if) The Holy Family 121 By Rubens Marriage Festival 121 By David Teniers, the Younger Portrait of James Stuart, Duke of Richmond AND Lennox 125 By Anion van Dyck The Celebration of the Freedom of the Poet of Antwerp, 1863 131 By Paul Jean Clays Portrait of a Man 142 By Frans Hats A Dutch Interior 156 By Pieter de Hooch Winter in Holland 156 By Izaac van Ostade Woman Opening a Casement 157 By Jan Vermeer van Delft The Bashful Suitor 171 By Joseph Israels Spring 171 By Anton Mauve Portrait of a Man 179 By Hans Holbein, the Younger Oxen Going Through the Water . .187 By Heinrich Ziigel Altar Piece Dedicated to Saint Andrew . .190 Attributed to Luis Borrassi Portrait of Don Sebastian Martinez . 198 By Francisco Goya Xist of IFllustrations xiu PAGE Portrait of a Spanish Lady 198 By Mariano Fortuny The Bath, Javea 200 By Sorolla y Bastida A Seaport 206 By Claude Lorrain Venus with Sea -nymphs and Amours . 214 By N. N. Coypel L'Enlevement de Rebecca 214 By F. V. B. Delacroix Day Dreams . , 219 By Thomas Couture The Sleep of Diana 219 By J. B. C. Corot The Brothers Adriaan and Wiixem van de Velde 233 By J. L. E. Meissonier The Shulamite 233 By A. Cabanel Among the Lowly 236 By L. A. L'Hermitte Mme. Charpentier and her Children . 249 By P. A. Renoir Portraits of the Hon. Henry Fane and his Guardians, Inigo Jones and Charles Blair . 260 By Sir Joshua Reynolds English Landscape . 267 By Thomas Gainsborough Midday Meal 267 By George Morland Ariadne in Naxos 277 By G. F. Wattt Lady Lilith 277 By D. G. Rossetti Lachrymae 280 By Lord Frederick Leighton The American School 290 By Matthew Pratt Flower Girl 290 By C. C. Ingham Peace and Plenty 297 By George Inness xiv aLfst of illustrations FACE The Gulf Stream 3°3 By Winslow Homer Caemencixa 304 By W. M. Chase Portrait 304 By F. W, Benson Greek Jewelry — Diadem, Rosettes, Necklace . 311 Irish Plate 313 Reproduction oe the Eleanor Grille in Westminster Abbey 313 Brass Bowl, inlaid with Gold and Silver, Sy- RUN 313 View of the Hall of Armour . - 320 Chairs, Swiss, 17TH Century . .. 332 Bowls, tazze shaped, Chinese, isth Century . 338 Bowl of Rakka Ware, Persian, 13TH Century. 344 Enamelled Tiles, from the Palace of Forty Columns Ispahan, Persian i6th Century . 346 Death of Cleopatra, Brussels Tapestry, 17TH Century 374 Velvet, Italian, 15TH Century .... 381 Cotton Fabric, North Germany, 17TH Century 381 The Lace Room 384 Judith and Holofernes, Needlepoint : punte in ARIA, Venetian, about 1600 .... 384 Flemish Bobbin Lace 388 Lacis OR PuNTO Ricamento, French or Itauan, i6th Century 388 Needlepoint, Italian or Spanish, early 17TH Century ,88 Bookplates of the Library 401 Portrait of Miss Catherine Lorillard Wolfe 406 By Cabanel . Portrait of Mr. Heber R. Bishop . 406 By Bonnat of i^eto iorfe CHAPTER I THE METROPOLITAN MUSEUM OF ART — ITS AIM AND HISTORY From the first inception of the founding of the Metropolitan Museum its aim has been " the educa- tion of the public and the cultivation of a high standard of artistic taste." It was not merely to establish a great collection of art objects, but to encourage and develop the study of the fine arts to the advancement of general knowledge and its application to manufactures and practical life. The Metropolitan Museum of Art was founded to be an educational institution — with an inspiring thought, carried through without abate- ment of enthusiasm, not " Art for art's sake," but " Art for humanity's sake," 1 2 Ube art of tbc /iDetropoUtan /BJuscum Various opinions have been expressed as to what should be the scope of the purpose of an art mu- seum, and many have denied the possibility of unit- ing its aesthetic and its didactic mission. Some have even gone so far as to say that its purpose can never be a pedagogic one, that the aim of instruc- tion must remain essentially subordinate to that of aesthetic comprehension.
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